Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks.
Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat.
.
.
.
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Isaac Watts |
Persecutors punished.
Up from my youth, may Isr'el say,
Have I been nursed in tears;
My griefs were constant as the day,
And tedious as the years.
Up from my youth I bore the rage
Of all the sons of strife;
Oft they assailed my riper age,
But not destroyed my life.
Their cruel plow had torn my flesh
With furrows long and deep;
Hourly they vexed my wounds afresh,
Nor let my sorrows sleep.
The Lord grew angry on his throne,
And, with impartial eye,
Measured the mischiefs they had done,
Then let his arrows fly.
How was their insolence surprised
To hear his thunders roll!
And all the foes of Zion seized
With horror to the soul!
Thus shall the men that hate the saints
Be blasted from the sky;
Their glory fades, their courage faints
And all their projects die.
[What though they flourish tall and fair,
They have no root beneath;
Their growth shall perish in despair,
And lie despised in death.
]
[So corn that on the house-top stands
No hope of harvest gives;
The reaper ne'er shall fill his hands,
Nor binder fold the sheaves.
It springs and withers on the place;
No traveller bestows
A word of blessing on the grass,
Nor minds it as he goes.
]
|
Written by
Robert William Service |
I like to think that when I fall,
A rain-drop in Death's shoreless sea,
This shelf of books along the wall,
Beside my bed, will mourn for me.
Regard it.
.
.
.
Aye, my taste is *****.
Some of my bards you may disdain.
Shakespeare and Milton are not here;
Shelly and Keats you seek in vain.
Wordsworth, Tennyson, Browning too,
Remarkably are not in view.
Who are they? Omar first you see,
With Vine and Rose and Nightingale,
Voicing my pet philosphy
Of Wine and Song.
.
.
.
Then Reading Gaol,
Where Fate a gruesome pattern makes,
And dawn-light shudders as it wakes.
The Ancient Mariner is next,
With eerie and terrific text;
The Burns, with pawky human touch -
Poor devil! I have loved him much.
And now a gay quartette behold:
Bret Harte and Eugene Field are here;
And Henly, chanting brave and bold,
And Chesteron, in praise of Beer.
Lastly come valiant Singers three;
To whom this strident Day belongs:
Kipling, to whom I bow the knee,
Masefield, with rugged sailor songs.
.
.
.
And to my lyric troupe I add
With greatful heart - The Shropshire Lad.
Behold my minstrels, just eleven.
For half my life I've loved them well.
And though I have no hope of Heaven,
And more than Highland fear of Hell,
May I be damned if on this shelf
ye find a rhyme I made myself.
|
Written by
Annie Dillard |
New York: You take a train that rips through versts.
It feels as if the trains were running over your ears.
For many hours the train flies along the banks
of the Hudson about two feet from the water.
At the stops,
passengers run out, buy up bunches of celery,
and run back in, chewing the stalks as they go.
Bridges leap over the train with increasing frequency.
At each stop an additional story grows
onto the roofs.
Finally houses with squares
and dots of windows rise up.
No matter how far
you throw back your head, there are no tops.
Time and again, the telegraph poles are made
of wood.
Maybe it only seems that way.
In the narrow canyons between the buildings, a sort
of adventurer-wind howls and runs away
along the versts of the ten avenues.
Below
flows a solid human mass.
Only their yellow
waterproof slickers hiss like samovars and blaze.
The construction rises and with it the crane, as if
the building were being lifted up off the ground
by its pigtail.
It is hard to take it seriously.
The buildings are glowing with electricity; their evenly
cut-out windows are like a stencil.
Under awnings
the papers lie in heaps, delivered by trucks.
It is impossible to tear oneself away from this spectacle.
At midnight those leaving the theaters drink a last soda.
Puddles of rain stand cooling.
Poor people scavenge
bones.
In all directions is a labyrinth of trains
suffocated by vaults.
There is no hope, your eyes
are not accustomed to seeing such things.
They are starting to evolve an American gait out
of the cautious steps of the Indians on the paths of empty
Manhattan.
Maybe it only seems that way.
|
Written by
John Betjeman |
The heavy mahogany door with its wrought-iron screen
Shuts.
And the sound is rich, sympathetic, discreet.
The sun still shines on this eighteenth-century scene
With Edwardian faience adornment -- Devonshire Street.
No hope.
And the X-ray photographs under his arm
Confirm the message.
His wife stands timidly by.
The opposite brick-built house looks lofty and calm
Its chimneys steady against the mackerel sky.
No hope.
And the iron knob of this palisade
So cold to the touch, is luckier now than he
"Oh merciless, hurrying Londoners! Why was I made
For the long and painful deathbed coming to me?"
