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Best Famous Nova Poems

Here is a collection of the all-time best famous Nova poems. This is a select list of the best famous Nova poetry. Reading, writing, and enjoying famous Nova poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nova poems.

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Written by Robert Francis | Create an image from this poem

Hallelujah: A Sestina

 A wind's word, the Hebrew Hallelujah.
I wonder they never gave it to a boy
(Hal for short) boy with wind-wild hair.
It means Praise God, as well it should since praise
Is what God's for. Why didn't they call my father
Hallelujah instead of Ebenezer? 

Eben, of course, but christened Ebenezer,
Product of Nova Scotia (hallelujah).
Daniel, a country doctor, was his father
And my father his tenth and final boy.
A baby and last, he had a baby's praise:
Red petticoats, red cheeks, and crow-black hair. 

A boy has little to say about his hair
And little about a name like Ebenezer
Except that you can shorten either. Praise
God for that, for that shout Hallelujah.
Shout Hallelujah for everything a boy
Can be that is not his father or grandfather. 

But then, before you know it, he is a father
Too and passing on his brand of hair
To one more perfectly defenseless boy,
Dubbing him John or James or Ebenezer
But never, so far as I know, Hallelujah,
As if God didn't need quite that much praise. 

But what I'm coming to - Could I ever praise
My father half enough for being a father
Who let me be myself? Sing Hallelujah.
Preacher he was with a prophet's head of hair
And what but a prophet's name was Ebenezer,
However little I guessed it as a boy? 

Outlandish names of course are never a boy's
Choice. And it takes some time to learn to praise.
Stone of Help is the meaning of Ebenezer.
Stone of Help - what fitter name for my father?
Always the Stone of Help however his hair
Might graduate from black to Hallelujah. 

Such is the old drama of boy and father.
Praise from a grayhead now with thinning hair.
Sing Ebenezer, Robert, sing Hallelujah!


Written by Adrienne Rich | Create an image from this poem

Planetarium

 Thinking of Caroline Herschel (1750-1848), 
astronomer, sister of William; and others.

A woman in the shape of a monster
a monster in the shape of a woman
the skies are full of them

a woman 'in the snow
among the Clocks and instruments
or measuring the ground with poles'

in her 98 years to discover
8 comets

She whom the moon ruled
like us
levitating into the night sky
riding the polished lenses

Galaxies of women, there
doing penance for impetuousness
ribs chilled


in those spaces of the mind

An eye,
'virile, precise and absolutely certain'
from the mad webs of Uranusborg
encountering the NOVA
every impulse of light exploding
from the core
as life flies out of us

Tycho whispering at last
'Let me not seem to have lived in vain'

What we see, we see
and seeing is changing

the light that shrivels a mountain
and leaves a man alive

Heartbeat of the pulsar
heart sweating through my body

The radio impulse
pouring in from Taurus

I am bombarded yet I stand
I have been standing all my life in the
direct path of a battery of signals
the most accurately transmitted most
untranslatable language in the universe
I am a galactic cloud so deep so invo-
luted that a light wave could take 15
years to travel through me And has
taken I am an instrument in the shape
of a woman trying to translate pulsations
into images for the relief of the body
and the reconstruction of the mind.
Written by Elizabeth Bishop | Create an image from this poem

First Death In Nova Scotia

 In the cold, cold parlor
my mother laid out Arthur
beneath the chromographs:
Edward, Prince of Wales,
with Princess Alexandra,
and King George with Queen Mary.
Below them on the table
stood a stuffed loon
shot and stuffed by Uncle
Arthur, Arthur's father.

Since Uncle Arthur fired
a bullet into him,
he hadn't said a word.
He kept his own counsel
on his white, frozen lake,
the marble-topped table.
His breast was deep and white,
cold and caressable;
his eyes were red glass,
much to be desired.

"Come," said my mother,
"Come and say good-bye
to your little cousin Arthur."
I was lifted up and given
one lily of the valley
to put in Arthur's hand.
Arthur's coffin was
a little frosted cake,
and the red-eyed loon eyed it
from his white, frozen lake.

Arthur was very small.
He was all white, like a doll
that hadn't been painted yet.
Jack Frost had started to paint him
the way he always painted
the Maple Leaf (Forever).
He had just begun on his hair,
a few red strokes, and then
Jack Frost had dropped the brush
and left him white, forever.

The gracious royal couples
were warm in red and ermine;
their feet were well wrapped up
in the ladies' ermine trains.
They invited Arthur to be
the smallest page at court.
But how could Arthur go,
clutching his tiny lily,
with his eyes shut up so tight
and the roads deep in snow?
Written by Robert Frost | Create an image from this poem

I Will Sing You One-O

 It was long I lay
Awake that night
Wishing that night
Would name the hour
And tell me whether
To call it day
(Though not yet light)
And give up sleep.
The snow fell deep
With the hiss of spray;
Two winds would meet,
One down one street,
One down another,
And fight in a smother
Of dust and feather.
I could not say,
But feared the cold
Had checked the pace
Of the tower clock
By tying together
Its hands of gold
Before its face.

Then cane one knock!
A note unruffled
Of earthly weather,
Though strange and muffled.
The tower said, "One!'
And then a steeple.
They spoke to themselves
And such few people
As winds might rouse
From sleeping warm
(But not unhouse).
They left the storm
That struck en masse
My window glass
Like a beaded fur.
In that grave One
They spoke of the sun
And moon and stars,
Saturn and Mars
And Jupiter.
Still more unfettered,
They left the named
And spoke of the lettered,
The sigmas and taus
Of constellations.
They filled their throats
With the furthest bodies
To which man sends his
Speculation,
Beyond which God is;
The cosmic motes
Of yawning lenses.
Their solemn peals
Were not their own:
They spoke for the clock
With whose vast wheels
Theirs interlock.
In that grave word
Uttered alone
The utmost star
Trembled and stirred,
Though set so far
Its whirling frenzies
Appear like standing
in one self station.
It has not ranged,
And save for the wonder 
Of once expanding
To be a nova,
It has not changed
To the eye of man
On planets over
Around and under
It in creation
Since man began
To drag down man
And nation nation.
Written by Francesco Petrarch | Create an image from this poem

Canzone XVIII

CANZONE XVIII.

