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Best Famous Mixes Poems

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Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.


At length his lonely cot appears in view,
 Beneath the shelter of an aged tree;
Th’ expectant wee-things, toddlin, stacher through
 To meet their dead, wi’ flichterin noise and glee.
 His wee bit ingle, blinkin bonilie,
His clean hearth-stane, his thrifty wifie’s smile,
 The lisping infant, prattling on his knee,
Does a’ his weary kiaugh and care beguile,
And makes him quite forget his labour and his toil.


Belyve, the elder bairns come drapping in,
 At service out, amang the farmers roun’;
Some ca’ the pleugh, some herd, some tentie rin
 A cannie errand to a neibor town:
 Their eldest hope, their Jenny, woman-grown,
In youthfu’ bloom-love sparkling in her e’e—
 Comes hame, perhaps to shew a braw new gown,
Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.


With joy unfeign’d, brothers and sisters meet,
 And each for other’s weelfare kindly speirs:
The social hours, swift-wing’d, unnotic’d fleet:
 Each tells the uncos that he sees or hears.
 The parents, partial, eye their hopeful years;
Anticipation forward points the view;
 The mother, wi’ her needle and her shears,
Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.


Their master’s and their mistress’ command,
 The younkers a’ are warned to obey;
And mind their labours wi’ an eydent hand,
 And ne’er, tho’ out o’ sight, to jauk or play;
 “And O! be sure to fear the Lord alway,
And mind your duty, duly, morn and night;
 Lest in temptation’s path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright.”


But hark! a rap comes gently to the door;
 Jenny, wha kens the meaning o’ the same,
Tells how a neibor lad came o’er the moor,
 To do some errands, and convoy her hame.
 The wily mother sees the conscious flame
Sparkle in Jenny’s e’e, and flush her cheek;
 With heart-struck anxious care, enquires his name,
While Jenny hafflins is afraid to speak;
Weel-pleased the mother hears, it’s nae wild, worthless rake.


Wi’ kindly welcome, Jenny brings him ben;
 A strappin youth, he takes the mother’s eye;
Blythe Jenny sees the visit’s no ill ta’en;
 The father cracks of horses, pleughs, and kye.
 The youngster’s artless heart o’erflows wi’ joy,
But blate an’ laithfu’, scarce can weel behave;
 The mother, wi’ a woman’s wiles, can spy
What makes the youth sae bashfu’ and sae grave,
Weel-pleas’d to think her bairn’s respected like the lave.


O happy love! where love like this is found:
 O heart-felt raptures! bliss beyond compare!
I’ve paced much this weary, mortal round,
 And sage experience bids me this declare,—
 “If Heaven a draught of heavenly pleasure spare—
One cordial in this melancholy vale,
 ’Tis when a youthful, loving, modest pair
In other’sarms, breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale.”


Is there, in human form, that bears a heart,
 A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
 Betray sweet Jenny’s unsuspecting youth?
 Curse on his perjur’d arts! dissembling smooth!
Are honour, virtue, conscience, all exil’d?
 Is there no pity, no relenting ruth,
Points to the parents fondling o’er their child?
Then paints the ruin’d maid, and their distraction wild?


But now the supper crowns their simple board,
 The halesome parritch, chief of Scotia’s food;
The sowp their only hawkie does afford,
 That, ’yont the hallan snugly chows her cood:
 The dame brings forth, in complimental mood,
To grace the lad, her weel-hain’d kebbuck, fell;
 And aft he’s prest, and aft he ca’s it guid:
The frugal wifie, garrulous, will tell
How t’was a towmond auld, sin’ lint was i’ the bell.


The cheerfu’ supper done, wi’ serious face,
 They, round the ingle, form a circle wide;
The sire turns o’er, with patriarchal grace,
 The big ha’bible, ance his father’s pride:
 His bonnet rev’rently is laid aside,
His lyart haffets wearing thin and bare;
 Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And “Let us worship God!” he says with solemn air.


They chant their artless notes in simple guise,
 They tune their hearts, by far the noblest aim;
Perhaps Dundee’s wild-warbling measures rise;
 Or plaintive Martyrs, worthy of the name;
 Or noble Elgin beets the heaven-ward flame;
The sweetest far of Scotia’s holy lays:
 Compar’d with these, Italian trills are tame;
The tickl’d ears no heart-felt raptures raise;
Nae unison hae they with our Creator’s praise.


