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Best Famous Mourns Poems

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Written by Mark Twain | Create an image from this poem

A Sweltering Day In Australia

 The Bombola faints in the hot Bowral tree, 
Where fierce Mullengudgery's smothering fires 
Far from the breezes of Coolgardie 
Burn ghastly and blue as the day expires; 

And Murriwillumba complaineth in song 
For the garlanded bowers of Woolloomooloo, 
And the Ballarat Fly and the lone Wollongong 
They dream of the gardens of Jamberoo; 

The wallabi sighs for the Murrubidgee, 
For the velvety sod of the Munno Parah, 
Where the waters of healing from Muloowurtie 
Flow dim in the gloaming by Yaranyackah; 

The Koppio sorrows for lost Wolloway, 
And sigheth in secret for Murrurundi, 
The Whangeroo wombat lamenteth the day 
That made him an exile from Jerrilderie; 

The Teawamute Tumut from Wirrega's glade, 
The Nangkita swallow, the Wallaroo swan, 
They long for the peace of the Timaru shade 
And thy balmy soft airs, O sweet Mittagong! 

The Kooringa buffalo pants in the sun, 
The Kondoparinga lies gaping for breath, 
The Kongorong Camaum to the shadow has won, 
But the Goomeroo sinks in the slumber of death; 

In the weltering hell of the Moorooroo plain 
The Yatala Wangary withers and dies, 
And the Worrow Wanilla, demented with pain, 
To the Woolgoolga woodlands despairingly flies; 

Sweet Nangwarry's desolate, Coonamble wails, 
And Tungkillo Kuito in sables is drest, 
For the Whangerei winds fall asleep in the sails 
And the Booleroo life-breeze is dead in the west.
Mypongo, Kapunda, O slumber no more Yankalilla, Parawirra, be warned There's death in the air! Killanoola, wherefore Shall the prayer of Penola be scorned? Cootamundra, and Takee, and Wakatipu, Toowoomba, Kaikoura are lost From Onkaparinga to far Oamaru All burn in this hell's holocaust! Paramatta and Binnum are gone to their rest In the vale of Tapanni Taroom, Kawakawa, Deniliquin - all that was best In the earth are but graves and a tomb! Narrandera mourns, Cameron answers not When the roll of the scathless we cry Tongariro, Goondiwindi, Woolundunga, the spot Is mute and forlorn where ye lie.


