Written by
Alexander Pushkin |
Children running into izba,
Calling father, dripping sweat:
"Daddy, daddy! come -- there is a
Deadman caught inside our net."
"Fancy, fancy fabrication..."
Grumbled off their weary Pa,
"Have these imps imagination!
Deadman, really! ya-ha-ha...
"Well... the court may come to bother -
What'll I say before the judge?
Hey you brats, go have your mother
Bring my coat; I better trudge...
Show me, where?" -- "Right there, Dad, farther!"
On the sand where netting ropes
Lay spread out, the peasant father
Saw the veritable corpse.
Badly mangled, ugly, frightening,
Blue and swollen on each side...
Has he fished in storm and lightning,
Or committed suicide?
Could this be a careless drunkard,
Or a mermaid-seeking monk,
Or a merchandizer, conquered
By some bandits, robbed and sunk?
To the peasant, what's it matter!
Quick: he grabs the dead man's hair,
Drags his body to the water,
Looks around: nobody's there:
Good... relieved of the concern he
Shoves his paddle at a loss,
While the stiff resumes his journey
Down the stream for grave and cross.
Long the dead man as one living
Rocked on waves amid the foam...
Surly as he watched him leaving,
Soon our peasant headed home.
"Come you pups! let's go, don't scatter.
Each of you will get his bun.
But remember: just you chatter --
And I'll whip you, every one."
Dark and stormy it was turning.
High the river ran in gloom.
Now the torch has finished burning
In the peasant's smoky room.
Kids asleep, the wife aslumber,
He lies listening to the rain...
Bang! he hears a sudden comer
Knocking on the window-pane.
"What the..." -- "Let me in there, master!"
"Damn, you found the time to roam!
Well, what is it, your disaster?
Let you in? It's dark at home,
Dark and crowded... What a pest you are!
Where'd I put you in my cot..."
Slowly, with a lazy gesture,
He lifts up the pane and - what?
Through the clouds, the moon was showing...
Well? the naked man was there,
Down his hair the water flowing,
Wide his eyes, unmoved the stare;
Numb the dreadful-looking body,
Arms were hanging feeble, thin;
Crabs and cancers, black and bloody,
Sucked into the swollen skin.
As the peasant slammed the shutter
(Recognized his visitant)
Horror-struck he could but mutter
"Blast you!" and began to pant.
He was shuddering, awful chaos
All night through stirred in his brain,
While the knocking shook the house
By the gates and at the pane.
People tell a dreadful rumor:
Every year the peasant, say,
Waiting in the worst of humor
For his visitor that day;
As the rainstorm is increasing,
Nightfall brings a hurricane -
And the drowned man knocks, unceasing,
By the gates and at the pane.
Translated by: Genia Gurarie, 11/95
Copyright retained by Genia Gurarie.
email: egurarie@princeton.edu
http://www.princeton.edu/~egurarie/
For permission to reproduce, write personally to the translator.
|
Written by
Elizabeth Bishop |
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.
Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.
Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me. He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas. The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
|
Written by
Helen Hunt Jackson |
O marvel, fruit of fruits, I pause
To reckon thee. I ask what cause
Set free so much of red from heats
At core of earth, and mixed such sweets
With sour and spice: what was that strength
Which out of darkness, length by length,
Spun all thy shining thread of vine,
Netting the fields in bond as thine.
I see thy tendrils drink by sips
From grass and clover's smiling lips;
I hear thy roots dig down for wells,
Tapping the meadow's hidden cells.
Whole generations of green things,
Descended from long lines of springs,
I see make room for thee to bide
A quiet comrade by their side;
I see the creeping peoples go
Mysterious journeys to and fro,
Treading to right and left of thee,
Doing thee homage wonderingly.
I see the wild bees as they fare,
Thy cups of honey drink, but spare.
I mark thee bathe and bathe again
In sweet unclaendared spring rain.
I watch how all May has of sun
Makes haste to have thy ripeness done,
While all her nights let dews escape
To set and cool thy perfect shape.
Ah, fruit of fruits, no more I pause
To dream and seek thy hidden laws!