The priest-like father reads the sacred page,
 How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
 With Amalek’s ungracious progeny;
 Or how the royal bard did groaning lie
Beneath the stroke of Heaven’s avenging ire;
 Or Job’s pathetic plaint, and wailing cry;
Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.


Perhaps the Christian volume is the theme,
 How guiltless blood for guilty man was shed;
How He, who bore in Heaven the second name,
 Had not on earth whereon to lay His head:
 How His first followers and servants sped;
The precepts sage they wrote to many a land:
 How he, who lone in Patmos banished,
Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.


Then, kneeling down to Heaven’s Eternal King,
 The saint, the father, and the husband prays:
Hope “springs exulting on triumphant wing,” 1
 That thus they all shall meet in future days,
 There, ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
 Together hymning their Creator’s praise,
In such society, yet still more dear;
While circling Time moves round in an eternal sphere


Compar’d with this, how poor Religion’s pride,
 In all the pomp of method, and of art;
When men display to congregations wide
 Devotion’s ev’ry grace, except the heart!
 The Power, incens’d, the pageant will desert,
The pompous strain, the sacerdotal stole;
 But haply, in some cottage far apart,
May hear, well-pleas’d, the language of the soul;
And in His Book of Life the inmates poor enroll.


Then homeward all take off their sev’ral way;
 The youngling cottagers retire to rest:
The parent-pair their secret homage pay,
 And proffer up to Heaven the warm request,
 That he who stills the raven’s clam’rous nest,
And decks the lily fair in flow’ry pride,
 Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.


From scenes like these, old Scotia’s grandeur springs,
 That makes her lov’d at home, rever’d abroad:
Princes and lords are but the breath of kings,
 “An honest man’s the noblest work of God;”
 And certes, in fair virtue’s heavenly road,
The cottage leaves the palace far behind;
 What is a lordling’s pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!


O Scotia! my dear, my native soil!
 For whom my warmest wish to Heaven is sent,
Long may thy hardy sons of rustic toil
 Be blest with health, and peace, and sweet content!
 And O! may Heaven their simple lives prevent
From luxury’s contagion, weak and vile!
 Then howe’er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.


O Thou! who pour’d the patriotic tide,
 That stream’d thro’ Wallace’s undaunted heart,
Who dar’d to nobly stem tyrannic pride,
 Or nobly die, the second glorious part:
 (The patriot’s God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
 O never, never Scotia’s realm desert;
But still the patriot, and the patriot-bard
In bright succession raise, her ornament and guard!


 Note 1. Pope’s “Windsor Forest.”—R. B. [back]


Written by Pablo Neruda | Create an image from this poem

Ode To The Artichoke

 The artichoke 
With a tender heart 
Dressed up like a warrior, 
Standing at attention, it built 
A small helmet 
Under its scales 
It remained 
Unshakeable, 
By its side 
The crazy vegetables 
Uncurled 
Their tendrills and leaf-crowns, 
Throbbing bulbs, 
In the sub-soil 
The carrot 
With its red mustaches 
Was sleeping, 
The grapevine 
Hung out to dry its branches 
Through which the wine will rise, 
The cabbage 
Dedicated itself 
To trying on skirts, 
The oregano 
To perfuming the world, 
And the sweet 
Artichoke 
There in the garden, 
Dressed like a warrior, 
Burnished 
Like a proud 
Pomegrante. 
And one day 
Side by side 
In big wicker baskets 
Walking through the market 
To realize their dream 
The artichoke army 
In formation. 
Never was it so military 
Like on parade. 
The men 
In their white shirts 
Among the vegetables 
Were 
The Marshals 
Of the artichokes 
Lines in close order 
Command voices, 
And the bang 
Of a falling box. 

But 
Then 
Maria 
Comes 
With her basket 
She chooses 
An artichoke, 
She's not afraid of it. 
She examines it, she observes it 
Up against the light like it was an egg, 
She buys it, 
She mixes it up 
In her handbag 
With a pair of shoes 
With a cabbage head and a 
Bottle 
Of vinegar 
Until 
She enters the kitchen 
And submerges it in a pot. 