Written by Johann Wolfgang von Goethe | Create an image from this poem

THREE ODES TO MY FRIEND

 THESE are the most singular of all the Poems 
of Goethe, and to many will appear so wild and fantastic, as to 
leave anything but a pleasing impression.
Those at the beginning, addressed to his friend Behrisch, were written at the age of eighteen, and most of the remainder were composed while he was still quite young.
Despite, however, the extravagance of some of them, such as the Winter Journey over the Hartz Mountains, and the Wanderer's Storm-Song, nothing can be finer than the noble one entitled Mahomet's Song, and others, such as the Spirit Song' over the Waters, The God-like, and, above all, the magnificent sketch of Prometheus, which forms part of an unfinished piece bearing the same name, and called by Goethe a 'Dramatic Fragment.
' TO MY FRIEND.
[These three Odes are addressed to a certain Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives an odd account at the end of the Seventh Book of his Autobiography.
] FIRST ODE.
TRANSPLANT the beauteous tree! Gardener, it gives me pain; A happier resting-place Its trunk deserved.
Yet the strength of its nature To Earth's exhausting avarice, To Air's destructive inroads, An antidote opposed.
See how it in springtime Coins its pale green leaves! Their orange-fragrance Poisons each flyblow straight.
The caterpillar's tooth Is blunted by them; With silv'ry hues they gleam In the bright sunshine, Its twigs the maiden Fain would twine in Her bridal-garland; Youths its fruit are seeking.
See, the autumn cometh! The caterpillar Sighs to the crafty spider,-- Sighs that the tree will not fade.
Hov'ring thither From out her yew-tree dwelling, The gaudy foe advances Against the kindly tree, And cannot hurt it, But the more artful one Defiles with nauseous venom Its silver leaves; And sees with triumph How the maiden shudders, The youth, how mourns he, On passing by.
Transplant the beauteous tree! Gardener, it gives me pain; Tree, thank the gardener Who moves thee hence! 1767.
SECOND ODE.
THOU go'st! I murmur-- Go! let me murmur.
Oh, worthy man, Fly from this land! Deadly marshes, Steaming mists of October Here interweave their currents, Blending for ever.
Noisome insects Here are engender'd; Fatal darkness Veils their malice.
The fiery-tongued serpent, Hard by the sedgy bank, Stretches his pamper'd body, Caress'd by the sun's bright beams.
Tempt no gentle night-rambles Under the moon's cold twilight! Loathsome toads hold their meetings Yonder at every crossway.
Injuring not, Fear will they cause thee.
Oh, worthy man, Fly from this land! 1767.
THIRD ODE.
BE void of feeling! A heart that soon is stirr'd, Is a possession sad Upon this changing earth.
Behrisch, let spring's sweet smile Never gladden thy brow! Then winter's gloomy tempests Never will shadow it o'er.
Lean thyself ne'er on a maiden's Sorrow-engendering breast.
Ne'er on the arm, Misery-fraught, of a friend.
Already envy From out his rocky ambush Upon thee turns The force of his lynx-like eyes, Stretches his talons, On thee falls, In thy shoulders Cunningly plants them.
Strong are his skinny arms, As panther-claws; He shaketh thee, And rends thy frame.
Death 'tis to part, 'Tis threefold death To part, not hoping Ever to meet again.
Thou wouldst rejoice to leave This hated land behind, Wert thou not chain'd to me With friendships flowery chains.
Burst them! I'll not repine.
No noble friend Would stay his fellow-captive, If means of flight appear.
The remembrance Of his dear friend's freedom Gives him freedom In his dungeon.
Thou go'st,--I'm left.
But e'en already The last year's winged spokes Whirl round the smoking axle.
I number the turns Of the thundering wheel; The last one I bless.
-- Each bar then is broken, I'm free then as thou! 1767.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of Sigmund Freud


