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Best Famous Nez Poems

Here is a collection of the all-time best famous Nez poems. This is a select list of the best famous Nez poetry. Reading, writing, and enjoying famous Nez poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nez poems.

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary.
Past the sweet gum Superb above the cabin, along the wall— Stones gathered from the level field nearby When first we cleared it.
(Angry bumblebees Stung the two mules.
They kicked.
Thirteen, I ran.
) And then the field: thread-leaf maple, deciduous Magnolia, hybrid broom, and, further down, In light shade, one Franklinia Alatamaha In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother Later would make preserves of, to give to friends Or sell, in autumn, with the foxgrape, quince, Elderberry, and muscadine.
Around The granite overhang, moist den of foxes; Gradually up a long hill, high in pine, Park-like, years of dry needles on the ground, And dogwood, slopes the settlers terraced; pine We cut at Christmas, berries, hollies, anise, And cones for sale in Mister Haymore’s yard In town, below the Courthouse Square.
James Haymore, One of the two good teachers at Boys’ High, Ironic and demanding, chemistry; Mary Lou Culver taught us English: essays, Plot summaries, outlines, meters, kinds of clauses (Noun, adjective, and adverb, five at a time), Written each day and then revised, and she Up half the night to read them once again Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers Set a house, unpainted, the porch fallen in, The road a red clay strip without a bridge, A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon Out of the gluey mire, earth’s rust.
Then, here And there, back from the road, the specimen Shrubs and small trees my father planted, some Taller than we were, some in bloom, some berried, And some we still brought water to.
We always Paused at the weed-filled hole beside the beech That, one year, brought forth beech nuts by the thousands, A hole still reminiscent of the man Chewing tobacco in among his whiskers My father happened on, who, discovered, told Of dreaming he should dig there for the gold And promised to give half of what he found.
During the wars with Germany and Japan, Descendents of the settlers, of Oliver Brand And of that man built Flying Fortresses For Lockheed, in Atlanta; now they build Brick mansions in the woods they left, with lawns To paved and lighted streets, azaleas, camellias Blooming among the pines and tulip trees— Mercedes Benz and Cadillac Republicans.
There was another stream further along Divided through a marsh, lined by the fence We stretched to posts with Mister Garner’s help The time he needed cash for his son’s bail And offered all his place.
A noble spring Under the oak root cooled his milk and butter.
He called me “honey,” working with us there (My father bought three acres as a gift), His wife pale, hair a country orange, voice Uncanny, like a ghost’s, through the open door Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid Sliver and grey, red comb and long sharp spurs, Once chased Aunt Jennie as far as the daphne bed The two big king snakes were familiars of.
My father’s dog would challenge him sometimes To laughter and applause.
Once, in Stone Mountain, Travelers, stopped for gas, drove off with Smokey; Angrily, grievingly, leaving his work, my father Traced the car and found them way far south, Had them arrested and, bringing Smokey home, Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy, Grey Junior, down to meet us.
The rose trees, Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog, Camellias cracked and blackened by the freeze, Bay tree, mimosa, mountain laurel, apple, Monkey pine twenty feet high, banana shrub, The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block, Smooth concrete floor, roof pale aluminum Half-covered by a clematis, the pump Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune, Childlike enough to lead us.
He brought home, Although he could not even drive a tractor, Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages, Frank Guess, the judge, Grandmother’s longtime neighbor, Whose children my mother taught in Cradle Roll, Heard Mort’s examination, he broke in As if in disbelief on the bank’s attorneys: “Gentlemen, must we continue this charade?” Finally, past the compost heap, the garden, Tomatoes and sweet corn for succotash, Okra for frying, Kentucky Wonders, limas, Cucumbers, squashes, leeks heaped round with soil, Lavender, dill, parsley, and rosemary, Tithonia and zinnias between the rows; The greenhouse by the rock wall, used for cuttings In late spring, frames to grow them strong for planting Through winter into summer.
Early one morning Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia We planted as a stem divides the path The others lie, too young, at Silver Hill, Except my mother.
Ninety-five, she lives Three thousand miles away, beside the bare Pacific, in rooms that overlook the Mission, The Riviera, and the silver range La Cumbre east.
Magnolia grandiflora And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings Of twenty years ago: the great oak’s arm Extended, Zeuslike, straight and strong, wisteria Tangled among the branches, amaryllis Around the base; her cat, UC, at ease In marigolds; the weeping cherry, pink And white arms like a blessing to the blue Bird feeder Mort made; cabin, scarlet sweet gum Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind, Active, ready for laughter, open to fear, Pity, and wonder that such things may be, Some Sundays, I think, she must walk the line, Aunt Jennie, too, if she were still alive, And Eleanor, whose story is untold, Their presences like muses, prompting me In my small study, all listening to the sea, All of one mind, the true posterity.


Written by G K Chesterton | Create an image from this poem

Variations of an Air

 Old King Cole
Was a merry old soul
And a merry old soul was he
He called for his pipe 
and he called for his bowl 
and he called for his fiddlers three


after Lord Tennyson


Cole, that unwearied prince of Colchester, 
Growing more gay with age and with long days 
Deeper in laughter and desire of life 
As that Virginian climber on our walls 
Flames scarlet with the fading of the year; 
Called for his wassail and that other weed 
Virginian also, from the western woods 
Where English Raleigh checked the boast of Spain, 
And lighting joy with joy, and piling up 
Pleasure as crown for pleasure, bade me bring 
Those three, the minstrels whose emblazoned coats 
Shone with the oyster-shells of Colchester; 
And these three played, and playing grew more fain 
Of mirth and music; till the heathen came 
And the King slept beside the northern sea.
after W.
B.
Yeats Of an old King in a story From the grey sea-folk I have heard Whose heart was no more broken Than the wings of a bird.
As soon as the moon was silver And the thin stars began, He took his pipe and his tankard, Like an old peasant man.
And three tall shadows were with him And came at his command; And played before him for ever The fiddles of fairyland.
And he died in the young summer Of the world's desire; Before our hearts were broken Like sticks in a fire.
after Walt Whitman Me clairvoyant, Me conscious of you, old camarado, Needing no telescope, lorgnette, field-glass, opera-glass, myopic pince-nez, Me piercing two thousand years with eye naked and not ashamed; The crown cannot hide you from me, Musty old feudal-heraldic trappings cannot hide you from me, I perceive that you drink.
(I am drinking with you.
I am as drunk as you are.
) I see you are inhaling tobacco, puffing, smoking, spitting (I do not object to your spitting), You prophetic of American largeness, You anticipating the broad masculine manners of these States; I see in you also there are movements, tremors, tears, desire for the melodious, I salute your three violinists, endlessly making vibrations, Rigid, relentless, capable of going on for ever; They play my accompaniment; but I shall take no notice of any accompaniment; I myself am a complete orchestra.
So long.

Book: Reflection on the Important Things