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Best Famous Multiplies Poems

Here is a collection of the all-time best famous Multiplies poems. This is a select list of the best famous Multiplies poetry. Reading, writing, and enjoying famous Multiplies poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of multiplies poems.

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Written by Robert Burns | Create an image from this poem

130. Nature's Law: A Poem

 LET other heroes boast their scars,
 The marks of sturt and strife:
And other poets sing of wars,
 The plagues of human life:
Shame fa’ the fun, wi’ sword and gun
 To slap mankind like lumber!
I sing his name, and nobler fame,
 Wha multiplies our number.


Great Nature spoke, with air benign,
 “Go on, ye human race;
This lower world I you resign;
 Be fruitful and increase.
The liquid fire of strong desire
 I’ve pour’d it in each bosom;
Here, on this had, does Mankind stand,
 And there is Beauty’s blossom.”


The Hero of these artless strains,
 A lowly bard was he,
Who sung his rhymes in Coila’s plains,
 With meikle mirth an’glee;
Kind Nature’s care had given his share
 Large, of the flaming current;
And, all devout, he never sought
 To stem the sacred torrent.


He felt the powerful, high behest
 Thrill, vital, thro’ and thro’;
And sought a correspondent breast,
 To give obedience due:
Propitious Powers screen’d the young flow’rs,
 From mildews of abortion;
And low! the bard—a great reward—
 Has got a double portion!


Auld cantie Coil may count the day,
 As annual it returns,
The third of Libra’s equal sway,
 That gave another Burns,
With future rhymes, an’ other times,
 To emulate his sire:
To sing auld Coil in nobler style
 With more poetic fire.


Ye Powers of peace, and peaceful song,
 Look down with gracious eyes;
And bless auld Coila, large and long,
 With multiplying joys;
Lang may she stand to prop the land,
 The flow’r of ancient nations;
And Burnses spring, her fame to sing,
 To endless generations!


Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The Tenth Elegy

 That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely
surrender myself to your loosened hair? We, squanderers of
gazing beyond them to judge the end of their duration.
They are only our winter's foliage, our sombre evergreen,
one of the seasons of our interior year, -not only season,
but place, settlement, camp, soil and dwelling.

How woeful, strange, are the alleys of the City of Pain,
where in the false silence created from too much noise,
a thing cast out from the mold of emptiness
swaggers that gilded hubbub, the bursting memorial.
Oh, how completely an angel would stamp out their market
of solace, bounded by the church, bought ready for use:
as clean, disappointing and closed as a post office on Sunday.
Farther out, though, there are always the rippling edges
of the fair. Seasaws of freedom! High-divers and jugglers of zeal!
And the shooting-gallery's targets of bedizened happiness:
targets tumbling in tinny contortions whenever some better
marksman happens to hit one. From cheers to chance he goes
staggering on, as booths that can please the most curious tastes
are drumming and bawling. For adults ony there is something
special to see: how money multiplies. Anatomy made amusing!
Money's organs on view! Nothing concealed! Instructive,
and guaranteed to increase fertility!...

 Oh, and then outside,
behind the farthest billboard, pasted with posters for 'Deathless,'
that bitter beer tasting quite sweet to drinkers,
if they chew fresh diversions with it..
Behind the billboard, just in back of it, life is real.
Children play, and lovers hold each other, -aside,
earnestly, in the trampled grass, and dogs respond to nature.
The youth continues onward; perhaps he is in love with
a young Lament....he follows her into the meadows.
She says: the way is long. We live out there....
 Where? And the youth
follows. He is touched by her gentle bearing. The shoulders,
the neck, -perhaps she is of noble ancestry? 
Yet he leaves her, turns around, looks back and waves...
What could come of it? She is a Lament.

Only those who died young, in their first state of
timeless serenity, while they are being weaned,
follow her lovingly. She waits for girls
and befriends them. Gently she shows them
what she is wearing. Pearls of grief
and the fine-spun veils of patience.-
With youths she walks in silence.

