Written by
Johann Wolfgang von Goethe |
THESE are the most singular of all the Poems
of Goethe, and to many will appear so wild and fantastic, as to
leave anything but a pleasing impression.
Those at the beginning,
addressed to his friend Behrisch, were written at the age of eighteen,
and most of the remainder were composed while he was still quite
young.
Despite, however, the extravagance of some of them, such
as the Winter Journey over the Hartz Mountains, and the Wanderer's
Storm-Song, nothing can be finer than the noble one entitled Mahomet's
Song, and others, such as the Spirit Song' over the Waters, The
God-like, and, above all, the magnificent sketch of Prometheus,
which forms part of an unfinished piece bearing the same name, and
called by Goethe a 'Dramatic Fragment.
'
TO MY FRIEND.
[These three Odes are addressed to a certain
Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives
an odd account at the end of the Seventh Book of his Autobiography.
]
FIRST ODE.
TRANSPLANT the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.
Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.
See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.
The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,
Its twigs the maiden
Fain would twine in
Her bridal-garland;
Youths its fruit are seeking.
See, the autumn cometh!
The caterpillar
Sighs to the crafty spider,--
Sighs that the tree will not fade.
Hov'ring thither
From out her yew-tree dwelling,
The gaudy foe advances
Against the kindly tree,
And cannot hurt it,
But the more artful one
Defiles with nauseous venom
Its silver leaves;
And sees with triumph
How the maiden shudders,
The youth, how mourns he,
On passing by.
Transplant the beauteous tree!
Gardener, it gives me pain;
Tree, thank the gardener
Who moves thee hence!
1767.
SECOND ODE.
THOU go'st! I murmur--
Go! let me murmur.
Oh, worthy man,
Fly from this land!
Deadly marshes,
Steaming mists of October
Here interweave their currents,
Blending for ever.
Noisome insects
Here are engender'd;
Fatal darkness
Veils their malice.
The fiery-tongued serpent,
Hard by the sedgy bank,
Stretches his pamper'd body,
Caress'd by the sun's bright beams.
Tempt no gentle night-rambles
Under the moon's cold twilight!
Loathsome toads hold their meetings
Yonder at every crossway.
Injuring not,
Fear will they cause thee.
Oh, worthy man,
Fly from this land!
1767.
THIRD ODE.
BE void of feeling!
A heart that soon is stirr'd,
Is a possession sad
Upon this changing earth.
Behrisch, let spring's sweet smile
Never gladden thy brow!
Then winter's gloomy tempests
Never will shadow it o'er.
Lean thyself ne'er on a maiden's
Sorrow-engendering breast.
Ne'er on the arm,
Misery-fraught, of a friend.
Already envy
From out his rocky ambush
Upon thee turns
The force of his lynx-like eyes,
Stretches his talons,
On thee falls,
In thy shoulders
Cunningly plants them.
Strong are his skinny arms,
As panther-claws;
He shaketh thee,
And rends thy frame.
Death 'tis to part,
'Tis threefold death
To part, not hoping
Ever to meet again.
Thou wouldst rejoice to leave
This hated land behind,
Wert thou not chain'd to me
With friendships flowery chains.
Burst them! I'll not repine.
No noble friend
Would stay his fellow-captive,
If means of flight appear.
The remembrance
Of his dear friend's freedom
Gives him freedom
In his dungeon.
Thou go'st,--I'm left.
But e'en already
The last year's winged spokes
Whirl round the smoking axle.
I number the turns
Of the thundering wheel;
The last one I bless.
--
Each bar then is broken, I'm free then as thou!
1767.
|
Written by
Kahlil Gibran |
The gold-hoarder walked in his palace park and with him walked his troubles.
And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden.
His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish.
He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high.
Today I am a prisoner of greed.
Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields.
Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man.
I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian.
Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth.
Today I find myself among the people like a frightened lamb among the wolves.
As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects.
Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity.
What I thought was glory is naught but an eternal inferno.
"
He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?"
As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem.
He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity.
.
.
until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil.
