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Best Famous Niger Poems

Here is a collection of the all-time best famous Niger poems. This is a select list of the best famous Niger poetry. Reading, writing, and enjoying famous Niger poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of niger poems.

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Written by John Ashbery | Create an image from this poem

Into the Dusk-Charged Air

 Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire Near where it joined the Cher.
The St.
Lawrence prods among black stones And mud.
But the Arno is all stones.
Wind ruffles the Hudson's Surface.
The Irawaddy is overflowing.
But the yellowish, gray Tiber Is contained within steep banks.
The Isar Flows too fast to swim in, the Jordan's water Courses over the flat land.
The Allegheny and its boats Were dark blue.
The Moskowa is Gray boats.
The Amstel flows slowly.
Leaves fall into the Connecticut as it passes Underneath.
The Liffey is full of sewage, Like the Seine, but unlike The brownish-yellow Dordogne.
Mountains hem in the Colorado And the Oder is very deep, almost As deep as the Congo is wide.
The plain banks of the Neva are Gray.
The dark Saône flows silently.
And the Volga is long and wide As it flows across the brownish land.
The Ebro Is blue, and slow.
The Shannon flows Swiftly between its banks.
The Mississippi Is one of the world's longest rivers, like the Amazon.
It has the Missouri for a tributary.
The Harlem flows amid factories And buildings.
The Nelson is in Canada, Flowing.
Through hard banks the Dubawnt Forces its way.
People walk near the Trent.
The landscape around the Mohawk stretches away; The Rubicon is merely a brook.
In winter the Main Surges; the Rhine sings its eternal song.
The Rhône slogs along through whitish banks And the Rio Grande spins tales of the past.
The Loir bursts its frozen shackles But the Moldau's wet mud ensnares it.
The East catches the light.
Near the Escaut the noise of factories echoes And the sinuous Humboldt gurgles wildly.
The Po too flows, and the many-colored Thames.
Into the Atlantic Ocean Pours the Garonne.
Few ships navigate On the Housatonic, but quite a few can be seen On the Elbe.
For centuries The Afton has flowed.
If the Rio ***** Could abandon its song, and the Magdalena The jungle flowers, the Tagus Would still flow serenely, and the Ohio Abrade its slate banks.
The tan Euphrates would Sidle silently across the world.
The Yukon Was choked with ice, but the Susquehanna still pushed Bravely along.
The Dee caught the day's last flares Like the Pilcomayo's carrion rose.
The Peace offered eternal fragrance Perhaps, but the Mackenzie churned livid mud Like tan chalk-marks.
Near where The Brahmaputra slapped swollen dikes And the Pechora? The São Francisco Skulks amid gray, rubbery nettles.
The Liard's Reflexes are slow, and the Arkansas erodes Anthracite hummocks.
The Paraná stinks.
The Ottawa is light emerald green Among grays.
Better that the Indus fade In steaming sands! Let the Brazos Freeze solid! And the Wabash turn to a leaden Cinder of ice! The Marañón is too tepid, we must Find a way to freeze it hard.
The Ural Is freezing slowly in the blasts.
The black Yonne Congeals nicely.
And the Petit-Morin Curls up on the solid earth.
The Inn Does not remember better times, and the Merrimack's Galvanized.
The Ganges is liquid snow by now; The Vyatka's ice-gray.
The once-molten Tennessee s Curdled.
The Japurá is a pack of ice.
Gelid The Columbia's gray loam banks.
The Don's merely A giant icicle.
The Niger freezes, slowly.
The interminable Lena plods on But the Purus' mercurial waters are icy, grim With cold.
The Loing is choked with fragments of ice.
The Weser is frozen, like liquid air.
And so is the Kama.
And the beige, thickly flowing Tocantins.
The rivers bask in the cold.
The stern Uruguay chafes its banks, A mass of ice.
The Hooghly is solid Ice.
The Adour is silent, motionless.
The lovely Tigris is nothing but scratchy ice Like the Yellowstone, with its osier-clustered banks.
The Mekong is beginning to thaw out a little And the Donets gurgles beneath the Huge blocks of ice.
The Manzanares gushes free.
The Illinois darts through the sunny air again.
But the Dnieper is still ice-bound.
Somewhere The Salado propels irs floes, but the Roosevelt's Frozen.
The Oka is frozen solider Than the Somme.
The Minho slumbers In winter, nor does the Snake Remember August.
Hilarious, the Canadian Is solid ice.
The Madeira slavers Across the thawing fields, and the Plata laughs.
The Dvina soaks up the snow.
The Sava's Temperature is above freezing.
The Avon Carols noiselessly.
The Drôme presses Grass banks; the Adige's frozen Surface is like gray pebbles.
Birds circle the Ticino.
In winter The Var was dark blue, unfrozen.
The Thwaite, cold, is choked with sandy ice; The Ardèche glistens feebly through the freezing rain.


