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Best Famous Ominous Poems

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Written by Edgar Allan Poe | Create an image from this poem

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!


Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.
Written by Stephen Vincent Benet | Create an image from this poem

The White Peacock

 (France -- Ancient Regime.) 

I.

Go away! 
Go away; I will not confess to you! 
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click, 
As he mumbles in his corner, the shadow deepens upon him; 
I will not confess! . . . 

Is he there or is it intenser shadow? 
Dark huddled coilings from the obscene depths, 
Black, formless shadow, 
Shadow. 
Doors creak; from secret parts of the chateau come the scuffle and worry of rats. 

Orange light drips from the guttering candles, 
Eddying over the vast embroideries of the bed 
Stirring the monstrous tapestries, 
Retreating before the sable impending gloom of the canopy 
With a swift thrust and sparkle of gold, 
Lipping my hands, 
Then 
Rippling back abashed before the ominous silences 
Like the swift turns and starts of an overpowered fencer 
Who sees before him Horror 
Behind him darkness, 
Shadow. 

The clock jars and strikes, a thin, sudden note like the sob of a child. 
Clock, buhl clock that ticked out the tortuous hours of my birth, 
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured, 
Yardstick of my stifling shroud? 

I am Aumaury de Montreuil; once quick, soon to be eaten of worms. 
You hear, Father? Hsh, he is asleep in the night's cloak. 

Over me too steals sleep. 
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling; 
Sleep on the carven shields and knots at the foot of the bed, 
Oozing, blurring outlines, obliterating colors, 
Death. 

Father, Father, I must not sleep! 
It does not hear -- that shadow crouched in the corner . . . 
Is it a shadow? 
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness. 


II.

Out of the drowsy fog my body creeps back to me. 
It is the white time before dawn. 
Moonlight, watery, pellucid, lifeless, ripples over the world. 
The grass beneath it is gray; the stars pale in the sky. 
The night dew has fallen; 
An infinity of little drops, crystals from which all light has been taken, 
Glint on the sighing branches. 
All is purity, without color, without stir, without passion. 

Suddenly a peacock screams. 

My heart shocks and stops; 
Sweat, cold corpse-sweat 
Covers my rigid body. 
My hair stands on end. I cannot stir. I cannot speak. 
It is terror, terror that is walking the pale sick gardens 
And the eyeless face no man may see and live! 
Ah-h-h-h-h! 
Father, Father, wake! wake and save me! 
In his corner all is shadow. 

Dead things creep from the ground. 
It is so long ago that she died, so long ago! 
Dust crushes her, earth holds her, mold grips her. 
Fiends, do you not know that she is dead? . . . 
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor. 
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra, 
From the white shoulders of girls and the white powdered wigs of men . . . 
All life was that dance. 
The mocking, resistless current, 
The beauty, the passion, the perilous madness -- 
As she took my hand, released it and spread her dresses like petals, 
Turning, swaying in beauty, 
A lily, bowed by the rain, -- 
Moonlight she was, and her body of moonlight and foam, 
And her eyes stars. 
Oh the dance has a pattern! 
But the clear grace of her thrilled through the notes of the viols, 
Tremulous, pleading, escaping, immortal, untamed, 
And, as we ended, 
She blew me a kiss from her hand like a drifting white blossom -- 
And the starshine was gone; and she fled like a bird up the stair. 

Underneath the window a peacock screams, 
And claws click, scrape 
Like little lacquered boots on the rough stone. 

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased! 
The aching presence of the beloved's beauty! 
The wisdom, the incense, the brightness! 

Once more on the ice-bright floor they danced the pavon 
But I turned to the garden and her from the lighted candles. 
Softly I trod the lush grass between the black hedges of box. 
Softly, for I should take her unawares and catch her arms, 
And embrace her, dear and startled. 

By the arbor all the moonlight flowed in silver 
And her head was on his breast. 
She did not scream or shudder 
When my sword was where her head had lain 
In the quiet moonlight; 
But turned to me with one pale hand uplifted, 
All her satins fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
Like the quivering plumage of a peacock . . . 
Then her head drooped and I gripped her hair, 
Oh soft, scented cloud across my fingers! -- 
Bending her white neck back. . . . 

Blood writhed on my hands; I trod in blood. . . . 
Stupidly agaze 
At that crumpled heap of silk and moonlight, 
Where like twitching pinions, an arm twisted, 
Palely, and was still 
As the face of chalk. 

