Written by
Stephen Dunn |
Relax.
This won't last long.
Or if it does, or if the lines
make you sleepy or bored,
give in to sleep, turn on
the T.
V.
, deal the cards.
This poem is built to withstand
such things.
Its feelings
cannot be hurt.
They exist
somewhere in the poet,
and I am far away.
Pick it up anytime.
Start it
in the middle if you wish.
It is as approachable as melodrama,
and can offer you violence
if it is violence you like.
Look,
there's a man on a sidewalk;
the way his leg is quivering
he'll never be the same again.
This is your poem
and I know you're busy at the office
or the kids are into your last nerve.
Maybe it's sex you've always wanted.
Well, they lie together
like the party's unbuttoned coats,
slumped on the bed
waiting for drunken arms to move them.
I don't think you want me to go on;
everyone has his expectations, but this
is a poem for the entire family.
Right now, Budweiser
is dripping from a waterfall,
deodorants are hissing into armpits
of people you resemble,
and the two lovers are dressing now,
saying farewell.
I don't know what music this poem
can come up with, but clearly
it's needed.
For it's apparent
they will never see each other again
and we need music for this
because there was never music when he or she
left you standing on the corner.
You see, I want this poem to be nicer
than life.
I want you to look at it
when anxiety zigzags your stomach
and the last tranquilizer is gone
and you need someone to tell you
I'll be here when you want me
like the sound inside a shell.
The poem is saying that to you now.
But don't give anything for this poem.
It doesn't expect much.
It will never say more
than listening can explain.
Just keep it in your attache case
or in your house.
And if you're not asleep
by now, or bored beyond sense,
the poem wants you to laugh.
Laugh at
yourself, laugh at this poem, at all poetry.
Come on:
Good.
Now here's what poetry can do.
Imagine yourself a caterpillar.
There's an awful shrug and, suddenly,
You're beautiful for as long as you live.
|
Written by
Rabindranath Tagore |
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon.
"
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds.
"
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass.
"
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves.
"
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.
|
Written by
Henry David Thoreau |
My books I'd fain cast off, I cannot read,
'Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too,
Our Shakespeare's life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare's books, unless his books were men.
Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?
Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.
Tell Shakespeare to attend some leisure hour,
For now I've business with this drop of dew,
And see you not, the clouds prepare a shower--
I'll meet him shortly when the sky is blue.
This bed of herd's grass and wild oats was spread
Last year with nicer skill than monarchs use.
A clover tuft is pillow for my head,
And violets quite overtop my shoes.
And now the cordial clouds have shut all in,
And gently swells the wind to say all's well;
The scattered drops are falling fast and thin,
Some in the pool, some in the flower-bell.
I am well drenched upon my bed of oats;
But see that globe come rolling down its stem,
Now like a lonely planet there it floats,
And now it sinks into my garment's hem.
Drip drip the trees for all the country round,
And richness rare distills from every bough;
The wind alone it is makes every sound,
Shaking down crystals on the leaves below.
For shame the sun will never show himself,
Who could not with his beams e'er melt me so;
My dripping locks--they would become an elf,
Who in a beaded coat does gayly go.
|
Written by
Paul Laurence Dunbar |
My muvver's ist the nicest one
'At ever lived wiz folks;
She lets you have ze mostes' fun,
An' laffs at all your jokes.
I got a ol' maid auntie, too,
The worst you ever saw;
Her eyes ist bore you through and through,—
She ain't a bit like ma.
She's ist as slim, as slim can be,
An' when you want to slide
Down on ze balusters, w'y she
Says 'at she's harrified.
She ain't as nice as Uncle Ben,
What says 'at little boys
Won't never grow to be big men
Unless they're fond of noise.
But muvver's nicer zan 'em all,
She calls you, "precious lamb,"
An' let's you roll your ten-pin ball,
An' spreads your bread wiz jam.
An' when you're bad, she ist looks sad,
You fink she's goin' to cry;
An' when she don't you're awful glad,
[Pg 248]An' den you're good, Oh, my!
At night, she takes ze softest hand,
An' lays it on your head,
An' says "Be off to Sleepy-Land
By way o' trundle-bed."
So when you fink what muvver knows
An' aunts an' uncle tan't,
It skeers a feller; ist suppose
His muvver 'd been a aunt.
|
Written by
Andrew Barton Paterson |
Of all the docks upon the blue
There was no dockyard, old or new,
To touch the dock at Cockatoo.
Of all the ministerial clan
There was no nicer, worthier man
Than Admiral O'Sullivan.
