Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket."
|
Written by
Charles Bukowski |
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .
if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.
keep it coming like a miracle.
ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit. hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.
and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!
poets.
and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).
they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.
this gives them time to understand
Life.
they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.
you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.
and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.
he thinks that poverty is a weakness of the
soul.
he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.
he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.
you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.
you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.
he even has x-wives in some of his
houses.
his main concern is to keep his x-wives away from
you. he doesn't want to give up a
damn thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.
and!: they
WRITE POETRY TOO. or
PAINT. or
****.
but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.
meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.
the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant. dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.
he or they or somebody was supposed to meet me at
the
train station.
of course, they weren't
there. "We'll be there to meet the great
Poet!"
well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.
he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.
he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.
my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.
he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.
"I'll buy you barrels of beer," he had
said.
I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.
the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.
anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.
scared too. sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.
"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."
I see him published in some of the magazines
now. not very good stuff.
a poem about me
too: the Polack.
the Polack whines too much. the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the Polack drinks seas of green beer
full of acid. the Polack has an ulcerated
hemorrhoid. the Polack picks on fags
"fragile fags." the Polack hates his
wife, hates his daughter. his daughter will become
an alcoholic, a prostitute. the Polack has an
"obese burned out wife." the Polack has a
spastic gut. the Polack has a
"rectal brain."
thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.
Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.
and guess what?
he writes
POETRY
too!
|
Written by
Christina Rossetti |
I
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?--
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
II
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
III
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanitive;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
he bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
|
Written by
Thomas Campbell |
The more we live, more brief appear
Our life's succeeding stages;
A day to childhood seems a year,
And years like passing ages.
The gladsome current of our youth,
Ere passion yet disorders,
Steals lingering like a river smooth
Along its grassy borders.
But as the careworn cheek grows wan,
And sorrow's shafts fly thicker,
Ye stars, that measure life to man,
Why seem your courses quicker?
When joys have lost their bloom and breath,
And life itself is vapid,
Why, as we reach the Falls of Death
Feel we its tide more rapid?
It may be strange—yet who would change
Time's course to slower speeding,
When one by one our friends have gone,
And left our bosoms bleeding?
Heaven gives our years of fading strength
Indemnifying fleetness;
And those of youth, a seeming length,
Proportion'd to their sweetness.
|
Written by
Robert Southey |
And they have drown'd thee then at last! poor Phillis!
The burthen of old age was heavy on thee.
And yet thou should'st have lived! what tho' thine eye
Was dim, and watch'd no more with eager joy
The wonted call that on thy dull sense sunk
With fruitless repetition, the warm Sun
Would still have cheer'd thy slumber, thou didst love
To lick the hand that fed thee, and tho' past
Youth's active season, even Life itself
Was comfort. Poor old friend! most earnestly
Would I have pleaded for thee: thou hadst been
Still the companion of my childish sports,
And, as I roam'd o'er Avon's woody clifts,
From many a day-dream has thy short quick bark
Recall'd my wandering soul. I have beguil'd
Often the melancholy hours at school,
Sour'd by some little tyrant, with the thought
Of distant home, and I remember'd then
Thy faithful fondness: for not mean the joy,
Returning at the pleasant holydays,
I felt from thy dumb welcome. Pensively
Sometimes have I remark'd thy slow decay,
Feeling myself changed too, and musing much
On many a sad vicissitude of Life!
Ah poor companion! when thou followedst last
Thy master's parting footsteps to the gate
That clos'd for ever on him, thou didst lose
Thy truest friend, and none was left to plead
For the old age of brute fidelity!
But fare thee well! mine is no narrow creed,
And HE who gave thee being did not frame
The mystery of life to be the sport
Of merciless man! there is another world
For all that live and move--a better one!
Where the proud bipeds, who would fain confine
INFINITE GOODNESS to the little bounds
Of their own charity, may envy thee!
|
Written by
Robert Burns |
THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found,
The hornèd bull, tremendous, spurns the ground;
The lordly lion has enough and more,
The forest trembles at his very roar;
Thou giv’st the ass his hide, the snail his shell,
The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour,
In all th’ omnipotence of rule and power:
Foxes and statesmen subtle wiles ensure;
The cit and polecat stink, and are secure:
Toads with their poison, doctors with their drug,
The priest and hedgehog, in their robes, are snug:
E’en silly women have defensive arts,
Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard,
To thy poor fenceless, naked child, the Bard!
A thing unteachable in worldly skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun,
No claws to dig, his hated sight to shun:
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea’s horn:
No nerves olfact’ry, true to Mammon’s foot,
Or grunting, grub sagacious, evil’s root:
The silly sheep that wanders wild astray,
Is not more friendless, is not more a prey;
Vampyre-booksellers drain him to the heart,
And viper-critics cureless venom dart.
