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Best Famous Obscured Poems

Here is a collection of the all-time best famous Obscured poems. This is a select list of the best famous Obscured poetry. Reading, writing, and enjoying famous Obscured poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of obscured poems.

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Written by Edwin Arlington Robinson | Create an image from this poem

Discovery

 We told of him as one who should have soared 
And seen for us the devastating light 
Whereof there is not either day or night, 
And shared with us the glamour of the Word 
That fell once upon Amos to record
For men at ease in Zion, when the sight 
Of ills obscured aggrieved him and the might 
Of Hamath was a warning of the Lord. 

Assured somehow that he would make us wise, 
Our pleasure was to wait; and our surprise
Was hard when we confessed the dry return 
Of his regret. For we were still to learn 
That earth has not a school where we may go 
For wisdom, or for more than we may know.


Written by Edgar Allan Poe | Create an image from this poem

Hymn

 At morn- at noon- at twilight dim-
Maria! thou hast heard my hymn!
In joy and woe- in good and ill-
Mother of God, be with me still!
When the hours flew brightly by,
And not a cloud obscured the sky,
My soul, lest it should truant be,
Thy grace did guide to thine and thee;
Now, when storms of Fate o'ercast
Darkly my Present and my Past,
Let my Future radiant shine
With sweet hopes of thee and thine!
Written by Edgar Allan Poe | Create an image from this poem

Sancta Maria

 Sancta Maria! turn thine eyes -
Upon the sinner's sacrifice,
Of fervent prayer and humble love,
From thy holy throne above. 
At morn - at noon - at twilight dim -
Maria! thou hast heard my hymn!
In joy and wo - in good and ill -
Mother of God, be with me still! 

When the Hours flew brightly by,
And not a cloud obscured the sky,
My soul, lest it should truant be,
Thy grace did guide to thine and thee; 

Now, when storms of Fate o'ercast
Darkly my Present and my Past,
Let my Future radiant shine
With sweet hopes of thee and thine!
Written by Hilaire Belloc | Create an image from this poem

October

 The green elm with the one great bough of gold 
Lets leaves into the grass slip, one by one, -- 
The short hill grass, the mushrooms small milk-white, 
Harebell and scabious and tormentil, 
That blackberry and gorse, in dew and sun, 
Bow down to; and the wind travels too light 
To shake the fallen birch leaves from the fern; 
The gossamers wander at their own will. 
At heavier steps than birds' the squirrels scold. 
The rich scene has grown fresh again and new 
As Spring and to the touch is not more cool 
Than it is warm to the gaze; and now I might 
As happy be as earth is beautiful, 
Were I some other or with earth could turn 
In alternation of violet and rose, 
Harebell and snowdrop, at their season due, 
And gorse that has no time not to be gay. 
But if this be not happiness, -- who knows? 
Some day I shall think this a happy day, 
And this mood by the name of melancholy 
Shall no more blackened and obscured be.
Written by Emily Dickinson | Create an image from this poem

As One does Sickness over

 As One does Sickness over
In convalescent Mind,
His scrutiny of Chances
By blessed Health obscured --

As One rewalks a Precipice
And whittles at the Twig
That held Him from Perdition
Sown sidewise in the Crag

A Custom of the Soul
Far after suffering
Identity to question
For evidence't has been --


Written by John Wilmot | Create an image from this poem

Upon Nothing

 Nothing, thou elder brother even to shade,
That hadst a being ere the world was made,
And (well fixed) art alone of ending not afraid.
Ere time and place were, time and place were not,
When primitive Nothing Something straight begot,
Then all proceeded from the great united--What?
Something, the general attribute of all,
Severed from thee, its sole original,
Into thy boundless self must undistinguished fall.
Yet Something did thy mighty power command,
And from thy fruitful emptiness's hand,
Snatched men, beasts, birds, fire, air, and land.
Matter, the wickedest offspring of thy race,
By Form assisted, flew from thy embrace,
And rebel Light obscured thy reverend dusky face.
With Form and Matter, Time and Place did join,
Body, thy foe, with these did leagues combine
To spoil thy peaceful realm, and ruin all thy line.
But turncoat Time assists the foe in vain,
And, bribed by thee, assists thy short-lived reign,
And to thy hungry womb drives back thy slaves again.
Though mysteries are barred from laic eyes,
And the Divine alone with warrant pries
Into thy bosom, where thy truth in private lies,
Yet this of thee the wise may freely say,
Thou from the virtuous nothing takest away,
And to be part of thee the wicked wisely pray.
Great Negative, how vainly would the wise
Inquire, define, distinguish, teach, devise?
Didst thou not stand to point their dull philosophies.
Is, or is not, the two great ends of Fate,
And true or false, the subject of debate,
That perfects, or destroys, the vast designs of Fate,
When they have racked the politician's breast,
Within thy bosom most securely rest,
And, when reduced to thee, are least unsafe and best.
But Nothing, why does Something still permit
That sacred monarchs should at council sit
With persons highly thought at best for nothing fit?
Whist weighty Something modestly abstains
From princes' coffers, and from statesmen's brains,
And Nothing there like stately Nothing reigns,
Nothing, who dwellest with fools in grave disguise,
For whom they reverend shapes and forms devise,
Lawn sleeves, and furs, and gowns, when they like thee look wise.
French truth, Dutch prowess, British policy,
Hibernian learning, Scotch civility,
Spaniard's dispatch, Dane's wit are mainly seen in thee.
The great man's gratitude to his best friend,
King's promises, whore's vows, towards thee they bend,
Flow swiftly to thee, and in thee never end.
Written by Thomas Hardy | Create an image from this poem

Domicilium

 It faces west, and round the back and sides 
High beeches, bending, hang a veil of boughs, 
And sweep against the roof. Wild honeysucks 
Climb on the walls, and seem to sprout a wish 
(If we may fancy wish of trees and plants) 
To overtop the apple trees hard-by.

