Written by
William Butler Yeats |
Epilogue to "A Vision'
MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table. A ghost may come;
For it is a ghost's right,
His element is so fine
Being sharpened by his death,
To drink from the wine-breath
While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound
From every quarter of the world, can stay
Wound in mind's pondering
As mummies in the mummy-cloth are wound;
Because I have a marvellous thing to say,
A certain marvellous thing
None but the living mock,
Though not for sober ear;
It may be all that hear
Should laugh and weep an hour upon the clock.
Horton's the first I call. He loved strange thought
And knew that sweet extremity of pride
That's called platonic love,
And that to such a pitch of passion wrought
Nothing could bring him, when his lady died,
Anodyne for his love.
Words were but wasted breath;
One dear hope had he:
The inclemency
Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell
Whether of her or God he thought the most,
But think that his mind's eye,
When upward turned, on one sole image fell;
And that a slight companionable ghost,
Wild with divinity,
Had so lit up the whole
Immense miraculous house
The Bible promised us,
It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next,
Who finding the first wrinkles on a face
Admired and beautiful,
And knowing that the future would be vexed
With 'minished beauty, multiplied commonplace,
preferred to teach a school
Away from neighbour or friend,
Among dark skins, and there
permit foul years to wear
Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out
From a discourse in figurative speech
By some learned Indian
On the soul's journey. How it is whirled about,
Wherever the orbit of the moon can reach,
Until it plunge into the sun;
And there, free and yet fast,
Being both Chance and Choice,
Forget its broken toys
And sink into its own delight at last.
And I call up MacGregor from the grave,
For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave,
And told him so, but friendship never ends;
And what if mind seem changed,
And it seem changed with the mind,
When thoughts rise up unbid
On generous things that he did
And I grow half contented to be blind!
He had much industry at setting out,
Much boisterous courage, before loneliness
Had driven him crazed;
For meditations upon unknown thought
Make human intercourse grow less and less;
They are neither paid nor praised.
but he d object to the host,
The glass because my glass;
A ghost-lover he was
And may have grown more arrogant being a ghost.
But names are nothing. What matter who it be,
So that his elements have grown so fine
The fume of muscatel
Can give his sharpened palate ecstasy
No living man can drink from the whole wine.
I have mummy truths to tell
Whereat the living mock,
Though not for sober ear,
For maybe all that hear
Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight
Till meditation master all its parts,
Nothing can stay my glance
Until that glance run in the world's despite
To where the damned have howled away their hearts,
And where the blessed dance;
Such thought, that in it bound
I need no other thing,
Wound in mind's wandering
As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920
|
Written by
D. H. Lawrence |
She is large and matronly
And rather dirty,
A little sardonic-looking, as if domesticity had driven her to it.
Though what she does, except lay four eggs at random in the garden once a year
And put up with her husband,
I don't know.
She likes to eat.
She hurries up, striding reared on long uncanny legs
When food is going.
Oh yes, she can make haste when she likes.
She snaps the soft bread from my hand in great mouthfuls,
Opening her rather pretty wedge of an iron, pristine face
Into an enormously wide-beaked mouth
Like sudden curved scissors,
And gulping at more than she can swallow, and working her thick, soft tongue,
And having the bread hanging over her chin.
O Mistress, Mistress,
Reptile mistress,
Your eye is very dark, very bright,
And it never softens
Although you watch.
She knows,
She knows well enough to come for food,
Yet she sees me not;
Her bright eye sees, but not me, not anything,
Sightful, sightless, seeing and visionless,
Reptile mistress.
Taking bread in her curved, gaping, toothless mouth,
She has no qualm when she catches my finger in her steel overlapping gums,
But she hangs on, and my shout and my shrinking are nothing to her.
She does not even know she is nipping me with her curved beak.
Snake-like she draws at my finger, while I drag it in horror away.
Mistress, reptile mistress,
You are almost too large, I am almost frightened.
He is much smaller,
Dapper beside her,
And ridiculously small.
Her laconic eye has an earthy, materialistic look,
His, poor darling, is almost fiery.
His wimple, his blunt-prowed face,
His low forehead, his skinny neck, his long, scaled, striving legs,
So striving, striving,
Are all more delicate than she,
And he has a cruel scar on his shell.
Poor darling, biting at her feet,
Running beside her like a dog, biting her earthy, splay feet,
Nipping her ankles,
Which she drags apathetic away, though without retreating into her shell.
Agelessly silent,
And with a grim, reptile determination,
Cold, voiceless age-after-age behind him, serpents' long obstinacy
Of horizontal persistence.