When there are so many we shall have to mourn,
when grief has been made so public, and exposed
to the critique of a whole epoch
the frailty of our conscience and anguish,
of whom shall we speak? For every day they die
among us, those who were doing us some good,
who knew it was never enough but
hoped to improve a little by living.
Such was this doctor: still at eighty he wished
to think of our life from whose unruliness
so many plausible young futures
with threats or flattery ask obedience,
but his wish was denied him: he closed his eyes
upon that last picture, common to us all,
of problems like relatives gathered
puzzled and jealous about our dying.
For about him till the very end were still
those he had studied, the fauna of the night,
and shades that still waited to enter
the bright circle of his recognition
turned elsewhere with their disappointment as he
was taken away from his life interest
to go back to the earth in London,
an important Jew who died in exile.
Only Hate was happy, hoping to augment
his practice now, and his dingy clientele
who think they can be cured by killing
and covering the garden with ashes.
They are still alive, but in a world he changed
simply by looking back with no false regrets;
all he did was to remember
like the old and be honest like children.
He wasn't clever at all: he merely told
the unhappy Present to recite the Past
like a poetry lesson till sooner
or later it faltered at the line where
long ago the accusations had begun,
and suddenly knew by whom it had been judged,
how rich life had been and how silly,
and was life-forgiven and more humble,
able to approach the Future as a friend
without a wardrobe of excuses, without
a set mask of rectitude or an
embarrassing over-familiar gesture.
No wonder the ancient cultures of conceit
in his technique of unsettlement foresaw
the fall of princes, the collapse of
their lucrative patterns of frustration:
if he succeeded, why, the Generalised Life
would become impossible, the monolith
of State be broken and prevented
the co-operation of avengers.
Of course they called on God, but he went his way
down among the lost people like Dante, down
to the stinking fosse where the injured
lead the ugly life of the rejected,
and showed us what evil is, not, as we thought,
deeds that must be punished, but our lack of faith,
our dishonest mood of denial,
the concupiscence of the oppressor.
If some traces of the autocratic pose,
the paternal strictness he distrusted, still
clung to his utterance and features,
it was a protective coloration
for one who'd lived among enemies so long:
if often he was wrong and, at times, absurd,
to us he is no more a person
now but a whole climate of opinion
under whom we conduct our different lives:
Like weather he can only hinder or help,
the proud can still be proud but find it
a little harder, the tyrant tries to
make do with him but doesn't care for him much:
he quietly surrounds all our habits of growth
and extends, till the tired in even
the remotest miserable duchy
have felt the change in their bones and are cheered
till the child, unlucky in his little State,
some hearth where freedom is excluded,
a hive whose honey is fear and worry,
feels calmer now and somehow assured of escape,
while, as they lie in the grass of our neglect,
so many long-forgotten objects
revealed by his undiscouraged shining
are returned to us and made precious again;
games we had thought we must drop as we grew up,
little noises we dared not laugh at,
faces we made when no one was looking.
But he wishes us more than this.
To be free
is often to be lonely.
He would unite
the unequal moieties fractured
by our own well-meaning sense of justice,
would restore to the larger the wit and will
the smaller possesses but can only use
for arid disputes, would give back to
the son the mother's richness of feeling:
but he would have us remember most of all
to be enthusiastic over the night,
not only for the sense of wonder
it alone has to offer, but also
because it needs our love.
With large sad eyes
its delectable creatures look up and beg
us dumbly to ask them to follow:
they are exiles who long for the future
that lives in our power, they too would rejoice
if allowed to serve enlightenment like him,
even to bear our cry of 'Judas',
as he did and all must bear who serve it.
One rational voice is dumb.
Over his grave
the household of Impulse mourns one dearly loved:
sad is Eros, builder of cities,
and weeping anarchic Aphrodite.
Written by Phillis Wheatley | Create an image from this poem

To The Right Honourable William Earl Of Dartmouth His Majestys Principal Secretary Of The State For North-America