She puts her fingers in his, as, loving and silly
At long-past Kensington dances she used to do
"It's cheaper to take the tube to Piccadilly
And then we can catch a nineteen or twenty-two".
|
Written by
D. H. Lawrence |
Always, sweetheart,
Carry into your room the blossoming boughs of cherry,
Almond and apple and pear diffuse with light, that very
Soon strews itself on the floor; and keep the radiance of spring
Fresh quivering; keep the sunny-swift March-days waiting
In a little throng at your door, and admit the one who is plaiting
Her hair for womanhood, and play awhile with her, then bid her depart.
A come and go of March-day loves
Through the flower-vine, trailing screen;
A fluttering in of doves.
Then a launch abroad of shrinking doves
Over the waste where no hope is seen
Of open hands:
Dance in and out
Small-bosomed girls of the spring of love,
With a bubble of laughter, and shrilly shout
Of mirth; then the dripping of tears on your glove.
|
Written by
Rabindranath Tagore |
In desperate hope I go and search for her
in all the corners of my room;
I find her not.
My house is small
and what once has gone from it can never be regained.
But infinite is thy mansion, my lord,
and seeking her I have to come to thy door.
I stand under the golden canopy of thine evening sky
and I lift my eager eyes to thy face.
I have come to the brink of eternity from which nothing can vanish
---no hope, no happiness, no vision of a face seen through tears.
Oh, dip my emptied life into that ocean,
plunge it into the deepest fullness.
Let me for once feel that lost sweet touch
in the allness of the universe.
|
Written by
Denise Levertov |
Green Snake, when I hung you round my neck
and stroked your cold, pulsing throat
as you hissed to me, glinting
arrowy gold scales, and I felt
the weight of you on my shoulders,
and the whispering silver of your dryness
sounded close at my ears --
Green Snake--I swore to my companions that certainly
you were harmless! But truly
I had no certainty, and no hope, only desiring
to hold you, for that joy,
which left
a long wake of pleasure, as the leaves moved
and you faded into the pattern
of grass and shadows, and I returned
smiling and haunted, to a dark morning.
|
Written by
Anne Bronte |
I'm buried now; I've done with life;
I've done with hate, revenge and strife;
I've done with joy, and hope and love
And all the bustling world above.
Long have I dwelt forgotten here
In pining woe and dull despair;
This place of solitude and gloom
Must be my dungeon and my tomb.
No hope, no pleasure can I find:
I am grown weary of my mind;
Often in balmy sleep I try
To gain a rest from misery,
And in one hour of calm repose
To find a respite from my woes,
But dreamless sleep is not for me
And I am still in misery.
I dream of liberty, 'tis true,
But then I dream of sorrow too,
Of blood and guilt and horrid woes,
Of tortured friends and happy foes;
I dream about the world, but then
I dream of fiends instead of men;
Each smiling hope so quickly fades
And such a lurid gloom pervades
That world -- that when I wake and see
Those dreary phantoms fade and flee,
Even in my dungeon I can smile,
And taste of joy a little while.
And yet it is not always so;
I dreamt a little while ago
That all was as it used to be:
A fresh free wind passed over me;
It was a pleasant summer's day,
The sun shone forth with cheering ray,
Methought a little lovely child
Looked up into my face and smiled.
My heart was full, I wept for joy,
It was my own, my darling boy;
I clasped him to my breast and he
Kissed me and laughed in childish glee.
Just them I heard in whisper sweet
A well known voice my name repeat.
His father stood before my eyes;
I gazed at him in mute surprise,
I thought he smiled and spoke to me,
But still in silent ecstasy
I gazed at him; I could not speak;
I uttered one long piercing shriek.
Alas! Alas! That cursed scream
Aroused me from my heavenly dream;
I looked around in wild despair,
I called them, but they were not there;
The father and the child are gone,
And I must live and die alone.
|
Written by
Johann Wolfgang von Goethe |
THOUGHTS ON JESUS CHRIST'S DESCENT INTO HELL.
[THE remarkable Poem of which this is a literal
but faint representation, was written when Goethe was only sixteen
years old.
It derives additional interest from the fact of its being
the very earliest piece of his that is preserved.
The few other
pieces included by Goethe under the title of Religion and Church
are polemical, and devoid of interest to the English reader.
]
WHAT wondrous noise is heard around!
Through heaven exulting voices sound,
A mighty army marches on
By thousand millions follow'd, lo,
To yon dark place makes haste to go
God's Son, descending from His throne!
He goes--the tempests round Him break,
As Judge and Hero cometh He;
He goes--the constellations quake,
The sun, the world quake fearfully.
I see Him in His victor-car,
On fiery axles borne afar,
Who on the cross for us expired.
The triumph to yon realms He shows,--
Remote from earth, where star ne'er glows,
The triumph He for us acquired.
He cometh, Hell to extirpate,
Whom He, by dying, wellnigh kill'd;
He shall pronounce her fearful fate
Hark! now the curse is straight fulfill'd.
Hell sees the victor come at last,
She feels that now her reign is past,
She quakes and fears to meet His sight;
She knows His thunders' terrors dread,
In vain she seeks to hide her head,
Attempts to fly, but vain is flight;
Vainly she hastes to 'scape pursuit
And to avoid her Judge's eye;
The Lord's fierce wrath restrains her foot
Like brazen chains,--she cannot fly.
