Written by
Oliver Wendell Holmes |
THIS is the ship of pearl, which, poets feign,
Sails the unshadowed main,--
The venturous bark that flings
On the sweet summer wind its purpled wings
In gulfs enchanted, where the Siren sings,
And coral reefs lie bare,
Where the cold sea-maids rise to sun their streaming hair.
Its webs of living gauze no more unfurl;
Wrecked is the ship of pearl!
And every chambered cell,
Where its dim dreaming life was wont to dwell,
As the frail tenant shaped his growing shell,
Before thee lies revealed,--
Its irised ceiling rent, its sunless crypt unsealed!
Year after year beheld the silent toil
That spread his lustrous coil;
Still, as the spiral grew,
He left the past year's dwelling for the new,
Stole with soft step its shining archway through,
Built up its idle door,
Stretched in his last-found home, and knew the old no more.
Thanks for the heavenly message brought by thee,
Child of the wandering sea,
Cast from her lap, forlorn!
From thy dead lips a clearer note is born
Than ever Triton blew from wreathèd horn!
While on mine ear it rings,
Through the deep caves of thought I hear a voice that sings:--
Build thee more stately mansions, O my soul,
As the swift seasons roll!
Leave thy low-vaulted past!
Let each new temple, nobler than the last,
Shut thee from heaven with a dome more vast,
Till thou at length art free,
Leaving thine outgrown shell by life's unresting sea!
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Written by
Robert Lowell |
(for Elizabeth Bishop)
Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer
is first selectman in our village;
she's in her dotage.
Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore
and lets them fall.
The season's ill--
we've lost our summer millionaire
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl
was auctioned off to lobstermen.
A red fox stain covers Blue Hill.
And bow our fairy
decorator brightens his shop for fall;
his fishnet's filled with orange cork
orange his cobbler's bench and awl;
there is no money in his work
he'd rather marry.
One dark night
my Tutor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down
they lay together hull to hull
where the graveyard shelves on the town. . . .
My mind's not right.
A car radio bleats
"Love, O careless Love. . . . " I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--
only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.
I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage
pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.
|
Written by
Eugene Field |
Oh, a wonderful horse is the Fly-Away Horse -
Perhaps you have seen him before;
Perhaps, while you slept, his shadow has swept
Through the moonlight that floats on the floor.
For it's only at night, when the stars twinkle bright,
That the Fly-Away Horse, with a neigh
And a pull at his rein and a toss of his mane,
Is up on his heels and away!
The Moon in the sky,
As he gallopeth by,
Cries: "Oh! what a marvelous sight!"
And the Stars in dismay
Hide their faces away
In the lap of old Grandmother Night.
It is yonder, out yonder, the Fly-Away Horse
Speedeth ever and ever away -
Over meadows and lanes, over mountains and plains,
Over streamlets that sing at their play;
And over the sea like a ghost sweepeth he,
While the ships they go sailing below,
And he speedeth so fast that the men at the mast
Adjudge him some portent of woe.
"What ho there!" they cry,
As he flourishes by
With a whisk of his beautiful tail;
And the fish in the sea
Are as scared as can be,
From the nautilus up to the whale!
And the Fly-Away Horse seeks those faraway lands
You little folk dream of at night -
Where candy-trees grow, and honey-brooks flow,
And corn-fields with popcorn are white;
And the beasts in the wood are ever so good
To children who visit them there -
What glory astride of a lion to ride,
Or to wrestle around with a bear!
The monkeys, they say:
"Come on, let us play,"
And they frisk in the cocoanut-trees:
While the parrots, that cling
To the peanut-vines, sing
Or converse with comparative ease!
Off! scamper to bed - you shall ride him tonight!
For, as soon as you've fallen asleep,
With a jubilant neigh he shall bear you away
Over forest and hillside and deep!
But tell us, my dear, all you see and you hear
In those beautiful lands over there,
Where the Fly-Away Horse wings his faraway course
With the wee one consigned to his care.
Then grandma will cry
In amazement: "Oh, my!"
And she'll think it could never be so;
And only we two
Shall know it is true -
You and I, little precious! shall know!
|
Written by
Marianne Moore |
For authorities whose hopes
are shaped by mercenaries?
Writers entrapped by
teatime fame and by
commuters' comforts? Not for these
the paper nautilus
constructs her thin glass shell.
Giving her perishable
souvenir of hope, a dull
white outside and smooth-
edged inner surface
glossy as the sea, the watchful
maker of it guards it
day and night; she scarcely
eats until the eggs are hatched.
Buried eight-fold in her eight
arms, for she is in
a sense a devil-
fish, her glass ram'shorn-cradled freight
is hid but is not crushed;
as Hercules, bitten
by a crab loyal to the hydra,
was hindered to succeed,
the intensively
watched eggs coming from
the shell free it when they are freed,--
leaving its wasp-nest flaws
of white on white, and close-
laid Ionic chiton-folds
like the lines in the mane of
a Parthenon horse,
round which the arms had
wound themselves as if they knew love
is the only fortress
strong enough to trust to.
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