Little old man
Scuffling beside her, bending down, catching his opportunity,
Parting his steel-trap face, so suddenly, and seizing her scaly ankle,
And hanging grimly on,
Letting go at last as she drags away,
And closing his steel-trap face.
His steel-trap, stoic, ageless, handsome face.
Alas, what a fool he looks in this scuffle.
And how he feels it!
The lonely rambler, the stoic, dignified stalker through chaos,
The immune, the animate,
Enveloped in isolation,
Fore-runner.
Now look at him!
Alas, the spear is through the side of his isolation.
His adolescence saw him crucified into sex,
Doomed, in the long crucifixion of desire, to seek his consummation beyond himself.
Divided into passionate duality,
He, so finished and immune, now broken into desirous fragmentariness,
Doomed to make an intolerable fool of himself
In his effort toward completion again.
Poor little earthy house-inhabiting Osiris,
The mysterious bull tore him at adolescence into pieces,
And he must struggle after reconstruction, ignominiously.
And so behold him following the tail
Of that mud-hovel of his slowly rambling spouse,
Like some unhappy bull at the tail of a cow,
But with more than bovine, grim, earth-dank persistence.
Suddenly seizing the ugly ankle as she stretches out to walk,
Roaming over the sods,
Or, if it happen to show, at her pointed, heavy tail
Beneath the low-dropping back-board of her shell.
Their two shells like domed boats bumping,
Hers huge, his small;
Their splay feet rambling and rowing like paddles,
And stumbling mixed up in one another,
In the race of love --
Two tortoises,
She huge, he small.
She seems earthily apathetic,
And he has a reptile's awful persistence.
I heard a woman pitying her, pitying the Mère Tortue.
While I, I pity Monsieur.
"He pesters her and torments her," said the woman.
How much more is he pestered and tormented, say I.
What can he do?
He is dumb, he is visionless,
Conceptionless.
His black, sad-lidded eye sees but beholds not
As her earthen mound moves on,
But he catches the folds of vulnerable, leathery skin,
Nail-studded, that shake beneath her shell,
And drags at these with his beak,
Drags and drags and bites,
While she pulls herself free, and rows her dull mound along.
|
Written by
A R Ammons |
The reason to be autonomous is to stand there,
a cleared instrument, ready to act, to search
the moral realm and actual conditions for what
needs to be done and to do it: fine, the
best, if it works out, but if, like a gun, it
comes in handy to the wrong choice, why then
you see the danger in the effective: better
then an autonomy that stands and looks about,
negotiating nothing, the supreme indifferences:
is anything to be gained where as much is lost:
and if for every action there is an equal and
opposite reaction has the loss been researched
equally with the gain: you can see how the
milling actions of millions could come to a
buzzard-like glide as from a coincidental,
warm bottom of water stuck between chilled
peaks: it is not so easy to say, OK, go on
out and act: who, doing what, to what or
whom: just a minute: should the bunker be
bombed (if it stores gas): should all the
rattlers die just because they rattle: if I
hear the young gentleman vomiter roaring down
the hall in the men's room, should I go and
inquire of him, reducing him to my care: no
wonder the great sayers (who say nothing) sit
about in inaccessible states of mind: no
wonder still wisdom and catatonia appear to
exchange places occasionally: but if anything
were easy, our easy choices soon would carry
away our ignorance with the world-better
let the mixed-up mix and let the surface shine
with all the possibilities, each in itself.
|
Written by
Ellis Parker Butler |
1775
Said Congress to George Washington:
“To set this country free,
You’ll have to whip the Britishers
And chase them o’er the sea.”
“Oh, very well,” said Washington,
“I’ll do the best I can.
I’ll slam and bang those Britishers
And whip them to a man.”
1777
Said Congress to George Washington:
“The people all complain;
Why don’t you fight? You but retreat
And then retreat again.”
“That can’t be helped,” said Washington,
“As you will quite agree
When you see how the novelists
Have mixed up things for me.”
Said Congress to George Washington:
“Pray make your meaning clear.”
Said Washington: “Why, certainly—
But pray excuse this tear.
Of course we know,” said Washington,
“The object of this war—
It is to furnish novelists
With patriotic lore.”
Said Congress to George Washington:
“Yes! yes! but pray proceed.”
Said Washington: “My part in it
Is difficult indeed,
For every hero in the books
Must sometime meet with me,
And every sweet-faced heroine
I must kiss gallantly.”
Said Congress to George Washington:
“But why must you retreat?”
Said Washington: “One moment, please,
My story to complete.
These hero-folk are scattered through
The whole United States;
At every little country town
A man or maiden waits.”
