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Best Famous Moderation Poems

Here is a collection of the all-time best famous Moderation poems. This is a select list of the best famous Moderation poetry. Reading, writing, and enjoying famous Moderation poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of moderation poems.

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Written by Robert Frost | Create an image from this poem

Christmas Trees

 (A Christmas Circular Letter)


THE CITY had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove
A stranger to our yard, who looked the city,
Yet did in country fashion in that there
He sat and waited till he drew us out
A-buttoning coats to ask him who he was.
He proved to be the city come again To look for something it had left behind And could not do without and keep its Christmas.
He asked if I would sell my Christmas trees; My woods—the young fir balsams like a place Where houses all are churches and have spires.
I hadn’t thought of them as Christmas Trees.
I doubt if I was tempted for a moment To sell them off their feet to go in cars And leave the slope behind the house all bare, Where the sun shines now no warmer than the moon.
I’d hate to have them know it if I was.
Yet more I’d hate to hold my trees except As others hold theirs or refuse for them, Beyond the time of profitable growth, The trial by market everything must come to.
I dallied so much with the thought of selling.
Then whether from mistaken courtesy And fear of seeming short of speech, or whether From hope of hearing good of what was mine, I said, “There aren’t enough to be worth while.
” “I could soon tell how many they would cut, You let me look them over.
” “You could look.
But don’t expect I’m going to let you have them.
” Pasture they spring in, some in clumps too close That lop each other of boughs, but not a few Quite solitary and having equal boughs All round and round.
The latter he nodded “Yes” to, Or paused to say beneath some lovelier one, With a buyer’s moderation, “That would do.
” I thought so too, but wasn’t there to say so.
We climbed the pasture on the south, crossed over, And came down on the north.
He said, “A thousand.
” “A thousand Christmas trees!—at what apiece?” He felt some need of softening that to me: “A thousand trees would come to thirty dollars.
” Then I was certain I had never meant To let him have them.
Never show surprise! But thirty dollars seemed so small beside The extent of pasture I should strip, three cents (For that was all they figured out apiece), Three cents so small beside the dollar friends I should be writing to within the hour Would pay in cities for good trees like those, Regular vestry-trees whole Sunday Schools Could hang enough on to pick off enough.
A thousand Christmas trees I didn’t know I had! Worth three cents more to give away than sell, As may be shown by a simple calculation.
Too bad I couldn’t lay one in a letter.
I can’t help wishing I could send you one, In wishing you herewith a Merry Christmas.