Critics! appll’d I venture on the name,
Those cut-throat bandits in the paths of fame,
Bloody dissectors, worse than ten Monroes,
He hacks to teach, they mangle to expose:
By blockhead’s daring into madness stung,
His heart by wanton, causeless malice wrung,
His well-won ways-than life itself more dear—
By miscreants torn who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounces on through life,
Till, fled each hope that once his bosom fired,
And fled each Muse that glorious once inspir’d,
Low-sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d,
For half-starv’d, snarling curs a dainty feast;
By toil and famine worn to skin and bone,
Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets,
Better than e’er the fairest she he meets;
Much specious lore, but little understood,
(Veneering oft outshines the solid wood),
His solid sense, by inches you must tell,
But mete his cunning by the Scottish ell!
A man of fashion too, he made his tour,
Learn’d “vive la bagatelle et vive l’amour;”
So travell’d monkeys their grimace improve,
Polish their grin-nay, sigh for ladies’ love!
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came,
The old cock’d hat, the brown surtout—the same;
His grisly beard just bristling in its might—
’Twas four long nights and days from shaving-night;
His uncomb’d, hoary locks, wild-staring, thatch’d
A head, for thought profound and clear, unmatch’d;
Yet, tho’ his caustic wit was biting-rude,
His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest!
Calm, shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams;
If mantling high she fills the golden cup,
With sober, selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve!
The grave, sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope,
When, thro’ disastrous night, they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are Fortune’s care:”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heaven, or vaulted hell!
|
Written by
Christina Rossetti |
THE irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof, bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? What hand thy hand?
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seem'd not so far to seek,
And all the world and I seem'd much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong, and life itself not weak.
|
Written by
Elizabeth Barrett Browning |
The cypress stood up like a church
That night we felt our love would hold,
And saintly moonlight seemed to search
And wash the whole world clean as gold;
The olives crystallized the vales'
Broad slopes until the hills grew strong:
The fireflies and the nightingales
Throbbed each to either, flame and song.
The nightingales, the nightingales.
Upon the angle of its shade
The cypress stood, self-balanced high;
Half up, half down, as double-made,
Along the ground, against the sky.
And we, too! from such soul-height went
Such leaps of blood, so blindly driven,
We scarce knew if our nature meant
Most passionate earth or intense heaven.
The nightingales, the nightingales.
We paled with love, we shook with love,
We kissed so close we could not vow;
Till Giulio whispered, 'Sweet, above
God's Ever guarantees this Now.'
And through his words the nightingales
Drove straight and full their long clear call,
Like arrows through heroic mails,
And love was awful in it all.
The nightingales, the nightingales.
O cold white moonlight of the north,
Refresh these pulses, quench this hell!
O coverture of death drawn forth
Across this garden-chamber... well!
But what have nightingales to do
In gloomy England, called the free.
(Yes, free to die in!...) when we two
Are sundered, singing still to me?
And still they sing, the nightingales.
I think I hear him, how he cried
'My own soul's life' between their notes.
Each man has but one soul supplied,
And that's immortal. Though his throat's
On fire with passion now, to her
He can't say what to me he said!
And yet he moves her, they aver.
The nightingales sing through my head.
The nightingales, the nightingales.
He says to her what moves her most.
He would not name his soul within
Her hearing,—rather pays her cost
With praises to her lips and chin.
Man has but one soul, 'tis ordained,
And each soul but one love, I add;
Yet souls are damned and love's profaned.
These nightingales will sing me mad!
The nightingales, the nightingales.
I marvel how the birds can sing.
There's little difference, in their view,
Betwixt our Tuscan trees that spring
As vital flames into the blue,
And dull round blots of foliage meant
Like saturated sponges here
To suck the fogs up. As content
Is he too in this land, 'tis clear.
And still they sing, the nightingales.
My native Florence! dear, forgone!
I see across the Alpine ridge
How the last feast-day of Saint John
Shot rockets from Carraia bridge.
The luminous city, tall with fire,
Trod deep down in that river of ours,
While many a boat with lamp and choir
Skimmed birdlike over glittering towers.
I will not hear these nightingales.
I seem to float, we seem to float
Down Arno's stream in festive guise;
A boat strikes flame into our boat,
And up that lady seems to rise
As then she rose. The shock had flashed
A vision on us! What a head,
What leaping eyeballs!—beauty dashed
To splendour by a sudden dread.
And still they sing, the nightingales.
Too bold to sin, too weak to die;
Such women are so. As for me,
I would we had drowned there, he and I,
That moment, loving perfectly.
He had not caught her with her loosed
Gold ringlets... rarer in the south...
Nor heard the 'Grazie tanto' bruised
To sweetness by her English mouth.
And still they sing, the nightingales.
She had not reached him at my heart
With her fine tongue, as snakes indeed
Kill flies; nor had I, for my part,
Yearned after, in my desperate need,
And followed him as he did her
To coasts left bitter by the tide,
Whose very nightingales, elsewhere
Delighting, torture and deride!
