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Best Famous Molten Poems

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And an in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III

Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV

Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.


Written by Obi Nwakanma | Create an image from this poem

The Four Seasons

I
ICICLES fall from trees, molten with age, 
without memory - they stand aloof in their 
nakedness - they limber; 
like the gods terrified into silence, 
like tall brooding deities looming out of the 
fog: 

The forest hugs them 
carves them into stones, 
Etches them into the slow 
eastern landscape: rivers, hills 
the slow running water, 
times broken inscapes…

The willows are burdened with ice 
the white shrouds of burial spread 
upon the earth's ravaged face; the eyes 
unseeing, the mouth unspeaking, 
a gust of wind proclaims the anger of 
immemorial ages; the cycle, the 
eternal ritual of mystical returns - 

The cypress - whitening -
boneless; wearing her best habit, 
a pale green in the forest of ghosts -

And so I walk through this windless night 
through the narrow imponderable road 
through the silence - the silence of trees -

I hear not even the gust of wind
I hear only the quiet earth, thawing underneath; 
I hear the slow silent death of winter -

where the sun is yellowest. 
But above, Monadnock looms 
like some angry Moloch, her 
white nipple seizing the space

drained of all milk... 

A she-devil beckoning to worshippers 
seductive - her arm stretching outwards -
to this lonely pilgrim
lost in the mist: 

Behold the school of wild bucks 
Behold the meeting of incarnate 
spirits -
Behold the lost souls bearing tapers 
in rags of rich damask, 
Down Thomas - the saint of 
unbelievers - down the road to bliss 
Down to the red house, uncertain 
like a beggar's bowl hanging unto the cliff 
of withdrawn pledges, where the well is 
deepest... 

I have dared to live 
beneath the great untamed. 

To every good, to every 
flicker of stars along the pine 
shadows; 
To every tussle with lucid dusk, 
To every moonlit pledge, to 
every turn made to outleap 
silvery pollen, 

I have desired to listen - to listen -
to the ripening of seasons.... 

Winter 2001
This is ONE of a continuing sequence.  
Written by Marge Piercy | Create an image from this poem

My Mothers Body

 1. 

The dark socket of the year 
the pit, the cave where the sun lies down 
and threatens never to rise, 
when despair descends softly as the snow 
covering all paths and choking roads: 

then hawkfaced pain seized you 
threw you so you fell with a sharp 
cry, a knife tearing a bolt of silk. 
My father heard the crash but paid 
no mind, napping after lunch 

yet fifteen hundred miles north 
I heard and dropped a dish. 
Your pain sunk talons in my skull 
and crouched there cawing, heavy 
as a great vessel filled with water, 

oil or blood, till suddenly next day 
the weight lifted and I knew your mind 
had guttered out like the Chanukah 
candles that burn so fast, weeping 
veils of wax down the chanukiya. 

Those candles were laid out, 
friends invited, ingredients bought 
for latkes and apple pancakes, 
that holiday for liberation 
and the winter solstice 

when tops turn like little planets. 
Shall you have all or nothing 
take half or pass by untouched? 
Nothing you got, Nun said the dreydl
as the room stopped spinning. 

The angel folded you up like laundry 
your body thin as an empty dress. 
Your clothes were curtains 
hanging on the window of what had 
been your flesh and now was glass. 

Outside in Florida shopping plazas 
loudspeakers blared Christmas carols 
and palm trees were decked with blinking 
lights. Except by the tourist 
hotels, the beaches were empty. 

Pelicans with pregnant pouches 
flapped overhead like pterodactyls. 
In my mind I felt you die. 
First the pain lifted and then 
you flickered and went out. 


2.

I walk through the rooms of memory. 
Sometimes everything is shrouded in dropcloths, 
every chair ghostly and muted. 

Other times memory lights up from within 
bustling scenes acted just the other side 
of a scrim through which surely I could reach 

my fingers tearing at the flimsy curtain 
of time which is and isn't and will be 
the stuff of which we're made and unmade. 