 HAIL, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful bosom burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom's charms unfold.
Long lost to realms beneath the northern skies She shines supreme, while hated faction dies: Soon as appear'd the Goddess long desir'd, Sick at the view, she languish'd and expir'd; Thus from the splendors of the morning light The owl in sadness seeks the caves of night.
No more, America, in mournful strain Of wrongs, and grievance unredress'd complain, No longer shalt thou dread the iron chain, Which wanton Tyranny with lawless hand Had made, and with it meant t' enslave the land.
Should you, my lord, while you peruse my song, Wonder from whence my love of Freedom sprung, Whence flow these wishes for the common good, By feeling hearts alone best understood, I, young in life, by seeming cruel fate Was snatch'd from Afric's fancy'd happy seat: What pangs excruciating must molest, What sorrows labour in my parent's breast? Steel'd was that soul and by no misery mov'd That from a father seiz'd his babe belov'd: Such, such my case.
And can I then but pray Others may never feel tyrannic sway? For favours past, great Sir, our thanks are due, And thee we ask thy favours to renew, Since in thy pow'r, as in thy will before, To sooth the griefs, which thou did'st once deplore.
May heav'nly grace the sacred sanction give To all thy works, and thou for ever live Not only on the wings of fleeting Fame, Though praise immortal crowns the patriot's name, But to conduct to heav'ns refulgent fane, May fiery coursers sweep th' ethereal plain, And bear thee upwards to that blest abode, Where, like the prophet, thou shalt find thy God.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were, The wild sea winds her and the green gulfs bear Hither and thither, and vex and work her wrong, Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother, Secrets and sorrows unbeheld of us: Fierce loves, and lovely leaf-buds poisonous, Bare to thy subtler eye, but for none other Blowing by night in some unbreathed-in clime; The hidden harvest of luxurious time, Sin without shape, and pleasure without speech; And where strange dreams in a tumultuous sleep Make the shut eyes of stricken spirits weep; And with each face thou sawest the shadow on each, Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping, That were athirst for sleep and no more life And no more love, for peace and no more strife! Now the dim gods of death have in their keeping Spirit and body and all the springs of song, Is it well now where love can do no wrong, Where stingless pleasure has no foam or fang Behind the unopening closure of her lips? Is it not well where soul from body slips And flesh from bone divides without a pang As dew from flower-bell drips? It is enough; the end and the beginning Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend, For thee no fruits to pluck, no palms for winning, No triumph and no labour and no lust, Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught, Whereto the day is dumb, nor any night With obscure finger silences your sight, Nor in your speech the sudden soul speaks thought, Sleep, and have sleep for light.
Now all strange hours and all strange loves are over, Dreams and desires and sombre songs and sweet, Hast thou found place at the great knees and feet Of some pale Titan-woman like a lover, Such as thy vision here solicited, Under the shadow of her fair vast head, The deep division of prodigious breasts, The solemn slope of mighty limbs asleep, The weight of awful tresses that still keep The savour and shade of old-world pine-forests Where the wet hill-winds weep? Hast thou found any likeness for thy vision? O gardener of strange flowers, what bud, what bloom, Hast thou found sown, what gather'd in the gloom? What of despair, of rapture, of derision, What of life is there, what of ill or good? Are the fruits gray like dust or bright like blood? Does the dim ground grow any seed of ours, The faint fields quicken any terrene root, In low lands where the sun and moon are mute And all the stars keep silence? Are there flowers At all, or any fruit? Alas, but though my flying song flies after, O sweet strange elder singer, thy more fleet Singing, and footprints of thy fleeter feet, Some dim derision of mysterious laughter From the blind tongueless warders of the dead, Some gainless glimpse of Proserpine's veil'd head, Some little sound of unregarded tears Wept by effaced unprofitable eyes, And from pale mouths some cadence of dead sighs-- These only, these the hearkening spirit hears, Sees only such things rise.
Thou art far too far for wings of words to follow, Far too far off for thought or any prayer.
What ails us with thee, who art wind and air? What ails us gazing where all seen is hollow? Yet with some fancy, yet with some desire, Dreams pursue death as winds a flying fire, Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies, The low light fails us in elusive skies, Still the foil'd earnest ear is deaf, and blind Are still the eluded eyes.
Not thee, O never thee, in all time's changes, Not thee, but this the sound of thy sad soul, The shadow of thy swift spirit, this shut scroll I lay my hand on, and not death estranges My spirit from communion of thy song-- These memories and these melodies that throng Veil'd porches of a Muse funereal-- These I salute, these touch, these clasp and fold As though a hand were in my hand to hold, Or through mine ears a mourning musical Of many mourners roll'd.
I among these, I also, in such station As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods, The old mourners had, standing to make libation, I stand, and to the Gods and to the dead Do reverence without prayer or praise, and shed Offering to these unknown, the gods of gloom, And what of honey and spice my seed-lands bear, And what I may of fruits in this chill'd air, And lay, Orestes-like, across the tomb A curl of sever'd hair.
But by no hand nor any treason stricken, Not like the low-lying head of Him, the King, The flame that made of Troy a ruinous thing, Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear Fall tear by sweet imperishable tear Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns; But bending us-ward with memorial urns The most high Muses that fulfil all ages Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often Among us darkling here the lord of light Makes manifest his music and his might In hearts that open and in lips that soften With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine, And nourish'd them indeed with bitter bread; Yet surely from his hand thy soul's food came, The fire that scarr'd thy spirit at his flame Was lighted, and thine hungering heart he fed Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting, God of all suns and songs, he too bends down To mix his laurel with thy cypress crown, And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art, Compassionate, with sad and sacred heart, Mourns thee of many his children the last dead, And hollows with strange tears and alien sighs Thine unmelodious mouth and sunless eyes, And over thine irrevocable head Sheds light from the under skies.
And one weeps with him in the ways Lethean, And stains with tears her changing bosom chill; That obscure Venus of the hollow hill, That thing transform'd which was the Cytherean, With lips that lost their Grecian laugh divine Long since, and face no more call'd Erycine-- A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell Did she, a sad and second prey, compel Into the footless places once more trod, And shadows hot from hell.
And now no sacred staff shall break in blossom, No choral salutation lure to light A spirit sick with perfume and sweet night And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend, And none to mar; not all our songs, O friend, Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine And with wild notes about this dust of thine At least I fill the place where white dreams dwell And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon, If sweet, give thanks; thou hast no more to live; And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden Where all day through thine hands in barren braid Wove the sick flowers of secrecy and shade, Green buds of sorrow and sin, and remnants gray, Sweet-smelling, pale with poison, sanguine-hearted, Passions that sprang from sleep and thoughts that started, Shall death not bring us all as thee one day Among the days departed? For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done; There lies not any troublous thing before, Nor sight nor sound to war against thee more, For whom all winds are quiet as the sun, All waters as the shore.


