Written by
John Dryden |
Well then; the promis'd hour is come at last;
The present age of wit obscures the past:
Strong were our sires; and as they fought they writ,
Conqu'ring with force of arms, and dint of wit;
Theirs was the giant race, before the Flood;
And thus, when Charles return'd, our empire stood.
Like Janus he the stubborn soil manur'd,
With rules of husbandry the rankness cur'd:
Tam'd us to manners, when the stage was rude;
And boisterous English wit, with art endu'd.
Our age was cultivated thus at length;
But what we gained in skill we lost in strength.
Our builders were, with want of genius, curst;
The second temple was not like the first:
Till you, the best Vitruvius, come at length;
Our beauties equal; but excel our strength.
Firm Doric pillars found your solid base:
The fair Corinthian crowns the higher space;
Thus all below is strength, and all above is grace.
In easy dialogue is Fletcher's praise:
He mov'd the mind, but had not power to raise.
Great Jonson did by strength of judgment please:
Yet doubling Fletcher's force, he wants his ease.
In differing talents both adorn'd their age;
One for the study, t'other for the stage.
But both to Congreve justly shall submit,
One match'd in judgment, both o'er-match'd in wit.
In him all beauties of this age we see;
Etherege's courtship, Southern's purity;
The satire, wit, and strength of manly Wycherly.
All this in blooming youth you have achiev'd;
Nor are your foil'd contemporaries griev'd;
So much the sweetness of your manners move,
We cannot envy you because we love.
Fabius might joy in Scipio, when he saw
A beardless Consul made against the law,
And join his suffrage to the votes of Rome;
Though he with Hannibal was overcome.
Thus old Romano bow'd to Raphael's fame;
And scholar to the youth he taught, became.
Oh that your brows my laurel had sustain'd,
Well had I been depos'd, if you had reign'd!
The father had descended for the son;
For only you are lineal to the throne.
Thus when the State one Edward did depose;
A greater Edward in his room arose.
But now, not I, but poetry is curs'd;
For Tom the second reigns like Tom the first.
But let 'em not mistake my patron's part;
Nor call his charity their own desert.
Yet this I prophesy; thou shalt be seen,
(Tho' with some short parenthesis between:)
High on the throne of wit; and seated there,
Not mine (that's little) but thy laurel wear.
Thy first attempt an early promise made;
That early promise this has more than paid.
So bold, yet so judiciously you dare,
That your least praise, is to be regular.
Time, place, and action, may with pains be wrought,
But genius must be born; and never can be taught.
This is your portion; this your native store;
Heav'n that but once was prodigal before,
To Shakespeare gave as much; she could not give him more.
Maintain your post: that's all the fame you need;
For 'tis impossible you should proceed.
Already I am worn with cares and age;
And just abandoning th' ungrateful stage:
Unprofitably kept at Heav'n's expense,
I live a rent-charge on his providence:
But you, whom ev'ry muse and grace adorn,
Whom I foresee to better fortune born,
Be kind to my remains; and oh defend,
Against your judgment your departed friend!
Let not the insulting foe my fame pursue;
But shade those laurels which descend to you:
And take for tribute what these lines express:
You merit more; nor could my love do less.
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Written by
D. H. Lawrence |
Yesterday the fields were only grey with scattered snow,
And now the longest grass-leaves hardly emerge;
Yet her deep footsteps mark the snow, and go
On towards the pines at the hills' white verge.
I cannot see her, since the mist's white scarf
Obscures the dark wood and the dull orange sky;
But she's waiting, I know, impatient and cold, half
Sobs struggling into her frosty sigh.
Why does she come so promptly, when she must know
That she's only the nearer to the inevitable farewell;
The hill is steep, on the snow my steps are slow—
Why does she come, when she knows what I have to tell?
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Written by
John Masefield |
Here, where we stood together, we three men,
Before the war had swept us to the East
Three thousand miles away, I stand again
And hear the bells, and breathe, and go to feast.
We trod the same path, to the selfsame place,
Yet here I stand, having beheld their graves,
Skyros whose shadows the great seas erase,
And Seddul Bahr that ever more blood craves.
So, since we communed here, our bones have been
Nearer, perhaps, than they again will be,
Earth and the worldwide battle lie between,
Death lies between, and friend-destroying sea.
Yet here, a year ago, we talked and stood
As I stnad now, with pulses beating blood.
I saw her like a shadow on the sky
In the last light, a blur upon the sea,
Then the gale's darkness put the shadow by,
But from one grave that island talked to me;
And, in the midnight, in the breaking storm,
I saw its blackness and a blinking light,
And thought, "So death obscures your gentle form,
So memory strives to make the darkness bright;
And, in that heap of rocks, your body lies,
Part of the island till the planet ends,
My gentle comrade, beautiful and wise,
Part of this crag this bitter surge offends,
While I, who pass, a little obscure thing,
War with this force, and breathe, and am its king."