The buhl clock strikes. 
Thirty years. Christ, thirty years! 
Agony. Agony. 

Something stirs in the window, 
Shattering the moonlight. 
White wings fan. 
Father, Father! 

All its plumage fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
It drifts across the floor and mounts the bed, 
To the tap of little satin shoes. 
Gazing with infernal eyes. 
Its quick beak thrusting, rending, devil's crimson . . . 
Screams, great tortured screams shake the dark canopy. 
The light flickers, the shadow in the corner stirs; 
The wax face lifts; the eyes open. 

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.
Written by Ezra Pound | Create an image from this poem

Villanelle: The Psychological Hour

 I had over prepared the event,
that much was ominous.
With middle-ageing care
I had laid out just the right books.
I had almost turned down the pages.

Beauty is so rare a thing.
So few drink of my fountain.

So much barren regret,
So many hours wasted!
And now I watch, from the window,
the rain, the wandering busses.

"Their little cosmos is shaken" - 
the air is alive with that fact.
In their parts of the city
they are played on by diverse forces.
How do I know?
Oh, I know well enough.
For them there is something afoot.
As for me;
I had over-prepared the event - 

Beauty is so rare a thing.
So few drink of my fountain.

Two friends: a breath of the forest. . . 
Friends? Are people less friends
because one has just, at last, found them?
Twice they promised to come.

"Between the night and the morning?"
Beauty would drink of my mind.
Youth would awhile forget
my youth is gone from me.


(Speak up! You have danced so stiffly?
Someone admired your works,
And said so frankly.

"Did you talk like a fool,
The first night?
The second evening?"

"But they promised again:
'To-morrow at tea-time'.")


Now the third day is here - 
no word from either;
No word from her nor him,
Only another man's note:
"Dear Pound, I am leaving England."
Written by John Betjeman | Create an image from this poem

A Subalterns Love Song

 Miss J.Hunter Dunn, Miss J.Hunter Dunn,
Furnish'd and burnish'd by Aldershot sun,
What strenuous singles we played after tea,
We in the tournament - you against me!

Love-thirty, love-forty, oh! weakness of joy,
The speed of a swallow, the grace of a boy,
With carefullest carelessness, gaily you won,
I am weak from your loveliness, Joan Hunter Dunn

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
How mad I am, sad I am, glad that you won,
The warm-handled racket is back in its press,
But my shock-headed victor, she loves me no less.

Her father's euonymus shines as we walk,
And swing past the summer-house, buried in talk,
And cool the verandah that welcomes us in
To the six-o'clock news and a lime-juice and gin.

The scent of the conifers, sound of the bath,
The view from my bedroom of moss-dappled path,
As I struggle with double-end evening tie,
For we dance at the Golf Club, my victor and I.

On the floor of her bedroom lie blazer and shorts,
And the cream-coloured walls are be-trophied with sports,
And westering, questioning settles the sun,
On your low-leaded window, Miss Joan Hunter Dunn.

The Hillman is waiting, the light's in the hall,
The pictures of Egypt are bright on the wall,
My sweet, I am standing beside the oak stair
And there on the landing's the light on your hair.

By roads "not adopted", by woodlanded ways,
She drove to the club in the late summer haze,
Into nine-o'clock Camberley, heavy with bells
And mushroomy, pine-woody, evergreen smells.

Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,
I can hear from the car park the dance has begun,
Oh! Surry twilight! importunate band!
Oh! strongly adorable tennis-girl's hand!

Around us are Rovers and Austins afar,
Above us the intimate roof of the car,
And here on my right is the girl of my choice,
With the tilt of her nose and the chime of her voice.

And the scent of her wrap, and the words never said,
And the ominous, ominous dancing ahead.
We sat in the car park till twenty to one
And now I'm engaged to Miss Joan Hunter Dunn.


Written by Robert Southey | Create an image from this poem

Donica - A Ballad

 Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate. In this are spectres often seen, which
foreshew either the death of the Governor, or some prime officer
belonging to the place; and most commonly it appeareth in the shape of
an harper, sweetly singing and dallying and playing under the water.

It is reported of one Donica, that after she was dead, the Devil walked
in her body for the space of two years, so that none suspected but that
she was still alive; for she did both speak and eat, though very
sparingly; only she had a deep paleness on her countenance, which was
the only sign of death. At length a Magician coming by where she was
then in the company of many other virgins, as soon as he beheld her he
said, "fair Maids, why keep you company with the dead Virgin whom you
suppose to be alive?" when taking away the magic charm which was tied
under her arm, the body fell down lifeless and without motion.

