Written by
Stanley Kunitz |
I touch you in the night, whose gift was you,
My careless sprawler,
And I touch you cold, unstirring, star-bemused,
That have become the land of your self-strangeness.
What long seduction of the bone has led you
Down the imploring roads I cannot take
Into the arms of ghosts I never knew,
Leaving my manhood on a rumpled field
To guard you where you lie so deep
In absent-mindedness,
Caught in the calcium snows of sleep?
And even should I track you to your birth
Through all the cities of your mortal trial,
As in my jealous thought I try to do,
You would escape me--from the brink of earth
Take off to where the lawless auroras run,
You with your wild and metaphysic heart.
My touch is on you, who are light-years gone.
We are not souls but systems, and we move
In clouds of our unknowing
like great nebulae.
Our very motives swirl and have their start
With father lion and with mother crab.
Dreamer, my own lost rib,
Whose planetary dust is blowing
Past archipelagoes of myth and light
What far Magellans are you mistress of
To whom you speed the pleasure of your art?
As through a glass that magnifies my loss
I see the lines of your spectrum shifting red,
The universe expanding, thinning out,
Our worlds flying, oh flying, fast apart.
From hooded powers and from abstract flight
I summon you, your person and your pride.
Fall to me now from outer space,
Still fastened desperately to my side;
Through gulfs of streaming air
Bring me the mornings of the milky ways
Down to my threshold in your drowsy eyes;
And by the virtue of your honeyed word
Restore the liquid language of the moon,
That in gold mines of secrecy you delve.
Awake!
My whirling hands stay at the noon,
Each cell within my body holds a heart
And all my hearts in unison strike twelve.
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Written by
Robinson Jeffers |
The universe expands and contracts like a great heart.
It is expanding, the farthest nebulae
Rush with the speed of light into empty space.
It will contract, the immense navies of stars and galaxies,
dust clouds and nebulae
Are recalled home, they crush against each other in one
harbor, they stick in one lump
And then explode it, nothing can hold them down; there is no
way to express that explosion; all that exists
Roars into flame, the tortured fragments rush away from each
other into all the sky, new universes
Jewel the black breast of night; and far off the outer nebulae
like charging spearmen again
Invade emptiness.
No wonder we are so fascinated with
fireworks
And our huge bombs: it is a kind of homesickness perhaps for
the howling fireblast that we were born from.
But the whole sum of the energies
That made and contain the giant atom survives. It will
gather again and pile up, the power and the glory--
And no doubt it will burst again; diastole and systole: the
whole universe beats like a heart.
Peace in our time was never one of God's promises; but back
and forth, live and die, burn and be damned,
The great heart beating, pumping into our arteries His
terrible life.
He is beautiful beyond belief.
And we, God's apes--or tragic children--share in the beauty.
We see it above our torment, that's what life's for.
He is no God of love, no justice of a little city like Dante's
Florence, no anthropoid God
Making commandments,: this is the God who does not care
and will never cease. Look at the seas there
Flashing against this rock in the darkness--look at the
tide-stream stars--and the fall of nations--and dawn
Wandering with wet white feet down the Caramel Valley to
meet the sea. These are real and we see their beauty.
The great explosion is probably only a metaphor--I know not
--of faceless violence, the root of all things.
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Written by
A R Ammons |
Fall fell: so that's it for the leaf poetry:
some flurries have whitened the edges of roads
and lawns: time for that, the snow stuff: &
turkeys and old St. Nick: where am I going to
find something to write about I haven't already
written away: I will have to stop short, look
down, look up, look close, think, think, think:
but in what range should I think: should I
figure colors and outlines, given forms, say
mailboxes, or should I try to plumb what is
behind what and what behind that, deep down
where the surface has lost its semblance: or
should I think personally, such as, this week
seems to have been crafted in hell: what: is
something going on: something besides this
diddledeediddle everyday matter-of-fact: I
could draw up an ancient memory which would
wipe this whole presence away: or I could fill
out my dreams with high syntheses turned into
concrete visionary forms: Lucre could lust
for Luster: bad angels could roar out of perdition
and kill the AIDS vaccine not quite
perfected yet: the gods could get down on
each other; the big gods could fly in from
nebulae unknown: but I'm only me: I have 4
interests--money, poetry, sex, death: I guess
I can jostle those. . . .