Written by William Blake | Create an image from this poem

To Spring

O THOU with dewy locks who lookest down 
Through the clear windows of the morning turn 
Thine angel eyes upon our western isle  
Which in full choir hails thy approach O Spring! 

The hills tell one another and the listening 5 
Valleys hear; all our longing eyes are turn'd 
Up to thy bright pavilions: issue forth 
And let thy holy feet visit our clime! 

Come o'er the eastern hills and let our winds 
Kiss thy perfum¨¨d garments; let us taste 10 
Thy morn and evening breath; scatter thy pearls 
Upon our lovesick land that mourns for thee.
O deck her forth with thy fair fingers; pour Thy soft kisses on her bosom; and put Thy golden crown upon her languish'd head 15 Whose modest tresses are bound up for thee.
Written by Wilfred Owen | Create an image from this poem

Insensibility

 I

Happy are men who yet before they are killed
Can let their veins run cold.
Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers.
The front line withers, But they are troops who fade, not flowers For poets' tearful fooling: Men, gaps for filling Losses who might have fought Longer; but no one bothers.
II And some cease feeling Even themselves or for themselves.
Dullness best solves The tease and doubt of shelling, And Chance's strange arithmetic Comes simpler than the reckoning of their shilling.
They keep no check on Armies' decimation.
III Happy are these who lose imagination: They have enough to carry with ammunition.
Their spirit drags no pack.
Their old wounds save with cold can not more ache.
Having seen all things red, Their eyes are rid Of the hurt of the colour of blood for ever.
And terror's first constriction over, Their hearts remain small drawn.
Their senses in some scorching cautery of battle Now long since ironed, Can laugh among the dying, unconcerned.
IV Happy the soldier home, with not a notion How somewhere, every dawn, some men attack, And many sighs are drained.
Happy the lad whose mind was never trained: His days are worth forgetting more than not.
He sings along the march Which we march taciturn, because of dusk, The long, forlorn, relentless trend From larger day to huger night.
V We wise, who with a thought besmirch Blood over all our soul, How should we see our task But through his blunt and lashless eyes? Alive, he is not vital overmuch; Dying, not mortal overmuch; Nor sad, nor proud, Nor curious at all.
He cannot tell Old men's placidity from his.
VI But cursed are dullards whom no cannon stuns, That they should be as stones.
Wretched are they, and mean With paucity that never was simplicity.
By choice they made themselves immune To pity and whatever mourns in man Before the last sea and the hapless stars; Whatever mourns when many leave these shores; Whatever shares The eternal reciprocity of tears.
Written by Emily Brontë | Create an image from this poem