Here lies the Dragon, trampled down,
He lies, and feels God's angry frown,
He feels, and grinneth hideously;
He feels Hell's speechless agonies,
A thousand times he howls and sighs:
"Oh, burning flames! quick, swallow me!"
There lies he in the fiery waves,
By torments rack'd and pangs infernal,
Instant annihilation craves,
And hears, those pangs will be eternal.
Those mighty squadrons, too, are here,
The partners of his cursed career,
Yet far less bad than he were they.
Here lies the countless throng combined,
In black and fearful crowds entwined,
While round him fiery tempests play;
He sees how they the Judge avoid,
He sees the storm upon them feed,
Yet is not at the sight o'erjoy'd,
Because his pangs e'en theirs exceed.
The Son of Man in triumph passes
Down to Hell's wild and black morasses,
And there unfolds His majesty.
Hell cannot bear the bright array,
For, since her first created day.
Darkness alone e'er govern'd she.
She lay remote from ev'ry light
With torments fill'd in Chaos here;
God turn'd for ever from her sight
His radiant features' glory clear.
Within the realms she calls her own,
She sees the splendour of the Son,
His dreaded glories shining forth;
She sees Him clad in rolling thunder,
She sees the rocks all quake with wonder,
When God before her stands in wrath.
She sees He comes her Judge to be,
She feels the awful pangs inside her,
Herself to slay endeavours she,
But e'en this comfort is denied her.
Now looks she back, with pains untold,
Upon those happy times of old,
When those glories gave her joy;
When yet her heart revered the truth,
When her glad soul, in endless youth
And rapture dwelt, without alloy.
She calls to mind with madden'd thought
How over man her wiles prevail'd;
To take revenge on God she sought,
And feels the vengeance it entail'd.
God was made man, and came to earth.
Then Satan cried with fearful mirth:
"E'en He my victim now shall be!"
He sought to slay the Lord Most High,
The world's Creator now must die;
But, Satan, endless woe to thee!
Thou thought'st to overcome Him then,
Rejoicing in His suffering;
But he in triumph comes again
To bind thee: Death! where is thy sting?
Speak, Hell! where is thy victory?
Thy power destroy'd and scatter'd see!
Know'st thou not now the Highest's might?
See, Satan, see thy rule o'erthrown!
By thousand-varying pangs weigh'd down,
Thou dwell'st in dark and endless night.
As though by lightning struck thou liest,
No gleam of rapture far or wide;
In vain! no hope thou there decriest,--
For me alone Messiah died!
A howling rises through the air,
A trembling fills each dark vault there,
When Christ to Hell is seen to come.
She snarls with rage, but needs must cower
Before our mighty hero's power;
He signs--and Hell is straightway dumb.
Before his voice the thunders break,
On high His victor-banner blows;
E'en angels at His fury quake,
When Christ to the dread judgment goes.
Now speaks He, and His voice is thunder,
He speaks, the rocks are rent in sunder,
His breath is like devouring flames.
Thus speaks He: "Tremble, ye accurs'd!
He who from Eden hurl'd you erst,
Your kingdom's overthrow proclaims.
Look up! My children once were ye,
Your arms against Me then ye turn'd,
Ye fell, that ye might sinners be,
Ye've now the wages that ye earn'd.
"My greatest foeman from that day,
Ye led my dearest friends astray,--
As ye had fallen, man must fall.
To kill him evermore ye sought,
'They all shall die the death,' ye thought;
But howl! for Me I won them all.
For them alone did I descend,
For them pray'd, suffer'd, perish'd I.
Ye ne'er shall gain your wicked end;
Who trusts in Me shall never die.
"In endless chains here lie ye now,
Nothing can save you from the slough.
Not boldness, not regret for crime.
Lie, then, and writhe in brimstone fire!
'Twas ye yourselves drew down Mine ire,
Lie and lament throughout all time!
And also ye, whom I selected,
E'en ye forever I disown,
For ye My saving grace rejected
Ye murmur? blame yourselves alone!
"Ye might have lived with Me in bliss,
For I of yore had promis'd this;
Ye sinn'd, and all My precepts slighted
Wrapp'd in the sleep of sin ye dwelt,
Now is My fearful judgment felt,
By a just doom your guilt requited.
"--
Thus spake He, and a fearful storm
From Him proceeds, the lightnings glow,
The thunders seize each wicked form,
And hurl them in the gulf below.
The God-man closeth Hell's sad doors,
In all His majesty He soars
From those dark regions back to light.
He sitteth at the Father's side;
Oh, friends, what joy doth this betide!
For us, for us He still will fight!
The angels sacred quire around
Rejoice before the mighty Lord,
So that all creatures hear the sound:
"Zebaoth's God be aye ador'd!"
1765.
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