In sleep the other night I met you, seventeen 
your first nasty marriage just annulled, 
thin from your abortion, clutching a book 

against your cheek and trying to look 
older, trying to took middle class, 
trying for a job at Wanamaker's, 

dressing for parties in cast off 
stage costumes of your sisters. Your eyes 
were hazy with dreams. You did not 

notice me waving as you wandered 
past and I saw your slip was showing. 
You stood still while I fixed your clothes, 

as if I were your mother. Remember me 
combing your springy black hair, ringlets 
that seemed metallic, glittering; 

remember me dressing you, my seventy year 
old mother who was my last dollbaby, 
giving you too late what your youth had wanted. 


3.

What is this mask of skin we wear, 
what is this dress of flesh, 
this coat of few colors and little hair? 

This voluptuous seething heap of desires 
and fears, squeaking mice turned up 
in a steaming haystack with their babies? 

This coat has been handed down, an heirloom 
this coat of black hair and ample flesh,
this coat of pale slightly ruddy skin.

This set of hips and thighs, these buttocks 
they provided cushioning for my grandmother 
Hannah, for my mother Bert and for me 

and we all sat on them in turn, those major 
muscles on which we walk and walk and walk 
over the earth in search of peace and plenty. 

My mother is my mirror and I am hers. 
What do we see? Our face grown young again, 
our breasts grown firm, legs lean and elegant. 

Our arms quivering with fat, eyes 
set in the bark of wrinkles, hands puffy, 
our belly seamed with childbearing, 

Give me your dress that I might try it on. 
Oh it will not fit you mother, you are too fat. 
I will not fit you mother. 

I will not be the bride you can dress, 
the obedient dutiful daughter you would chew, 
a dog's leather bone to sharpen your teeth. 

You strike me sometimes just to hear the sound. 
Loneliness turns your fingers into hooks 
barbed and drawing blood with their caress. 

My twin, my sister, my lost love, 
I carry you in me like an embryo 
as once you carried me. 


4. 

What is it we turn from, what is it we fear? 
Did I truly think you could put me back inside? 
Did I think I would fall into you as into a molten 
furnace and be recast, that I would become you? 

What did you fear in me, the child who wore 
your hair, the woman who let that black hair 
grow long as a banner of darkness, when you
a proper flapper wore yours cropped?

You pushed and you pulled on my rubbery
flesh, you kneaded me like a ball of dough. 
Rise, rise, and then you pounded me flat. 
Secretly the bones formed in the bread.

I became willful, private as a cat. 
You never knew what alleys I had wandered. 
You called me bad and I posed like a gutter 
queen in a dress sewn of knives. 

All I feared was being stuck in a box 
with a lid. A good woman appeared to me 
indistinguishable from a dead one 
except that she worked all the time. 

Your payday never came. Your dreams ran 
with bright colors like Mexican cottons 
that bled onto the drab sheets of the day 
and would not bleach with scrubbing. 

My dear, what you said was one thing 
but what you sang was another, sweetly 
subversive and dark as blackberries 
and I became the daughter of your dream. 

This body is your body, ashes now 
and roses, but alive in my eyes, my breasts, 
my throat, my thighs. You run in me 
a tang of salt in the creek waters of my blood, 

you sing in my mind like wine. What you 
did not dare in your life you dare in mine.
Written by Dylan Thomas | Create an image from this poem

Before I Knocked

 Before I knocked and flesh let enter,
With liquid hands tapped on the womb,
I who was as shapeless as the water
That shaped the Jordan near my home
Was brother to Mnetha's daughter
And sister to the fathering worm.

I who was deaf to spring and summer,
Who knew not sun nor moon by name,
Felt thud beneath my flesh's armour,
As yet was in a molten form
The leaden stars, the rainy hammer
Swung by my father from his dome.

I knew the message of the winter,
The darted hail, the childish snow,
And the wind was my sister suitor;
Wind in me leaped, the hellborn dew;
My veins flowed with the Eastern weather;
Ungotten I knew night and day.