The house of true fortune is being destroyed; it is time to rebuild it and guard it.
The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!"
At that moment a poor man stood before him and stretched forth his hand for alms.
As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness.
It was as if the yesterday he had lamented by the lake had come to greet him.
He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers.
All your possessions will be restored.
"
He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson.
Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music.
Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man.
"
|
Written by
Ralph Waldo Emerson |
Little thinks, in the field, yon red-cloaked clown,
Of thee, from the hill-top looking down;
And the heifer, that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The sexton tolling the bell at noon,
Dreams not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent:
All are needed by each one,
Nothing is fair or good alone.
I thought the sparrow's note from heaven,
Singing at dawn on the alder bough;
I brought him home in his nest at even;—
He sings the song, but it pleases not now;
For I did not bring home the river and sky;
He sang to my ear; they sang to my eye.
The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave;
And the bellowing of the savage sea
Greeted their safe escape to me;
I wiped away the weeds and foam,
And fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty on the shore
With the sun, and the sand, and the wild uproar.
The lover watched his graceful maid
As 'mid the virgin train she strayed,
Nor knew her beauty's best attire
Was woven still by the snow-white quire;
At last she came to his hermitage,
Like the bird from the woodlands to the cage,—
The gay enchantment was undone,
A gentle wife, but fairy none.
Then I said, "I covet Truth;
Beauty is unripe childhood's cheat,—
I leave it behind with the games of youth.
"
As I spoke, beneath my feet
The ground-pine curled its pretty wreath,
Running over the club-moss burrs;
I inhaled the violet's breath;
Around me stood the oaks and firs;
Pine cones and acorns lay on the ground;
Above me soared the eternal sky,
Full of light and deity;
Again I saw, again I heard,
The rolling river, the morning bird;—
Beauty through my senses stole,
I yielded myself to the perfect whole.
|
Written by
Ralph Waldo Emerson |
Little thinks, in the field, yon red-cloaked clown
Of thee from the hill-top looking down;
The heifer that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The wexton, tolling his bell at noon,
Deems not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent.
All are needed by each one;
Nothing is fair or good alone.
I thought the sparrow's note from heaven,
Singing at dawn on the lader bough;
I brought him home, in his nest, at even;
He sings the song, but it cheers not now,
For I did not bring home the river and the sky; -
He sang to my ear, - they sang to my eye.
The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave,
And the Bellowing of the savage sea
Greeted their safe escape to me.
I wiped away the weeds and foam,
I fetched my sea-born treasures home;
But the poor, unsightly, noisome things
Had left their beauty at the shore
With the sun and the sand and the wild uproar.
The lover watched his graceful maid,
As 'mid the virgin train she stayed,
Nor knew her beauty's best attire
Was woven still by the snow-white choir.
At last she came to his hermitage,
Like the bird from the woodlandsto the cage; -
The gay enchantment was undone,
A gentle wife, but fairy none.
Then I said, "I covet truth;
Beauty is unripe childhood's cheat;
I leave it behind with the games of youth:" -
As I spoke, beneath my feet
The ground-pine curled its pretty wreath,
Running over the club-moss burrs;
I inhaled the violet's breath;
Around me stood the oaks and firs;
Pine-cones and acorns lay on the ground;
Over me soared the eternal sky,
Full of light and of deity;
Again I saw, again I heard,
The rolling river, the morning bird; -
Beauty through my senses stole;
I yielded myself to the perfect whole.
|
Written by
Kahlil Gibran |
Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments.
Now I could breathe.
I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.
I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship.
Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory.
In one secluded corner of the field I observed a burying ground surrounded by poplar trees.
There, between the city of the dead and the city of the living, I meditated.
I thought of the eternal silence in the first and the endless sorrow in the second.
In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.
In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man.
As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody.
It was an elaborate funeral.
The dead was followed by the living who wept and lamented his going.
As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed.
Then the leaders came forward one after the other and recited their eulogies with fine choice of words.
At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.
The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.
Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms.
Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.
It was a poor funeral.
This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.
As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God.
