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Best Famous New Years Poems

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Ash Wednesday

 I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.


II 
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.



III 

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair, 
Fading, fading; strength beyond hope and despair
Climbing the third stair.


Lord, I am not worthy
Lord, I am not worthy

 but speak the word only. 

IV 
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile


V 
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.


O my people.


VI 
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.


Written by Helen Hunt Jackson | Create an image from this poem

New Years Morning

 Only a night from old to new! 
Only a night, and so much wrought! 
The Old Year's heart all weary grew, 
But said: The New Year rest has brought." 
The Old Year's hopes its heart laid down, 
As in a grave; but trusting, said: 
"The blossoms of the New Year's crown 
Bloom from the ashes of the dead." 
The Old Year's heart was full of greed; 
With selfishness it longed and ached, 
And cried: "I have not half I need. 
My thirst is bitter and unslaked. 
But to the New Year's generous hand 
All gifts in plenty shall return; 
True love it shall understand; 
By all y failures it shall learn. 
I have been reckless; it shall be 
Quiet and calm and pure of life. 
I was a slave; it shall go free, 
And find sweet pace where I leave strife." 

Only a night from old to new! 
Never a night such changes brought. 
The Old Year had its work to do; 
No New Year miracles are wrought. 

Always a night from old to new! 
Night and the healing balm of sleep! 
Each morn is New Year's morn come true, 
Morn of a festival to keep. 
All nights are sacred nights to make 
Confession and resolve and prayer; 
All days are sacred days to wake 
New gladness in the sunny air. 
Only a night from old to new; 
Only a sleep from night to morn. 
The new is but the old coem true; 
Each sunrise sees a new year born.
Written by Kobayashi Issa | Create an image from this poem

New Years morning

 New Year's morning:
the ducks on the pond
quack and quack.
Written by Henry Van Dyke | Create an image from this poem

New Years Eve

 I 

The other night I had a dream, most clear 
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer. 
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet. 


II 

The shadows flecked the elm-embowered street 
I knew so well, long, long ago;
And on the pillared porch where Marguerite 
Had sat with me, the moonlight lay like snow. 
But she, my comrade and my friend of youth, 
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved 
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence, 
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought 
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came! 

There in the dear old dusky room she stood 
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand; 
"But I must hear what secret talk you planned 
"With father. Come, my friend, be good, 
"And tell me your affairs of state:
"Why you have stayed away and made me wait 
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?" 

Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side; 
And then the talk flowed on with brimming tide 
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done, 
What work was planned, and what begun;
My troubles, failures, fears she understood, 
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends. 
(Ah, what self-beggared fool was he 
That said a woman cannot be 
The very best of friends?)
Then there were memories of old times, 
Recalled with many a gentle jest;
And at the last she brought the book of rhymes 
We made together, trying to translate
The Songs of Heine (hers were always best). 
"Now come," she said, 
"To-night we will collaborate 
"Again; I'll put you to the test. 
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, -- 
"I give this song to you." 
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh. 

* * * * * * * * * * 

But all the while a silent question stirred 
Within me, though I dared not speak the word: 
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear, 
"Cold though so kind, and will she gently fade 
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"

But while my heart was troubled by this fear 
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt. 
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold, 
"That by this token I may understand
"You are the same true friend you were of old?" 
She answered with a smile so bright and calm 
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!" 
Then I awoke; but strangely comforted, 
Although I knew again that she was dead. 


III 

Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep, 
Present reward of all my heart's desire, 
Watching with me beside the winter fire, 
Interpret now this vision that I had.
But while you read the meaning, let me keep 
The touch of you: for the Old Year with storm 
Is passing through the midnight, and doth shake 
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!
Written by William Strode | Create an image from this poem

A New Years Gift

 We are prevented; you whose Presence is
A Publick New-yeares gift, a Common bliss
To all that Love or Feare, give no man leave
To vie a Gift but first he shall receave;
Like as the Persian Sun with golden Eies
First shines upon the Priest and Sacrifice.


Ile on howere; May this yeare happier prove
Than all the Golden Age when Vertue strove
With nothing but with Vertue; may it bee
Such as the Dayes of Saturnes Infancy.
May every Tide and Season joyntly fitt
All your Intents and your Occasions hitt:
May every Grayne of Sand within your Glass
Number a fresh content before it pass.
And when success comes on, stand then each howre
Like Josuah's Day, & grow to three or fowre:
At last when this yeare rounds and wheeles away,
Bee still the next yeare like the old yeares Day.


