Written by
C S Lewis |
Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.
The Tree-ness of the tree they know-the meaning of
Arboreal life, how from earth's salty lap
The solar beam uplifts it; all the holiness
Enacted by leaves' fall and rising sap;
But never an angel knows the knife-edged severance
Of sun from shadow where the trees begin,
The blessed cool at every pore caressing us
-An angel has no skin.
They see the Form of Air; but mortals breathing it
Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing
Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory
That from each smell in widening circles goes,
The pleasure and the pang --can angels measure it?
An angel has no nose.
The nourishing of life, and how it flourishes
On death, and why, they utterly know; but not
The hill-born, earthy spring, the dark cold bilberries.
The ripe peach from the southern wall still hot
Full-bellied tankards foamy-topped, the delicate
Half-lyric lamb, a new loaf's billowy curves,
Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.
Far richer they! I know the senses' witchery
Guards us like air, from heavens too big to see;
Imminent death to man that barb'd sublimity
And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charmed interior,
This parlour of the brain, their Maker shares
With living men some secrets in a privacy
Forever ours, not theirs.
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Written by
T S (Thomas Stearns) Eliot |
I
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
II
What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III
O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
IV
The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.
Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.
The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.
V
So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
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Written by
Marvin Bell |
Gray rainwater lay on the grass in the late afternoon.
The carp lay on the bottom, resting, while dusk took shape
in the form of the first stirrings of his hunger,
and the trees, shorter and heavier, breathed heavily upward.
Into this sodden, nourishing afternoon I emerged,
partway toward a paycheck, halfway toward the weekend,
carrying the last mail and holding above still puddles
the books of noble ideas. Through the fervent branches,
carried by momentary breezes of local origin,
the palpable Sublime flickered as motes on broad leaves,
while the Higher Good and the Greater Good contended
as sap on the bark of the maples, and even I
was enabled to witness the truly Existential where it loitered
famously in the shadows as if waiting for the moon.
All this I saw in the late afternoon in the company of no one.
And of course I went back to work the next morning. Like you,
like anyone, like the rumored angels of high office,
like the demon foremen, the bedeviled janitors, like you,
I returned to my job--but now there was a match-head in
my thoughts.
In its light, the morning increasingly flamed through the window
and, lit by nothing but mind-light, I saw that the horizon
was an idea of the eye, gilded from within, and the sun
the fiery consolation of our nighttimes, coming far.
Within this expectant air, which had waited the night indoors,
carried by--who knows?--the rhythmic jarring of brain tissue
by footsteps, by colors visible to closed eyes, by a music
in my head, knowledge gathered that could not last the day,
love and error were shaken as if by the eye of a storm,
and it would not be until quitting that such a man
might drop his arms, that he had held up all day since the dew.
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Written by
Matthew Arnold |
Hark! ah, the nightingale—
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark!—what pain!
O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewildered brain
That wild, unquenched, deep-sunken, old-world pain—
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet tranquil Thames,
And moonshine, and the dew,
To thy racked heart and brain
Afford no balm?
Dost thou tonight behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and seared eyes
The too clear web, and thy dumb sister's shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia—
How thick the bursts come crowding through the leaves!
Again—thou hearest?
Eternal passion!
Eternal pain!
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Written by
Johann Wolfgang von Goethe |
SAY, which Immortal
Merits the highest reward?
With none contend I,
But I will give it
To the aye-changing,
Ever-moving
Wondrous daughter of Jove.
His best-beloved offspring.
Sweet Phantasy.
For unto her
Hath he granted
All the fancies which erst
To none allow'd he
Saving himself;
Now he takes his pleasure
In the mad one.
She may, crowned with roses,
With staff twined round with lilies,
Roam thro' flow'ry valleys,
Rule the butterfly-people,
And soft-nourishing dew
With bee-like lips
Drink from the blossom:
Or else she may
With fluttering hair
And gloomy looks
Sigh in the wind
Round rocky cliffs,
And thousand-hued.
Like morn and even.
Ever changing,
Like moonbeam's light,
To mortals appear.
Let us all, then,
Adore the Father!
The old, the mighty,
Who such a beauteous
Ne'er-fading spouse
Deigns to accord
To perishing mortals!
To us alone
Doth he unite her,
With heavenly bonds,
While he commands her,
in joy and sorrow,
As a true spouse
Never to fly us.
All the remaining
Races so poor
Of life-teeming earth.
In children so rich.
Wander and feed
In vacant enjoyment,
And 'mid the dark sorrows
Of evanescent
Restricted life,--
Bow'd by the heavy
Yoke of Necessity.
But unto us he
Hath his most versatile,
Most cherished daughter
Granted,--what joy!
Lovingly greet her
As a beloved one!
Give her the woman's
Place in our home!
And oh, may the aged
Stepmother Wisdom
Her gentle spirit
Ne'er seek to harm!
Yet know I her sister,
The older, sedater,
Mine own silent friend;
Oh, may she never,
Till life's lamp is quench'd,
Turn away from me,--
That noble inciter,
Comforter,--Hope!
1781.
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Written by
Robert Herrick |
As Julia once a-slumb'ring lay,
It chanced a bee did fly that way,
After a dew, or dew-like shower,
To tipple freely in a flower;
For some rich flower, he took the lip
Of Julia, and began to sip;
But when he felt he suck'd from thence
Honey, and in the quintessence,
He drank so much he scarce could stir;
So Julia took the pilferer.
And thus surprised, as filchers use,
He thus began himself t'excuse:
'Sweet lady-flower, I never brought
Hither the least one thieving thought;
But taking those rare lips of yours
For some fresh, fragrant, luscious flowers,
I thought I might there take a taste,
Where so much sirup ran at waste.
Besides, know this, I never sting
The flower that gives me nourishing;
But with a kiss, or thanks, do pay
For honey that I bear away.'
--This said, he laid his little scrip
Of honey 'fore her ladyship,
And told her, as some tears did fall,
That, that he took, and that was all.
At which she smiled, and bade him go
And take his bag; but thus much know,
When next he came a-pilfering so,
He should from her full lips derive
Honey enough to fill his hive.
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