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Best Famous Monkeys Poems

Here is a collection of the all-time best famous Monkeys poems. This is a select list of the best famous Monkeys poetry. Reading, writing, and enjoying famous Monkeys poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of monkeys poems.

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Written by Octavio Paz | Create an image from this poem

Humayun's Tomb

To the debate of wasps
the dialectic of monkeys
the chirping of statistics
it offers
             (tall pink flame
made of stone and air and birds
time at rest on the water)

the architecture of silence


Written by Spike Milligan | Create an image from this poem

On the Ning Nang Nong

 On the Ning Nang Nong 
Where the Cows go Bong! 
and the monkeys all say BOO! 
There's a Nong Nang Ning 
Where the trees go Ping! 
And the tea pots jibber jabber joo.
On the Nong Ning Nang All the mice go Clang And you just can't catch 'em when they do! So its Ning Nang Nong Cows go Bong! Nong Nang Ning Trees go ping Nong Ning Nang The mice go Clang What a noisy place to belong is the Ning Nang Ning Nang Nong!!
Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship To the penal jail of Mountjoy (Chorus) To the jail of Mountjoy! Jail him and joy.
He was fafafather of all schemes for to bother us Slow coaches and immaculate contraceptives for the populace, Mare's milk for the sick, seven dry Sundays a week, Openair love and religion's reform, (Chorus) And religious reform, Hideous in form.
Arrah, why, says you, couldn't he manage it? I'll go bail, my fine dairyman darling, Like the bumping bull of the Cassidys All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns! (Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt on ye, Rhyme the rann, the king of all ranns! Balbaccio, balbuccio! We had chaw chaw chops, chairs, chewing gum, the chicken-pox and china chambers Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor (Chorus) With his bucketshop store Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous But soon we'll bonfire all his trash, tricks and trumpery And 'tis short till sheriff Clancy'll be winding up his unlimited company With the bailiff's bom at the door, (Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island The hooker of that hammerfast viking And Gall's curse on the day when Eblana bay Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls Donnez-moi scampitle, wick an wipin'fampiny Fingal Mac Oscar Onesine Bargearse Boniface Thok's min gammelhole Norveegickers moniker Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann, the rhyming rann! It was during some fresh water garden pumping Or, according to the Nursing Mirror, while admiring the monkeys That our heavyweight heathen Humpharey Made bold a maid to woo (Chorus) Woohoo, what'll she doo! The general lost her maidenloo! He ought to blush for himself, the old hayheaded philosopher, For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue Of our antediluvial zoo, (Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument Our rotorious hippopopotamuns When some bugger let down the backtrap of the omnibus And he caught his death of fusiliers, (Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children But look out for his missus legitimate! When that frew gets a grip of old Earwicker Won't there be earwigs on the green? (Chorus) Big earwigs on the green, The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses! Then we'll have a free trade Gael's band and mass meeting For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown Along with the devil and the Danes, (Chorus) With the deaf and dumb Danes, And all their remains.
And not all the king's men nor his horses Will resurrect his corpus For there's no true spell in Connacht or hell (bis) That's able to raise a Cain.
Written by Andrew Barton Paterson | Create an image from this poem

