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Best Famous Mow Down Poems

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Written by William Blake | Create an image from this poem

French Revolution The (excerpt)

 84 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
85 From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
86 And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
87 Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
88 The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
89 A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
90 "Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
91 From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!"
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.

111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 "Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away."


Written by Edwin Arlington Robinson | Create an image from this poem

Lancelot

 Gawaine, aware again of Lancelot 
In the King’s garden, coughed and followed him; 
Whereat he turned and stood with folded arms 
And weary-waiting eyes, cold and half-closed— 
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend? 
Few live that have too many,” Gawaine said, 
And wished unsaid, so thinly came the light 
Between the narrowing lids at which he gazed. 
“And who of us are they that name their friends?” 
Lancelot said. “They live that have not any. 
Why do they live, Gawaine? Ask why, and answer.” 

Two men of an elected eminence, 
They stood for a time silent. Then Gawaine, 
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask? 
If I be not the friend of Lancelot, 
May I be nailed alive along the ground 
And emmets eat me dead. If I be not 
The friend of Lancelot, may I be fried
With other liars in the pans of hell. 
What item otherwise of immolation 
Your Darkness may invent, be it mine to endure 
And yours to gloat on. For the time between, 
Consider this thing you see that is my hand.
If once, it has been yours a thousand times; 
Why not again? Gawaine has never lied 
To Lancelot; and this, of all wrong days— 
This day before the day when you go south 
To God knows what accomplishment of exile—
Were surely an ill day for lies to find 
An issue or a cause or an occasion. 
King Ban your father and King Lot my father, 
Were they alive, would shake their heads in sorrow 
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no? 
Strong as I am, I do not hold it out 
For ever and on air. You see—my hand.” 
Lancelot gave his hand there to Gawaine, 
Who took it, held it, and then let it go,
Chagrined with its indifference. 
“Yes, Gawaine, 
I go tomorrow, and I wish you well; 
You and your brothers, Gareth, Gaheris,— 
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain 
More lies than yet have hatched of Modred’s envy. 
You say that you have never lied to me, 
And I believe it so. Let it be so. 
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went, 
But not for Merlin’s end. I go, Gawaine, 
And leave you to your ways. There are ways left.” 
“There are three ways I know, three famous ways, 
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two, 
And then we have a man’s way with a maid— 
Or with a woman who is not a maid. 
Your late way is to send all women scudding, 
To the last flash of the last cramoisy,
While you go south to find the fires of God. 
Since we came back again to Camelot 
From our immortal Quest—I came back first— 
No man has known you for the man you were 
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends 
Thereafter. Modred? Agravaine? My brothers? 
And what if they be brothers? What are brothers, 
If they be not our friends, your friends and mine? 
You turn away, and my words are no mark
On you affection or your memory? 
So be it then, if so it is to be. 
God save you, Lancelot; for by Saint Stephen, 
You are no more than man to save yourself.” 

“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness; 
You say that all you know is what you saw, 
And on your own averment you saw nothing. 
Your spoken word, Gawaine, I have not weighed 
In those unhappy scales of inference
That have no beam but one made out of hates 
And fears, and venomous conjecturings; 
Your tongue is not the sword that urges me 
Now out of Camelot. Two other swords 
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot. 
Yet I go not away for fear of them, 
But for a sharper care. You say the truth, 
But not when you contend the fires of God 
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.” 

“Well-wishing in a way is well enough; 
So, in a way, is caution; so, in a way, 
Are leeches, neatherds, and astrologers. 
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment. 
Two swords, you say; Modred and Agravaine, 
You mean. Had you meant Gaheris and Gareth, 
Or willed an evil on them, I should welcome 
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s. 
The King is Modred’s father, and the Queen 
A prepossession of Modred’s lunacy. 
So much for my two brothers whom you fear, 
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise 
And amiable again as heretofore; 
Let Modred have his humor, and Agravaine 
His tongue. The two of them have done their worst, 
And having done their worst, what have they done?
A whisper now and then, a chirrup or so 
In corners,—and what else? Ask what, and answer.” 