Written by Anne Kingsmill Finch | Create an image from this poem

The King and the Shepherd

 Through ev'ry Age some Tyrant Passion reigns: 
Now Love prevails, and now Ambition gains 
Reason's lost Throne, and sov'reign Rule maintains.
Tho' beyond Love's, Ambition's Empire goes; For who feels Love, Ambition also knows, And proudly still aspires to be possest Of Her, he thinks superior to the rest.
As cou'd be prov'd, but that our plainer Task Do's no such Toil, or Definitions ask; But to be so rehears'd, as first 'twas told, When such old Stories pleas'd in Days of old.
A King, observing how a Shepherd's Skill Improv'd his Flocks, and did the Pastures fill, That equal Care th' assaulted did defend, And the secur'd and grazing Part attend, Approves the Conduct, and from Sheep and Curs Transfers the Sway, and changed his Wool to Furrs.
Lord-Keeper now, as rightly he divides His just Decrees, and speedily decides; When his sole Neighbor, whilst he watch'd the Fold, A Hermit poor, in Contemplation old, Hastes to his Ear, with safe, but lost Advice, Tells him such Heights are levell'd in a trice, Preferments treach'rous, and her Paths of Ice: And that already sure 't had turn'd his Brain, Who thought a Prince's Favour to retain.
Nor seem'd unlike, in this mistaken Rank, The sightless Wretch, who froze upon a Bank A Serpent found, which for a Staff he took, And us'd as such (his own but lately broke) Thanking the Fates, who thus his Loss supply'd, Nor marking one, that with amazement cry'd, Throw quickly from thy Hand that sleeping Ill; A Serpent 'tis, that when awak'd will kill.
A Serpent this! th' uncaution'd Fool replies: A Staff it feels, nor shall my want of Eyes Make me believe, I have no Senses left, And thro' thy Malice be of this bereft; Which Fortune to my Hand has kindly sent To guide my Steps, and stumbling to prevent.
No Staff, the Man proceeds; but to thy harm A Snake 'twill prove: The Viper, now grown warm Confirm'd it soon, and fasten'd on his Arm.
Thus wilt thou find, Shepherd believe it true, Some Ill, that shall this seeming Good ensue; Thousand Distastes, t' allay thy envy'd Gains, Unthought of, on the parcimonious Plains.
So prov'd the Event, and Whisp'rers now defame The candid Judge, and his Proceedings blame.
By Wrongs, they say, a Palace he erects, The Good oppresses, and the Bad protects.
To view this Seat the King himself prepares, Where no Magnificence or Pomp appears, But Moderation, free from each Extream, Whilst Moderation is the Builder's Theme.
Asham'd yet still the Sycophants persist, That Wealth he had conceal'd within a Chest, Which but attended some convenient Day, To face the Sun, and brighter Beams display.
The Chest unbarr'd, no radiant Gems they find, No secret Sums to foreign Banks design'd, But humble Marks of an obscure Recess, Emblems of Care, and Instruments of Peace; The Hook, the Scrip, and for unblam'd Delight The merry Bagpipe, which, ere fall of Night, Cou'd sympathizing Birds to tuneful Notes invite.
Welcome ye Monuments of former Joys! Welcome! to bless again your Master's Eyes, And draw from Courts, th' instructed Shepherd cries.
No more dear Relicks! we no more will part, You shall my Hands employ, who now revive my Heart.
No Emulations, nor corrupted Times Shall falsely blacken, or seduce to Crimes Him, whom your honest Industry can please, Who on the barren Down can sing from inward Ease.
How's this! the Monarch something mov'd rejoins.
With such low Thoughts, and Freedom from Designs, What made thee leave a Life so fondly priz'd, To be in Crouds, or envy'd, or despis'd? Forgive me, Sir, and Humane Frailty see, The Swain replies, in my past State and Me; All peaceful that, to which I vow return.
But who alas! (tho' mine at length I mourn) Was e'er without the Curse of some Ambition born.
Written by Ezra Pound | Create an image from this poem

Canto XIII

 Kung walked
 by the dynastic temple
and into the cedar grove,
 and then out by the lower river,
And with him Khieu Tchi
 and Tian the low speaking
And "we are unknown," said Kung,
"You will take up charioteering?
 "Then you will become known,
"Or perhaps I should take up charioterring, or archery?
"Or the practice of public speaking?"
And Tseu-lou said, "I would put the defences in order,"
And Khieu said, "If I were lord of a province
"I would put it in better order than this is.
" And Tchi said, "I would prefer a small mountain temple, "With order in the observances, with a suitable performance of the ritual," And Tian said, with his hand on the strings of his lute The low sounds continuing after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: "The old swimming hole, "And the boys flopping off the planks, "Or sitting in the underbrush playing mandolins.
" And Kung smiled upon all of them equally.
And Thseng-sie desired to know: "Which had answered correctly?" And Kung said, "They have all answered correctly, "That is to say, each in his nature.
" And Kung raised his cane against Yuan Jang, Yuan Jang being his elder, or Yuan Jang sat by the roadside pretending to be receiving wisdom.
And Kung said "You old fool, come out of it, "Get up and do something useful.
" And Kung said "Respect a child's faculties "From the moment it inhales the clear air, "But a man of fifty who knows nothing Is worthy of no respect.
" And "When the prince has gathered about him "All the savants and artists, his riches will be fully employed.
" And Kung said, and wrote on the bo leaves: If a man have not order within him He can not spread order about him; And if a man have not order within him His family will not act with due order; And if the prince have not order within him He can not put order in his dominions.
And Kung gave the words "order" and "brotherly deference" And said nothing of the "life after death.
" And he said "Anyone can run to excesses, "It is easy to shoot past the mark, "It is hard to stand firm in the middle.
" And they said: If a man commit murder Should his father protect him, and hide him? And Kung said: He should hide him.
And Kung gave his daughter to Kong-Tchang Although Kong-Tchang was in prison.
And he gave his niece to Nan-Young although Nan-Young was out of office.
And Kung said "Wan ruled with moderation, "In his day the State was well kept, "And even I can remember "A day when the historians left blanks in their writings, "I mean, for things they didn't know, "But that time seems to be passing.
A day when the historians left blanks in their writings, But that time seems to be passing.
" And Kung said, "Without character you will "be unable to play on that instrument "Or to execute the music fit for the Odes.
"The blossoms of the apricot "blow from the east to the west, "And I have tried to keep them from falling.
"
Written by Federico García Lorca | Create an image from this poem