Qual più diversa e nova.

HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION.

Whate'er most wild and newWas ever found in any foreign land,If viewed and valued true,Most likens me 'neath Love's transforming hand.Whence the bright day breaks through,Alone and consortless, a bird there flies,Who voluntary dies,To live again regenerate and entire:So ever my desire,Alone, itself repairs, and on the crestOf its own lofty thoughts turns to our sun,There melts and is undone,And sinking to its first state of unrest,So burns and dies, yet still its strength resumes,And, Phœnix-like, afresh in force and beauty blooms.
Where Indian billows sweep,A wondrous stone there is, before whose strengthStout navies, weak to keepTheir binding iron, sink engulf'd at length:So prove I, in this deepOf bitter grief, whom, with her own hard pride,That fair rock knew to guideWhere now my life in wreck and ruin drives:Thus too the soul deprives,By theft, my heart, which once so stonelike was,It kept my senses whole, now far dispersed:For mine, O fate accurst!A rock that lifeblood and not iron draws,Whom still i' the flesh a magnet living, sweet,Drags to the fatal shore a certain doom to meet.
Neath the far Ethiop skiesA beast is found, most mild and meek of air,Which seems, yet in her eyesDanger and dool and death she still does bear:[Pg 134]Much needs he to be wiseTo look on hers whoever turns his mien:Although her eyes unseen,All else securely may be viewed at willBut I to mine own illRun ever in rash grief, though well I knowMy sufferings past and future, still my mindIts eager, deaf and blindDesire o'ermasters and unhinges so,That in her fine eyes and sweet sainted face,Fatal, angelic, pure, my cause of death I trace.
In the rich South there flowsA fountain from the sun its name that wins,This marvel still that shows,Boiling at night, but chill when day begins;Cold, yet more cold it growsAs the sun's mounting car we nearer see:So happens it with me(Who am, alas! of tears the source and seat),When the bright light and sweet,My only sun retires, and lone and drearMy eyes are left, in night's obscurest reign,I burn, but if againThe gold rays of the living sun appear,My slow blood stiffens, instantaneous, strange;Within me and without I feel the frozen change!
Another fount of fameSprings in Epirus, which, as bards have told,Kindles the lurking flame,And the live quenches, while itself is cold.My soul, that, uncontroll'd,And scathless from love's fire till now had pass'd,Carelessly left at lastNear the cold fair for whom I ceaseless sigh,Was kindled instantly:Like martyrdom, ne'er known by day or night,A heart of marble had to mercy shamed.Which first her charms inflamedHer fair and frozen virtue quenched the light;That thus she crushed and kindled my heart's fire,Well know I who have felt in long and useless ire.
[Pg 135]Beyond our earth's known brinks,In the famed Islands of the Blest, there beTwo founts: of this who drinksDies smiling: who of that to live is free.A kindred fate Heaven linksTo my sad life, who, smilingly, could dieFor like o'erflowing joy,But soon such bliss new cries of anguish stay.Love! still who guidest my way,Where, dim and dark, the shade of fame invites,Not of that fount we speak, which, full each hour,Ever with larger powerO'erflows, when Taurus with the Sun unites;So are my eyes with constant sorrow wet,But in that season most when I my Lady met.
Should any ask, my Song!Or how or where I am, to such reply:Where the tall mountain throwsIts shade, in the lone vale, whence Sorga flows,He roams, where never eyeSave Love's, who leaves him not a step, is by,And one dear image who his peace destroys,Alone with whom to muse all else in life he flies.
Macgregor.


Written by Francesco Petrarch | Create an image from this poem

Madrigale III

MADRIGALE III.

Nova angeletta sovra l' ale accorta.

HE ALLEGORICALLY DESCRIBES THE ORIGIN OF HIS PASSION.

From heaven an angel upon radiant wings,New lighted on that shore so fresh and fair,To which, so doom'd, my faithful footstep clings:Alone and friendless, when she found me there,Of gold and silk a finely-woven net,Where lay my path, 'mid seeming flowers she set:[Pg 102]Thus was I caught, and, for such sweet light shoneFrom out her eyes, I soon forgot to moan.
Macgregor.
Written by John Milton | Create an image from this poem

Sonnet 04

 IV

Diodati, e te'l diro con maraviglia,
Quel ritroso io ch'amor spreggiar solea
E de suoi lacci spesso mi ridea
Gia caddi, ov'huom dabben talhor s'impiglia.
Ne treccie d'oro, ne guancia vermiglia
M' abbaglian si, ma sotto nova idea
Pellegrina bellezza che'l cuor bea,
Portamenti alti honesti, e nelle ciglia
Quel sereno fulgor d' amabil nero,
Parole adorne di lingua piu d'una, 
E'l cantar che di mezzo l'hemispero
Traviar ben puo la faticosa Luna,
E degil occhi suoi auventa si gran fuoco
Che l 'incerar gli oreechi mi fia poco.
Written by Louise Gluck | Create an image from this poem

Vita Nova

"You saved me, you should remember me.

The spring of the year; young men buying tickets for the ferryboats.
Laughter, because the air is full of apple blossoms.

When I woke up, I realized I was capable of the same feeling.

I remember sounds like that from my childhood,
laughter for no cause, simply because the world is beautiful,
something like that."

Book: Reflection on the Important Things