The following Ballad is founded on these stories. They are to be found
in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas
Heywood, printed in folio by Adam Islip, 1635.

.................

High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.

The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.

The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.

For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;

And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.

And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music from below.

The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.

A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.

Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.

Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.

The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.

And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.

Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.

Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.

Sudden the unfathom'd lake sent forth
Strange music from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.

As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.

Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.

But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.

And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd

Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.

Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.

The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.

Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.

And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.

And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.

And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.

And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.

And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.

That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
Written by Yevgeny Yevtushenko | Create an image from this poem

Babi Yar

 No monument stands over Babi Yar.
A drop sheer as a crude gravestone. 
I am afraid.
 Today I am as old in years 
as all the Jewish people. 
Now I seem to be
 a Jew. 
Here I plod through ancient Egypt. 
Here I perish crucified, on the cross, 
and to this day I bear the scars of nails. 
I seem to be
 Dreyfus. 
The Philistine 
 is both informer and judge. 
I am behind bars.
 Beset on every side. 
Hounded, 
 spat on,
 slandered.
Squealing, dainty ladies in flounced Brussels lace
stick their parasols into my face.
I seem to be then
 a young boy in Byelostok. 
Blood runs, spilling over the floors. 
The barroom rabble-rousers 
give off a stench of vodka and onion. 
A boot kicks me aside, helpless. 
In vain I plead with these pogrom bullies. 
While they jeer and shout,
 "Beat the Yids. Save Russia!" 
some grain-marketeer beats up my mother. 
0 my Russian people!
 I know 
 you 
are international to the core. 
But those with unclean hands 
have often made a jingle of your purest name. 
I know the goodness of my land. 
How vile these anti-Semites-
 without a qualm 
they pompously called themselves 
the Union of the Russian People! 
I seem to be
 Anne Frank 
transparent 
 as a branch in April. 
And I love.
 And have no need of phrases. 
My need 
 is that we gaze into each other. 
How little we can see
 or smell! 
We are denied the leaves, 
 we are denied the sky. 
Yet we can do so much --
 tenderly 
embrace each other in a darkened room. 
They're coming here?
 Be not afraid. Those are the booming 
sounds of spring:
 spring is coming here. 
Come then to me.
 Quick, give me your lips.
Are they smashing down the door?
 No, it's the ice breaking ... 
The wild grasses rustle over Babi Yar. 
The trees look ominous, 
 like judges. 
Here all things scream silently, 
 and, baring my head, 
slowly I feel myself 
 turning gray. 
And I myself 
 am one massive, soundless scream 
above the thousand thousand buried here. 
I am 
 each old man 
 here shot dead. 
I am 
 every child
 here shot dead.
Nothing in me
 shall ever forget! 
The "Internationale," let it 
 thunder 
when the last anti-Semite on earth 
is buried forever. 
In my blood there is no Jewish blood. 
In their callous rage, all anti-Semites 
must hate me now as a Jew. 
For that reason
 I am a true Russian!
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,

If at his council I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed: neither pride
Nor hope rekindling at the end descried,
So much as gladness that some end might be.

For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring, -
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bid the other go, draw breath
Freelier outside, ('since all is o'er,' he saith,
'And the blow fallen no grieving can amend';)

While some discuss if near the other graves
Be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves:
And still the man hears all, and only craves
He may not shame such tender love and stay.

Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' - to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?

So, quiet as despair, I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

For mark! no sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backward a last view
O'er the safe road, 'twas gone; grey plain all round:
Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.

So, on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind, with none to awe,
You'd think: a burr had been a treasure-trove.

No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
'It nothing skills: I cannot help my case:
'Tis the Last Judgement's fire must cure this place,
Calcine its clods and set my prisoners free.'

If there pushed any ragged thistle-stalk
Above its mates, the head was chopped; the bents
Were jealous else. What made those holes and rents
In the dock's harsh swarth leaves, bruised as to balk
All hope of greeness? 'tis a brute must walk
Pushing their life out, with a brute's intents.

As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupefied, however he came there:
Thrust out past service from the devil's stud!

Alive? he might be dead for aught I know,
With that red gaunt and colloped neck a-strain,
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

I shut my eyes and turned them on my heart.
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art:
One taste of the old time sets all to rights.

Not it! I fancied Cuthbert's reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm in mine to fix me to the place,
That way he used. Alas, one night's disgrace!
Out went my heart's new fire and left it cold.