Lament For Ignacio Sanchez Mejias

 1.
Cogida and death At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet at five in the afternoon.
A frail of lime ready prepared at five in the afternoon.
The rest was death, and death alone.
The wind carried away the cottonwool at five in the afternoon.
And the oxide scattered crystal and nickel at five in the afternoon.
Now the dove and the leopard wrestle at five in the afternoon.
And a thigh with a desolated horn at five in the afternoon.
The bass-string struck up at five in the afternoon.
Arsenic bells and smoke at five in the afternoon.
Groups of silence in the corners at five in the afternoon.
And the bull alone with a high heart! At five in the afternoon.
When the sweat of snow was coming at five in the afternoon, when the bull ring was covered with iodine at five in the afternoon.
Death laid eggs in the wound at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.
A coffin on wheels is his bed at five in the afternoon.
Bones and flutes resound in his ears at five in the afternoon.
Now the bull was bellowing through his forehead at five in the afternoon.
The room was iridiscent with agony at five in the afternoon.
In the distance the gangrene now comes at five in the afternoon.
Horn of the lily through green groins at five in the afternoon.
The wounds were burning like suns at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon! 2.
The Spilled Blood I will not see it! Tell the moon to come, for I do not want to see the blood of Ignacio on the sand.
I will not see it! The moon wide open.
Horse of still clouds, and the grey bull ring of dreams with willows in the barreras.
I will not see it! Let my memory kindle! Warm the jasmines of such minute whiteness! I will not see it! The cow of the ancient world passed har sad tongue over a snout of blood spilled on the sand, and the bulls of Guisando, partly death and partly stone, bellowed like two centuries sated with threading the earth.
No.
I will not see it! Ignacio goes up the tiers with all his death on his shoulders.
He sought for the dawn but the dawn was no more.
He seeks for his confident profile and the dream bewilders him He sought for his beautiful body and encountered his opened blood Do not ask me to see it! I do not want to hear it spurt each time with less strength: that spurt that illuminates the tiers of seats, and spills over the cordury and the leather of a thirsty multiude.
Who shouts that I should come near! Do not ask me to see it! His eyes did not close when he saw the horns near, but the terrible mothers lifted their heads.
And across the ranches, an air of secret voices rose, shouting to celestial bulls, herdsmen of pale mist.
There was no prince in Sevilla who could compare to him, nor sword like his sword nor heart so true.
Like a river of lions was his marvellous strength, and like a marble toroso his firm drawn moderation.
The air of Andalusian Rome gilded his head where his smile was a spikenard of wit and intelligence.
What a great torero in the ring! What a good peasant in the sierra! How gentle with the sheaves! How hard with the spurs! How tender with the dew! How dazzling the fiesta! How tremendous with the final banderillas of darkness! But now he sleeps without end.
Now the moss and the grass open with sure fingers the flower of his skull.
And now his blood comes out singing; singing along marshes and meadows, sliden on frozen horns, faltering soulles in the mist stoumbling over a thousand hoofs like a long, dark, sad tongue, to form a pool of agony close to the starry Guadalquivir.
Oh, white wall of Spain! Oh, black bull of sorrow! Oh, hard blood of Ignacio! Oh, nightingale of his veins! No.
I will not see it! No chalice can contain it, no swallows can drink it, no frost of light can cool it, nor song nor deluge og white lilies, no glass can cover mit with silver.
No.
I will not see it! 3.
The Laid Out Body Stone is a forehead where dreames grieve without curving waters and frozen cypresses.
Stone is a shoulder on which to bear Time with trees formed of tears and ribbons and planets.
I have seen grey showers move towards the waves raising their tender riddle arms, to avoid being caught by lying stone which loosens their limbs without soaking their blood.
For stone gathers seed and clouds, skeleton larks and wolves of penumbra: but yields not sounds nor crystals nor fire, only bull rings and bull rings and more bull rings without walls.
Now, Ignacio the well born lies on the stone.
All is finished.
What is happening! Contemplate his face: death has covered him with pale sulphur and has place on him the head of dark minotaur.
All is finished.
The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest, and Love, soaked through with tears of snow, warms itself on the peak of the herd.
What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away, with a pure shape which had nightingales and we see it being filled with depthless holes.
Who creases the shroud? What he says is not true! Nobody sings here, nobody weeps in the corner, nobody pricks the spurs, nor terrifies the serpent.
Here I want nothing else but the round eyes to see his body without a chance of rest.
Here I want to see those men of hard voice.
Those that break horses and dominate rivers; those men of sonorous skeleton who sing with a mouth full of sun and flint.
Here I want to see them.
Before the stone.
Before this body with broken reins.
I want to know from them the way out for this captain stripped down by death.
I want them to show me a lament like a river wich will have sweet mists and deep shores, to take the body of Ignacio where it looses itself without hearing the double planting of the bulls.
Loses itself in the round bull ring of the moon which feigns in its youth a sad quiet bull, loses itself in the night without song of fishes and in the white thicket of frozen smoke.
I don't want to cover his face with handkerchiefs that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing Sleep, fly, rest: even the sea dies! 4.
Absent Soul The bull does not know you, nor the fig tree, nor the horses, nor the ants in your own house.
The child and the afternoon do not know you because you have dead forever.
The shoulder of the stone does not know you nor the black silk, where you are shuttered.
Your silent memory does not know you because you have died forever The autumn will come with small white snails, misty grapes and clustered hills, but no one will look into your eyes because you have died forever.
Because you have died for ever, like all the dead of the earth, like all the dead who are forgotten in a heap of lifeless dogs.
Nobady knows you.
No.
But I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth.
Of the sadness of your once valiant gaiety.
It will be a long time, if ever, before there is born an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan, and I remember a sad breeze through the olive trees.
Written by William Topaz McGonagall | Create an image from this poem