For still they sing, the nightingales.
A worthless woman! mere cold clay
As all false things are! but so fair,
She takes the breath of men away
Who gaze upon her unaware.
I would not play her larcenous tricks
To have her looks! She lied and stole,
And spat into my love's pure pyx
The rank saliva of her soul.
And still they sing, the nightingales.
I would not for her white and pink,
Though such he likes—her grace of limb,
Though such he has praised—nor yet, I think,
For life itself, though spent with him,
Commit such sacrilege, affront
God's nature which is love, intrude
'Twixt two affianced souls, and hunt
Like spiders, in the altar's wood.
I cannot bear these nightingales.
If she chose sin, some gentler guise
She might have sinned in, so it seems:
She might have pricked out both my eyes,
And I still seen him in my dreams!
- Or drugged me in my soup or wine,
Nor left me angry afterward:
To die here with his hand in mine
His breath upon me, were not hard.
(Our Lady hush these nightingales!)
But set a springe for him, 'mio ben',
My only good, my first last love!—
Though Christ knows well what sin is, when
He sees some things done they must move
Himself to wonder. Let her pass.
I think of her by night and day.
Must I too join her... out, alas!...
With Giulio, in each word I say!
And evermore the nightingales!
Giulio, my Giulio!—sing they so,
And you be silent? Do I speak,
And you not hear? An arm you throw
Round some one, and I feel so weak?
- Oh, owl-like birds! They sing for spite,
They sing for hate, they sing for doom!
They'll sing through death who sing through night,
They'll sing and stun me in the tomb—
The nightingales, the nightingales!
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Written by
Charles Bukowski |
sometimes you climb out of bed in the morning and you think,
I'm not going to make it, but you laugh inside
remembering all the times you've felt that way, and
you walk to the bathroom, do your toilet, see that face
in the mirror, oh my oh my oh my, but you comb your hair anyway,
get into your street clothes, feed the cats, fetch the
newspaper of horror, place it on the coffee table, kiss your
wife goodbye, and then you are backing the car out into life itself,
like millions of others you enter the arena once more.
you are on the freeway threading through traffic now,
moving both towards something and towards nothing at all as you punch
the radio on and get Mozart, which is something, and you will somehow
get through the slow days and the busy days and the dull
days and the hateful days and the rare days, all both so delightful
and so disappointing because
we are all so alike and so different.
you find the turn-off, drive through the most dangerous
part of town, feel momentarily wonderful as Mozart works
his way into your brain and slides down along your bones and
out through your shoes.
it's been a tough fight worth fighting
as we all drive along
betting on another day.
|
Written by
Charlotte Bronte |
SIT stilla worda breath may break
(As light airs stir a sleeping lake,)
The glassy calm that soothes my woes,
The sweet, the deep, the full repose.
O leave me not ! for ever be
Thus, more than life itself to me !
Yes, close beside thee, let me kneel
Give me thy hand that I may feel
The friend so trueso triedso dear,
My heart's own chosenindeed is near;
And check me notthis hour divine
Belongs to meis fully mine.
'Tis thy own hearth thou sitt'st beside,
After long absencewandering wide;
'Tis thy own wife reads in thine eyes,
A promise clear of stormless skies,
For faith and true love light the rays,
Which shine responsive to her gaze.
Aye,well that single tear may fall;
Ten thousand might mine eyes recall,
Which from their lids, ran blinding fast,
In hours of grief, yet scarcely past,
Well may'st thou speak of love to me;
For, oh ! most trulyI love thee !
Yet smilefor we are happy now.
Whence, then, that sadness on thy brow ?
What say'st thou ? ' We must once again,
Ere long, be severed by the main ? '
I knew not thisI deemed no more,
Thy step would err from Britain's shore.
' Duty commands ?' 'Tis true'tis just;
Thy slightest word I wholly trust,
Nor by request, nor faintest sigh
Would I, to turn thy purpose, try;
But, Williamhear my solemn vow
Hear and confirm !with thee I go.
' Distance and suffering,' did'st thou say ?
' Danger by night, and toil by day ?'
Oh, idle words, and vain are these;
Hear me ! I cross with thee the seas.
Such risk as thou must meet and dare,
Ithy true wifewill duly share.
Passive, at home, I will not pine;
Thy toilsthy perils, shall be mine;
Grant thisand be hereafter paid
By a warm heart's devoted aid:
'Tis grantedwith that yielding kiss,
Entered my soul unmingled bliss.
Thanks, Williamthanks ! thy love has joy,
Pureundefiled with base alloy;
'Tis not a passion, false and blind,
Inspires, enchains, absorbs my mind;
Worthy, I feel, art thou to be
Loved with my perfect energy.
This evening, now, shall sweetly flow,
Lit by our clear fire's happy glow;
And parting's peace-embittering fear,
Is warned, our hearts to come not near;
For fate admits my soul's decree,
In bliss or baleto go with thee !
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