But there, where they live, in the valley,
an elderly Lament responds to the youth as he asks:-
We were once, she says, a great race, we Laments.
Our fathers worked the mines up there in the mountains;
sometimes among men you will find a piece of polished
primeval pain, or a petrified slag from an ancient volcano.
Yes, that came from there. Once we were rich.-

And she leads him gently through the vast landscape
of Lamentation, shows him the columns of temples,
the ruins of strongholds from which long ago
the princes of Lament wisely governed the country.
Shows him the tall trees of tears,
the fields of flowering sadness,
(the living know them only as softest foliage);
show him the beasts of mourning, grazing-
and sometimes a startled bird, flying straight through
their field of vision, far away traces the image of its
solitary cry.-
At evening she leads him to the graves of elders
of the race of Lamentation, the sybils and prophets.
With night approaching, they move more softly,
and soon there looms ahead, bathed in moonlight,
the sepulcher, that all-guarding ancient stone,
Twin-brother to that on the Nile, the lofty Sphinx-:
the silent chamber's countenance.
They marvel at the regal head that has, forever silent,
laid the features of manking upon the scales of the stars.
His sight, still blinded by his early death,
cannot grasp it. But the Sphinx's gaze
frightens an owl from the rim of the double-crown.
The bird, with slow down-strokes, brushes
along the cheek, that with the roundest curve, 
and faintly inscribes on the new death-born hearing,
as though on the double page of an opened book,
the indescribable outline.

And higher up, the stars. New ones. Stars
of the land of pain. Slowly she names them:
"There, look: the Rider ,the Staff,and that 
crowded constellation they call the the Garland of Fruit.
Then farther up toward the Pole:
Cradle, Way, the Burning Book, Doll, Window.
And in the Southern sky, pure as lines
on the palm of a blessed hand, the clear sparkling M,
standing for Mothers....."

Yet the dead youth must go on alone.
In silence the elder Lament brings him
as far as the gorge where it shimmers in the moonlight:
The Foutainhead of Joy. With reverance she names it,
saying: "In the world of mankind it is a life-bearing stream."

They reach the foothills of the mountain,
and there she embraces him, weeping.

Alone, he climbs the mountains of primeval pain.
Not even his footsteps ring from this soundless fate.

But were these timeless dead to awaken an image for us,
see, they might be pointing to th catkins, hanging
from the leafless hazels, or else they might mean
the rain that falls upon the dark earth in early Spring.

And we, who always think
of happiness as rising feel the emotion
that almost overwhelms us
whenever a happy thing falls.
Written by Sylvia Plath | Create an image from this poem

Mushrooms

 Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.
Written by Anne Kingsmill Finch | Create an image from this poem

The Hog The Sheep And Goat Carrying To A FAIR

 Who does not wish, ever to judge aright, 
And, in the Course of Life's Affairs, 
To have a quick, and far extended Sight, 
Tho' it too often multiplies his Cares? 
And who has greater Sense, but greater Sorrow shares? 

This felt the Swine, now carrying to the Knife; 
And whilst the Lamb and silent Goat 
In the same fatal Cart lay void of Strife, 
He widely stretches his foreboding Throat, 
Deaf'ning the easy Crew with his outragious Note. 

The angry Driver chides th'unruly Beast, 
And bids him all this Noise forbear; 
Nor be more loud, nor clamorous than the rest, 
Who with him travel'd to the neighb'ring Fair. 
And quickly shou'd arrive, and be unfetter'd there. 

This, quoth the Swine, I do believe, is true, 
And see we're very near the Town; 
Whilst these poor Fools of short, and bounded View, 
Think 'twill be well, when you have set them down, 
And eas'd One of her Milk, the Other of her Gown. 

But all the dreadful Butchers in a Row, 
To my far-searching Thoughts appear, 
Who know indeed, we to the Shambles go, 
Whilst I, whom none but Belzebub wou'd shear, 
Nor but his Dam wou'd milk, must for my Carcase fear. 

But tell me then, will it prevent thy Fate? 
The rude unpitying Farmer cries; 
If not, the Wretch who tastes his Suff'rings late, 
Not He, who thro' th'unhappy Future prys, 
Must of the Two be held most Fortunate and Wise.
Written by Omar Khayyam | Create an image from this poem

The Wheel of Heaven only multiplies our griefs! It

The Wheel of Heaven only multiplies our griefs! It
places nothing here below that it does not soon bear
away. Oh! if those who have not yet come knew
the suffering this world inflicts, they would guard themselves
well from coming here.


Written by Omar Khayyam | Create an image from this poem

Heaven multiplies our sorrows day by day,

Heaven multiplies our sorrows day by day,
And grants no joys it does not take away;
If those unborn could know the ills we bear,
What think you, would they rather come or stay?

Book: Radiant Verses: A Journey Through Inspiring Poetry