As yet ungotten, I did suffer;
The rack of dreams my lily bones
Did twist into a living cipher,
And flesh was snipped to cross the lines
Of gallow crosses on the liver
And brambles in the wringing brains.

My throat knew thirst before the structure
Of skin and vein around the well
Where words and water make a mixture
Unfailing till the blood runs foul;
My heart knew love, my belly hunger;
I smelt the maggot in my stool.

And time cast forth my mortal creature
To drift or drown upon the seas
Acquainted with the salt adventure
Of tides that never touch the shores.
I who was rich was made the richer
By sipping at the vine of days.

I, born of flesh and ghost, was neither
A ghost nor man, but mortal ghost.
And I was struck down by death's feather.
I was a mortal to the last
Long breath that carried to my father
The message of his dying christ.

You who bow down at cross and altar,
Remember me and pity Him
Who took my flesh and bone for armour
And doublecrossed my mother's womb.
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold


Written by Algernon Charles Swinburne | Create an image from this poem

Mater Triumphalis

 Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.

Thy face is as a sword smiting in sunder
Shadows and chains and dreams and iron things;
The sea is dumb before thy face, the thunder
Silent, the skies are narrower than thy wings.

Angels and Gods, spirit and sense, thou takest
In thy right hand as drops of dust or dew;
The temples and the towers of time thou breakest,
His thoughts and words and works, to make them new.

All we have wandered from thy ways, have hidden
Eyes from thy glory and ears from calls they heard;
Called of thy trumpets vainly, called and chidden,
Scourged of thy speech and wounded of thy word.

We have known thee and have not known thee; stood beside thee,
Felt thy lips breathe, set foot where thy feet trod,
Loved and renounced and worshipped and denied thee,
As though thou wert but as another God,

"One hour for sleep," we said, "and yet one other;
All day we served her, and who shall serve by night?"
Not knowing of thee, thy face not knowing, O mother,
O light wherethrough the darkness is as light.

Men that forsook thee hast thou not forsaken,
Races of men that knew not hast thou known;
Nations that slept thou hast doubted not to waken,
Worshippers of strange Gods to make thine own.

All old grey histories hiding thy clear features,
O secret spirit and sovereign, all men's tales,
Creeds woven of men thy children and thy creatures,
They have woven for vestures of thee and for veils.

Thine hands, without election or exemption,
Feed all men fainting from false peace or strife,
O thou, the resurrection and redemption,
The godhead and the manhood and the life.

Thy wings shadow the waters; thine eyes lighten
The horror of the hollows of the night;
The depths of the earth and the dark places brighten
Under thy feet, whiter than fire is white.

Death is subdued to thee, and hell's bands broken;
Where thou art only is heaven; who hears not thee,
Time shall not hear him; when men's names are spoken,
A nameless sign of death shall his name be.

Deathless shall be the death, the name be nameless;
Sterile of stars his twilight time of breath;
With fire of hell shall shame consume him shameless,
And dying, all the night darken his death.

The years are as thy garments, the world's ages
As sandals bound and loosed from thy swift feet;
Time serves before thee, as one that hath for wages
Praise or shame only, bitter words or sweet.

Thou sayest "Well done," and all a century kindles;
Again thou sayest "Depart from sight of me,"
And all the light of face of all men dwindles,
And the age is as the broken glass of thee.

The night is as a seal set on men's faces,
On faces fallen of men that take no light,
Nor give light in the deeps of the dark places,
Blind things, incorporate with the body of night.

Their souls are serpents winterbound and frozen,
Their shame is as a tame beast, at their feet
Couched; their cold lips deride thee and thy chosen,
Their lying lips made grey with dust for meat.

Then when their time is full and days run over,
The splendour of thy sudden brow made bare
Darkens the morning; thy bared hands uncover
The veils of light and night and the awful air.

And the world naked as a new-born maiden
Stands virginal and splendid as at birth,
With all thine heaven of all its light unladen,
Of all its love unburdened all thine earth.

For the utter earth and the utter air of heaven
And the extreme depth is thine and the extreme height;
Shadows of things and veils of ages riven
Are as men's kings unkingdomed in thy sight.