Written by Robert Pinsky | Create an image from this poem

Ginza Samba

 A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged
As in the trading of brasses,
Pearls and ivory, calicos and slaves,
Laborers and girls, two

Cousins in a royal family
Of Niger known as the Birds or Hawks.
In Christendom one cousin's child Becomes a "favorite *****" ennobled By decree of the Czar and founds A great family, a line of generals, Dandies and courtiers including the poet Pushkin, killed in a duel concerning His wife's honor, while the other cousin sails In the belly of a slaveship to the port Of Baltimore where she is raped And dies in childbirth, but the infant Will marry a Seminole and in the next Chorus of time their child fathers A great Hawk or Bird, with many followers Among them this great-grandchild of the Jewish Manager of a Pushkin estate, blowing His American breath out into the wiggly Tune uncurling its triplets and sixteenths--the Ginza Samba of breath and brass, the reed Vibrating as a valve, the aether, the unimaginable Wires and circuits of an ingenious box Here in my room in this house built A hundred years ago while I was elsewhere: It is like falling in love, the atavistic Imperative of some one Voice or face--the skill, the copper filament, The golden bellful of notes twirling through Their invisible element from Rio to Tokyo and back again gathering Speed in the variations as they tunnel The twin haunted labyrinths of stirrup And anvil echoing here in the hearkening Instrument of my skull.
Written by Susan Rich | Create an image from this poem

Lost By Way of Tchin-Tabarden

 Republic of Niger

Nomads are said to know their way by an exact spot in the sky,

the touch of sand to their fingers, granules on the tongue.
But sometimes a system breaks down.
I witness a shift of light, study the irregular shadings of dunes.
Why am I traveling this road to Zinder, where really there is no road? No service station at this check point, just one commercant hawking Fanta in gangrene hues.
C'est formidable! he gestures --- staring ahead over a pyramid of foreign orange juice.
In the desert life is distilled to an angle of wind, camel droppings, salted food.
How long has this man been here, how long can I stay contemplating a route home? It's so easy to get lost and disappear, die of thirst and longing as the Sultan's three wives did last year.
Found in their Mercedes, the chauffeur at the wheel, how did they fail to return home to Ágadez, retrace a landscape they'd always believed? No cross-streets, no broken yellow lines; I feel relief at the abandonment of my own geography.
I know there's no surveyor but want to imagine the aerial map that will send me above flame trees, snaking through knots of basalt.
I'll mark the exact site for a lean-to where the wind and dust travel easily along my skin, and I'm no longer satiated by the scent of gasoline.
I'll arrive there out of balance, untaught; ready for something called home.
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE SLAVES DREAM

 Beside the ungathered rice he lay,
His sickle in his hand;
His breast was bare, his matted hair
Was buried in the sand.
Again, in the mist and shadow of sleep, He saw his Native Land.
Wide through the landscape of his dreams The lordly Niger flowed; Beneath the palm-trees on the plain Once more a king he strode; And heard the tinkling caravans Descend the mountain-road.
He saw once more his dark-eyed queen Among her children stand; They clasped his neck, they kissed his cheeks, They held him by the hand!-- A tear burst from the sleeper's lids And fell into the sand.
And then at furious speed he rode Along the Niger's bank; His bridle-reins were golden chains, And, with a martial clank, At each leap he could feel his scabbard of steel Smiting his stallion's flank.
Before him, like a blood-red flag, The bright flamingoes flew; From morn till night he followed their flight, O'er plains where the tamarind grew, Till he saw the roofs of Caffre huts, And the ocean rose to view.
At night he heard the lion roar, And the hyena scream, And the river-horse, as he crushed the reeds Beside some hidden stream; And it passed, like a glorious roll of drums, Through the triumph of his dream.
The forests, with their myriad tongues, Shouted of liberty; And the Blast of the Desert cried aloud, With a voice so wild and free, That he started in his sleep and smiled At their tempestuous glee.
He did not feel the driver's whip, Nor the burning heat of day; For Death had illumined the Land of Sleep, And his lifeless body lay A worn-out fetter, that the soul Had broken and thrown away!

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