Thus ends 
In peace 
This career 
Of the armed vegetable 
Which is called an artichoke, 
Then 
Scale by scale, 
We strip off 
The delicacy 
And eat 
The peaceful mush 
Of its green heart.
Written by Laura Riding Jackson | Create an image from this poem

With The Face

 With the face goes a mirror
As with the mind a world.
Likeness tells the doubting eye
That strangeness is not strange.
At an early hour and knowledge
Identity not yet familiar
Looks back upon itself from later,
And seems itself.

To-day seems now.
With reality-to-be goes time.
With the mind goes a world.
Wit the heart goes a weather.
With the face goes a mirror
As with the body a fear.
Young self goes staring to the wall
Where dumb futurity speaks calm,
And between then and then
Forebeing grows of age.

The mirror mixes with the eye.
Soon will it be the very eye.
Soon will the eye that was
The very mirror be.
Death, the final image, will shine
Transparently not otherwise
Than as the dark sun described
With such faint brightnesses.
Written by Anne Sexton | Create an image from this poem

The Big Boots Of Pain

 There can be certain potions 
needled in the clock 
for the body's fall from grace, 
to untorture and to plead for. 
These I have known 
and would sell all my furniture 
and books and assorted goods 
to avoid, and more, more. 

But the other pain
I would sell my life to avoid 
the pain that begins in the crib 
with its bars or perhaps 
with your first breath 
when the planets drill 
your future into you 
for better of worse 
as you marry life 
and the love that gets doled out 
or doesn't. 

I find now, swallowing one teaspoon 
of pain, that it drops downward 
to the past where it mixes 
with last year's cupful 
and downward into a decade's quart 
and downward into a lifetime's ocean. 
I alternate treading water 
and deadman's float. 

The teaspoon ought to be hearable 
if it didn't mix into the reruns 
and thus enlarge into what it is not, 
a sea pest's sting turning promptly 
into the shark's neat biting off 
of a leg because the soul 
wears a magnifying glass. 
Kicking the heart 
with pain's big boots running up and down 
the intestines like a motorcycle racer. 

Yet one does get out of bed 
and start over, plunge into the day 
and put on a hopeful look 
and does not allow fear to build a wall 
between you and an old friend 
or a new friend and reach out your hand, 
shutting down the thought that 
an axe may cut it off unexpectedly. 
One learns not to blab about all this 
except to yourself or the typewriter keys 
who tell no one until they get brave 
and crawl off onto the printed page. 

I'm getting bored with it, 
I tell the typewriter, 
this constantly walking around 
in wet shoes and then, surprise! 
Somehow DECEASED keeps getting 
stamped in red over the word HOPE. 
And I who keep falling thankfully 
into each new pillow of belief, 
finding my Mercy Street, 
kissing it and tenderly gift-wrapping my love, 
am beginning to wonder just what 
the planets had in mind on November 9th, 1928. 
The pillows are ripped away, 
the hand guillotined, 
dog **** thrown into the middle of a laugh, 
a hornets' nest building into the hi-fi speaker 
and leaving me in silence, 
where, without music, 
I become a cracked orphan. 

Well, 
one gets out of bed 
and the planets don't always hiss 
or muck up the day, each day. 
As for the pain and its multiplying teaspoon, 
perhaps it is a medicine 
that will cure the soul 
of its greed for love 
next Thursday.
Written by Ellis Parker Butler | Create an image from this poem

A Culinary Puzzle

 In our dainty little kitchen,
Where my aproned wife is queen
Over all the tin-pan people,
In a realm exceeding clean,
Oft I like to loiter, watching
While she mixes things for tea;
And she tasks me, slyly smiling,
“Now just guess what this will be!”

Hidden in a big blue apron,
Her dimpled arms laid bare,
And the love-smiles coyly mingling
With a housewife’s frown of care—
See her beat a golden batter,
Pausing but to ask of me,
As she adds a bit of butter,
“Now just guess what this will be!”

Then I bravely do my duty,
Guess it, “pudding,” “cake” or “pie,”
“Dumplings,” “waffles,” “bread” or “muffins;”
But no matter what I try,
This provoking witch just answers:
“Never mind, just wait and see!
But I think you should be able,
Dear, to guess what this will be.”

Little fraud! she never tells me
Until ’tis baked and browned—
And I think I know the reason
For her secrecy profound—
She herself with all her fine airs
And her books on cookery,
Could not answer, should I ask her,
“Dearest, what will that mess be?”