Through the iron years, the centuries brazen-gated,
By the ages' barred impenetrable doors,
From the evening to the morning have we waited,
Should thy foot haply sound on the awful floors.

The floors untrodden of the sun's feet glimmer,
The star-unstricken pavements of the night;
Do the lights burn inside? the lights wax dimmer
On festal faces withering out of sight.

The crowned heads lose the light on them; it may be
Dawn is at hand to smite the loud feast dumb;
To blind the torch-lit centuries till the day be,
The feasting kingdoms till thy kingdom come.

Shall it not come? deny they or dissemble,
Is it not even as lightning from on high
Now? and though many a soul close eyes and tremble,
How should they tremble at all who love thee as I?

I am thine harp between thine hands, O mother!
All my strong chords are strained with love of thee.
We grapple in love and wrestle, as each with other
Wrestle the wind and the unreluctant sea.

I am no courtier of thee sober-suited,
Who loves a little for a little pay.
Me not thy winds and storms nor thrones disrooted
Nor molten crowns nor thine own sins dismay.

Sinned hast thou sometime, therefore art thou sinless;
Stained hast thou been, who art therefore without stain;
Even as man's soul is kin to thee, but kinless
Thou, in whose womb Time sows the all-various grain.

I do not bid thee spare me, O dreadful mother!
I pray thee that thou spare not, of thy grace.
How were it with me then, if ever another
Should come to stand before thee in this my place?

I am the trumpet at thy lips, thy clarion
Full of thy cry, sonorous with thy breath;
The graves of souls born worms and creeds grown carrion
Thy blast of judgment fills with fires of death.

Thou art the player whose organ-keys are thunders,
And I beneath thy foot the pedal prest;
Thou art the ray whereat the rent night sunders,
And I the cloudlet borne upon thy breast.

I shall burn up before thee, pass and perish,
As haze in sunrise on the red sea-line;
But thou from dawn to sunsetting shalt cherish
The thoughts that led and souls that lighted mine.

Reared between night and noon and truth and error,
Each twilight-travelling bird that trills and screams
Sickens at midday, nor can face for terror
The imperious heaven's inevitable extremes.

I have no spirit of skill with equal fingers
At sign to sharpen or to slacken strings;
I keep no time of song with gold-perched singers
And chirp of linnets on the wrists of kings.

I am thy storm-thrush of the days that darken,
Thy petrel in the foam that bears thy bark
To port through night and tempest; if thou hearken,
My voice is in thy heaven before the lark.

My song is in the mist that hides thy morning,
My cry is up before the day for thee;
I have heard thee and beheld thee and give warning,
Before thy wheels divide the sky and sea.

Birds shall wake with thee voiced and feathered fairer,
To see in summer what I see in spring;
I have eyes and heart to endure thee, O thunder-bearer,
And they shall be who shall have tongues to sing.

I have love at least, and have not fear, and part not
From thine unnavigable and wingless way;
Thou tarriest, and I have not said thou art not,
Nor all thy night long have denied thy day.

Darkness to daylight shall lift up thy paean,
Hill to hill thunder, vale cry back to vale,
With wind-notes as of eagles AEschylean,
And Sappho singing in the nightingale.

Sung to by mighty sons of dawn and daughters,
Of this night's songs thine ear shall keep but one;
That supreme song which shook the channelled waters,
And called thee skyward as God calls the sun.

Come, though all heaven again be fire above thee;
Though death before thee come to clear thy sky;
Let us but see in his thy face who love thee;
Yea, though thou slay us, arise and let us die.
Written by John Ashbery | Create an image from this poem

