Written by
Robert Frost |
To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife,
And hated to be twitted on the subject;
Others because he'd come within a day
Or so of having one, and then been Jilted;
Others because he'd had one once, a good one,
Who'd run away with someone else and left him;
And others still because he had one now
He only had to be reminded of--
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, "That's so, how is my wife?
I hope she isn't getting into mischief.
"
No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps
Ever since, just to show them, he bad slipped
The bark of a whole tamarack off whole
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
April by subsiding meadow brooks.
They seemed to ask him just to see him go,
"How is the wife, Paul?" and he always went.
He never stopped to murder anyone
Who asked the question.
He just disappeared--
Nobody knew in what direction,
Although it wasn't usually long
Before they beard of him in some new camp,
The same Paul at the same old feats of logging.
The question everywhere was why should Paul
Object to being asked a civil question--
A man you could say almost anything to
Short of a fighting word.
You have the answers.
And there was one more not so fair to Paul:
That Paul had married a wife not his equal.
Paul was ashamed of her.
To match a hero
She would have had to be a heroine;
Instead of which she was some half-breed squaw.
But if the story Murphy told was true,
She wasn't anything to be ashamed of.
You know Paul could do wonders.
Everyone's
Heard how he thrashed the horses on a load
That wouldn't budge, until they simply stretched
Their rawhide harness from the load to camp.
Paul told the boss the load would be all right,
"The sun will bring your load in"--and it did--
By shrinking the rawhide to natural length.
That's what is called a stretcher.
But I guess
The one about his jumping so's to land
With both his feet at once against the ceiling,
And then land safely right side up again,
Back on the floor, is fact or pretty near fact.
Well, this is such a yarn.
Paul sawed his wife
Out of a white-pine log.
Murphy was there
And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away
For--I forget--the last ambitious sawyer
To want to find out if he couldn't pile
The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log,
And the sawyer had slammed the carriage back
To slam end-on again against the saw teeth.
To judge them by the way they caught themselves
When they saw what had happened to the log,
They must have had a guilty expectation
Something was going to go with their slambanging.
Something bad left a broad black streak of grease
On the new wood the whole length of the log
Except, perhaps, a foot at either end.
But when Paul put his finger in the grease,
It wasn't grease at all, but a long slot.
The log was hollow.
They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it
And tell Paul what he ought to do about it.
(They treated it as his.
) "You take a jackknife,
And spread the opening, and you've got a dugout
All dug to go a-fishing in.
" To Paul
The hollow looked too sound and clean and empty
Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow
He thought he'd better take his jackknife to.
So after work that evening be came back
And let enough light into it by cutting
To see if it was empty.
He made out in there
A slender length of pith, or was it pith?
It might have been the skin a snake had cast
And left stood up on end inside the tree
The hundred years the tree must have been growing.
More cutting and he bad this in both hands,
And looking from it to the pond nearby,
Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air
He made in walking slowly to the beach
Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers,
And thought it must have melted.
It was gone.
And then beyond the open water, dim with midges,
Where the log drive lay pressed against the boom,
It slowly rose a person, rose a girl,
Her wet hair heavy on her like a helmet,
Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back
To see if it was anyone behind him
That she was looking at instead of him.
(Murphy had been there watching all the time,
But from a shed where neither of them could see him.
)
There was a moment of suspense in birth
When the girl seemed too waterlogged to live,
Before she caught her first breath with a gasp
And laughed.
Then she climbed slowly to her feet,
And walked off, talking to herself or Paul,
Across the logs like backs of alligators,
Paul taking after her around the pond.
Next evening Murphy and some other fellows
Got drunk, and tracked the pair up Catamount,
From the bare top of which there is a view
TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it,
They saw Paul and his creature keeping house.
It was the only glimpse that anyone
Has had of Paul and her since Murphy saw them
Falling in love across the twilight millpond.
More than a mile across the wilderness
They sat together halfway up a cliff
In a small niche let into it, the girl
Brightly, as if a star played on the place,
Paul darkly, like her shadow.
All the light
Was from the girl herself, though, not from a star,
As was apparent from what happened next.