A Dream of the Melbourne Cup

 Bring me a quart of colonial beer 
And some doughy damper to make good cheer, 
I must make a heavy dinner; 
Heavily dine and heavily sup, 
Of indigestible things fill up, 
Next month they run the Melbourne Cup, 
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham, The rich ragout and the charming cham.
, I've got to mix my liquor; Give me a gander's gaunt hind leg, Hard and tough as a wooden peg, And I'll keep it down with a hard-boiled egg, 'Twill make me dream the quicker.
Now that I'm full of fearful feed, Oh, but I'll dream of a winner indeed In my restless, troubled slumber; While the night-mares race through my heated brain And their devil-riders spur amain, The trip for the Cup will reward my pain, And I'll spot the winning number.
Thousands and thousands and thousands more, Like sands on the white Pacific shore, The crowding people cluster; For evermore is the story old, While races are bought and backers are sold, Drawn by the greed of the gain of gold, In their thousands still they muster.
* * * * * And the bookies' cries grow fierce and hot, "I'll lay the Cup! The double, if not!" "Five monkeys, Little John, sir!" "Here's fives bar one, I lay, I lay!" And so they shout through the livelong day, And stick to the game that is sure to pay, While fools put money on, sir! And now in my dream I seem to go And bet with a "book" that I seem to know -- A Hebrew money-lender; A million to five is the price I get -- Not bad! but before I book the bet The horse's name I clean forgret, Its number and even gender.
Now for the start, and here they come, And the hoof-strokes roar like a mighty drum Beat by a hand unsteady; They come like a rushing, roaring flood, Hurrah for the speed of the Chester blood; For Acme is making the pace so good They are some of 'em done already.
But round the track she begins to tire, And a mighty shout goes up "Crossfire!" The magpie jacket's leading; And Crossfire challenges fierce and bold, And the lead she'll have and the lead she'll hold, But at length gives way to the black and gold, Which right to the front is speeding.
Carry them on and keep it up -- A flying race is the Melbourne Cup, You must race and stay to win it; And old Commotion, Victoria's pride, Now takes the lead with his raking stride, And a mighty roar goes far and wide -- "There's only Commotion in it!" But one draws out from the beaten ruck And up on the rails by a piece of luck He comes in a style that's clever; "It's Trident! Trident! Hurrah for Hales!" "Go at 'em now while their courage fails;" "Trident! Trident! for New South Wales!" "The blue and white for ever!" Under the whip! with the ears flat back, Under the whip! though the sinews crack, No sign of the base white feather: Stick to it now for your breeding's sake, Stick to it now though your hearts should break, While the yells and roars make the grand-stand shake, They come down the straignt together.
Trident slowly forges ahead, The fierce whips cut and the spurs are red, The pace is undiminished Now for the Panics that never fail! But many a backer's face grows pale As old Commotion swings his tail And swerves -- and the Cup is finished.
* * * * * And now in my dream it all comes back: I bet my coin on the Sydney crack, A million I've won, no question! "Give me my money, you hook-nosed hog! Give me my money, bookmaking dog!" But he disappeared in a kind of fog, And I woke with "the indigestion".
Written by Andrew Hudgins | Create an image from this poem

Praying Drunk

 Our Father who art in heaven, I am drunk.
Again.
Red wine.
For which I offer thanks.
I ought to start with praise, but praise comes hard to me.
I stutter.
Did I tell you about the woman, whom I taught, in bed, this prayer? It starts with praise; the simple form keeps things in order.
I hear from her sometimes.
Do you? And after love, when I was hungry, I said, Make me something to eat.
She yelled, Poof! You're a casserole! - and laughed so hard she fell out of bed.
Take care of her.
Next, confession - the dreary part.
At night deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except, of course, they're beautiful.
But why? What makes them beautiful? I haven't shot one yet.
I might.
When I was twelve I'd ride my bike out to the dump and shoot the rats.
It's hard to kill your rats, our Father.
You have to use a hollow point and hit them solidly.
A leg is not enough.
The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back into the trash, and I would feel a little bad to kill something that wants to live more savagely than I do, even if it's just a rat.
My garden's vanishing.
Perhaps I'll plant more beans, though that might mean more beautiful and hungry deer.
Who knows? I'm sorry for the times I've driven home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave about to break and sweep across the valley, and in my loneliness and fear I've thought, O let it come and wash the whole world clean.
Forgive me.
This is my favorite sin: despair- whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees, that nature stuff.
I'm grateful for good health, food, air, some laughs, and all the other things I've never had to do without.
I have confused myself.
I'm glad there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept when I saw one elephant insert his trunk into another's ass, pull out a lump, and whip it back and forth impatiently to free the goodies hidden in the lump.
I could have let it mean most anything, but I was stunned again at just how little we ask for in our lives.
Don't look! Don't look! Two young nuns tried to herd their giggling schoolkids away.
Line up, they called, Let's go and watch the monkeys in the monkey house.
I laughed and got a dirty look.
Dear Lord, we lurch from metaphor to metaphor, which is -let it be so- a form of praying.
I'm usually asleep by now -the time for supplication.
Requests.
As if I'd stayed up late and called the radio and asked they play a sentimental song.
Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream.
You know- a character like Popeye rubs it on and disappears.
Although you see right through him, he's there.
He chuckles, stumbles into things, and smoke that's clearly visible escapes from his invisible pipe.
It make me think, sometimes, of you.
What makes me think of me is the poor jerk who wanders out on air and then looks down.
Below his feet, he sees eternity, and suddenly his shoes no longer work on nothingness, and down he goes.
As I fall past, remember me.