Giles then, the soul of honour - there he stands
Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

Better this present than a past like that;
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend's glowing hoof - to see the wrath
Of its black eddy bespate with flakes and spumes.

So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate'er that was, rolled by, deterred no whit.

Which, while I forded, - good saints, how I feared
To set my foot upon a dead man's cheek,
Each step, or feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
- It may have been a water-rat I speared,
But, ugh! it sounded like a baby's shriek.

Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
Soil to a plash? Toads in a poisoned tank,
Or wild cats in a red-hot iron cage -

The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose?
No foot-print leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? with all the air
Of Tophet's tool, on earth left unaware,
Or brought to sharpen its rusty teeth of steel.

Then came a bit of stubbed ground, once a wood,
Next a marsh, it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand and stark black dearth.

Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom-friend,
Sailed past, not beat his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.

For, looking up, aware I somehow grew,
'Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you!
How to get from then was no clearer case.

Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, the,
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den!

Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left, a tall scalped mountain...Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

Not see? because of night perhaps? - why, day
Came back again for that! before it left,
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
'Now stab and end the creature - to the heft!'

Not hear? when noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers my peers, -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.

There they stood, ranged along the hill-sides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.'
Written by Ralph Waldo Emerson | Create an image from this poem

Threnody

 The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my bosom glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And weed and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and grope
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent, 
As God lives, is permanent 
Hearts are dust, hearts' loves remain, 
Heart's love will meet thee again. 
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.
Written by D. H. Lawrence | Create an image from this poem

The Revolutionary

 Look at them standing there in authority 
The pale-faces, 
As if it could have any effect any more. 

Pale-face authority,
Caryatids, 
Pillars of white bronze standing rigid, lest the skies fall. 

What a job they've got to keep it up. 
Their poor, idealist foreheads naked capitals 
To the entablature of clouded heaven. 

When the skies are going to fall, fall they will 
In a great chute and rush of d?b?cle downwards. 

Oh and I wish the high and super-gothic heavens would come down now, 
The heavens above, that we yearn to and aspire to. 

I do not yearn, nor aspire, for I am a blind Samson. 
And what is daylight to me that I should look skyward? 
Only I grope among you, pale-faces, caryatids, as among a forest of pillars that hold up the dome of high ideal heaven 
Which is my prison, 
And all these human pillars of loftiness, going stiff, metallic-stunned with the weight of their responsibility 
I stumble against them. 
Stumbling-blocks, painful ones. 

To keep on holding up this ideal civilisation 
Must be excruciating: unless you stiffen into metal, when it is easier to stand stock rigid than to move. 

This is why I tug at them, individually, with my arm round their waist 
The human pillars. 
They are not stronger than I am, blind Samson. 
The house sways. 

I shall be so glad when it comes down. 
I am so tired of the limitations of their Infinite. 
I am so sick of the pretensions of the Spirit. 
I am so weary of pale-face importance. 

Am I not blind, at the round-turning mill? 
Then why should I fear their pale faces? 
Or love the effulgence of their holy light, 
The sun of their righteousness? 

To me, all faces are dark, 
All lips are dusky and valved. 

Save your lips, O pale-faces, 
Which are slips of metal, 
Like slits in an automatic-machine, you columns of give-and-take. 

To me, the earth rolls ponderously, superbly 
Coming my way without forethought or afterthought. 
To me, men's footfalls fall with a dull, soft rumble, ominous and lovely, 
Coming my way. 

But not your foot-falls, pale-faces, 
They are a clicketing of bits of disjointed metal 
Working in motion. 

To me, men are palpable, invisible nearnesses in the dark 
Sending out magnetic vibrations of warning, pitch-dark throbs of invitation. 

But you, pale-faces, 
You are painful, harsh-surfaced pillars that give off nothing except rigidity, 
And I jut against you if I try to move, for you are everywhere, and I am blind, 
Sightless among all your visuality, 
You staring caryatids. 

See if I don't bring you down, and all your high opinion 
And all your ponderous roofed-in ******** of right and wrong 
Your particular heavens, 
With a smash. 

See if your skies aren't falling! 
And my head, at least, is thick enough to stand it, the smash. 

See if I don't move under a dark and nude, vast heaven 
When your world is in ruins, under your fallen skies. 
Caryatids, pale-faces. 
See if I am not Lord of the dark and moving hosts 
Before I die.

Book: Radiant Verses: A Journey Through Inspiring Poetry