All those great ruffians put their throats together,
And let out a loud yell, and threw a bottle,
As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile,
But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married
And not to anyone to be ashamed of
Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs
About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business,
Either to praise her or much as name her,
And he'd thank people not to think of her.
Murphy's idea was that a man like Paul
Wouldn't be spoken to about a wife
In any way the world knew how to speak.
|
Written by
William Topaz McGonagall |
All hail to Mr Murphy, he is a hero brave,
That has crossed the mighty Atlantic wave,
For what purpose let me pause and think-
I answer, to warn the people not to taste strong drink.
And, I'm sure, if they take his advice, they never will rue
The day they joined the Blue Ribbon Army in the year 1882;
And I hope to their colours they will always prove true,
And shout, Hurrah ! for Mr Murphy and the Ribbon of Blue.
What is strong drink? Let me think-- I answer 'tis a thing
From whence the majority of evils spring,
And causes many a fireside with boisterous talk to ring,
And leaves behind it a deadly sting.
Some people do say it is good when taken in moderation,
But, when taken to excess, it leads to tribulation,
Also to starvation and loss of reputation,
Likewise your eternal soul's damnation.
The drunkard, he says he can't give it up,
For I must confess temptation's in the cup;
But he wishes to God it was banished from the land,
While he holds the cup in his trembling hand.
And he exclaims in the agony of his soul --
Oh, God, I cannot myself control
From this most accurs'd cup!
Oh, help me, God, to give it up!
Strong drink to the body can do no good;
It defiles the blood, likewise the food,
And causes the drunkard with pain to groan,
Because it extracts the marrow from the bone:
And hastens him on to a premature grave,
Because to the cup he is bound a slave;
For the temptation is hard to thole,
And by it he will lose his immortal soul.
The more's the pity, I must say,
That so many men and women are by it led astray,
And decoyed from the paths of virtue and led on to vice
By drinking too much alcohol and acting unwise.
Good people all, of every degree,
I pray, ye all be warned by me:
I advise ye all to pause and think,
And never more to taste strong drink.
Because the drunkard shall never inherit the kingdom of God
And whosoever God loves he chastens with his rod:
Therefore, be warned, and think in time,
And don't drink any more whisky, rum, or wine.
But go at once-- make no delay,
And join the Blue Ribbon Army without dismay,
And rally round Mr Murphy, and make a bold stand,
And help to drive the Bane of Society from our land.
I wish Mr Murphy every success,
Hoping he will make rapid progress;
And to the Blue Ribbon Army may he always prove true,
And adhere to his colours-- the beautiful blue.
|
Written by
Paul Laurence Dunbar |
Tim Murphy's gon' walkin' wid Maggie O'Neill,
O chone!
If I was her muther, I'd frown on sich foolin',
O chone!
I'm sure it's unmutherlike, darin' an' wrong
To let a gyrul hear tell the sass an' the song
Of every young felly that happens along,
O chone!
An' Murphy, the things that's be'n sed of his doin',
O chone!
'Tis a cud that no dacent folks wants to be chewin',
O chone!
If he came to my door wid his cane on a twirl,
Fur to thry to make love to you, Biddy, my girl,
Ah, wouldn't I send him away wid a whirl,
O chone!
They say the gossoon is indecent and dirty,
O chone!
In spite of his dressin' so.
O chone!
Let him dress up ez foine ez a king or a queen,
Let him put on more wrinkles than ever was seen,
You'll be sure he's no match for my little colleen,
O chone!
Faith the two is comin' back an' their walk is all over,
[Pg 262]O chone!
'Twas a pretty short walk fur to take wid a lover,
O chone!
Why, I believe that Tim Murphy's a kumin' this way,
Ah, Biddy jest look at him steppin' so gay,
I'd niver belave what the gossipers say,
O chone!
He's turned in the gate an' he's coming a-caperin',
O chone!
Go, Biddy, go quick an' put on a clane apern,
O chone!
Be quick as ye kin fur he's right at the dure;
Come in, master Tim, fur ye're welcome I'm shure.
We were talkin' o' ye jest a minute before.
O chone!
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