I see around me tombstones grey

 I see around me tombstones grey
Stretching their shadows far away.
Beneath the turf my footsteps tread Lie low and lone the silent dead - Beneath the turf - beneath the mould - Forever dark, forever cold - And my eyes cannot hold the tears That memory hoards from vanished years For Time and Death and Mortal pain Give wounds that will not heal again - Let me remember half the woe I've seen and heard and felt below, And Heaven itself - so pure and blest, Could never give my spirit rest - Sweet land of light! thy children fair Know nought akin to our despair - Nor have they felt, nor can they tell What tenants haunt each mortal cell, What gloomy guests we hold within - Torments and madness, tears and sin! Well - may they live in ectasy Their long eternity of joy; At least we would not bring them down With us to weep, with us to groan, No - Earth would wish no other sphere To taste her cup of sufferings drear; She turns from Heaven with a careless eye And only mourns that we must die! Ah mother, what shall comfort thee In all this boundless misery? To cheer our eager eyes a while We see thee smile; how fondly smile! But who reads not through that tender glow Thy deep, unutterable woe: Indeed no dazzling land above Can cheat thee of thy children's love.
We all, in life's departing shine, Our last dear longings blend with thine; And struggle still and strive to trace With clouded gaze, thy darling face.
We would not leave our native home For any world beyond the Tomb.
No - rather on thy kindly breast Let us be laid in lasting rest; Or waken but to share with thee A mutual immortality -
Written by Elizabeth Barrett Browning | Create an image from this poem

De Profundis

 I

The face, which, duly as the sun, 
Rose up for me with life begun, 
To mark all bright hours of the day 
With hourly love, is dimmed away—
And yet my days go on, go on.
II The tongue which, like a stream, could run Smooth music from the roughest stone, And every morning with ' Good day' Make each day good, is hushed away, And yet my days go on, go on.
III The heart which, like a staff, was one For mine to lean and rest upon, The strongest on the longest day With steadfast love, is caught away, And yet my days go on, go on.
IV And cold before my summer's done, And deaf in Nature's general tune, And fallen too low for special fear, And here, with hope no longer here, While the tears drop, my days go on.
V The world goes whispering to its own, ‘This anguish pierces to the bone;’ And tender friends go sighing round, ‘What love can ever cure this wound ?' My days go on, my days go on.
VI The past rolls forward on the sun And makes all night.
O dreams begun, Not to be ended! Ended bliss, And life that will not end in this! My days go on, my days go on.
VII Breath freezes on my lips to moan: As one alone, once not alone, I sit and knock at Nature's door, Heart-bare, heart-hungry, very poor, Whose desolated days go on.
VIII I knock and cry, —Undone, undone! Is there no help, no comfort, —none? No gleaning in the wide wheat plains Where others drive their loaded wains? My vacant days go on, go on.
IX This Nature, though the snows be down, Thinks kindly of the bird of June: The little red hip on the tree Is ripe for such.
What is for me, Whose days so winterly go on? X No bird am I, to sing in June, And dare not ask an equal boon.
Good nests and berries red are Nature's To give away to better creatures, — And yet my days go on, go on.
XI I ask less kindness to be done, — Only to loose these pilgrim shoon, (Too early worn and grimed) with sweet Cool deadly touch to these tired feet.
Till days go out which now go on.
XII Only to lift the turf unmown From off the earth where it has grown, Some cubit-space, and say ‘Behold, Creep in, poor Heart, beneath that fold, Forgetting how the days go on.
’ XIII What harm would that do? Green anon The sward would quicken, overshone By skies as blue; and crickets might Have leave to chirp there day and night While my new rest went on, went on.
XIV From gracious Nature have I won Such liberal bounty? may I run So, lizard-like, within her side, And there be safe, who now am tried By days that painfully go on? XV —A Voice reproves me thereupon, More sweet than Nature's when the drone Of bees is sweetest, and more deep Than when the rivers overleap The shuddering pines, and thunder on.
XVI God's Voice, not Nature's! Night and noon He sits upon the great white throne And listens for the creatures' praise.
What babble we of days and days? The Day-spring He, whose days go on.
XVII He reigns above, He reigns alone; Systems burn out and have his throne; Fair mists of seraphs melt and fall Around Him, changeless amid all, Ancient of Days, whose days go on.
XVIII He reigns below, He reigns alone, And, having life in love forgone Beneath the crown of sovran thorns, He reigns the Jealous God.
Who mourns Or rules with Him, while days go on? XIX By anguish which made pale the sun, I hear Him charge his saints that none Among his creatures anywhere Blaspheme against Him with despair, However darkly days go on.
XX Take from my head the thorn-wreath brown! No mortal grief deserves that crown.
O supreme Love, chief misery, The sharp regalia are for Thee Whose days eternally go on! XXI For us, —whatever's undergone, Thou knowest, willest what is done, Grief may be joy misunderstood; Only the Good discerns the good.
I trust Thee while my days go on.
XXII Whatever's lost, it first was won; We will not struggle nor impugn.
Perhaps the cup was broken here, That Heaven's new wine might show more clear.
I praise Thee while my days go on.
XXIII I praise Thee while my days go on; I love Thee while my days go on: Through dark and dearth, through fire and frost, With emptied arms and treasure lost, I thank Thee while my days go on.
XXIV And having in thy life-depth thrown Being and suffering (which are one), As a child drops his pebble small Down some deep well, and hears it fall Smiling—so I.
THY DAYS GO ON.
Written by Sir Walter Scott | Create an image from this poem