Into the Dusk-Charged Air

 Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St. Lawrence prods among black stones
And mud. But the Arno is all stones.
Wind ruffles the Hudson's
Surface. The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks. The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land. The Allegheny and its boats
Were dark blue. The Moskowa is
Gray boats. The Amstel flows slowly.
Leaves fall into the Connecticut as it passes
Underneath. The Liffey is full of sewage,
Like the Seine, but unlike
The brownish-yellow Dordogne.
Mountains hem in the Colorado
And the Oder is very deep, almost
As deep as the Congo is wide.
The plain banks of the Neva are
Gray. The dark Saône flows silently.
And the Volga is long and wide
As it flows across the brownish land. The Ebro
Is blue, and slow. The Shannon flows
Swiftly between its banks. The Mississippi
Is one of the world's longest rivers, like the Amazon.
It has the Missouri for a tributary.
The Harlem flows amid factories
And buildings. The Nelson is in Canada,
Flowing. Through hard banks the Dubawnt
Forces its way. People walk near the Trent.
The landscape around the Mohawk stretches away;
The Rubicon is merely a brook.
In winter the Main
Surges; the Rhine sings its eternal song.
The Rhône slogs along through whitish banks
And the Rio Grande spins tales of the past.
The Loir bursts its frozen shackles
But the Moldau's wet mud ensnares it.
The East catches the light.
Near the Escaut the noise of factories echoes
And the sinuous Humboldt gurgles wildly.
The Po too flows, and the many-colored
Thames. Into the Atlantic Ocean
Pours the Garonne. Few ships navigate
On the Housatonic, but quite a few can be seen
On the Elbe. For centuries
The Afton has flowed.
If the Rio *****
Could abandon its song, and the Magdalena
The jungle flowers, the Tagus
Would still flow serenely, and the Ohio
Abrade its slate banks. The tan Euphrates would
Sidle silently across the world. The Yukon
Was choked with ice, but the Susquehanna still pushed
Bravely along. The Dee caught the day's last flares
Like the Pilcomayo's carrion rose.
The Peace offered eternal fragrance
Perhaps, but the Mackenzie churned livid mud
Like tan chalk-marks. Near where
The Brahmaputra slapped swollen dikes
And the Pechora? The São Francisco
Skulks amid gray, rubbery nettles. The Liard's
Reflexes are slow, and the Arkansas erodes
Anthracite hummocks. The Paraná stinks.
The Ottawa is light emerald green
Among grays. Better that the Indus fade
In steaming sands! Let the Brazos
Freeze solid! And the Wabash turn to a leaden
Cinder of ice! The Marañón is too tepid, we must
Find a way to freeze it hard. The Ural
Is freezing slowly in the blasts. The black Yonne
Congeals nicely. And the Petit-Morin
Curls up on the solid earth. The Inn
Does not remember better times, and the Merrimack's
Galvanized. The Ganges is liquid snow by now;
The Vyatka's ice-gray. The once-molten Tennessee s
Curdled. The Japurá is a pack of ice. Gelid
The Columbia's gray loam banks. The Don's merely
A giant icicle. The Niger freezes, slowly.
The interminable Lena plods on
But the Purus' mercurial waters are icy, grim
With cold. The Loing is choked with fragments of ice.
The Weser is frozen, like liquid air.
And so is the Kama. And the beige, thickly flowing
Tocantins. The rivers bask in the cold.
The stern Uruguay chafes its banks,
A mass of ice. The Hooghly is solid
Ice. The Adour is silent, motionless.
The lovely Tigris is nothing but scratchy ice
Like the Yellowstone, with its osier-clustered banks.
The Mekong is beginning to thaw out a little
And the Donets gurgles beneath the
Huge blocks of ice. The Manzanares gushes free.
The Illinois darts through the sunny air again.
But the Dnieper is still ice-bound. Somewhere
The Salado propels irs floes, but the Roosevelt's
Frozen. The Oka is frozen solider
Than the Somme. The Minho slumbers
In winter, nor does the Snake
Remember August. Hilarious, the Canadian
Is solid ice. The Madeira slavers
Across the thawing fields, and the Plata laughs.
The Dvina soaks up the snow. The Sava's
Temperature is above freezing. The Avon
Carols noiselessly. The Drôme presses
Grass banks; the Adige's frozen
Surface is like gray pebbles.