The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.
I looked at the city of the living and said to myself, "That place belongs to the few.
" Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few.
Oh Lord, where is the haven of all the people?"
As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays.
And I heard a voice within me saying, "Over there!"
|
Written by
John Keats |
High-mindedness, a jealousy for good,
A loving-kindness for the great man's fame,
Dwells here and there with people of no name,
In noisome alley, and in pathless wood:
And where we think the truth least understood,
Oft may be found a "singleness of aim,"
That ought to frighten into hooded shame
A money-mongering, pitiable brood.
How glorious this affection for the cause
Of steadfast genius, toiling gallantly!
What when a stout unbending champion awes
Envy and malice to their native sty?
Unnumbered souls breathe out a still applause,
Proud to behold him in his country's eye.
|
Written by
Robert William Service |
All day long when the shells sail over
I stand at the sandbags and take my chance;
But at night, at night I'm a reckless rover,
And over the parapet gleams Romance.
Romance! Romance! How I've dreamed it, writing
Dreary old records of money and mart,
Me with my head chuckful of fighting
And the blood of vikings to thrill my heart.
But little I thought that my time was coming,
Sudden and splendid, supreme and soon;
And here I am with the bullets humming
As I crawl and I curse the light of the moon.
Out alone, for adventure thirsting,
Out in mysterious No Man's Land;
Prone with the dead when a star-shell, bursting,
Flares on the horrors on every hand.
There are ruby stars and they drip and wiggle;
And the grasses gleam in a light blood-red;
There are emerald stars, and their tails they wriggle,
And ghastly they glare on the face of the dead.
But the worst of all are the stars of whiteness,
That spill in a pool of pearly flame,
Pretty as gems in their silver brightness,
And etching a man for a bullet's aim.
Yet oh, it's great to be here with danger,
Here in the weird, death-pregnant dark,
In the devil's pasture a stealthy ranger,
When the moon is decently hiding.
Hark!
What was that? Was it just the shiver
Of an eerie wind or a clammy hand?
The rustle of grass, or the passing quiver
Of one of the ghosts of No Man's Land?
It's only at night when the ghosts awaken,
And gibber and whisper horrible things;
For to every foot of this God-forsaken
Zone of jeopard some horror clings.
Ugh! What was that? It felt like a jelly,
That flattish mound in the noisome grass;
You three big rats running free of its belly,
Out of my way and let me pass!
But if there's horror, there's beauty, wonder;
The trench lights gleam and the rockets play.
That flood of magnificent orange yonder
Is a battery blazing miles away.
With a rush and a singing a great shell passes;
The rifles resentfully bicker and brawl,
And here I crouch in the dew-drenched grasses,
And look and listen and love it all.
God! What a life! But I must make haste now,
Before the shadow of night be spent.
It's little the time there is to waste now,
If I'd do the job for which I was sent.
My bombs are right and my clippers ready,
And I wriggle out to the chosen place,
When I hear a rustle .
.
.
Steady! .
.
.
Steady!
Who am I staring slap in the face?
There in the dark I can hear him breathing,
A foot away, and as still as death;
And my heart beats hard, and my brain is seething,
And I know he's a Hun by the smell of his breath.
Then: "Will you surrender?" I whisper hoarsely,
For it's death, swift death to utter a cry.
"English schwein-hund!" he murmurs coarsely.
"Then we'll fight it out in the dark," say I.
So we grip and we slip and we trip and wrestle
There in the gutter of No Man's Land;
And I feel my nails in his wind-pipe nestle,
And he tries to gouge, but I bite his hand.
And he tries to squeal, but I squeeze him tighter:
"Now," I say, "I can kill you fine;
But tell me first, you Teutonic blighter!
Have you any children?" He answers: "Nein.
"
Nine! Well, I cannot kill such a father,
So I tie his hands and I leave him there.
Do I finish my little job? Well, rather;
And I get home safe with some light to spare.
