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Best Famous Nestling Poems

Here is a collection of the all-time best famous Nestling poems. This is a select list of the best famous Nestling poetry. Reading, writing, and enjoying famous Nestling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nestling poems.

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Written by Edgar Allan Poe | Create an image from this poem

A Valentine

 For her this rhyme is penned, whose luminous eyes,
Brightly expressive as the twins of Leda,
Shall find her own sweet name, that nestling lies
Upon the page, enwrapped from every reader.
Search narrowly the lines!- they hold a treasure Divine- a talisman- an amulet That must be worn at heart.
Search well the measure- The words- the syllables! Do not forget The trivialest point, or you may lose your labor And yet there is in this no Gordian knot Which one might not undo without a sabre, If one could merely comprehend the plot.
Enwritten upon the leaf where now are peering Eyes scintillating soul, there lie perdus Three eloquent words oft uttered in the hearing Of poets, by poets- as the name is a poet's, too, Its letters, although naturally lying Like the knight Pinto- Mendez Ferdinando- Still form a synonym for Truth- Cease trying! You will not read the riddle, though you do the best you can do.


Written by A R Ammons | Create an image from this poem

Still

 I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:

but though I have looked everywhere,
I can find nothing
to give myself to:
everything is

magnificent with existence, is in 
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:

I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up

and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:

I whirled though transfigurations up and down,
transfigurations of size and shape and place:

at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!
Written by Robert Burns | Create an image from this poem

12. Song—The Lass of Cessnock Banks

 ON Cessnock banks a lassie dwells;
 Could I describe her shape and mein;
Our lasses a’ she far excels,
 An’ she has twa sparkling roguish een.
She’s sweeter than the morning dawn, When rising Phoebus first is seen, And dew-drops twinkle o’er the lawn; An’ she has twa sparkling roguish een.
She’s stately like yon youthful ash, That grows the cowslip braes between, And drinks the stream with vigour fresh; An’ she has twa sparkling roguish een.
She’s spotless like the flow’ring thorn, With flow’rs so white and leaves so green, When purest in the dewy morn; An’ she has twa sparkling roguish een.
Her looks are like the vernal May, When ev’ning Phoebus shines serene, While birds rejoice on every spray; An’ she has twa sparkling roguish een.
Her hair is like the curling mist, That climbs the mountain-sides at e’en, When flow’r-reviving rains are past; An’ she has twa sparkling roguish een.
Her forehead’s like the show’ry bow, When gleaming sunbeams intervene And gild the distant mountain’s brow; An’ she has twa sparkling roguish een.
Her cheeks are like yon crimson gem, The pride of all the flowery scene, Just opening on its thorny stem; An’ she has twa sparkling roguish een.
Her bosom’s like the nightly snow, When pale the morning rises keen, While hid the murm’ring streamlets flow; An’ she has twa sparkling roguish een.
Her lips are like yon cherries ripe, That sunny walls from Boreas screen; They tempt the taste and charm the sight; An’ she has twa sparkling roguish een.
Her teeth are like a flock of sheep, With fleeces newly washen clean, That slowly mount the rising steep; An’ she has twa sparkling roguish een.
Her breath is like the fragrant breeze, That gently stirs the blossom’d bean, When Phoebus sinks behind the seas; An’ she has twa sparkling roguish een.
Her voice is like the ev’ning thrush, That sings on Cessnock banks unseen, While his mate sits nestling in the bush; An’ she has twa sparkling roguish een.
But it’s not her air, her form, her face, Tho’ matching beauty’s fabled queen; ’Tis the mind that shines in ev’ry grace, An’ chiefly in her roguish een.
Note 1.
The lass is identified as Ellison Begbie, a servant wench, daughter of a farmer.
—Lang.
[back]
Written by Henry Wadsworth Longfellow | Create an image from this poem