Written by Wilfred Owen | Create an image from this poem

A Terre

 (Being the philosophy of many Soldiers.)


Sit on the bed; I'm blind, and three parts shell,
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me -- brutes.
My fingers fidget like ten idle brats.

I tried to peg out soldierly -- no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals? -- Discs to make eyes close.
My glorious ribbons? -- Ripped from my own back
In scarlet shreds. (That's for your poetry book.)

A short life and a merry one, my brick!
We used to say we'd hate to live dead old, --
Yet now . . . I'd willingly be puffy, bald,
And patriotic. Buffers catch from boys
At least the jokes hurled at them. I suppose
Little I'd ever teach a son, but hitting,
Shooting, war, hunting, all the arts of hurting.
Well, that's what I learnt, -- that, and making money.
Your fifty years ahead seem none too many?
Tell me how long I've got? God! For one year
To help myself to nothing more than air!
One Spring! Is one too good to spare, too long?
Spring wind would work its own way to my lung,
And grow me legs as quick as lilac-shoots.
My servant's lamed, but listen how he shouts!
When I'm lugged out, he'll still be good for that.
Here in this mummy-case, you know, I've thought
How well I might have swept his floors for ever,
I'd ask no night off when the bustle's over,
Enjoying so the dirt. Who's prejudiced
Against a grimed hand when his own's quite dust,
Less live than specks that in the sun-shafts turn,
Less warm than dust that mixes with arms' tan?
I'd love to be a sweep, now, black as Town,
Yes, or a muckman. Must I be his load?

O Life, Life, let me breathe, -- a dug-out rat!
Not worse than ours the existences rats lead --
Nosing along at night down some safe vat,
They find a shell-proof home before they rot.
Dead men may envy living mites in cheese,
Or good germs even. Microbes have their joys,
And subdivide, and never come to death,
Certainly flowers have the easiest time on earth.
"I shall be one with nature, herb, and stone."
Shelley would tell me. Shelley would be stunned;
The dullest Tommy hugs that fancy now.
"Pushing up daisies," is their creed, you know.
To grain, then, go my fat, to buds my sap,
For all the usefulness there is in soap.
D'you think the Boche will ever stew man-soup?
Some day, no doubt, if . . .
 Friend, be very sure
I shall be better off with plants that share
More peaceably the meadow and the shower.
Soft rains will touch me, -- as they could touch once,
And nothing but the sun shall make me ware.
Your guns may crash around me. I'll not hear;
Or, if I wince, I shall not know I wince.
Don't take my soul's poor comfort for your jest.
Soldiers may grow a soul when turned to fronds,
But here the thing's best left at home with friends.

My soul's a little grief, grappling your chest,
To climb your throat on sobs; easily chased
On other sighs and wiped by fresher winds.

Carry my crying spirit till it's weaned
To do without what blood remained these wounds.
Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote. 
Johnson was a free-selector, and his brain went rather *****, 
For the constant sight of serpents filled him with a deadly fear; 
So he tramped his free-selection, morning, afternoon, and night, 
Seeking for some great specific that would cure the serpent’s bite. 
Till King Billy, of the Mooki, chieftain of the flour-bag head, 
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; 
Spos’n snake bite old goanna, then you watch a while you see, 
Old goanna cure himself with eating little pfeller tree.” 
“That’s the cure,” said William Johnson, “point me out this plant sublime,” 
But King Billy, feeling lazy, said he’d go another time. 
Thus it came to pass that Johnson, having got the tale by rote, 
Followed every stray goanna, seeking for the antidote. 


. . . . . 
Loafing once beside the river, while he thought his heart would break, 
There he saw a big goanna fighting with a tiger-snake, 
In and out they rolled and wriggled, bit each other, heart and soul, 
Till the valiant old goanna swallowed his opponent whole. 
Breathless, Johnson sat and watched him, saw him struggle up the bank, 
Saw him nibbling at the branches of some bushes, green and rank; 
Saw him, happy and contented, lick his lips, as off he crept, 
While the bulging in his stomach showed where his opponent slept. 
Then a cheer of exultation burst aloud from Johnson’s throat; 
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote. 

