Written by
Mark Strand |
1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there,
no sound of anything.
The tress are heavy with leaves,
the parked cars never move.
We keep turning the pages, hoping for something,
something like mercy or change,
a black line that would bind us
or keep us apart.
The way it is, it would seem
the book of our lives is empty.
The furniture in the room is never shifted,
and the rugs become darker each time
our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch,
reading about the couch.
We say it is ideal.
It is ideal.
2
We are reading the story of our lives,
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book.
Beyond my life into another life.
I put the pen down.
The book says: "He put the pen down
and turned and watched her reading
the part about herself falling in love."
The book is more accurate than we can imagine.
I lean back and watch you read
about the man across the street.
They built a house there,
and one day a man walked out of it.
You fell in love with him
because you knew that he would never visit you,
would never know you were waiting.
Night after night you would say
that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture,
seem almost imaginary now.
"She continued to read.
She seemed to consider his absence
of no special importance,
as someone on a perfect day will consider
the weather a failure
because it did not change his mind."
You narrow your eyes.
You have the impulse to close the book
which describes my resistance:
how when I lean back I imagine
my life without you, imagine moving
into another life, another book.
It describes your dependence on desire,
how the momentary disclosures
of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.
3
This morning I woke and believed
there was no more to to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.
In one of them cold dresses of moonlight
are draped over the chairs in a man's room.
He dreams of a woman whose dresses are lost,
who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death
and she is never named,
which is one of the things
you could not stand about her.
A little later we learn
that the dreaming man lives
in the new house across the street.
This morning after you fell back to sleep
I began to turn the pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: "In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his own kingdom."
4
Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
"He wanted to see her naked and vulnerable,
to see her in the refuse, the discarded
plots of old dreams, the costumes and masks
of unattainable states.
It was as if he were drawn
irresistably to failure."
It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing
how long I waited,
and it seemed that I was no longer reading.
I heard the wind passing
like a stream of sighs
and I heard the shiver of leaves
in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face
and I read the eyes, the nose, the mouth . . .
5
If only there were a perfect moment in the book;
if only we could live in that moment,
we could being the book again
as if we had not written it,
as if we were not in it.
But the dark approaches
to any page are too numerous
and the escapes are too narrow.
We read through the day.
Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
"He never wanted to read another book
and she kept staring into the street.
The cars were still there,
the deep shade of trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there,
the man she loved, was reading
the story of another life.
She imagine a bare parlor,
a cold fireplace, a man sitting
writing a letter to a woman
who has sacrificed her life for love."
If there were a perfect moment in the book,
it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.
6
The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
"They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,
that created loneliness.
They waited
they would turn the pages, hoping
something would happen.
They would patch up their lives in secret:
each defeat forgiven because it could not be tested,
each pain rewarded because it was unreal.
They did nothing."
7
The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired,
if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
"They sat beside each other on the couch.
They were the copies, the tired phantoms
of something they had been before.
The attitudes they took were jaded.
They stared into the book
and were horrified by their innocence,
their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be written
and would have to be read.
They are the book and they are
nothing else.
|
Written by
Federico García Lorca |
In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.
Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.
Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.
One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.
Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes are waiting,
where the bear's teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.
Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.
No one is sleeping.
But if someone grows too much moss on his temples during the night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters.
|
Written by
Wendell Berry |
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won't compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion -- put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn't go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
|
Written by
Sylvia Plath |
Kindness glides about my house.
Dame Kindness, she is so nice!
The blue and red jewels of her rings smoke
In the windows, the mirrors
Are filling with smiles.
What is so real as the cry of a child?
A rabbit's cry may be wilder
But it has no soul.
Sugar can cure everything, so Kindness says.
Sugar is a necessary fluid,
Its crystals a little poultice.
O kindness, kindness
Sweetly picking up pieces!
My Japanese silks, desperate butterflies,
May be pinned any minute, anesthetized.
And here you come, with a cup of tea
Wreathed in steam.
The blood jet is poetry,
There is no stopping it.