Voices Of the Night

 PRELUDE.
Pleasant it was, when woods were green, And winds were soft and low, To lie amid some sylvan scene, Where, the long drooping boughs between Shadows dark and sunlight sheen Alternate come and go; Or where the denser grove receives No sunlight from above But the dark foliage interweaves In one unbroken roof of leaves, Underneath whose sloping eaves The shadows hardly move.
Beneath some patriarchal tree I lay upon the ground; His hoary arms uplifted he, And all the broad leaves over me Clapped their little hands in glee, With one continuous sound;- A slumberous sound,-a sound that brings The feelings of a dream,- As of innumerable wings, As, when a bell no longer swings, Faint the hollow murmur rings O'er meadow, lake, and stream.
And dreams of that which cannot die, Bright visins, came to me, As lapped in thought I used to lie, And gaze into the summer sky, Where the sailing clouds went by, Like ships upon the sea; Dreams that the soul of youth engage Ere Fancy has been quelled; Old legends of the monkish page.
Traditions of the saint and sage, Tales that have the rime of age, And chronicles of Eld.
And, loving still these quaint old themes, Even in the city's throng I feel the freshness of the streams, That, crossed by shades and sunny gleams, Water the green land of dreams, The holy land of song.
Therefore, at Pentecost, which brings The Spring, clothed like a bride, When nestling buds unfold their wings, And bishop's-caps have golden rings, Musing upon many things, I sought the woodlands wide.
The green trees whispered low and mild, It was a sound of joy! They were my playmates when a child And rocked me in their arms so wild! Still they looked at me and smiled As if I were a boy; And ever whispered, mild and low, "Come, be a child once more!" And waved their long arms to and fro, And beckoned solemnly and slow; O, I could not choose but go Into the woodlands hoar; Into the blithe and breathing air, Into the solemn wood.
Solemn and silent everywhere! Nature with folded hands seemed there, Kneeling at her evening prayer! Like one in prayer I stood.
Before me rose an avenue Of tall and sombrous pines; Abroad their fan-like branches grew, And, where the sunshine darted throught Spread a vapor soft and blue, In long and sloping lines.
And, falling on my weary brain, Like a fast-falling shower, The dreams of youth came back again, Low lispings of the summer rain, Dropping on the ripened grain, As once upon the flower.
Visions of childhood! Stay, O stay! Ye were so sweet and wild! And distant voices seemed to say, "It cannot be! They pass away! Other themes demand thy lay; Thou art no more a child! "The land of Song within thee lies, Watered by living springs; The lids of Fancy's sleepless eyes Are gates unto that Paradise; Holy thoughts, like stars, arise, Its clouds are angels' wings.
"Learn, that henceforth thy song shall be Not mountains capped with snow, Nor forests sounding like the sea, Nor rivers flowing ceaselessly, Where the woodlands bend to see The bending heavens below.
"There is a forest where the din Of iron branches sounds! A mighty river roara between, And whosoever looks therein, Sees the heavens all black with sin,- Sees not ita depths, nor bounds.
"Athwart the swinging branches cast, Soft rays of sunshine pour; Then comes the fearful wintry blast; Our hopes, like withered leaves, fall fast; Pallid lips say, 'It is past! We can return no more!' "Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright,- Be these henceforth thy theme.
"
Written by Oliver Wendell Holmes | Create an image from this poem