To Congress said George Washington:
“At Harlem I must be
On such a day to chat with one,
And then I’ll have to flee
With haste to Jersey, there to meet
Another. Here’s a list
Of sixty-seven heroes, and
There may be some I’ve missed.”
To Congress said George Washington:
“Since I must meet them all
(And if I don’t you know how flat
The novels all will fall),
I cannot take much time to fight,
I must be on the run,
Or some historic novelist
Will surely be undone.”
Said Congress to George Washington:
“You are a noble man.
Your thoughtfulness is notable,
And we approve your plan;
A battle won pads very well
A novel that is thin,
But it is better to retreat
Than miss one man and win.”
Said Congress to George Washington:
“Kiss every pretty maid,
But do it in a courtly way
And in a manner staid—
And some day when your sword is sheathed
And all our banners furled,
A crop of novels will spring up
That shall appal the world.”
|
Written by
Rudyard Kipling |
When the Waters were dried an' the Earth did appear,
("It's all one," says the Sapper),
The Lord He created the Engineer,
Her Majesty's Royal Engineer,
With the rank and pay of a Sapper!
When the Flood come along for an extra monsoon,
'Twas Noah constructed the first pontoon
To the plans of Her Majesty's, etc.
But after fatigue in the wet an' the sun,
Old Noah got drunk, which he wouldn't ha' done
If he'd trained with, etc.
When the Tower o' Babel had mixed up men's bat,
Some clever civilian was managing that,
An' none of, etc.
When the Jews had a fight at the foot of a hill,
Young Joshua ordered the sun to stand still,
For he was a Captain of Engineers, etc.
When the Children of Israel made bricks without straw,
They were learnin' the regular work of our Corps,
The work of, etc.
For ever since then, if a war they would wage,
Behold us a-shinin' on history's page --
First page for, etc.
We lay down their sidings an' help 'em entrain,
An' we sweep up their mess through the bloomin' campaign,
In the style of, etc.
They send us in front with a fuse an' a mine
To blow up the gates that are rushed by the Line,
But bent by, etc.
They send us behind with a pick an' a spade,
To dig for the guns of a bullock-brigade
Which has asked for, etc.
We work under escort in trousers and shirt,
An' the heathen they plug us tail-up in the dirt,
Annoying, etc.
We blast out the rock an' we shovel the mud,
We make 'em good roads an' -- they roll down the khud,
Reporting, etc.
We make 'em their bridges, their wells, an' their huts,
An' the telegraph-wire the enemy cuts,
An' it's blamed on, etc.
An' when we return, an' from war we would cease,
They grudge us adornin' the billets of peace,
Which are kept for, etc.
We build 'em nice barracks -- they swear they are bad,
That our Colonels are Methodist, married or mad,
Insultin', etc.
They haven't no manners nor gratitude too,
For the more that we help 'em, the less will they do,
But mock at, etc.
Now the Line's but a man with a gun in his hand,
An' Cavalry's only what horses can stand,
When helped by, etc.
Artillery moves by the leave o' the ground,
But we are the men that do something all round,
For we are, etc.
I have stated it plain, an' my argument's thus
("It's all one," says the Sapper),
There's only one Corps which is perfect -- that's us;
An' they call us Her Majesty's Engineers,
Her Majesty's Royal Engineers,
With the rank and pay of a Sapper!
|
Written by
Stephen Dunn |
The sky in the trees, the trees mixed up
with what's left of heaven, nearby a patch
of daffodils rooted down
where dirt and stones comprise a kind
of night, unmetaphysical, cool as a skeptic's
final sentence. What this scene needs
is a nude absentmindedly sunning herself
on a large rock, thinks the man fed up
with nature, or perhaps a lost tiger,
the maximum amount of wildness a landscape
can bear, but the man knows and fears
his history of tampering with everything,
and besides to anyone who might see him
he's just a figure in a clearing
in a forest in a universe
that is as random as desire itself,
his desire in particular, so much going on
with and without him, moles humping up
the ground near the daffodils, a mockingbird
publishing its cacaphonous anthology,
and those little Calvinists, the ants,
making it all the more difficult
for a person in America
to close his office, skip to the beach.
But what this scene needs are wisteria
and persimmons, thinks the woman
sunning herself absentmindedly on the rock,
a few magnificent words that one
might want to eat if one were a lover
of words, the hell with first principles,
the noon sun on my body, tempered
by a breeze that cannot be doubted.
And as she thinks, she who exists
only in the man's mind, a deer grazes
beyond their knowing, a deer tick riding
its back, and in the gifted air
mosquitos, dragonflies, and tattered
mute angels no one has called upon in years.
|
Written by
Andrew Barton Paterson |
Men fight all shapes and sizes as the racing horses run,
And no man knows his courage till he stands before a gun.