Red roses, lilacs, variegated box 
Are there in plenty, and such hardy flowers 
As flourish best untrained. Adjoining these 
Are herbs and esculents; and farther still 
A field; then cottages with trees, and last 
The distant hills and sky.

Behind, the scene is wilder. Heath and furze 
Are everything that seems to grow and thrive 
Upon the uneven ground. A stunted thorn 
Stands here and there, indeed; and from a pit 
An oak uprises, Springing from a seed 
Dropped by some bird a hundred years ago.

In days bygone-- 
Long gone--my father's mother, who is now 
Blest with the blest, would take me out to walk. 
At such a time I once inquired of her 
How looked the spot when first she settled here. 
The answer I remember. 'Fifty years 
Have passed since then, my child, and change has marked 
The face of all things. Yonder garden-plots 
And orchards were uncultivated slopes 
O'ergrown with bramble bushes, furze and thorn: 
That road a narrow path shut in by ferns, 
Which, almost trees, obscured the passers-by.

Our house stood quite alone, and those tall firs 
And beeches were not planted. Snakes and efts 
Swarmed in the summer days, and nightly bats 
Would fly about our bedrooms. Heathcroppers 
Lived on the hills, and were our only friends; 
So wild it was when we first settled here.'
Written by Percy Bysshe Shelley | Create an image from this poem

A Summer Evening Churchyard Lechlade Gloucestershire

 THE wind has swept from the wide atmosphere
Each vapour that obscured the sunset's ray,
And pallid Evening twines its beaming hair
In duskier braids around the languid eyes of Day:
Silence and Twilight, unbeloved of men,
Creep hand in hand from yon obscurest glen.

They breathe their spells towards the departing day,
Encompassing the earth, air, stars, and sea;
Light, sound, and motion, own the potent sway,
Responding to the charm with its own mystery.
The winds are still, or the dry church-tower grass
Knows not their gentle motions as they pass.

Thou too, aerial pile, whose pinnacles
Point from one shrine like pyramids of fire,
Obey'st I in silence their sweet solemn spells,
Clothing in hues of heaven thy dim and distant spire,
Around whose lessening and invisible height
Gather among the stars the clouds of night.

The dead are sleeping in their sepulchres:
And, mouldering as they sleep, a thrilling sound,
Half sense half thought, among the darkness stirs,
Breathed from their wormy beds all living things around,
And, mingling with the still night and mute sky,
Its awful hush is felt inaudibly.

Thus solemnized and softened, death is mild
And terrorless as this serenest night.
Here could I hope, like some enquiring child
Sporting on graves, that death did hide from human sight
Sweet secrets, or beside its breathless sleep
That loveliest dreams perpetual watch did keep.
Written by Ellis Parker Butler | Create an image from this poem

Mouths Of Hippopotami And Some Recent Novels

 (with apologies to Frederic Taber Cooper)

I well recall (and who does not)
The circus bill-board hippopotamus,
whose wide distended jaws
For fear and terror were good cause.

That month, that vasty carmine cave,
Could munch with ease a Nubian slave;
In fact, the bill-board hippopot-
amus could bolt a house and lot!

Wide opened, that tremendous mouth
Obscured three-quarters of the south
Side of Schmidt’s barn, and promised me
Thrills, shocks, delights and ecstasy.

And then, alas! what sad non plus
The living hippopotamus!
’Twas but a stupid, sodden lump
As thrilling as an old elm stump.

Its mouth—unreasonably small—
The hippo opened not at all,
Or, if it did, it was about
As thrilling as a teapot spout.

* * * * *

The Crimson Junk, by Doris Watt,
I’ve read it. Who, I pray, has not?
Bill Wastel, by C. Marrow. The
Plaid Cowslip. And The Hocking Lee.

The Fallow Field, by Sally Loo;
The Rose in Chains. I’ve read that too;
I’ve read them all for promised treat
Of thrills, emotions, tremblings sweet.

* * * * *

The bill-board hippopotamus
It was a wild, uprageous cuss—
The real one? Well—Can you recall
That it had any mouth at all?
Written by Hart Crane | Create an image from this poem

At Melvilles Tomb

 Often beneath the wave, wide from this ledge
The dice of drowned men's bones he saw bequeath
An embassy. Their numbers as he watched,
Beat on the dusty shore and were obscured.

And wrecks passed without sound of bells,
The calyx of death's bounty giving back
A scattered chapter, livid hieroglyph,
The portent wound in corridors of shells.

Then in the circuit calm of one vast coil,
Its lashings charmed and malice reconciled,
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.

Compass, quadrant and sextant contrive
No farther tides . . . High in the azure steeps
Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.

Book: Reflection on the Important Things