My Aviary

 THROUGH my north window, in the wintry weather,--
My airy oriel on the river shore,--
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.
The gull, high floating, like a sloop unladen, Lets the loose water waft him as it will; The duck, round-breasted as a rustic maiden, Paddles and plunges, busy, busy still.
I see the solemn gulls in council sitting On some broad ice-floe pondering long and late, While overhead the home-bound ducks are flitting, And leave the tardy conclave in debate, Those weighty questions in their breasts revolving Whose deeper meaning science never learns, Till at some reverend elder's look dissolving, The speechless senate silently adjourns.
But when along the waves the shrill north-easter Shrieks through the laboring coaster's shrouds "Beware!" The pale bird, kindling like a Christmas feaster When some wild chorus shakes the vinous air, Flaps from the leaden wave in fierce rejoicing, Feels heaven's dumb lightning thrill his torpid nerves, Now on the blast his whistling plumage poising, Now wheeling, whirling in fantastic curves.
Such is our gull; a gentleman of leisure, Less fleshed than feathered; bagged you'll find him such; His virtue silence; his employment pleasure; Not bad to look at, and not good for much.
What of our duck? He has some high-bred cousins,-- His Grace the Canvas-back, My Lord the Brant,-- Anas and Anser,-- both served up by dozens, At Boston's Rocher, half-way to Nahant.
As for himself, he seems alert and thriving,-- Grubs up a living somehow-- what, who knows? Crabs? mussels? weeds? Look quick! there's one just diving! Flop! Splash! his white breast glistens-- down he goes! And while he's under-- just about a minute-- I take advantage of the fact to say His fishy carcase has no virtue in it The gunning idiot's wortless hire to pay.
He knows you! "sportsmen" from suburban alleys, Stretched under seaweed in the treacherous punt; Knows every lazy, shiftless lout that sallies Forth to waste powder-- as he says, to "hunt.
" I watch you with a patient satisfaction, Well pleased to discount your predestined luck; The float that figures in your sly transaction Will carry back a goose, but not a duck.
Shrewd is our bird; not easy to outwit him! Sharp is the outlook of those pin-head eyes; Still, he is mortal and a shot may hit him, One cannot always miss him if he tries.
Look! there's a young one, dreaming not of danger Sees a flat log come floating down the stream; Stares undismayed upon the harmless stranger; Ah! were all strangers harmless as they seem! Habet! a leaden shower his breast has shattered; Vainly he flutters, not again to rise; His soft white plumes along the waves are scattered; Helpless the wing that braved the tempest lies.
He sees his comrades high above him flying To seek their nests among the island reeds; Strong is their flight; all lonely he is lying Washed by the crimsoned water as he bleeds.
O Thou who carest for the falling sparrow, Canst Thou the sinless sufferer's pang forget? Or is thy dread account-book's page so narrow Its one long column scores thy creatures' debt? Poor gentle guest, by nature kindly cherished, A world grows dark with thee in blinding death; One little gasp-- thy universe has perished, Wrecked by the idle thief who stole thy breath! Is this the whole sad story of creation, Lived by its breathing myriads o'er and o'er,-- One glimpse of day, then black annhilation, A sunlit passage to a sunless shore? Give back our faith, ye mystery-solving lynxes! Robe us once more in heaven-aspiring creeds! Happier was dreaming Egypt with her sphinxes, The stony convent with its cross and beads! How often gazing where a bird reposes, Rocked on the wavelets, drifting with the tide, I lose myself in strange metempsychosis And float a sea-fowl at a sea-fowl's side; From rain, hail, snow in feathery mantle muffled, Clear-eyed, strong-limbed, with keenest sense to hear My mate soft murmuring, who, with plumes unruffled, Where'er I wander still is nestling near; The great blue hollow like a garment o'er me; Space all unmeasured, unrecorded time; While seen with inward eye moves on before me Thought's pictured train in wordless pantomime.
A voice recalls me.
-- From my window turning I find myself a plumeless biped still; No beak, no claws, no sign of wings discerning,-- In fact with nothing bird-like but my quill.


