Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es.
IV.
E.
P.
Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense.
Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case .
.
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later .
.
.
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" .
.
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive .
.
.
.
"Ah, poor Jenny's case" .
.
.
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub .
.
.
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M.
Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr.
Nixon
In the cream gilded cabin of his steam yacht
Mr.
Nixon advised me kindly, to advance with fewer
Dangers of delay.
"Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr.
Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers.
From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr.
Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure.
"
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it.
"
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion.
The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly.
But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively.
In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St.
where
Dr.
Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Amy Lowell |
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
|
Written by
Algernon Charles Swinburne |
CHORUS
If with voice of words or prayers thy sons may reach thee,
We thy latter sons, the men thine after-birth,
We the children of thy grey-grown age, O Earth,
O our mother everlasting, we beseech thee,
By the sealed and secret ages of thy life;
By the darkness wherein grew thy sacred forces;
By the songs of stars thy sisters in their courses;
By thine own song hoarse and hollow and shrill with strife;
By thy voice distuned and marred of modulation;
By the discord of thy measure's march with theirs;
By the beauties of thy bosom, and the cares;
By thy glory of growth, and splendour of thy station;
By the shame of men thy children, and the pride;
By the pale-cheeked hope that sleeps and weeps and passes,
As the grey dew from the morning mountain-grasses;
By the white-lipped sightless memories that abide;
By the silence and the sound of many sorrows;
By the joys that leapt up living and fell dead;
By the veil that hides thy hands and breasts and head,
Wrought of divers-coloured days and nights and morrows;
Isis, thou that knowest of God what worlds are worth,
Thou the ghost of God, the mother uncreated,
Soul for whom the floating forceless ages waited
As our forceless fancies wait on thee, O Earth;
Thou the body and soul, the father-God and mother,
If at all it move thee, knowing of all things done
Here where evil things and good things are not one,
But their faces are as fire against each other;
By thy morning and thine evening, night and day;
By the first white light that stirs and strives and hovers
As a bird above the brood her bosom covers,
By the sweet last star that takes the westward way;
By the night whose feet are shod with snow or thunder,
Fledged with plumes of storm, or soundless as the dew;
By the vesture bound of many-folded blue
Round her breathless breasts, and all the woven wonder;
By the golden-growing eastern stream of sea;
By the sounds of sunrise moving in the mountains;
By the forces of the floods and unsealed fountains;
Thou that badest man be born, bid man be free.
GREECE
I am she that made thee lovely with my beauty
From north to south:
Mine, the fairest lips, took first the fire of duty
From thine own mouth.
Mine, the fairest eyes, sought first thy laws and knew them
Truths undefiled;
Mine, the fairest hands, took freedom first into them,
A weanling child.
By my light, now he lies sleeping, seen above him
Where none sees other;
By my dead that loved and living men that love him;
(Cho.
) Hear us, O mother.
ITALY
I am she that was the light of thee enkindled
When Greece grew dim;
She whose life grew up with man's free life, and dwindled
With wane of him.
She that once by sword and once by word imperial
Struck bright thy gloom;
And a third time, casting off these years funereal,
Shall burst thy tomb.
By that bond 'twixt thee and me whereat affrighted
Thy tyrants fear us;
By that hope and this remembrance reunited;
(Cho.
) O mother, hear us.
SPAIN
I am she that set my seal upon the nameless
West worlds of seas;
And my sons as brides took unto them the tameless
Hesperides.
Till my sins and sons through sinless lands dispersed,
With red flame shod,
Made accurst the name of man, and thrice accursed
The name of God.
Lest for those past fires the fires of my repentance
Hell's fume yet smother,
Now my blood would buy remission of my sentence;
(Cho.
) Hear us, O mother.
FRANCE
I am she that was thy sign and standard-bearer,
Thy voice and cry;
She that washed thee with her blood and left thee fairer,
The same was I.
Were not these the hands that raised thee fallen and fed thee,
These hands defiled?
Was not I thy tongue that spake, thine eye that led thee,
Not I thy child?
By the darkness on our dreams, and the dead errors
Of dead times near us;
By the hopes that hang around thee, and the terrors;
(Cho.
) O mother, hear us.
RUSSIA
I am she whose hands are strong and her eyes blinded
And lips athirst
Till upon the night of nations many-minded
One bright day burst:
Till the myriad stars be molten into one light,
And that light thine;
Till the soul of man be parcel of the sunlight,
And thine of mine.
By the snows that blanch not him nor cleanse from slaughter
Who slays his brother;
By the stains and by the chains on me thy daughter;
(Cho.
) Hear us, O mother.
SWITZERLAND
I am she that shews on mighty limbs and maiden
Nor chain nor stain;
For what blood can touch these hands with gold unladen,
These feet what chain?
By the surf of spears one shieldless bosom breasted
And was my shield,
Till the plume-plucked Austrian vulture-heads twin-crested
Twice drenched the field;
By the snows and souls untrampled and untroubled
That shine to cheer us,
Light of those to these responsive and redoubled;
(Cho.
) O mother, hear us.
GERMANY
I am she beside whose forest-hidden fountains
Slept freedom armed,
By the magic born to music in my mountains
Heart-chained and charmed.
By those days the very dream whereof delivers
My soul from wrong;
By the sounds that make of all my ringing rivers
None knows what song;
By the many tribes and names of my division
One from another;
By the single eye of sun-compelling vision;
(Cho.
) Hear us, O mother.
ENGLAND
I am she that was and was not of thy chosen,
Free, and not free;
She that fed thy springs, till now her springs are frozen;
Yet I am she.
By the sea that clothed and sun that saw me splendid
And fame that crowned,
By the song-fires and the sword-fires mixed and blended
That robed me round;
By the star that Milton's soul for Shelley's lighted,
Whose rays insphere us;
By the beacon-bright Republic far-off sighted;
(Cho.
) O mother, hear us.
CHORUS
Turn away from us the cross-blown blasts of error,
That drown each other;
Turn away the fearful cry, the loud-tongued terror,
O Earth, O mother.
Turn away their eyes who track, their hearts who follow,
The pathless past;
Shew the soul of man, as summer shews the swallow,
The way at last.
By the sloth of men that all too long endure men
On man to tread;
By the cry of men, the bitter cry of poor men
That faint for bread;
By the blood-sweat of the people in the garden
Inwalled of kings;
By his passion interceding for their pardon
Who do these things;
By the sightless souls and fleshless limbs that labour
For not their fruit;
By the foodless mouth with foodless heart for neighbour,
That, mad, is mute;
By the child that famine eats as worms the blossom
--Ah God, the child!
By the milkless lips that strain the bloodless bosom
Till woe runs wild;
By the pastures that give grass to feed the lamb in,
Where men lack meat;
By the cities clad with gold and shame and famine;
By field and street;
By the people, by the poor man, by the master
That men call slave;
By the cross-winds of defeat and of disaster,
By wreck, by wave;
By the helm that keeps us still to sunwards driving,
Still eastward bound,
Till, as night-watch ends, day burn on eyes reviving,
And land be found:
We thy children, that arraign not nor impeach thee
Though no star steer us,
By the waves that wash the morning we beseech thee,
O mother, hear us.
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