Written by Russell Edson | Create an image from this poem

The Family Monkey

 We bought an electric monkey, experimenting rather 
recklessly with funds carefully gathered since 
grandfather's time for the purchase of a steam monkey.
We had either, by this time, the choice of an electric or gas monkey.
The steam monkey is no longer being made, said the monkey merchant.
But the family always planned on a steam monkey.
Well, said the monkey merchant, just as the wind-up monkey gave way to the steam monkey, the steam monkey has given way to the gas and electric monkeys.
Is that like the grandfather clock being replaced by the grandchild clock? Sort of, said the monkey merchant.
So we bought the electric monkey, and plugged its umbilical cord into the wall.
The smoke coming out of its fur told us something was wrong.
We had electrocuted the family monkey.
Written by Bliss Carman | Create an image from this poem

The Ships of Yule

 When I was just a little boy,
Before I went to school,
I had a fleet of forty sail
I called the Ships of Yule;
Of every rig, from rakish brig
And gallant barkentine,
To little Fundy fishing boats
With gunwales painted green.
They used to go on trading trips Around the world for me, For though I had to stay on shore My heart was on the sea.
They stopped at every port to call From Babylon to Rome, To load with all the lovely things We never had at home; With elephants and ivory Bought from the King of Tyre, And shells and silks and sandal-wood That sailor men admire; With figs and dates from Samarcand, And squatty ginger-jars, And scented silver amulets From Indian bazaars; With sugar-cane from Port of Spain, And monkeys from Ceylon, And paper lanterns from Pekin With painted dragons on; With cocoanuts from Zanzibar, And pines from Singapore; And when they had unloaded these They could go back for more.
And even after I was big And had to go to school, My mind was often far away Aboard the Ships of Yule.
Written by Derek Walcott | Create an image from this poem

The Saddhu Of Couva

 When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong sometimes bald clouds in saffron robes assemble sacred to the evening, sacred even to Ramlochan, singing Indian hits from his jute hammock while evening strokes the flanks and silver horns of his maroon taxi, as the mosquitoes whine their evening mantras, my friend Anopheles, on the sitar, and the fireflies making every dusk Divali.
I knot my head with a cloud, my white mustache bristle like horns, my hands are brittle as the pages of Ramayana.
Once the sacred monkeys multiplied like branches in the ancient temples: I did not miss them, because these fields sang of Bengal, behind Ramlochan Repairs there was Uttar Pradesh; but time roars in my ears like a river, old age is a conflagration as fierce as the cane fires of crop time.
I will pass through these people like a cloud, they will see a white bird beating the evening sea of the canes behind Couva, and who will point it as my soul unsheathed? Naither the bridegroom in beads, nor the bride in her veils, their sacred language on the cinema hoardings.
I talked too damn much on the Couva Village Council.
I talked too softly, I was always drowned by the loudspeakers in front of the stores or the loudspeakers with the greatest pictures.
I am best suited to stalk like a white cattle bird on legs like sticks, with sticking to the Path between the canes on a district road at dusk.
Playing the Elder.
There are no more elders.
Is only old people.
My friends spit on the government.
I do not think is just the government.
Suppose all the gods too old, Suppose they dead and they burning them, supposing when some cane cutter start chopping up snakes with a cutlass he is severing the snake-armed god, and suppose some hunter has caught Hanuman in his mischief in a monkey cage.
Suppose all the gods were killed by electric light? Sunset, a bonfire, roars in my ears; embers of brown swallows dart and cry, like women distracted, around its cremation.
I ascend to my bed of sweet sandalwood.
Written by Li Po | Create an image from this poem