Written by Rudyard Kipling | Create an image from this poem

The Naulahka

 There was a strife 'twixt man and maid--
Oh, that was at the birth of time!
But what befell 'twixt man and maid,
Oh, that's beyond the grip of rhyme.
'Twas "Sweet, I must not bide with you," And, "Love, I cannot bide alone"; For both were young and both were true.
And both were hard as the nether stone.
Beware the man who's crossed in love; For pent-up steam must find its vent.
Stand back when he is on the move, And lend him all the Continent.
Your patience, Sirs.
The Devil took me up To the burned mountain over Sicily (Fit place for me) and thence I saw my Earth-- (Not all Earth's splendour, 'twas beyond my need--) And that one spot I love--all Earth to me, And her I love, my Heaven.
What said I? My love was safe from all the powers of Hell- For you--e'en you--acquit her of my guilt-- But Sula, nestling by our sail--specked sea, My city, child of mine, my heart, my home-- Mine and my pride--evil might visit there! It was for Sula and her naked port, Prey to the galleys of the Algerine, Our city Sula, that I drove my price-- For love of Sula and for love of her.
The twain were woven--gold on sackcloth--twined Past any sundering till God shall judge The evil and the good.
Now it is not good for the Christian's health to hustle the Aryan brown, For the Christian riles, and the Aryan smiles and he weareth the Christian down; And the end of the fight is a tombstone white with the name of the late deceased, And the epitaph drear: "A Fool lies here who tried to hustle the East.
" There is pleasure in the wet, wet clay When the artist's hand is potting it.
There is pleasure in the wet, wet lay -- When the poet's pad is blotting it.
There is pleasure in the shine of your picture on the line At the Royal Acade-my; But the pleasure felt in these is as chalk to Cheddar cheese When it comes to a well-made Lie-- To a quite unwreckable Lie, To a most impeccable Lie! To a water-right, fire-proof, angle-iron, sunk-hinge, time-lock, steel-faced Lie! Not a private handsome Lie, But a pair-and-brougham Lie, Not a little-place-at-Tooting, but a country-house-with-shooting And a ring-fence-deer-park Lie.
When a lover hies abroad Looking for his love, Azrael smiling sheathes his sword, Heaven smiles above.
Earth and sea His servants be, And to lesser compass round, That his love be sooner found! We meet in an evil land That is near to the gates of Hell.
I wait for thy command To serve, to speed or withstand.
And thou sayest I do not well? Oh Love, the flowers so red Are only tongues of flame, The earth is full of the dead, The new-killed, restless dead.
There is danger beneath and o'erhead, And I guard thy gates in fear Of words thou canst not hear, Of peril and jeopardy, Of signs thou canst not see-- .
And thou sayest 'tis ill that I came? This I saw when the rites were done, And the lamps were dead and the Gods alone, And the grey snake coiled on the altar stone-- Ere I fled from a Fear that I could not see, And the Gods of the East made mouths at me.
Beat off in our last fight were we? The greater need to seek the sea.
For Fortune changeth as the moon To caravel and picaroon.
Then Eastward Ho! or Westward Ho! Whichever wind may meetest blow.
Our quarry sails on either sea, Fat prey for such bold lads as we, And every sun-dried buccaneer Must hand and reef and watch and steer, And bear great wrath of sea and sky Before the plate-ships wallow by.
Now, as our tall bows take the foam, Let no man turn his heart to home, Save to desire plunder more And larger warehouse for his store, When treasure won from Santos Bay Shall make our sea-washed village gay.
Because I sought it far from men, In deserts and alone, I found it burning overhead, The jewel of a Throne.
Because I sought--I sought it so And spent my days to find-- It blazed one moment ere it left The blacker night behind.
We be the Gods of the East-- Older than all-- Masters of Mourning and Feast-- How shall we fall? Will they gape for the husks that ye proffer Or yearn to your song And we--have we nothing to offer Who ruled them so long-- In the fume of incense, the clash of the cymbals, the blare of the conch and the gong? Over the strife of the schools Low the day burns-- Back with the kine from the pools Each one returns To the life that he knows where the altar-flame glows and the tulsi is trimmed in the urns.
Written by James Dickey | Create an image from this poem