Rosabelle

 O listen, listen, ladies gay! 
No haughty feat of arms I tell; 
Soft is the note, and sad the lay 
That mourns the lovely Rosabelle.
‘Moor, moor the barge, ye gallant crew! And, gentle lady, deign to stay! Rest thee in Castle Ravensheuch, Nor tempt the stormy firth to-day.
‘The blackening wave is edged with white; To inch and rock the sea-mews fly; The fishers have heard the Water-Sprite, Whose screams forebode that wreck is nigh.
‘Last night the gifted Seer did view A wet shroud swathed round lady gay; Then stay thee, Fair, in Ravensheuch; Why cross the gloomy firth to-day?’ ’Tis not because Lord Lindesay’s heir Tonight at Roslin leads the ball, But that my lady-mother there Sits lonely in her castle-hall.
’Tis not because the ring they ride, And Lindesay at the ring rides well, But that my sire the wine will chide If ’tis not fill’d by Rosabelle.
’ —O’er Roslin all that dreary night A wondrous blaze was seen to gleam; ’Twas broader than the watch-fire’s light, And redder than the bright moonbeam.
It glared on Roslin’s castled rock, It ruddied all the copse-wood glen; ’Twas seen from Dryden’s groves of oak, And seen from cavern’d Hawthornden.
Seem’d all on fire that chapel proud Where Roslin’s chiefs uncoffin’d lie, Each Baron, for a sable shroud, Sheathed in his iron panoply.
Seem’d all on fire within, around, Deep sacristy and altar’s pale; Shone every pillar foliage-bound, And glimmer’d all the dead men’s mail.
Blazed battlement and pinnet high, Blazed every rose-carved buttress fair— So still they blaze, when fate is nigh The lordly line of high Saint Clair.
There are twenty of Roslin’s barons bold Lie buried within that proud chapelle; Each one the holy vault doth hold But the sea holds lovely Rosabelle! And each Saint Clair was buried there With candle, with book, and with knell; But the sea-caves rung, and the wild winds sung The dirge of lovely Rosabelle.

Book: Reflection on the Important Things