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Best Famous No Go Poems

Here is a collection of the all-time best famous No Go poems. This is a select list of the best famous No Go poetry. Reading, writing, and enjoying famous No Go poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of no go poems.

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Written by Elizabeth Bishop | Create an image from this poem

The Burglar Of Babylon

 On the fair green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.
On the hills a million people, A million sparrows, nest, Like a confused migration That's had to light and rest, Building its nests, or houses, Out of nothing at all, or air.
You'd think a breath would end them, They perch so lightly there.
But they cling and spread like lichen, And people come and come.
There's one hill called the Chicken, And one called Catacomb; There's the hill of Kerosene, And the hill of Skeleton, The hill of Astonishment, And the hill of Babylon.
Micuçú was a burglar and killer, An enemy of society.
He had escaped three times From the worst penitentiary.
They don't know how many he murdered (Though they say he never raped), And he wounded two policemen This last time he escaped.
They said, "He'll go to his auntie, Who raised him like a son.
She has a little drink shop On the hill of Babylon.
" He did go straight to his auntie, And he drank a final beer.
He told her, "The soldiers are coming, And I've got to disappear.
" "Ninety years they gave me.
Who wants to live that long? I'll settle for ninety hours, On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you, But I'm a doomed man.
" Going out, he met a mulata Carrying water on her head.
"If you say you saw me, daughter, You're as good as dead.
" There are caves up there, and hideouts, And an old fort, falling down.
They used to watch for Frenchmen From the hill of Babylon.
Below him was the ocean.
It reached far up the sky, Flat as a wall, and on it Were freighters passing by, Or climbing the wall, and climbing Till each looked like a fly, And then fell over and vanished; And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry; Fluttering kites strained upward; And he knew he was going to die.
A buzzard flapped so near him He could see its naked neck.
He waved his arms and shouted, "Not yet, my son, not yet!" An Army helicopter Came nosing around and in.
He could see two men inside it, but they never spotted him.
The soldiers were all over, On all sides of the hill, And right against the skyline A row of them, small and still.
Children peeked out of windows, And men in the drink shop swore, And spat a little cachaça At the light cracks in the floor.
But the soldiers were nervous, even with tommy guns in hand, And one of them, in a panic, Shot the officer in command.
He hit him in three places; The other shots went wild.
The soldier had hysterics And sobbed like a little child.
The dying man said, "Finish The job we came here for.
" he committed his soul to God And his sons to the Governor.
They ran and got a priest, And he died in hope of Heaven --A man from Pernambuco, The youngest of eleven.
They wanted to stop the search, but the Army said, "No, go on," So the soldiers swarmed again Up the hill of Babylon.
Rich people in apartments Watched through binoculars As long as the daylight lasted.
And all night, under the stars, Micuçú hid in the grasses Or sat in a little tree, Listening for sounds, and staring At the lighthouse out at sea.
And the lighthouse stared back at him, til finally it was dawn.
He was soaked with dew, and hungry, On the hill of Babylon.
The yellow sun was ugly, Like a raw egg on a plate-- Slick from the sea.
He cursed it, For he knew it sealed his fate.
He saw the long white beaches And people going to swim, With towels and beach umbrellas, But the soldiers were after him.
Far, far below, the people Were little colored spots, And the heads of those in swimming Were floating coconuts.
He heard the peanut vendor Go peep-peep on his whistle, And the man that sells umbrellas Swinging his watchman's rattle.
Women with market baskets Stood on the corners and talked, Then went on their way to market, Gazing up as they walked.
The rich with their binoculars Were back again, and many Were standing on the rooftops, Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb, Looking right at him.
He fired, And missed for the last time.
He could hear the soldier panting, Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying Far, far away in his head, And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver, And just the clothes he had on, With two contos in the pockets, On the hill of Babylon.
The police and the populace Heaved a sigh of relief, But behind the counter his auntie Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob? "I raised him to be honest, Even here, in Babylon slum.
" The customers had another, Looking serious and glum.
But one of them said to another, When he got outside the door, "He wasn't much of a burglar, He got caught six times--or more.
" This morning the little soldiers are on Babylon hill again; Their gun barrels and helmets Shine in a gentle rain.
Micuçú is buried already.
They're after another two, But they say they aren't as dangerous As the poor Micuçú.
On the green hills of Rio There grows a fearful stain: The poor who come to Rio And can't go home again.
There's the hill of Kerosene, And the hill of the Skeleton, The hill of Astonishment, And the hill of Babylon.