The Sharks Parlor

 Memory: I can take my head and strike it on a wall on Cumberland Island 
Where the night tide came crawling under the stairs came up the first 
Two or three steps and the cottage stood on poles all night 
With the sea sprawled under it as we dreamed of the great fin circling 
Under the bedroom floor.
In daylight there was my first brassy taste of beer And Payton Ford and I came back from the Glynn County slaughterhouse With a bucket of entrails and blood.
We tied one end of a hawser To a spindling porch-pillar and rowed straight out of the house Three hundred yards into the vast front yard of windless blue water The rope out slithering its coil the two-gallon jug stoppered and sealed With wax and a ten-foot chain leader a drop-forged shark-hook nestling.
We cast our blood on the waters the land blood easily passing For sea blood and we sat in it for a moment with the stain spreading Out from the boat sat in a new radiance in the pond of blood in the sea Waiting for fins waiting to spill our guts also in the glowing water.
We dumped the bucket, and baited the hook with a run-over collie pup.
The jug Bobbed, trying to shake off the sun as a dog would shake off the sea.
We rowed to the house feeling the same water lift the boat a new way, All the time seeing where we lived rise and dip with the oars.
We tied up and sat down in rocking chairs, one eye on the other responding To the blue-eye wink of the jug.
Payton got us a beer and we sat All morning sat there with blood on our minds the red mark out In the harbor slowly failing us then the house groaned the rope Sprang out of the water splinters flew we leapt from our chairs And grabbed the rope hauled did nothing the house coming subtly Apart all around us underfoot boards beginning to sparkle like sand Pulling out the tarred poles we slept propped-up on leaning to sea As in land-wind crabs scuttling from under the floor as we took runs about Two more porch-pillars and looked out and saw something a fish-flash An almighty fin in trouble a moiling of secret forces a false start Of water a round wave growing in the whole of Cumberland Sound the one ripple.
Payton took off without a word I could not hold him either But clung to the rope anyway it was the whole house bending Its nails that held whatever it was coming in a little and like a fool I took up the slack on my wrist.
The rope drew gently jerked I lifted Clean off the porch and hit the water the same water it was in I felt in blue blazing terror at the bottom of the stairs and scrambled Back up looking desperately into the human house as deeply as I could Stopping my gaze before it went out the wire screen of the back door Stopped it on the thistled rattan the rugs I lay on and read On my mother's sewing basket with next winter's socks spilling from it The flimsy vacation furniture a bucktoothed picture of myself.
Payton came back with three men from a filling station and glanced at me Dripping water inexplicable then we all grabbed hold like a tug-of-war.
We were gaining a little from us a cry went up from everywhere People came running.
Behind us the house filled with men and boys.
On the third step from the sea I took my place looking down the rope Going into the ocean, humming and shaking off drops.
A houseful Of people put their backs into it going up the steps from me Into the living room through the kitchen down the back stairs Up and over a hill of sand across a dust road and onto a raised field Of dunes we were gaining the rope in my hands began to be wet With deeper water all other haulers retreated through the house But Payton and I on the stairs drawing hand over hand on our blood Drawing into existence by the nose a huge body becoming A hammerhead rolling in beery shallows and I began to let up But the rope strained behind me the town had gone Pulling-mad in our house far away in a field of sand they struggled They had turned their backs on the sea bent double some on their knees The rope over their shoulders like a bag of gold they strove for the ideal Esso station across the scorched meadow with the distant fish coming up The front stairs the sagging boards still coming in up taking Another step toward the empty house where the rope stood straining By itself through the rooms in the middle of the air.
"Pass the word," Payton said, and I screamed it "Let up, good God, let up!" to no one there.
The shark flopped on the porch, grating with salt-sand driving back in The nails he had pulled out coughing chunks of his formless blood.
The screen door banged and tore off he scrambled on his tail slid Curved did a thing from another world and was out of his element and in Our vacation paradise cutting all four legs from under the dinner table With one deep-water move he unwove the rugs in a moment throwing pints Of blood over everything we owned knocked the buckteeth out of my picture His odd head full of crashed jelly-glass splinters and radio tubes thrashing Among the pages of fan magazines all the movie stars drenched in sea-blood Each time we thought he was dead he struggled back and smashed One more thing in all coming back to die three or four more times after death.
At last we got him out logrolling him greasing his sandpaper skin With lard to slide him pulling on his chained lips as the tide came, Tumbled him down the steps as the first night wave went under the floor.
He drifted off head back belly white as the moon.
What could I do but buy That house for the one black mark still there against death a forehead- toucher in the room he circles beneath and has been invited to wreck? Blood hard as iron on the wall black with time still bloodlike Can be touched whenever the brow is drunk enough.
All changes.
Memory: Something like three-dimensional dancing in the limbs with age Feeling more in two worlds than one in all worlds the growing encounters.
Copyright © James Dickey 1965 Online Source - http://www.
oceanstar.
com/shark/dickey.
htm
Written by Rabindranath Tagore | Create an image from this poem

The Gardener LXXV: At Midnight

 At midnight the would-be ascetic
announced:
"This is the time to give up my
home and seek for God.
Ah, who has held me so long in delusion here?" God whispered, "I," but the ears of the man were stopped.
With a baby asleep at her breast lay his wife, peacefully sleeping on one side of the bed.
The man said, "Who are ye that have fooled me so long?" The voice said again, "They are God," but he heard it not.
The baby cried out in its dream, nestling close to its mother.
God commanded, "Stop, fool, leave not thy home," but still he heard not.
God sighed and complained, "Why does my servant wander to seek me, forsaking me?"
Written by Gerard Manley Hopkins | Create an image from this poem