You hand me two children, two roses.
|
Written by
Rainer Maria Rilke |
1906
The stamina of an old long-noble race
in the eyebrows' heavy arches. In the mild
blue eyes the solemn anguish of a child
and here and there humility-not a fool's
but feminine: the look of one who serves.
The mouth quite ordinary large and straight
composed yet not willing to speak out
when necessary. The forehead still na?ve
most comfortable in shadows looking down.
This as a whole just hazily foreseen-
never in any joy of suffering
collected for a firm accomplishment;
and yet as though from far off with scattered Things
a serious true work were being planned.
|
Written by
Wystan Hugh (W H) Auden |
He was found by the Bureau of Statistics to beOne against whom there was no official complaint,And all the reports on his conduct agreeThat, in the modern sense of an old-fashioned word, he was asaint,For in everything he did he served the Greater Community.Except for the War till the day he retiredHe worked in a factory and never got fired,But satisfied his employers, Fudge Motors Inc.Yet he wasn't a scab or odd in his views,For his Union reports that he paid his dues,(Our report on his Union shows it was sound)And our Social Psychology workers foundThat he was popular with his mates and liked a drink.The Press are convinced that he bought a paper every dayAnd that his reactions to advertisements were normal in every way.Policies taken out in his name prove that he was fully insured,And his Health-card shows he was once in hospital but left it cured.Both Producers Research and High-Grade Living declareHe was fully sensible to the advantages of the Instalment PlanAnd had everything necessary to the Modern Man,A phonograph, a radio, a car and a frigidaire.Our researchers into Public Opinion are contentThat he held the proper opinions for the time of year;When there was peace, he was for peace: when there was war, he went.He was married and added five children to the population,Which our Eugenist says was the right number for a parent of hisgeneration.And our teachers report that he never interfered with theireducation.Was he free? Was he happy? The question is absurd:Had anything been wrong, we should certainly have heard.
|
Written by
Mari Evans |
Speak the truth to the people
Talk sense to the people
Free them with honesty
Free the people with Love and Courage for their Being
Spare them the fantasy
Fantasy enslaves
A slave is enslaved
Can be enslaved by unwisdom
Can be re-enslaved while in flight from the enemy
Can be enslaved by his brother whom he loves
His brother whom he trusts whom he loves
His brother whom he trusts
His brother with the loud voice
And the unwisdom
Speak the truth to the people
It is not necessary to green the heart
Only to identify the enemy
It is not necessary to blow the mind
Only to free the mind
To identify the enemy is to free the mind
A free mind has no need to scream
A free mind is ready for other things
To BUILD black schools
To BUILD black children
To BUILD black minds
To BUILD black love
To BUILD black impregnability
To BUILD a strong black nation
To BUILD
Speak the truth to the people
Spare them the opium of devil-hate
They need no trips on honky-chants.
Move them instead to a BLACK ONENESS.
A black strength which will defend its own
Needing no cacophony of screams for activation
A black strength which will attack the laws
exposes the lies, disassembles the structure
and ravages the very foundation of evil.
Speak the truth to the people
To identify the enemy is to free the mind
Free the mind of the people
Speak to the mind of the people
Speak Truth
|
Written by
Walt Whitman |
1
MANHATTAN’S streets I saunter’d, pondering,
On time, space, reality—on such as these, and abreast with them, prudence.
2
After all, the last explanation remains to be made about prudence;
Little and large alike drop quietly aside from the prudence that suits immortality.
The Soul is of itself;
All verges to it—all has reference to what ensues;
All that a person does, says, thinks, is of consequence;
Not a move can a man or woman make, that affects him or her in a day, month, any part of
the
direct
life-time, or the hour of death, but the same affects him or her onward afterward through
the
indirect life-time.
3
The indirect is just as much as the direct,
The spirit receives from the body just as much as it gives to the body, if not more.
Not one word or deed—not venereal sore, discoloration, privacy of the onanist,
putridity
of
gluttons or rum-drinkers, peculation, cunning, betrayal, murder, seduction, prostitution,
but
has
results beyond death, as really as before death.