His Dream Of The Skyland

 The seafarers tell of the Eastern Isle of Bliss,
It is lost in a wilderness of misty sea waves.
But the Sky-land of the south, the Yueh-landers say, May be seen through cracks of the glimmering cloud.
This land of the sky stretches across the leagues of heaven; It rises above the Five Mountains and towers over the Scarlet Castle, While, as if staggering before it, the Tien-tai Peak Of forty-eight thousand feet leans toward the southeast.
So, longing to dream of the southlands of Wu and Yueh, I flew across the Mirror Lake one night under the moon.
The moon in the lake followed my flight, Followed me to the town of Yen-chi.
Here still stands the mansion of Prince Hsieh.
I saw the green waters curl and heard the monkeys' shrill cries.
I climbed, putting on the clogs of the prince, Skyward on a ladder of clouds, And half-way up from the sky-wall I saw the morning sun, And heard the heaven's cock crowing in the mid-air.
Now among a thousand precipices my way wound round and round; Flowers choked the path; I leaned against a rock; I swooned.
Roaring bears and howling dragons roused me— Oh, the clamorous waters of the rapids! I trembled in the deep forest, and shuddered at the overhanging crags, one heaped upon another.
Clouds on clouds gathered above, threatening rain; The waters gushed below, breaking into mist.
A peal of blasting thunder! The mountains crumbled.
The stone gate of the hollow heaven Opened wide, revealing A vasty realm of azure without bottom, Sun and moon shining together on gold and silver palaces.
Clad in rainbow and riding on the wind, The ladies of the air descended like flower, flakes; The faery lords trooping in, they were thick as hemp-stalks in the fields.
Phoenix birds circled their cars, and panthers played upon harps.
Bewilderment filled me, and terror seized on my heart.
I lifted myself in amazement, and alas! I woke and found my bed and pillow— Gone was the radiant world of gossamer.
So with all pleasures of life.
All things pass with the east-flowing water.
I leave you and go—when shall I return? Let the white roe feed at will among the green crags, Let me ride and visit the lovely mountains! How can I stoop obsequiously and serve the mighty ones! It stifles my soul.
Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found, The hornèd bull, tremendous, spurns the ground; The lordly lion has enough and more, The forest trembles at his very roar; Thou giv’st the ass his hide, the snail his shell, The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour, In all th’ omnipotence of rule and power: Foxes and statesmen subtle wiles ensure; The cit and polecat stink, and are secure: Toads with their poison, doctors with their drug, The priest and hedgehog, in their robes, are snug: E’en silly women have defensive arts, Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard, To thy poor fenceless, naked child, the Bard! A thing unteachable in worldly skill, And half an idiot too, more helpless still: No heels to bear him from the op’ning dun, No claws to dig, his hated sight to shun: No horns, but those by luckless Hymen worn, And those, alas! not Amalthea’s horn: No nerves olfact’ry, true to Mammon’s foot, Or grunting, grub sagacious, evil’s root: The silly sheep that wanders wild astray, Is not more friendless, is not more a prey; Vampyre-booksellers drain him to the heart, And viper-critics cureless venom dart.
Critics! appll’d I venture on the name, Those cut-throat bandits in the paths of fame, Bloody dissectors, worse than ten Monroes, He hacks to teach, they mangle to expose: By blockhead’s daring into madness stung, His heart by wanton, causeless malice wrung, His well-won ways-than life itself more dear— By miscreants torn who ne’er one sprig must wear; Foil’d, bleeding, tortur’d in th’ unequal strife, The hapless Poet flounces on through life, Till, fled each hope that once his bosom fired, And fled each Muse that glorious once inspir’d, Low-sunk in squalid, unprotected age, Dead even resentment for his injur’d page, He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d, For half-starv’d, snarling curs a dainty feast; By toil and famine worn to skin and bone, Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight, And still his precious self his dear delight; Who loves his own smart shadow in the streets, Better than e’er the fairest she he meets; Much specious lore, but little understood, (Veneering oft outshines the solid wood), His solid sense, by inches you must tell, But mete his cunning by the Scottish ell! A man of fashion too, he made his tour, Learn’d “vive la bagatelle et vive l’amour;” So travell’d monkeys their grimace improve, Polish their grin-nay, sigh for ladies’ love! His meddling vanity, a busy fiend, Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came, The old cock’d hat, the brown surtout—the same; His grisly beard just bristling in its might— ’Twas four long nights and days from shaving-night; His uncomb’d, hoary locks, wild-staring, thatch’d A head, for thought profound and clear, unmatch’d; Yet, tho’ his caustic wit was biting-rude, His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest! Calm, shelter’d haven of eternal rest! Thy sons ne’er madden in the fierce extremes Of Fortune’s polar frost, or torrid beams; If mantling high she fills the golden cup, With sober, selfish ease they sip it up; Conscious the bounteous meed they well deserve, They only wonder “some folks” do not starve! The grave, sage hern thus easy picks his frog, And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope, When, thro’ disastrous night, they darkling grope, With deaf endurance sluggishly they bear, And just conclude that “fools are Fortune’s care:” So, heavy, passive to the tempest’s shocks, Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train, Not such the workings of their moon-struck brain; In equanimity they never dwell, By turns in soaring heaven, or vaulted hell!

Book: Shattered Sighs