The Blessed Virgin Compared To The Air We Breathe

 Wild air, world-mothering air,
Nestling me everywhere,
That each eyelash or hair
Girdles; goes home betwixt
The fleeciest, frailest-flixed
Snowflake; that 's fairly mixed
With, riddles, and is rife
In every least thing's life;
This needful, never spent,
And nursing element;
My more than meat and drink,
My meal at every wink;
This air, which, by life's law,
My lung must draw and draw
Now but to breathe its praise,
Minds me in many ways
Of her who not only
Gave God's infinity
Dwindled to infancy
Welcome in womb and breast,
Birth, milk, and all the rest
But mothers each new grace
That does now reach our race—
Mary Immaculate,
Merely a woman, yet
Whose presence, power is
Great as no goddess's
Was deemèd, dreamèd; who
This one work has to do—
Let all God's glory through,
God's glory which would go
Through her and from her flow
Off, and no way but so.
I say that we are wound With mercy round and round As if with air: the same Is Mary, more by name.
She, wild web, wondrous robe, Mantles the guilty globe, Since God has let dispense Her prayers his providence: Nay, more than almoner, The sweet alms' self is her And men are meant to share Her life as life does air.
If I have understood, She holds high motherhood Towards all our ghostly good And plays in grace her part About man's beating heart, Laying, like air's fine flood, The deathdance in his blood; Yet no part but what will Be Christ our Saviour still.
Of her flesh he took flesh: He does take fresh and fresh, Though much the mystery how, Not flesh but spirit now And makes, O marvellous! New Nazareths in us, Where she shall yet conceive Him, morning, noon, and eve; New Bethlems, and he born There, evening, noon, and morn— Bethlem or Nazareth, Men here may draw like breath More Christ and baffle death; Who, born so, comes to be New self and nobler me In each one and each one More makes, when all is done, Both God's and Mary's Son.
Again, look overhead How air is azurèd; O how! nay do but stand Where you can lift your hand Skywards: rich, rich it laps Round the four fingergaps.
Yet such a sapphire-shot, Charged, steepèd sky will not Stain light.
Yea, mark you this: It does no prejudice.
The glass-blue days are those When every colour glows, Each shape and shadow shows.
Blue be it: this blue heaven The seven or seven times seven Hued sunbeam will transmit Perfect, not alter it.
Or if there does some soft, On things aloof, aloft, Bloom breathe, that one breath more Earth is the fairer for.
Whereas did air not make This bath of blue and slake His fire, the sun would shake, A blear and blinding ball With blackness bound, and all The thick stars round him roll Flashing like flecks of coal, Quartz-fret, or sparks of salt, In grimy vasty vault.
So God was god of old: A mother came to mould Those limbs like ours which are What must make our daystar Much dearer to mankind; Whose glory bare would blind Or less would win man's mind.
Through her we may see him Made sweeter, not made dim, And her hand leaves his light Sifted to suit our sight.
Be thou then, O thou dear Mother, my atmosphere; My happier world, wherein To wend and meet no sin; Above me, round me lie Fronting my froward eye With sweet and scarless sky; Stir in my ears, speak there Of God's love, O live air, Of patience, penance, prayer: World-mothering air, air wild, Wound with thee, in thee isled, Fold home, fast fold thy child.
Written by Eugene Field | Create an image from this poem

At play

 Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two Are just as happy as we can be, And I'll say "I love you" to you, And you say "I love you" to me! "I love you" we both shall say, All in earnest and all in play.
Or, play that you are that other one That some time came, and went away; And play that the light of years agone Stole into my heart again to-day! Playing that you are the one I knew In the days that never again may be, I'll say "I love you" to you, And you say "I love you" to me! I love you!" my heart shall say To the ghost of the past come back to-day! Or, play that you sought this nestling-place For your own sweet self, with that dual guise Of your pretty mother in your face And the look of that other in your eyes! So the dear old loves shall live anew As I hold my darling on my knee, And I'll say "I love you" to you, And you say "I love you" to me! Oh, many a strange, true thing we say And do when we pretend to play!

Book: Reflection on the Important Things