Written by
John Betjeman |
Isn't she lovely, "the Mistress"?
With her wide-apart grey-green eyes,
The droop of her lips and, when she smiles,
Her glance of amused surprise?
How nonchalantly she wears her clothes,
How expensive they are as well!
And the sound of her voice is as soft and deep
As the Christ Church tenor bell.
But why do I call her "the Mistress"
Who know not her way of life?
Because she has more of a cared-for air
Than many a legal wife.
How elegantly she swings along
In the vapoury incense veil;
The angel choir must pause in song
When she kneels at the altar rail.
The parson said that we shouldn't stare
Around when we come to church,
Or the Unknown God we are seeking
May forever elude our search.
But I hope that the preacher will not think
It unorthodox and odd
If I add that I glimpse in "the Mistress"
A hint of the Unknown God.
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Written by
Joyce Kilmer |
The boom and blare of the big brass band is cheering
to my heart
And I like the smell of the trampled grass and elephants and hay.
I take off my hat to the acrobat with his delicate, strong art,
And the motley mirth of the chalk-faced clown drives all my care
away.
I wish I could feel as they must feel, these players
brave and fair,
Who nonchalantly juggle death before a staring throng.
It must be fine to walk a line of silver in the air
And to cleave a hundred feet of space with a gesture like a song.
Sir Henry Irving never knew a keener, sweeter thrill
Than that which stirs the breast of him who turns his painted face
To the circling crowd who laugh aloud and clap hands with a will
As a tribute to the clown who won the great wheel-barrow race.
Now, one shall work in the living rock with a mallet
and a knife,
And another shall dance on a big white horse that canters round
a ring,
By another's hand shall colours stand in similitude of life;
And the hearts of the three shall be moved by one mysterious high
thing.
For the sculptor and the acrobat and the painter
are the same.
They know one hope, one fear, one pride, one sorrow and one mirth,
And they take delight in the endless fight for the fickle world's
acclaim;
For they worship art above the clouds and serve her on the earth.
But you, who can build of the stubborn rock no
form of loveliness,
Who can never mingle the radiant hues to make a wonder live,
Who can only show your little woe to the world in a rhythmic dress
--
What kind of a counterpart of you does the three-ring circus give?
Well -- here in the little side-show tent to-day
some people stand,
One is a giant, one a dwarf, and one has a figured skin,
And each is scarred and seared and marred by Fate's relentless hand,
And each one shows his grief for pay, with a sort of pride therein.
You put your sorrow into rhyme and want the world
to look;
You sing the news of your ruined hope and want the world to hear;
Their woe is pent in a canvas tent and yours in a printed book.
O, poet of the broken heart, salute your brothers here!
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