A Tribute to Mr Murphy and the Blue Ribbon Army

 All hail to Mr Murphy, he is a hero brave,
That has crossed the mighty Atlantic wave,
For what purpose let me pause and think-
I answer, to warn the people not to taste strong drink.
And, I'm sure, if they take his advice, they never will rue The day they joined the Blue Ribbon Army in the year 1882; And I hope to their colours they will always prove true, And shout, Hurrah ! for Mr Murphy and the Ribbon of Blue.
What is strong drink? Let me think-- I answer 'tis a thing From whence the majority of evils spring, And causes many a fireside with boisterous talk to ring, And leaves behind it a deadly sting.
Some people do say it is good when taken in moderation, But, when taken to excess, it leads to tribulation, Also to starvation and loss of reputation, Likewise your eternal soul's damnation.
The drunkard, he says he can't give it up, For I must confess temptation's in the cup; But he wishes to God it was banished from the land, While he holds the cup in his trembling hand.
And he exclaims in the agony of his soul -- Oh, God, I cannot myself control From this most accurs'd cup! Oh, help me, God, to give it up! Strong drink to the body can do no good; It defiles the blood, likewise the food, And causes the drunkard with pain to groan, Because it extracts the marrow from the bone: And hastens him on to a premature grave, Because to the cup he is bound a slave; For the temptation is hard to thole, And by it he will lose his immortal soul.
The more's the pity, I must say, That so many men and women are by it led astray, And decoyed from the paths of virtue and led on to vice By drinking too much alcohol and acting unwise.
Good people all, of every degree, I pray, ye all be warned by me: I advise ye all to pause and think, And never more to taste strong drink.
Because the drunkard shall never inherit the kingdom of God And whosoever God loves he chastens with his rod: Therefore, be warned, and think in time, And don't drink any more whisky, rum, or wine.
But go at once-- make no delay, And join the Blue Ribbon Army without dismay, And rally round Mr Murphy, and make a bold stand, And help to drive the Bane of Society from our land.
I wish Mr Murphy every success, Hoping he will make rapid progress; And to the Blue Ribbon Army may he always prove true, And adhere to his colours-- the beautiful blue.



Book: Reflection on the Important Things