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Written by
Philip Levine |
Since I don't know who will be reading
this or even if it will be read, I must
invent someone on the other end
of eternity, a distant cousin laboring
under the same faint stars I labored
all those unnumbered years ago. I make you
like me in everything I can -- a man
or woman in middle years who having
lost whatever faiths he held goes on
with only the faith that even more
will be lost. Like me a wanderer,
someone with a taste for coastal towns
sparkling in the cold winter sun, boardwalks
without walkers, perfect beaches shrouded
in the dense fogs of December, morning cafes
before the second customer arrives,
the cats have been fed, and the proprietor
stops muttering into the cold dishwater.
I give you the gift of language, my gift
and no more, so that wherever you go
words fall around you meaning no more
than the full force of their making, and you
translate the clicking of teeth against
teeth and tongue as morning light spilling
into the enclosed squares of a white town,
breath drawn in and held as the ocean
when no one sees it, the waves still,
the fishing boats drift in a calm beyond sleep.
The gift of sleep, too, and the waking
from it day after day without knowing
why the small sunlit room with its single bed,
white counterpane going yellow, and bare floor
holds itself with such assurance
while the flaming nebulae of dust
swirl around you. And the sense not to ask.
Like me you rise immediately and sit
on the bed's edge and let whatever dream
of a childhood home or a rightful place
you had withdraw into the long shadows
of the tilted wardrobe and the one chair.
Before you've even washed your face you
see it on the bedoilied chiffonier -- there,
balanced precariously on the orange you bought
at yesterday's market and saved for now.
Someone entered soundlessly while you slept
and left you sleeping and left this postcard
from me and thought to close the door
with no more fuss than the moon makes.
There's your name in black ink in a hand
as familiar as your own and not
your own, and the address even you
didn't know you'd have an hour before
you got it. When you turn it over,
there it is, not the photo of a star,
or the bright sailboats your sister would
have chosen or the green urban meadows
my brother painted. What is it? It could be
another planet just after its birth
except that at the center the colors
are earth colors. It could be the cloud
that formed above the rivers of our blood,
the one that brought rain to a dry time
or took wine from a hungry one. It could
be my way of telling you that I too
burned and froze by turns and the face I
came to was more dirt than flame, it
could be the face I put on everything,
or it could be my way of saying
nothing and saying it perfectly.
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Written by
Edgar Lee Masters |
They laughed at me as "Prof. Moon,"
As a boy in Spoon River, born with the thirst
Of knowing about the stars.
They jeered when I spoke of the lunar mountains,
And the thrilling heat and cold,
And the ebon valleys by silver peaks,
And Spica quadrillions of miles away,
And the littleness of man.
But now that my grave is honored, friends,
Let it not be because I taught
The lore of the stars in Knox College,
But rather for this: that through the stars
I preached the greatness of man,
Who is none the less a part of the scheme of things
For the distance of Spica or the Spiral Nebulae;
Nor any the less a part of the question
Of what the drama means.
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Written by
George William Russell |
COME earth’s little children pit-pat from their burrows on the hill;
Hangs within the gloom its weary head the shining daffodil.
In the valley underneath us through the fragrance flit along
Over fields and over hedgerows little quivering drops of song.
All adown the pale blue mantle of the mountains far away
Stream the tresses of the twilight flying in the wake of day.
Night comes; soon alone shall fancy follow sadly in her flight
Where the fiery dust of evening, shaken from the feet of light,
Thrusts its monstrous barriers between the pure, the good, the true,
That our weeping eyes may strain for, but shall never after view.
Only yester eve I watched with heart at rest the nebulæ
Looming far within the shadowy shining of the Milky Way;
Finding in the stillness joy and hope for all the sons of men;
Now what silent anguish fills a night more beautiful than then:
For earth’s age of pain has come, and all her sister planets weep,
Thinking of her fires of morning passing into dreamless sleep.
In this cycle of great sorrow for the moments that we last
We too shall be linked by weeping to the greatness of her past:
But the coming race shall know not, and the fount of tears shall dry,
And the arid heart of man be arid as the desert sky.
So within my mind the darkness dawned, and round me everywhere
Hope departed with the twilight, leaving only dumb despair.
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