I stretch my hand and dare to taste,
In instant of delicious waste
On single feast, all things that went
To make the empire thou hast spent.
|
Written by
Peter Huchel |
The forest bitter, spiky,
no shore breeze, no foothills,
the grass grows matted, death will come
with horses' hooves, endlessly
over the steppes' mounds, we went back,
searching the sky for the fort
that could not be razed.
The villages hostile,
the cottages cleared out in haste,
smoked skin on the attic beams,
snare netting, bone amulets.
All over the country an evil reverence,
animals' heads in the mist, divination
by willow wands.
Later, up in the North,
stag-eyed men
rushed by on horseback.
We buried the dead.
It was hard
to break the soil with our axes,
fir had to thaw it out.
The blood of sacrificed cockerels
was not accepted.
|
Written by
Andrew Barton Paterson |
The strongest creature for his size
But least equipped for combat
That dwells beneath Australian skies
Is Weary Will the Wombat.
He digs his homestead underground,
He's neither shrewd nor clever;
For kangaroos can leap and bound
But wombats dig forever.
The boundary rider's netting fence
Excites his irritation;
It is to his untutored sense
His pet abomination.
And when to pass it he desires,
Upon his task he'll centre
And dig a hole beneath the wires
Through which the dingoes enter.
And when to block the hole they strain
With logs and stones and rubble,
Bill Wombat digs it out again
Without the slightest trouble.
The boundary rider bows to fate,
Admits he's made a blunder
And rigs a little swinging gate
To let Bill Wombat under.
So most contentedly he goes
Between his haunt and burrow:
He does the only thing he knows,
And does it very thorough.
|
Written by
John Berryman |
Henry sats in de bar & was odd,
off in the glass from the glass,
at odds wif de world & its god,
his wife is a complete nothing,
St Stephen
getting even.
Henry sats in de plane & was gay.
Careful Henry nothing said aloud
but where a Virgin out of cloud
to her Mountain dropt in light,
his thought made pockets & the plane buckt.
'Parm me, lady.' 'Orright.'
Henry lay in de netting, wild,
while the brainfever bird did scales;
Mr Heartbreak, the New Man,
come to farm a crazy land;
an image of the dead on the fingernail
of a newborn child.
|
Written by
Jennifer Reeser |
This night slip, in his honor
flipped inside out – of lace-
edged netting – is the color
of Shaka Zulu’s face;
of panther flower at midnight
where crow and boa doze;
of vertigo and stage fright
in frail Ophelia’s clothes.
I wear it as a symbol.
Its ripped, Chantilly trim
I fixed without a thimble,
was pricked and bled for him.
A torn band may be mended,
but what if he and I
disband, no longer blended?
My spine turned to the sky,
reflecting on my dresser
from mirror-fine sateens:
the Great Bear with the Lesser…
I dream of Shoji screens,
and when desire becomes
an overlaying itch,
the throbbing in my thumbs
untenable to stitch,
sleek, fitted, with the passion
of Shaka Zulu’s face,
reversed and fringe-of-fashion,
I put it on, in place
of achromatic egrets,
the vacant crystal ball.
Victoria has secrets.
I am her baby doll.
|
Written by
Meena Alexander |
Mid-May, centipedes looped over netting at the well's mouth.
Girls grew frisky in summer frocks, lilies spotted with blood.
You were bound to meteorology,
Science of fickle clouds, ferocious winds.
The day you turned twenty-six fighter planes cut a storm,
Fissured air baring the heart's intricate meshwork
Of want and need—
Springs of cirrus out of which sap and shoot you raised me.
Crossing Chand Bibi Road,
Named after the princess who rode with hawks,
Slept with a gold sword under her pillow,
Raced on polo fields,
You saw a man lift a child, her chest burnt with oil,
Her small thighs bruised.
He bore her through latticed hallways
Into Lady Dufferin's hospital.
How could you pierce the acumen of empire,
Mesh of deceprion through which soldiers crawled,
Trees slashed with petrol,
Grille work of light in a partitioned land?
When you turned away,
Your blue black hair was crowned with smoke—
You knelt on a stone. On your bent head
The monsoons poured.
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