Written by Thomas Hood | Create an image from this poem

No!

 No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--no "t'other side this way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No traveling at all--no locomotion--
No inkling of the way--no notion--
"No go" by land or ocean--
No mail--no post--
No news from any foreign coast--
No Park, no Ring, no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds--
November!
Written by Lewis Carroll | Create an image from this poem

Photography Extraordinary

 The Milk-and-Water School 
Alas! she would not hear my prayer!
Yet it were rash to tear my hair;
Disfigured, I should be less fair.
She was unwise, I may say blind; Once she was lovingly inclined; Some circumstance has changed her mind.
The Strong-Minded or Matter-of-Fact School Well! so my offer was no go! She might do worse, I told her so; She was a fool to answer "No".
However, things are as they stood; Nor would I have her if I could, For there are plenty more as good.
The Spasmodic or German School Firebrands and Daggers! hope hath fled! To atoms dash the doubly dead! My brain is fire--my heart is lead! Her soul is flint, and what am I? Scorch'd by her fierce, relentless eye, Nothingness is my destiny!
Written by Vladimir Mayakovsky | Create an image from this poem

Conversation with Comrade Lenin

 Awhirl with events,
 packed with jobs one too many,
the day slowly sinks
 as the night shadows fall.
There are two in the room: I and Lenin- a photograph on the whiteness of wall.
The stubble slides upward above his lip as his mouth jerks open in speech.
The tense creases of brow hold thought in their grip, immense brow matched by thought immense.
A forest of flags, raised-up hands thick as grass.
.
.
Thousands are marching beneath him.
.
.
Transported, alight with joy, I rise from my place, eager to see him, hail him, report to him! “Comrade Lenin, I report to you - (not a dictate of office, the heart’s prompting alone) This hellish work that we’re out to do will be done and is already being done.
We feed and we clothe and give light to the needy, the quotas for coal and for iron fulfill, but there is any amount of bleeding muck and rubbish around us still.
Without you, there’s many have got out of hand, all the sparring and squabbling does one in.
There’s scum in plenty hounding our land, outside the borders and also within.
Try to count ’em and tab ’em - it’s no go, there’s all kinds, and they’re thick as nettles: kulaks, red tapists, and, down the row, drunkards, sectarians, lickspittles.
They strut around proudly as peacocks, badges and fountain pens studding their chests.
We’ll lick the lot of ’em- but to lick ’em is no easy job at the very best.
On snow-covered lands and on stubbly fields, in smoky plants and on factory sites, with you in our hearts, Comrade Lenin, we build, we think, we breathe, we live, and we fight!” Awhirl with events, packed with jobs one too many, the day slowly sinks as the night shadows fall.
There are two in the room: I and Lenin - a photograph on the whiteness of wall.
Written by David Wagoner | Create an image from this poem

For A Row Of Laurel Shrubs

 They don't want to be your hedge,
 Your barrier, your living wall, the no-go
 Go-between between your property
And the prying of dogs and strangers.
They don't Want to settle any of your old squabbles Inside or out of bounds.
Their new growth In three-foot shoots goes thrusting straight Up in the air each April or goes off Half-cocked sideways to reconnoiter Wilder dimensions: the very idea Of squareness, of staying level seems Alien to them, and they aren't in the least Discouraged by being suddenly lopped off Year after year by clippers or the stuttering Electric teeth of trimmers hedging their bets To keep them all in line, all roughly In order.
They don't even Want to be good-neighborly bushes (Though under the outer stems and leaves The thick, thick-headed, soot-blackened Elderly branches have been dodging And weaving through so many disastrous springs, So many whacked-out, contra- Dictory changes of direction, they've locked Themselves together for good).
Yet each Original planting, left to itself, would be No fence, no partition, no crook-jointed Entanglement, but a tree by now outspread With all of itself turned upward at every Inconvenient angle you can imagine, And look, on the ground, the fallen leaves, Brown, leathery, as thick as tongues, remain Almost what they were, tougher than ever, Slow to molder, to give in, dead slow to feed The earth with themselves, there at the feet Of their fathers in the evergreen shade Of their replacements.
Remember, admirers Long ago would sometimes weave fresh clippings Into crowns and place them squarely on the heads Of their most peculiar poets.



Book: Shattered Sighs