“Here it is, the Grand Elixir, greatest blessing ever known,— 
Twenty thousand men in India die each year of snakes alone. 
Think of all the foreign nations, *****, chow, and blackamoor, 
Saved from sudden expiration, by my wondrous snakebite cure. 
It will bring me fame and fortune! In the happy days to be, 
Men of every clime and nation will be round to gaze on me— 
Scientific men in thousands, men of mark and men of note, 
Rushing down the Mooki River, after Johnson’s antidote. 
It will cure delirium tremens, when the patient’s eyeballs stare 
At imaginary spiders, snakes which really are not there. 
When he thinks he sees them wriggle, when he thinks he sees them bloat, 
It will cure him just to think of Johnson’s Snakebite Antidote.” 

Then he rushed to the museum, found a scientific man— 
“Trot me out a deadly serpent, just the deadliest you can; 
I intend to let him bite me, all the risk I will endure, 
Just to prove the sterling value of my wondrous snakebite cure. 
Even though an adder bit me, back to life again I’d float; 
Snakes are out of date, I tell you, since I’ve found the antidote.” 
Said the scientific person, “If you really want to die, 
Go ahead—but, if you’re doubtful, let your sheep-dog have a try. 
Get a pair of dogs and try it, let the snake give both a nip; 
Give your dog the snakebite mixture, let the other fellow rip; 
If he dies and yours survives him, then it proves the thing is good. 
Will you fetch your dog and try it?” Johnson rather thought he would. 
So he went and fetched his canine, hauled him forward by the throat. 
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.” 

Both the dogs were duly loaded with the poison-gland’s contents; 
Johnson gave his dog the mixture, then sat down to wait events. 
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, 
While the other wretched creature lies a corpse upon the ground.” 
But, alas for William Johnson! ere they’d watched a half-hour’s spell 
Stumpy was as dead as mutton, t’other dog was live and well. 
And the scientific person hurried off with utmost speed, 
Tested Johnson’s drug and found it was a deadly poison-weed; 
Half a tumbler killed an emu, half a spoonful killed a goat, 
All the snakes on earth were harmless to that awful antidote. 


. . . . . 
Down along the Mooki River, on the overlanders’ camp, 
Where the serpents are in millions, all of the most deadly stamp, 
Wanders, daily, William Johnson, down among those poisonous hordes, 
Shooting every stray goanna, calls them “black and yaller frauds”. 
And King Billy, of the Mooki, cadging for the cast-off coat, 
Somehow seems to dodge the subject of the snake-bite antidote.
Written by Du Fu | Create an image from this poem

For Hua Qing

Jincheng silk flute day mixed Half enter river wind half enter cloud This tune only should heaven on go Human world able get how many times hear
In Jincheng, music of silk and flutes mixes together all day, Half goes to the river breeze, half goes to the clouds. Music such as this should only go to heaven above, In this human world, how many times can it be heard?
Written by Paul Laurence Dunbar | Create an image from this poem

A Little Christmas Basket

De win' is hollahin' "Daih you" to de shuttahs an' de fiah,
De snow's a-sayin' "Got you" to de groun',
Fu' de wintah weathah 's come widout a-askin' ouah desiah,
An' he 's laughin' in his sleeve at whut he foun';
Fu' dey ain't nobody ready wid dey fuel er dey food,
An' de money bag look timid lak, fu' sho',
So we want ouah Chrismus sermon, but we 'd lak it ef you could
Leave a little Chrismus basket at de do'.
Wha 's de use o' tellin' chillen 'bout a Santy er a Nick,
An' de sto'ies dat a body allus tol'?
When de harf is gray wid ashes an' you has n't got a stick
Fu' to warm dem when dey little toes is col'?
Wha 's de use o' preachin' 'ligion to a man dat's sta'ved to def,
An' a-tellin' him de Mastah will pu'vide?
Ef you want to tech his feelin's, save yo' sermons an' yo' bref,
Tek a little Chrismus basket by yo' side.
[Pg 175]'T ain't de time to open Bibles an' to lock yo' cellah do',
'T ain't de time to talk o' bein' good to men;
Ef you want to preach a sermon ez you nevah preached befo',
Preach dat sermon wid a shoat er wid er hen;
Bein' good is heap sight bettah den a-dallyin' wid sin,
An' dey ain't nobody roun' dat knows it mo',
But I t'ink dat 'ligion 's sweeter w'en it kind o' mixes in
Wid a little Chrismus basket at de do'.

Book: Reflection on the Important Things