4
Charity and personal force are the only investments worth anything.
No specification is necessary—all that a male or female does, that is vigorous,
benevolent,
clean, is so much profit to him or her, in the unshakable order of the universe, and
through
the
whole scope of it forever.
5
Who has been wise, receives interest,
Savage, felon, President, judge, farmer, sailor, mechanic, literat, young, old, it is the
same,
The interest will come round—all will come round.
Singly, wholly, to affect now, affected their time, will forever affect all of the past,
and
all of
the present, and all of the future,
All the brave actions of war and peace,
All help given to relatives, strangers, the poor, old, sorrowful, young children, widows,
the
sick,
and to shunn’d persons,
All furtherance of fugitives, and of the escape of slaves,
All self-denial that stood steady and aloof on wrecks, and saw others fill the seats of
the
boats,
All offering of substance or life for the good old cause, or for a friend’s sake, or
opinion’s sake,
All pains of enthusiasts, scoff’d at by their neighbors,
All the limitless sweet love and precious suffering of mothers,
All honest men baffled in strifes recorded or unrecorded,
All the grandeur and good of ancient nations whose fragments we inherit,
All the good of the dozens of ancient nations unknown to us by name, date, location,
All that was ever manfully begun, whether it succeeded or no,
All suggestions of the divine mind of man, or the divinity of his mouth, or the shaping of
his
great
hands;
All that is well thought or said this day on any part of the globe—or on any of the
wandering
stars, or on any of the fix’d stars, by those there as we are here;
All that is henceforth to be thought or done by you, whoever you are, or by any one;
These inure, have inured, shall inure, to the identities from which they sprang, or shall
spring.
6
Did you guess anything lived only its moment?
The world does not so exist—no parts palpable or impalpable so exist;
No consummation exists without being from some long previous consummation—and that
from
some
other,
Without the farthest conceivable one coming a bit nearer the beginning than any.
7
Whatever satisfies Souls is true;
Prudence entirely satisfies the craving and glut of Souls;
Itself only finally satisfies the Soul;
The Soul has that measureless pride which revolts from every lesson but its own.
8
Now I give you an inkling;
Now I breathe the word of the prudence that walks abreast with time, space, reality,
That answers the pride which refuses every lesson but its own.
What is prudence, is indivisible,
Declines to separate one part of life from every part,
Divides not the righteous from the unrighteous, or the living from the dead,
Matches every thought or act by its correlative,
Knows no possible forgiveness, or deputed atonement,
Knows that the young man who composedly peril’d his life and lost it, has done
exceedingly
well
for himself without doubt,
That he who never peril’d his life, but retains it to old age in riches and ease, has
probably
achiev’d nothing for himself worth mentioning;
Knows that only that person has really learn’d, who has learn’d to prefer
results,
Who favors Body and Soul the same,
Who perceives the indirect assuredly following the direct,
Who in his spirit in any emergency whatever neither hurries or, avoids death.
|
Written by
Walt Whitman |
A WOMAN waits for me—she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the right man were
lacking.
Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results, promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow’d persons of the earth,
These are contain’d in sex, as parts of itself, and justifications of itself.
Without shame the man I like knows and avows the deliciousness of his sex,
Without shame the woman I like knows and avows hers.
Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that are warm-blooded and
sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me—I will be the robust husband of those women.
They are not one jot less than I am,
They are tann’d in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike, retreat, advance, resist,
defend themselves,
They are ultimate in their own right—they are calm, clear, well-possess’d of
themselves.
I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for others’ sakes;
Envelop’d in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.
It is I, you women—I make my way,
I am stern, acrid, large, undissuadable—but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States—I press with slow
rude muscle,
I brace myself effectually—I listen to no entreaties,
I dare not withdraw till I deposit what has so long accumulated within me.
Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new artists, musicians,
and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I count on the fruits of
the gushing showers I give now,
I shall look for loving crops from the birth, life, death, immortality, I plant so
lovingly now.
|
Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|