Birds circle the Ticino. In winter
The Var was dark blue, unfrozen. The
Thwaite, cold, is choked with sandy ice;
The Ardèche glistens feebly through the freezing rain.
Written by Rudyard Kipling | Create an image from this poem

Song of the Wise Children

 1902

When the darkened Fifties dip to the North,
 And frost and the fog divide the air,
And the day is dead at his breaking-forth,
 Sirs, it is bitter beneath the Bear!

Far to Southward they wheel and glance,
 The million molten spears of morn --
The spears of our deliverance
 That shine on the house where we were born.

Flying-fish about our bows,
 Flying sea-fires in our wake:
This is the road to our Father's House,
 Whither we go for our souls' sake!

We have forfeited our birthright,
 We have forsaken all things meet;
We have forgotten the look of light,
 We have forgotten the scent of heart.

They that walk with shaded brows,
 Year by year in a shining land,
They be men of our Father's House,
 They shall receive us and understand.

We shall go back by the boltless doors,
 To the life unaltered our childhood knew --
To the naked feet on the cool, dark floors,
 And the high-ceiled rooms that the Trade blows through:

To the trumpet-flowers and the moon beyond,
 And the tree-toad's chorus drowning all --
And the lisp of the split banana-frond
 That talked us to sleep when we were small.

The wayside magic, the threshold spells,
 Shall soon undo what the North has done --
Because of the sights and the sounds and the smells
 That ran with our youth in the eye of the sun.

And Earth accepting shall ask no vows,
 Nor the Sea our love, nor our lover the Sky.
When we return to our Father's House
 Only the English shall wonder why!
Written by G K Chesterton | Create an image from this poem

The Black Virgin

 One in thy thousand statues we salute thee 
On all thy thousand thrones acclaim and claim 
Who walk in forest of thy forms and faces 
Walk in a forest calling on one name 
And, most of all, how this thing may be so 
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder" 
And thou wert home in heaven long ago. 

Burn deep in Bethlehem in the golden shadows,
Ride above Rome upon the horns of stone,
From low Lancastrian or South Saxon shelters
Watch through dark years the dower that was shine own:
Ghost of our land, White Lady of Walsinghame,
Shall they not live that call upon thy name
If an old song on a wild wind be blowing
Crying of the holy country whence they came? 

Root deep in Chartres the roses blown of glass 
Burning above thee in the high vitrailles, 
On Cornish crags take for salute of swords 
O'er peacock seas the far salute of sails, 
Glooming in bronze or gay in painted wood, 
A great doll given when the child is good, 
Save that She gave the Child who gave the doll, 
In whom all dolls are dreams of motherhood. 

I have found thee like a little shepherdess 
Gay with green ribbons; and passed on to find 
Michael called Angel hew the Mother of God 
Like one who fills a mountain with a mind: 
Molten in silver or gold or garbed in blue, 
Or garbed in red where the inner robe burns through, 
Of the King's daughter glorious within: 
Change shine unchanging light with every hue. 

Clothed with the sun or standing on the moon 
Crowned with the stars or single, a morning star, 
Sunlight and moonlight are thy luminous shadows, 
Starlight and twilight thy refractions are, 
Lights and half-lights and all lights turn about thee, 
But though we dazed can neither see nor doubt thee, 
Something remains. Nor can man live without it 
Nor can man find it bearable without thee. 

There runs a dark thread through the tapestries 
That time has woven with all the tints of time 
Something not evil but grotesque and groping, 
Something not clear; not final; not sublime; 
Quaint as dim pattern of primal plant or tree 
Or fish, the legless elfins of the sea, 
Yet rare as this shine image in ebony 
Being most strange in its simplicity. 

Rare as the rushing of the wild black swans
The Romans saw; or rocks remote and grim
Where through black clouds the black sheep runs accursed 
And through black clouds the Shepherd follows him. 
By the black oak of the aeon-buried grove 
By the black gems of the miner's treasure-trove 
Monsters and freaks and fallen stars and sunken- 
Most holy dark, cover our uncouth love. 

