Written by
Thunchaththu Ramanujan Ezhuthachan |
Omkaramaya porul moonayi pirinju udane,
Angaramayathinnu thaan thane sakshiyithu,
Bodham varuthu vathinnu aalayi ninna,
Paramacharya roopa ,Hari Narayanaya Nama.
Onnayi ninneyiha randennu kandalavi,
Yunadyi orindal batha mindavathalla mama,
Pande kanakku varuvan nin krupa valikal,
Undakayengaliha narayanaya nama.
My salutations to that Narayana,
Who is also the lord Hari,
For being the great teacher,
Who stood as a person , to make me know,
That truth which is revealed by the sound of Om,
Though split in to three forms of trinity,
As soon as it was born,
Is only an illusion created by my ego.
My salutations to that Narayana,
With a request from humble self,
To make me see him as one reality,
For I was made sad extreme,
To see that the indivisible one, has been split in to two.
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Written by
Sarojini Naidu |
Mens Voices:
LORD of the lotus, lord of the harvest,
Bright and munificent lord of the morn!
Thine is the bounty that prospered our sowing,
Thine is the bounty that nurtured our corn.
We bring thee our songs and our garlands for tribute,
The gold of our fields and the gold of our fruit;
O giver of mellowing radiance, we hail thee,
We praise thee, O Surya, with cymbal and flute.
Lord of the rainbow, lord of the harvest,
Great and beneficent lord of the main!
Thine is the mercy that cherished our furrows,
Thine is the mercy that fostered our grain.
We bring thee our thanks and our garlands for tribute,
The wealth of our valleys, new-garnered and ripe;
O sender of rain and the dewfall, we hail thee,
We praise thee, Varuna, with cymbal and pipe.
Womens Voices:
Queen of the gourd-flower, queen of the har- vest,
Sweet and omnipotent mother, O Earth!
Thine is the plentiful bosom that feeds us,
Thine is the womb where our riches have birth.
We bring thee our love and our garlands for tribute,
With gifts of thy opulent giving we come;
O source of our manifold gladness, we hail thee,
We praise thee, O Prithvi, with cymbal and drum.
All Voices:
Lord of the Universe, Lord of our being,
Father eternal, ineffable Om!
Thou art the Seed and the Scythe of our harvests,
Thou art our Hands and our Heart and our Home.
We bring thee our lives and our labours for tribute,
Grant us thy succour, thy counsel, thy care.
O Life of all life and all blessing, we hail thee,
We praise thee, O Bramha, with cymbal and prayer
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Written by
Rudyard Kipling |
1892
"And there is a Japanese idol at Kamakura"
Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
To Buddha at Kamakura!
To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
The Buddha of Kamakura.
For though he neither burns nor sees,
Nor hears ye thank your Deities,
Ye have not sinned with such as these,
His children at Kamakura,
Yet spare us still the Western joke
When joss-sticks turn to scented smoke
The little sins of little folk
That worship at Kamakura --
The grey-robed, gay-sashed butterflies
That flit beneath the Master's eyes.
He is beyond the Mysteries
But loves them at Kamakura.
And whoso will, from Pride released,
Contemning neither creed nor priest,
May feel the Soul of all the East
About him at Kamakura.
Yea, every tale Ananda heard,
Of birth as fish or beast or bird,
While yet in lives the Master stirred,
The warm wind brings Kamakura.
Till drowsy eyelids seem to see
A-flower 'neath her golden htee
The Shwe-Dagon flare easterly
From Burmah to Kamakura,
And down the loaded air there comes
The thunder of Thibetan drums,
And droned -- "Om mane padme hums" --
A world's-width from Kamakura.
Yet Brahmans rule Benares still,
Buddh-Gaya's ruins pit the hill,
And beef-fed zealots threaten ill
To Buddha and Kamakura.
A tourist-show, a legend told,
A rusting bulk of bronze and gold,
S o much, and scarce so much, ye hold
The meaning of Kamakura?
But when the morning prayer is prayed,
Think, ere ye pass to strife and trade,
Is God in human image made
No nearer than Kamakura?
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Written by
Andrew Barton Paterson |
By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.
Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;
Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.
"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear.
"
* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling.
There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all.
I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would.
"
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened.
The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.
Will you go, and leave the mob behind?
Which will you do? Take the girl away,
Or ride like a white man should today,
And yard old Bowneck? Go or stay?"
Says Jim, "I can't throw this away,
We can bolt some other day, of course --
Amelia Jane, get off that horse!
Up you get, Old Man.
Whoop, halloo!
Here goes to put old Bowneck through!"
Two distant specks om the mountain side,
Two stockwhips echoing far and wide.
.
.
.
Amelia Jane sat down and cried.
* * * * *
"Sakes, Amelia, what's up now?
Leading old Sambo, too, I vow,
And him deadbeat.
Where have you been?
'Bolted with Jim!' What do you mean>
'Met the old man with Sambo, licked
From running old Bowneck.
' Well, I'm kicked --
'Ran 'em till Sambo nearly dropped?'
What did Jim do when you were stopped?
Did you bolt from father across the plain?
'Jim made you get off Crazy Jane!
And father got on, and away again
The two of 'em went to the ranges grim.
'
Good boy, Jimmy! Oh, well done, Jim!
They're sure to get them now, of course,
That Tambourine is a spanking horse.
And Crazy Jane is good as gold.
And Jim, they say, rides pretty bold --
Not like your father, but very fair.
Jim will have to follow the mare.
"
"It never was yet in father's hide
To best my Jim on the mountain side.
Jim can rally, and Jim can ride.
"
But here again Amelia cried.
* * * * *
The sound of whip comes faint and far,
A rattle of hoofs, and here they are,
In all their tameless pride.
The fleet wild horses snort and fear,
And wheel and break as the yard draws near.
Now, Jim the Ringer, ride!
Wheel 'em! wheel 'em! Whoa back there, whoa!
And the foam flakes fly like the driven snow,
As under the whip the horses go
Adown the mountain side.
And Jim, hands down, and teeth firm set,
On a horse that never has failed him yet,
Is after them down the range.
Well ridden! well ridden! they wheel -- whoa back!
And long and loud the stockwhips crack,
Their flying course they change;
"Steadily does it -- let Sambo go!
Open those sliprails down below.
Smart! or you'll be too late.
* * * * *
"They'll follow old Sambo up -- look out!
Whee! that black horse -- give Sam a clout.
They're in! Make fast the gate.
"
* * * * *
The mob is safely in the yard!
The old man mounts delighted guard.
No thought has he but for his prize.
* * * * *
Jim catches poor Amelia's eyes.
"Will you come after all? The job is done,
And Crazy Jane is fit to run
For a prince's life -- now don't say no;
Slip on while the old man's down below
At the inner yard, and away we'll go.
Will you come, my girl?" "I will, you bet;
We'll manage this here elopement yet.
"
* * * * *
By the winding Wollondilly stands the hut of Ringer Jim.
And his loving little Meely makes a perfect god of him.
He has stalwart sons and daughters, and, I think, before he's done,
There'll be numerous "Six-fortys" taken on Mylora Run.
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