Still with a frown that had no faith in it, 
Lancelot, pitying Gawaine’s lost endeavour 
To make an evil jest of evidence,
Sat fronting him with a remote forbearance— 
Whether for Gawaine blind or Gawaine false, 
Or both, or neither, he could not say yet, 
If ever; and to himself he said no more 
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say; 
Destruction, dissolution, desolation, 
I say,—should I compound with jeopardy now. 
For there are more than whispers here, Gawaine: 
The way that we have gone so long together
Has underneath our feet, without our will, 
Become a twofold faring. Yours, I trust, 
May lead you always on, as it has led you, 
To praise and to much joy. Mine, I believe, 
Leads off to battles that are not yet fought,
And to the Light that once had blinded me. 
When I came back from seeing what I saw, 
I saw no place for me in Camelot. 
There is no place for me in Camelot. 
There is no place for me save where the Light
May lead me; and to that place I shall go. 
Meanwhile I lay upon your soul no load 
Of counsel or of empty admonition; 
Only I ask of you, should strife arise 
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason, 
Also a glamour that outshines your guile; 
And you are a strange hater. I know that; 
And I’m in fortune that you hate not me. 
Yet while we have our sins to dream about,
Time has done worse for time than in our making; 
Albeit there may be sundry falterings 
And falls against us in the Book of Man.” 

“Praise Adam, you are mellowing at last! 
I’ve always liked this world, and would so still;
And if it is your new Light leads you on 
To such an admirable gait, for God’s sake, 
Follow it, follow it, follow it, Lancelot; 
Follow it as you never followed glory. 
Once I believed that I was on the way
That you call yours, but I came home again 
To Camelot—and Camelot was right, 
For the world knows its own that knows not you; 
You are a thing too vaporous to be sharing 
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing 
For one more sight of you; but they do wrong. 
You are a man of mist, and have no shadow. 
God save you, Lancelot. If I laugh at you, 
I laugh in envy and in admiration.”

The joyless evanescence of a smile, 
Discovered on the face of Lancelot 
By Gawaine’s unrelenting vigilance, 
Wavered, and with a sullen change went out; 
And then there was the music of a woman
Laughing behind them, and a woman spoke: 
“Gawaine, you said ‘God save you, Lancelot.’ 
Why should He save him any more to-day 
Than on another day? What has he done, 
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes 
And one gay jewel in her golden hair, 
Had come upon the two of them unseen, 
Till now she was a russet apparition 
At which the two arose—one with a dash
Of easy leisure in his courtliness, 
One with a stately calm that might have pleased 
The Queen of a strange land indifferently. 
The firm incisive languor of her speech, 
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you? 
What has he done, Gawaine, that God should save him? 
I grieve that you two pinks of chivalry 
Should be so near me in my desolation, 
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?” 

With all her poise, 
To Gawaine’s undeceived urbanity 
She was less queen than woman for the nonce, 
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly 
With any mask of mannered nonchalance. 
“What has he done? Madam, attend your nephew; 
And learn from him, in your incertitude, 
That this inordinate man Lancelot,
This engine of renown, this hewer down daily 
Of potent men by scores in our late warfare, 
Has now inside his head a foreign fever 
That urges him away to the last edge 
Of everything, there to efface himself
In ecstasy, and so be done with us. 
Hereafter, peradventure certain birds 
Will perch in meditation on his bones, 
Quite as if they were some poor sailor’s bones, 
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones. 
In fine, this flower of men that was our comrade 
Shall be for us no more, from this day on, 
Than a much remembered Frenchman far away. 
Magnanimously I leave you now to prize
Your final sight of him; and leaving you, 
I leave the sun to shine for him alone, 
Whiles I grope on to gloom. Madam, farewell; 
And you, contrarious Lancelot, farewell.”
Written by William Blake | Create an image from this poem

The French Revolution (excerpt)

 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
'Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!'
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.

111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 'Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom. Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away.'

Book: Radiant Verses: A Journey Through Inspiring Poetry