From shine high rock look down on Africa 
The living darkness of devouring green 
The loathsome smell of life unquenchable, 
Look on low brows and blinking eyes between, 
On the dark heart where white folk find no place, 
On the dark bodies of an antic race, 
On all that fear thy light and love thy shadow, 
Turn thou the mercy of thy midnight face. 

This also is in thy spectrum; this dark ray; 
Beyond the deepening purples of thy Lent 
Darker than violet vestment; dark and secret 
Clot of old night yet cloud of heaven sent: 
As the black moon of some divine eclipse, 
As the black sun of the Apocalypse, 
As the black flower that blessed Odysseus back 
From witchcraft; and he saw again the ships. 

In all thy thousand images we salute thee, 
Claim and acclaim on all thy thousand thrones 
Hewn out of multi-colored rocks and risen 
Stained with the stored-up sunsets in all tones- 
If in all tones and shades this shade I feel, 
Come from the black cathedrals of Castille 
Climbing these flat black stones of Catalonia, 
To thy most merciful face of night I kneel.
Written by Robert Browning | Create an image from this poem

From ‘Paracelsus'

 I

TRUTH is within ourselves; it takes no rise 
From outward things, whate’er you may believe. 
There is an inmost centre in us all, 
Where truth abides in fullness; and around, 
Wall upon wall, the gross flesh hems it in, 
This perfect, clear perception—which is truth. 
A baffling and perverting carnal mesh 
Binds it, and makes all error: and, to KNOW, 
Rather consists in opening out a way 
Whence the imprisoned splendour may escape, 
Than in effecting entry for a light 
Supposed to be without. 

II

I knew, I felt, (perception unexpressed, 
Uncomprehended by our narrow thought, 
But somehow felt and known in every shift 
And change in the spirit,—nay, in every pore 
Of the body, even,)—what God is, what we are 
What life is—how God tastes an infinite joy 
In infinite ways—one everlasting bliss, 
From whom all being emanates, all power 
Proceeds; in whom is life for evermore, 
Yet whom existence in its lowest form 
Includes; where dwells enjoyment there is he: 
With still a flying point of bliss remote, 
A happiness in store afar, a sphere 
Of distant glory in full view; thus climbs 
Pleasure its heights for ever and for ever. 
The centre-fire heaves underneath the earth, 
And the earth changes like a human face; 
The molten ore bursts up among the rocks, 
Winds into the stone’s heart, outbranches bright 
In hidden mines, spots barren river-beds, 
Crumbles into fine sand where sunbeams bask— 
God joys therein! The wroth sea’s waves are edged 
With foam, white as the bitten lip of hate, 
When, in the solitary waste, strange groups 
Of young volcanos come up, cyclops-like, 
Staring together with their eyes on flame— 
God tastes a pleasure in their uncouth pride. 
Then all is still; earth is a wintry clod: 
But spring-wind, like a dancing psaltress, passes 
Over its breast to waken it, rare verdure 
Buds tenderly upon rough banks, between 
The withered tree-roots and the cracks of frost, 
Like a smile striving with a wrinkled face; 
The grass grows bright, the boughs are swoln with blooms 
Like chrysalids impatient for the air, 
The shining dorrs are busy, beetles run 
Along the furrows, ants make their ade; 
Above, birds fly in merry flocks, the lark 
Soars up and up, shivering for very joy; 
Afar the ocean sleeps; white fishing-gulls 
Flit where the strand is purple with its tribe 
Of nested limpets; savage creatures seek 
Their loves in wood and plain—and God renews 
His ancient rapture. Thus He dwells in all, 
From life’s minute beginnings, up at last 
To man—the consummation of this scheme 
Of being, the completion of this sphere 
Of life: whose attributes had here and there 
Been scattered o’er the visible world before, 
Asking to be combined, dim fragments meant 
To be united in some wondrous whole, 
Imperfect qualities throughout creation, 
Suggesting some one creature yet to make, 
Some point where all those scattered rays should meet 
Convergent in the faculties of man.

Book: Radiant Verses: A Journey Through Inspiring Poetry