Written by Robert Herrick | Create an image from this poem

A New Years Giftsent To Sir Simeon Steward

 No news of navies burnt at seas;
No noise of late spawn'd tittyries;
No closet plot or open vent,
That frights men with a Parliament:
No new device or late-found trick,
To read by th' stars the kingdom's sick;
No gin to catch the State, or wring
The free-born nostril of the King,
We send to you; but here a jolly
Verse crown'd with ivy and with holly;
That tells of winter's tales and mirth
That milk-maids make about the hearth;
Of Christmas sports, the wassail-bowl,
That toss'd up, after Fox-i'-th'-hole;
Of Blind-man-buff, and of the care
That young men have to shoe the Mare;
Of twelf-tide cakes, of pease and beans,
Wherewith ye make those merry scenes,
Whenas ye chuse your king and queen,
And cry out, 'Hey for our town green!'--
Of ash-heaps, in the which ye use
Husbands and wives by streaks to chuse;
Of crackling laurel, which fore-sounds
A plenteous harvest to your grounds;
Of these, and such like things, for shift,
We send instead of New-year's gift.
--Read then, and when your faces shine
With buxom meat and cap'ring wine,
Remember us in cups full crown'd,
And let our city-health go round,
Quite through the young maids and the men,
To the ninth number, if not ten;
Until the fired chestnuts leap
For joy to see the fruits ye reap,
From the plump chalice and the cup
That tempts till it be tossed up.--
Then as ye sit about your embers,
Call not to mind those fled Decembers;
But think on these, that are t' appear,
As daughters to the instant year;
Sit crown'd with rose-buds, and carouse,
Till LIBER PATER twirls the house
About your ears, and lay upon
The year, your cares, that's fled and gone:
And let the russet swains the plough
And harrow hang up resting now;
And to the bag-pipe all address,
Till sleep takes place of weariness.
And thus throughout, with Christmas plays,
Frolic the full twelve holy-days.
Written by William Topaz McGonagall | Create an image from this poem

A New Years Resolution to Leave Dundee

 Welcome! thrice welcome! to the year 1893,
For it is the year I intend to leave Dundee,
Owing to the treatment I receive,
Which does my heart sadly grieve.
Every morning when I go out
The ignorant rabble they do shout
'There goes Mad McGonagall'
In derisive shouts as loud as they can bawl,
And lifts stones and snowballs, throws them at me;
And such actions are shameful to be heard in the city of Dundee.
And I'm ashamed, kind Christians, to confess
That from the Magistrates I can get no redress.
Therefore I have made up my mind in the year of 1893
To leave the ancient City of Dundee,
Because the citizens and me cannot agree.
The reason why? -- because they disrespect me,
Which makes me feel rather discontent.
Therefore to leave them I am bent;
And I will make my arrangements without delay,
And leave Dundee some early day.
Written by Kobayashi Issa | Create an image from this poem

New Years Day

 New Year's Day--
everything is in blossom!
I feel about average.
Written by Robert William Service | Create an image from this poem

New Years Eve

 It's cruel cold on the water-front, silent and dark and drear;
 Only the black tide weltering, only the hissing snow;
And I, alone, like a storm-tossed wreck, on this night of the glad New Year,
 Shuffling along in the icy wind, ghastly and gaunt and slow.

They're playing a tune in McGuffy's saloon, and it's cheery and bright in there
 (God! but I'm weak -- since the bitter dawn, and never a bite of food);
I'll just go over and slip inside -- I mustn't give way to despair --
 Perhaps I can bum a little booze if the boys are feeling good.

They'll jeer at me, and they'll sneer at me, and they'll call me a whiskey soak;
 ("Have a drink? Well, thankee kindly, sir, I don't mind if I do.")
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
 Sunk and sodden and hopeless -- "Another? Well, here's to you!"

McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
 The barman is talking of Tammany Hall, and why the ward boss got fired.
I'll just sneak into a corner and they'll let me alone a bit;
 The room is reeling round and round . . .O God! but I'm tired, I'm tired. . . .

 * * * * *

Roses she wore on her breast that night. Oh, but their scent was sweet!
 Alone we sat on the balcony, and the fan-palms arched above;
The witching strain of a waltz by Strauss came up to our cool retreat,
 And I prisoned her little hand in mine, and I whispered my plea of love.