Heigh-ho! by day it's just prosy duty,
Doing the same old song and dance;
But oh! with the night -- joy, glory, beauty:
Over the parapet -- Life, Romance!
|
Written by
William Vaughn Moody |
A mile behind is Gloucester town
Where the flishing fleets put in,
A mile ahead the land dips down
And the woods and farms begin.
Here, where the moors stretch free
In the high blue afternoon,
Are the marching sun and talking sea,
And the racing winds that wheel and flee
On the flying heels of June.
Jill-o'er-the-ground is purple blue,
Blue is the quaker-maid,
The wild geranium holds its dew
Long in the boulder's shade.
Wax-red hangs the cup
From the huckleberry boughs,
In barberry bells the grey moths sup,
Or where the choke-cherry lifts high up
Sweet bowls for their carouse.
Over the shelf of the sandy cove
Beach-peas blossom late.
By copse and cliff the swallows rove
Each calling to his mate.
Seaward the sea-gulls go,
And the land-birds all are here;
That green-gold flash was a vireo,
And yonder flame where the marsh-flags grow
Was a scarlet tanager.
This earth is not the steadfast place
We landsmen build upon;
From deep to deep she varies pace,
And while she comes is gone.
Beneath my feet I feel
Her smooth bulk heave and dip;
With velvet plunge and soft upreel
She swings and steadies to her keel
Like a gallant, gallant ship.
These summer clouds she sets for sail,
The sun is her masthead light,
She tows the moon like a pinnace frail
Where her phosphor wake churns bright.
Now hid, now looming clear,
On the face of the dangerous blue
The star fleets tack and wheel and veer,
But on, but on does the old earth steer
As if her port she knew.
God, dear God! Does she know her port,
Though she goes so far about?
Or blind astray, does she make her sport
To brazen and chance it out?
I watched when her captains passed:
She were better captainless.
Men in the cabin, before the mast,
But some were reckless and some aghast,
And some sat gorged at mess.
By her battened hatch I leaned and caught
Sounds from the noisome hold,--
Cursing and sighing of souls distraught
And cries too sad to be told.
Then I strove to go down and see;
But they said, "Thou art not of us!"
I turned to those on the deck with me
And cried, "Give help!" But they said, "Let be:
Our ship sails faster thus.
"
Jill-o'er-the-ground is purple blue,
Blue is the quaker-maid,
The alder-clump where the brook comes through
Breeds cresses in its shade.
To be out of the moiling street
With its swelter and its sin!
Who has given to me this sweet,
And given my brother dust to eat?
And when will his wage come in?
Scattering wide or blown in ranks,
Yellow and white and brown,
Boats and boats from the fishing banks
Come home to Gloucester town.
There is cash to purse and spend,
There are wives to be embraced,
Hearts to borrow and hearts to lend,
And hearts to take and keep to the end;--
O little sails, make haste!
But thou, vast outbound ship of souls,
What harbor town for thee?
What shapes, when thy arriving tolls,
Shall crowd the banks to see?
Shall all the happy shipmates then
Stand singing brotherly?
Or shall a haggard ruthless few
Warp her over and bring her to,
While the many broken souls of men
Fester down in the slaver's pen
And nothing to say or do?
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Written by
Siegfried Sassoon |
THEY threw me from the gates: my matted hair
Was dank with dungeon wetness; my spent frame
O¡¯erlaid with marish agues: everywhere
Tortured by leaping pangs of frost and flame
So hideous was I that even Lazarus there 5
In noisome rags arrayed and leprous shame
Beside me set had seemed full sweet and fair
And looked on me with loathing.
But one came
Who laid a cloak on me and brought me in
Tenderly to an hostel quiet and clean; 10
Used me with healing hands for all my needs.
The mortal stain of my reputed sin
My state despised and my defil¨¨d weeds
He hath put by as though they had not been.
|
Written by
William Cowper |
Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted.
There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.
.
.
.
But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities.
Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness.
Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features.
Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.
.
.
.
God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades.
At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music.
We can spare
The splendour of your lamps, they but eclipse
Our softer satellite.
Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country.
Folly such as yours,
Grac'd with a sword, and worthier of a fan,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.
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