Of course, we mean E.
W.
O'Sullivan, the hero who
Controlled the dock at Cockatoo.
To workmen he explained his views --
"You need not toil unless you choose,
Your only work is drawing screws.
"
And sometimes to their great surprise
When votes of censure filled the skies
He used to give them all a rise.
"What odds about a pound or two?"
Exclaimed the great E.
W.
O'Sullivan at Cockatoo.
The dockyard superintendent, he
Was not at all what he should be --
He sneered at all this sympathy.
So when he gave a man the sack
O'Sullivan got on his track
And straightway went and fetched him back.
And with a sympathetic tear
He'd say, "How dare you interfere,
You most misguided engineer?
"Your sordid manners please amend --
No man can possibly offend
Who has a Member for a friend.
"With euchre, or a friendly rub,
And whisky, from the nearest 'pub',
We'll make the dockyard like a club.
"Heave ho, my hearties, play away,
We'll do no weary work today.
What odds -- the public has to pay!
"And if the public should complain
I'll go to Broken Hill by train
To watch McCarthy making rain.
"
And there, with nothing else to do
No doubt the great E.
W.
Will straightway raise McCarthy's screw.
|
Written by
Andrew Barton Paterson |
Well, I've waited mighty patient while they all came rolling in,
Mister Lawson, Mister Dyson, and the others of their kin,
With their dreadful, dismal stories of the Overlander's camp,
How his fire is always smoky, and his boots are always damp;
And they paint it so terrific it would fill one's soul with gloom --
But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range,
And take something for their livers, and be cheerful for a change.
Now, for instance, Mr Lawson -- well, of course, we almost cried
At the sorrowful description how his "little 'Arvie" died,
And we lachrymosed in silence when "His Father's mate" was slain;
Then he went and killed the father, and we had to weep again.
Ben Duggan and Jack Denver, too, he caused them to expire,
After which he cooked the gander of Jack Dunn, of Nevertire;
And, no doubt, the bush is wretched if you judge it by the groan
Of the sad and soulful poet with a graveyard of his own.
And he spoke in terms prophetic of a revolution's heat,
When the world should hear the clamour of those people in the street;
But the shearer chaps who start it -- why, he rounds on them the blame,
And he calls 'em "agitators who are living on the game".
Bur I "over-write" the bushmen! Well, I own without a doubt
That I always see the hero in the "man from furthest out".
I could never contemplate him through an atmosphere of gloom,
And a bushman never struck me as a subject for "the tomb".
If it ain't all "golden sunshine" where the "wattle branches wave",
Well, it ain't all damp and dismal, and it ain't all "lonely grave".
And, of course, there's no denying that the bushman's life is rough,
But a man can easy stand it if he's built of sterling stuff;
Though it's seldom that the drover gets a bed of eiderdown,
Yet the man who's born a bushman, he gets mighty sick of town,
For he's jotting down the figures, and he's adding up the bills
While his heart is simply aching for a sight of Southern hills.
Then he hears a wool-team passing with a rumble and a lurch,
And, although the work is pressing, yet it brings him off his perch,
For it stirs him like a message from his station friends afar
And he seems to sniff the ranges in the scent of wool and tar;
And it takes him back in fancy, half in laughter, half in tears,
to a sound of other voices and a thought of other years,
When the woolshed rang with bustle from the dawning of the day,
And the shear-blades were a-clicking to the cry of "Wool away!"
Then his face was somewhat browner, and his frame was firmer set --
And he feels his flabby muscles with a feeling of regret.
But the wool-team slowly passes, and his eyes go slowly back
To the dusty little table and the papers in the rack,
And his thoughts go to the terrace where his sickly children squall,
And he thinks there's something healthy in the bush-life after all.
But we'll go no more a-droving in the wind or in the sun,
For out fathers' hearts have failed us, and the droving days are done.
There's a nasty dash of danger where the long-horned bullock wheels,
And we like to live in comfort and to get our reg'lar meals.
For to hang around the township suits us better, you'll agree,
And a job at washing bottles is the job for such as we.
Let us herd into the cities, let us crush and crowd and push
Till we lose the love of roving, and we learn to hate the bush;
And we'll turn our aspirations to a city life and beer,
And we'll slip across to England -- it's a nicer place than here;
For there's not much risk of hardship where all comforts are in store,
And the theatres are in plenty, and the pubs are more and more.
But that ends it, Mr Lawson, and it's time to say good-bye,
So we must agree to differ in all friendship, you and I.