Then sudden the laughter died on her lips, and lowly she bent her head;
 And oh, there came in the deep, dark eyes a look that was heaven to see;
And the moments went, and I waited there, and never a word was said,
 And she plucked from her bosom a rose of red and shyly gave it to me.

Then the music swelled to a crash of joy, and the lights blazed up like day,
 And I held her fast to my throbbing heart, and I kissed her bonny brow.
"She is mine, she is mine for evermore!" the violins seemed to say,
 And the bells were ringing the New Year in -- O God! I can hear them now.

Don't you remember that long, last waltz, with its sobbing, sad refrain?
 Don't you remember that last good-by, and the dear eyes dim with tears?
Don't you remember that golden dream, with never a hint of pain,
 Of lives that would blend like an angel-song in the bliss of the coming years?

Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
 The red, red rose is faded now, and it's fifty years ago.
'Twere better to die a thousand deaths than live each day as I live!
 I have sinned, I have sunk to the lowest depths -- but oh, I have suffered so!

Hark! Oh, hark! I can hear the bells! . . . Look! I can see her there,
 Fair as a dream . . . but it fades . . . And now -- I can hear the dreadful hum
Of the crowded court . . . See! the Judge looks down . . .
 NOT GUILTY, my Lord, I swear . . .
The bells -- I can hear the bells again! . . . Ethel, I come, I come! . . .

 * * * * *

"Rouse up, old man, it's twelve o'clock. You can't sleep here, you know.
 Say! ain't you got no sentiment? Lift up your muddled head;
Have a drink to the glad New Year, a drop before you go --
 You darned old dirty hobo . . . My God! Here, boys! He's DEAD!"
Written by Algernon Charles Swinburne | Create an image from this poem

Hymn to Proserpine (After the Proclamation of the Christian

 Vicisti, Galilæe
I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?
I am sick of singing; the bays burn deep and chafe: I am fain
To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath,
We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day!
From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods;
They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare;
Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof,
Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace,
Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou take all, Galilean? but these thou shalt not take,
The laurel, the palms and the paean, the breasts of the nymphs in the brake;
Breasts more soft than a dove's, that tremble with tenderer breath;
And all the wings of the Loves, and all the joy before death;
All the feet of the hours that sound as a single lyre,
Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things?
Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may?
For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears:
Why should he labour, and bring fresh grief to blacken his years?
Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all? for the world is not sweet in the end;
For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides;
But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods!
O ghastly glories of saints, dead limbs of gibbeted Gods!
Though all men abase them before you in spirit, and all knees bend,
I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast
Far out with the foam of the present that sweeps to the surf of the past:
Where beyond the extreme sea-wall, and between the remote sea-gates,
Waste water washes, and tall ships founder, and deep death waits:
Where, mighty with deepening sides, clad about with the seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away;
In the hollow before it the thunder is taken and snared as a prey;
In its sides is the north-wind bound; and its salt is of all men's tears;
With light of ruin, and sound of changes, and pulse of years:
With travail of day after day, and with trouble of hour upon hour;
And bitter as blood is the spray; and the crests are as fangs that devour:
And its vapour and storm of its steam as the sighing of spirits to be;
And its noise as the noise in a dream; and its depth as the roots of the sea:
And the height of its heads as the height of the utmost stars of the air:
And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods?
Will ye take her to chain her with chains, who is older than all ye Gods?
All ye as a wind shall go by, as a fire shall ye pass and be past;
Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod,
Though these that were Gods are dead, and thou being dead art a God,
Though before thee the throned Cytherean be fallen, and hidden her head,
Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around;
Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas,
Clothed round with the world's desire as with raiment, and fair as the foam,
And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she
Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways,
And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wise that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end;
Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth,
I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art, 
Where the silence is more than all tunes, where sleep overflows from the heart,
Where the poppies are sweet as the rose in our world, and the red rose is white,
And the wind falls faint as it blows with the fume of the flowers of the night,
And the murmur of spirits that sleep in the shadow of Gods from afar
Grows dim in thine ears and deep as the deep dim soul of a star,
In the sweet low light of thy face, under heavens untrod by the sun,
Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath;
Let these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence. I know
I shall die as my fathers died, and sleep as they sleep, even so.
For the glass of the years is brittle wherein we gaze for a span;
A little soul for a little bears up this corpse which is man.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.

Book: Radiant Verses: A Journey Through Inspiring Poetry