Written by
Bliss Carman |
I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind.
What histories obscure
They must immure!
I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,—where I may go too,
When my lease is through,—
Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales
Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green shadows walk the world at night,
So still, so bright.
There at the window many a time of year,
Strange faces peer,
Solemn though not unkind,
Their wits in search of something left behind
Time out of mind;
As if they once had lived here, and stole back
To the window crack
For a peep which seems to say,
"Good fortune, brother, in your house of clay!"
And then, "Good day!"
I hear their footsteps on the gravel walk,
Their scraps of talk,
And hurrying after, reach
Only the crazy sea-drone of the beach
In endless speech.
And often when the autumn noons are still,
By swale and hill
I see their gipsy signs,
Trespassing somewhere on my border lines;
With what designs?
I forth afoot; but when I reach the place,
Hardly a trace,
Save the soft purple haze
Of smouldering camp-fires, any hint betrays
Who went these ways.
Or tatters of pale aster blue, descried
By the roadside,
Reveal whither they fled;
Or the swamp maples, here and there a shred
Of Indian red.
But most of all, the marvellous tapestry
Engrosses me,
Where such strange things are rife,
Fancies of beasts and flowers, and love and strife,
Woven to the life;
Degraded shapes and splendid seraph forms,
And teeming swarms
Of creatures gauzy dim
That cloud the dusk, and painted fish that swim,
At the weaver's whim;
And wonderful birds that wheel and hang in the air;
And beings with hair,
And moving eyes in the face,
And white bone teeth and hideous grins, who race
From place to place;
They build great temples to their John-a-nod,
And fume and plod
To deck themselves with gold,
And paint themselves like chattels to be sold,
Then turn to mould.
Sometimes they seem almost as real as I;
I hear them sigh;
I see them bow with grief,
Or dance for joy like any aspen leaf;
But that is brief.
They have mad wars and phantom marriages;
Nor seem to guess
There are dimensions still,
Beyond thought's reach, though not beyond love's will,
For soul to fill.
And some I call my friends, and make believe
Their spirits grieve,
Brood, and rejoice with mine;
I talk to them in phrases quaint and fine
Over the wine;
I tell them all my secrets; touch their hands;
One understands
Perhaps.
How hard he tries
To speak! And yet those glorious mild eyes,
His best replies!
I even have my cronies, one or two,
My cherished few.
But ah, they do not stay!
For the sun fades them and they pass away,
As I grow gray.
Yet while they last how actual they seem!
Their faces beam;
I give them all their names,
Bertram and Gilbert, Louis, Frank and James,
Each with his aims;
One thinks he is a poet, and writes verse
His friends rehearse;
Another is full of law;
A third sees pictures which his hand can draw
Without a flaw.
Strangest of all, they never rest.
Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;
It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.
It is the world-ghost, the time-spirit, come
None knows wherefrom,
The viewless draughty tide
And wash of being.
I hear it yaw and glide,
And then subside,
Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, "Who goes there?"
It answers, "Where?"
The wail and sob and moan of the sea's dirge,
Its plangor and surge;
The awful biting sough
Of drifted snows along some arctic bluff,
That veer and luff,
And have the vacant boding human cry,
As they go by;—
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?
Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,
Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!
Perchance he drives the merry-go-round whose track
Is the zodiac;
His name is No-man's-friend;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.
A prince of madness too, I'd cry, "A rat!"
And lunge thereat,—
Let out at one swift thrust
The cunning arch-delusion of the dust
I so mistrust,
But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
Piteous, unharmful, loving, sad, and wise
With the speaking eyes.
I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon.
Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
'T is not a happy Ariel masking so
In mocking woe?
Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
"Only the wind!"
Yet often too he steals so softly by.
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.
Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,
He lay his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
To kindle and glow and fill the purple vast
Of dark at last.
Weird wise, and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain—
He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.
For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.
I hear him sing, "Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.
"Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.
"The womb of silence to the crave of sound
Is heaven unfound,
Till I, to soothe and slake
Being's most utter and imperious ache,
Bid rhythm awake.
"If with such agonies of bliss, my kin,
I enter in
Your prison house of sense,
With what a joyous freed intelligence
I shall go hence.
"
I need no more to guess the weaver's name,
Nor ask his aim,
Who hung each hall and room
With swarthy-tinged vermilion upon gloom;
I know that loom.
Give me a little space and time enough,
From ravelings rough
I could revive, reweave,
A fabric of beauty art might well believe
Were past retrieve.
O men and women in that rich design,
Sleep-soft, sun-fine,
Dew-tenuous and free,
A tone of the infinite wind-themes of the sea,
Borne in to me,
Reveals how you were woven to the might
Of shadow and light.
You are the dream of One
Who loves to haunt and yet appears to shun
My door in the sun;
As the white roving sea tern fleck and skim
The morning's rim;
Or the dark thrushes clear
Their flutes of music leisurely and sheer,
Then hush to hear.
I know him when the last red brands of day
Smoulder away,
And when the vernal showers
Bring back the heart to all my valley flowers
In the soft hours.
O hand of mine and brain of mine, be yours,
While time endures,
To acquiesce and learn!
For what we best may dare and drudge and yearn,
Let soul discern.
So, fellows, we shall reach the gusty gate,
Early or late,
And part without remorse,
A cadence dying down unto its source
In music's course;
You to the perfect rhythms of flowers and birds,
Colors and words,
The heart-beats of the earth,
To be remoulded always of one worth
From birth to birth;
I to the broken rhythm of thought and man,
The sweep and span
Of memory and hope
About the orbit where they still must grope
For wider scope,
To be through thousand springs restored, renewed,
With love imbrued,
With increments of will
Made strong, perceiving unattainment still
From each new skill.
Always the flawless beauty, always the chord
Of the Overword,
Dominant, pleading, sure,
No truth too small to save and make endure.
No good too poor!
And since no mortal can at last disdain
That sweet refrain,
But lets go strife and care,
Borne like a strain of bird notes on the air,
The wind knows where;
Some quiet April evening soft and strange,
When comes the change
No spirit can deplore,
I shall be one with all I was before,
In death once more.
|
Written by
William Carlos (WCW) Williams |
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—
And—the other world—
the windshield a blunt barrier:
Talk to me.
Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.
Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.
Peer Gynt.
Rip Van Winkle.
Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross: four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.
All toads are happy
and belong in gardens.
A toad to Diana!
Lean forward.
Punch the steerman
behind the ear.
Twirl the wheel!
Over the edge! Screams! Crash!
The end.
I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch! All threads cut!
Death! Black.
The end.
The very end—
I would sit separate weighing a
small red handful: the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.
All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny weed flattened upon it under
a weight of air—For the first time!—
or a yawning depth: Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.
The End.
I sit
examining my red handful.
Balancing
—this—in and out—agh.
Love you? It's
a fire in the blood, willy-nilly!
It's the sun coming up in the morning.
Ha, but it's the grey moon too, already up
in the morning.
You are slow.
Men are not friends where it concerns
a woman? Fighters.
Playfellows.
White round thighs! Youth! Sighs—!
It's the fillip of novelty.
It's—
Mountains.
Elephants humping along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.
It's
the fillip of novelty.
It's a fire in the blood.
Oh get a flannel shirt], white flannel
or pongee.
You'd look so well!
I married you because I liked your nose.
I wanted you! I wanted you
in spite of all they'd say—
Rain and light, mountain and rain,
rain and river.
Will you love me always?
—A car overturned and two crushed bodies
under it.
—Always! Always!
And the white moon already up.
White.
Clean.
All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—
Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.
—
It's the grey moon—over and over.
It's the clay of these parts.
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