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Best Famous Ochres Poems

Here is a collection of the all-time best famous Ochres poems. This is a select list of the best famous Ochres poetry. Reading, writing, and enjoying famous Ochres poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ochres poems.

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Written by Philip Larkin | Create an image from this poem

The Whitsun Weddings

 That Whitsun, I was late getting away:
 Not till about
One-twenty on the sunlit Saturday 
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran 
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence 
The river's level drifting breadth began, 
Where sky and Lincolnshire and water meet.

All afternoon, through the tall heat that slept 
 For miles inland, 
A slow and stopping curve southwards we kept. 
Wide farms went by, short-shadowed cattle, and 
Canals with floatings of industrial froth; 
A hothouse flashed uniquely: hedges dipped 
And rose: and now and then a smell of grass 
Displaced the reek of buttoned carriage-cloth 
Until the next town, new and nondescript, 
Approached with acres of dismantled cars.

At first, I didn't notice what a noise
 The weddings made
Each station that we stopped at: sun destroys
The interest of what's happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,

As if out on the end of an event
 Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that

Marked off the girls unreally from the rest. 
 Yes, from cafés
And banquet-halls up yards, and bunting-dressed 
Coach-party annexes, the wedding-days 
Were coming to an end. All down the line 
Fresh couples climbed aboard: the rest stood round; 
The last confetti and advice were thrown, 
And, as we moved, each face seemed to define 
Just what it saw departing: children frowned
At something dull; fathers had never known

Success so huge and wholly farcical;
 The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem

Just long enough to settle hats and say 
 I nearly died,
A dozen marriages got under way. 
They watched the landscape, sitting side by side
- An Odeon went past, a cooling tower, And 
someone running up to bowl - and none 
Thought of the others they would never meet 
Or how their lives would all contain this hour. 
I thought of London spread out in the sun, 
Its postal districts packed like squares of wheat:

There we were aimed. And as we raced across 
 Bright knots of rail 
Past standing Pullmans, walls of blackened moss 
Came close, and it was nearly done, this frail 
Travelling coincidence; and what it held
stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled 
A sense of falling, like an arrow-shower 
Sent out of sight, somewhere becoming rain.


Written by Craig Raine | Create an image from this poem

City Gent

 On my desk, a set of labels
or a synopsis of leeks,
blanched by the sun
and trailing their roots

like a watering can.
Beyond and below,
diminished by distance,
a taxi shivers at the lights:

a shining moorhen
with an orange nodule
set over the beak,
taking a passenger

under its wing.
I turn away, confront
the cuckold hatstand
at bay in the corner,

and eavesdrop (bless you!)
on a hay-fever of brakes.
My Caran d'Ache are sharp
as the tips of an iris

and the four-tier file
is spotted with rust:
a study of plaice
by a Japanese master,

ochres exquisitely bled.
Instead of office work,
I fish for complements
and sport a pencil

behind each ear,
a bit of a devil,
or trap the telephone
awkwardly under my chin

like Richard Crookback,
crying, A horse! A horse!
My kingdom for a horse!
but only to myself,

ironically: the tube
is semi-stiff with stallion whangs,
the chairman's Mercedes
has windscreen wipers

like a bird's broken tongue,
and I am perfectly happy
to see your head, quick
round the door like a dryad,

as I pretend to be Ovid
in exile, composing Tristia
and sad for the shining,
the missed, the muscular beach.

Book: Radiant Verses: A Journey Through Inspiring Poetry