Yes, we'll work our own salvation with the stoutest hearts we may,
And if fortune only favours we will take the road some day,
And go droving down the river 'neath the sunshine and the stars,
And then return to Sydney and vermilionize the bars.
|
Written by
Anne Killigrew |
I Sing the Man that never Equal knew,
Whose Mighty Arms all Asia did subdue,
Whose Conquests through the spacious World do ring,
That City-Raser, King-destroying King,
Who o're the Warlike Macedons did Reign,
And worthily the Name of Great did gain.
This is the Prince (if Fame you will believe,
To ancient Story any credit give.
)
Who when the Globe of Earth he had subdu'd,
With Tears the easie Victory pursu'd;
Because that no more Worlds there were to win,
No further Scene to act his Glorys in.
Ah that some pitying Muse would now inspire
My frozen style with a Poetique fire,
And Raptures worthy of his Matchless Fame,
Whose Deeds I sing, whose never fading Name
Long as the world shall fresh and deathless last,
No less to future Ages, then the past.
Great my presumption is, I must confess,
But if I thrive, my Glory's ne're the less;
Nor will it from his Conquests derogate
A Female Pen his Acts did celebrate.
If thou O Muse wilt thy assistance give,
Such as made Naso and great Maro live,
With him whom Melas fertile Banks did bear,
Live, though their Bodies dust and ashes are;
Whose Laurels were not fresher, than their Fame
Is now, and will for ever be the same.
If the like favour thou wilt grant to me,
O Queen of Verse, I'll not ungrateful be,
My choicest hours to thee I'll Dedicate,
'Tis thou shalt rule, 'tis thou shalt be my Fate.
But if Coy Goddess thou shalt this deny,
And from my humble suit disdaining fly,
I'll stoop and beg no more, since I know this,
Writing of him, I cannot write amiss:
His lofty Deeds will raise each feeble line,
And God-like Acts will make my Verse Divine.
'Twas at the time the golden Sun doth rise,
And with his Beams enlights the azure skies,
When lo a Troop in Silver Arms drew near,
The glorious Sun did nere so bright appear;
Dire Scarlet Plumes adorn'd their haughty Crests,
And crescent Shields did shade their shining Brests;
Down from their shoulders hung a Panthers Hide,
A Bow and Quiver ratled by their side;
Their hands a knotty well try'd Speare did bear,
Jocund they seem'd, and quite devoyd of fear.
These warlike Virgins were, that do reside
Near Thermodons smooth Banks and verdant side,
The Plains of Themiscyre their Birth do boast,
Thalestris now did head the beauteous Host;
She emulating that Illustrious Dame,
Who to the aid of Troy and Priam came,
And her who the Retulian Prince did aid,
Though dearly both for their Assistance paid.
But fear she scorn'd, nor the like fate did dread,
Her Host she often to the field had lead,
As oft in Triumph had return'd again,
Glory she only sought for all her pain.
This Martial Queen had heard how lowdly fame,
Eccho'd our Conquerors redoubted Name,
Her Soul his Conduct and his Courage fir'd,
To see the Hero she so much admir'd;
And to Hyrcania for this cause she went,
Where Alexander (wholly then intent
On Triumphs and such Military sport)
At Truce with War held both his Camp and Court.
And while before the Town she did attend
Her Messengers return, she saw ascend
A cloud of Dust, that cover'd all the skie,
And still at every pause there stroke her eye.
The interrupted Beams of Burnisht Gold,
As dust the Splendour hid, or did unfold;
Loud Neighings of the Steeds, and Trumpets sound
Fill'd all the Air, and eccho'd from the ground:
The gallant Greeks with a brisk March drew near,
And their great Chief did at their Head appear.
And now come up to th'Amazonian Band,
They made a Hault and a respectful Stand:
And both the Troops (with like amazement strook)
Did each on other with deep silence look.
Th'Heroick Queen (whose high pretence to War
Cancell'd the bashful Laws and nicer Bar
Of Modesty, which did her Sex restrain)
First boldly did advance before her Train,
And thus she spake.
All but a God in Name,
And that a debt Time owes unto thy Fame.
This was the first Essay of this young Lady in Poetry, but finding the Task she had undertaken hard, she laid it by till Practice and more time should make her equal to so great a Work.
|
Written by
Omar Khayyam |
Cast off dull care, O melancholy brother!
Woo the sweet daughter of the grape, no other;
The daughter is forbidden, it is true,
But she is nicer than her lawful mother!
|