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Written by
Randall Jarrell |
The moon rises. The red cubs rolling
In the ferns by the rotten oak
Stare over a marsh and a meadow
To the farm's white wisp of smoke.
A spark burns, high in heaven.
Deer thread the blossoming rows
Of the old orchard, rabbits
Hop by the well-curb. The cock crows
From the tree by the widow's walk;
Two stars in the trees to the west,
Are snared, and an owl's soft cry
Runs like a breath through the forest.
Here too, though death is hushed, though joy
Obscures, like night, their wars,
The beings of this world are swept
By the Strife that moves the stars.
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Written by
Dorothy Parker |
I. The Minor Poet
His little trills and chirpings were his best.
No music like the nightingale's was born
Within his throat; but he, too, laid his breast
Upon a thorn.
II. The Pretty Lady
She hated bleak and wintry things alone.
All that was warm and quick, she loved too well-
A light, a flame, a heart against her own;
It is forever bitter cold, in Hell.
III. The Very Rich Man
He'd have the best, and that was none too good;
No barrier could hold, before his terms.
He lies below, correct in cypress wood,
And entertains the most exclusive worms.
IV. The Fisherwoman
The man she had was kind and clean
And well enough for every day,
But, oh, dear friends, you should have seen
The one that got away!
V. The Crusader
Arrived in Heaven, when his sands were run,
He seized a quill, and sat him down to tell
The local press that something should be done
About that noisy nuisance, Gabriel.
VI. The Actress
Her name, cut clear upon this marble cross,
Shines, as it shone when she was still on earth;
While tenderly the mild, agreeable moss
Obscures the figures of her date of birth.
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Written by
Emily Dickinson |
Precious to Me -- She still shall be --
Though She forget the name I bear --
The fashion of the Gown I wear --
The very Color of My Hair --
So like the Meadows -- now --
I dared to show a Tress of Theirs
If haply -- She might not despise
A Buttercup's Array --
I know the Whole -- obscures the Part --
The fraction -- that appeased the Heart
Till Number's Empery --
Remembered -- as the Millner's flower
When Summer's Everlasting Dower --
Confronts the dazzled Bee.
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Written by
Emile Verhaeren |
For fifteen years our thoughts have run together, and our fine and serene ardour has vanquished habit, the dull-voiced shrew whose slow, rough hands wear out the most stubborn and the strongest love.
I look at you and I discover you each day, so intimate is your gentleness or your pride: time indeed obscures the eyes of your beauty, but it exalts your heart, whose golden depths peep open.
Artlessly, you allow yourself to be probed and known, and your soul always appears fresh and new; with gleaming masts, like an eager caravel, our happiness covers the seas of our desires.
It is in us alone that we anchor our faith, to naked sincerity and simple goodness; we move and live in the brightness of a joyous and translucent trust.
Your strength is to be infinitely pure and frail; to cross with burning heart all dark roads, and to have preserved, in spite of mist or darkness, all the rays of the dawn in your childlike soul.
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Written by
Francesco Petrarch |
SONNET CXL. Mirando 'l sol de' begli occhi sereno. THE SWEETS AND BITTERS OF LOVE. Marking of those bright eyes the sun sereneWhere reigneth Love, who mine obscures and grieves,My hopeless heart the weary spirit leavesOnce more to gain its paradise terrene;Then, finding full of bitter-sweet the scene,And in the world how vast the web it weaves.A secret sigh for baffled love it heaves,Whose spurs so sharp, whose curb so hard have been.By these two contrary and mix'd extremes,With frozen or with fiery wishes fraught,To stand 'tween misery and bliss she seems:Seldom in glad and oft in gloomy thought,But mostly contrite for its bold emprize,For of like seed like fruit must ever rise! Macgregor.
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Written by
Paul Laurence Dunbar |
Slow moves the pageant of a climbing race;
Their footsteps drag far, far below the height,
And, unprevailing by their utmost might,
Seem faltering downward from each hard won place.
No strange, swift-sprung exception we; we trace
A devious way thro' dim, uncertain light,—
Our hope, through the long vistaed years, a sight
Of that our Captain's soul sees face to face.
Who, faithless, faltering that the road is steep,
Now raiseth up his drear insistent cry?
Who stoppeth here to spend a while in sleep
Or curseth that the storm obscures the sky?
Heed not the darkness round you, dull and deep;
The clouds grow thickest when the summit's nigh.
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