At mixed-up fighting, hand to hand, and clawing men about
They reckon Fuzzy-Wuzzy is the hottest fighter out.
But Fuzzy gives himself away -- his style is out of date,
He charges like a driven grouse that rushes on its fate;
You've nothing in the world to do but pump him full of lead:
But when you're fighting Johhny Boer you have to use your head;
He don't believe in front attacks or charging at the run,
He fights you from a kopje with his little Maxim gun.
For when the Lord He made the earth, it seems uncommon clear,
He gave the job of Africa to some good engineer,
Who started building fortresses on fashions of his own --
Lunettes, redoubts, and counterscarps all made of rock and stone.
The Boer need only bring a gun, for ready to his hand
He finds these heaven-built fortresses all scattered through the land;
And there he sits and winks his eye and wheels his gun about,
And we must charge across the plain to hunt the beggar out.
It ain't a game that grows on us -- there's lots of better fun
Than charging at old Johnny with his little Maxim gun.
On rocks a goat could scarcely climb, steep as the walls of Troy,
He wheels a four-point-seven about as easy as a toy;
With bullocks yoked and drag-ropes manned, he lifts her up the rocks
And shifts her every now and then, as cunning as a fox.
At night you mark her right ahead, you see her clean and clear,
Next day at dawn -- "What, ho! she bumps" -- from somewhere in the rear.
Or else the keenest-eyed patrol will miss him with the glass --
He's lying hidden in the rocks to let the leaders pass;
But when the mainguard comes along he opens up the fun;
There's lots of ammunition for the little Maxim gun.
But after all the job is sure, although the job is slow.
We have to see the business through, the Boer has got to go.
With Nordenfeldt and lyddite shell it's certain, soon or late,
We'll hunt him from his kopjes and across the Orange State;
And then across those open flats you'll see the beggar run,
And we'll be running after him with our little Maxim gun.
|
Written by
Andrew Barton Paterson |
What! you don't like him; well, maybe -- we all have our fancies, of course:
Brumby to look at, you reckon? Well, no; he's a thoroughbred horse;
Sired by a son of old Panic -- look at his ears and his head --
Lop-eared and Roman-nosed, ain't he? -- well, that's how the Panics are bred.
Gluttonous, ugly and lazy, rough as a tipcart to ride,
Yet if you offered a sovereign apiece for the hairs on his hide
That wouldn't buy him, nor twice that; while I've a pound to the good,
This here old stager stays by me and lives like a thoroughbred should;
Hunt him away from his bedding, and sit yourself down by the wall,
Till you hear how the old fellow saved me from Gilbert, O'Meally and Hall.
*
Gilbert and Hall and O'Meally, back in the bushranging days,
Made themselves kings of the district -- ruled it in old-fashioned ways --
Robbing the coach and the escort, stealing our horses at night,
Calling sometimes at the homesteads and giving the women a fright:
Came to the station one morning (and why they did this no one knows)
Took a brood mare from the paddock--wanting some fun, I suppose --
Fastened a bucket beneath her, hung by a strap around her flank,
Then turned her loose in the timber back of the seven-mile tank.
Go? She went mad! She went tearing and screaming with fear through the trees,
While the curst bucket beneath her was banging her flanks and her knees.
Bucking and racing and screaming she ran to the back of the run,
Killed herself there in a gully; by God, but they paid for their fun!
Paid for it dear, for the black-boys found tracks, and the bucket, and all,
And I swore that I'd live to get even with Gilbert, O'Meally and Hall.
Day after day then I chased them -- 'course they had friends on the sly,
Friends who were willing to sell them to those who were willing to buy.
Early one morning we found them in camp at the Cockatoo Farm;
One of us shot at O'Meally and wounded him under the arm:
Ran them for miles in the ranges, till Hall, with his horse fairly beat,
Took to the rocks and we lost him -- the others made good their retreat.
It was war to the knife then, I tell you, and once, on the door of my shed,
They nailed up a notice that offered a hundred reward for my head!
Then we heard they were gone from the district; they stuck up a coach in the West,
And I rode by myself in the paddocks, just taking a bit of a rest,
Riding this colt as a youngster -- awkward, half-broken and shy,
He wheeled round one day on a sudden; I looked, but I couldn't see why --
But I soon found out why, for before me the hillside rose up like a wall,
And there on the top with their rifles were Gilbert, O'Meally and Hall!
'Twas a good three-mile run to the homestead -- bad going, with plenty of trees --
So I gathered the youngster together, and gripped at his ribs with my knees.
'Twas a mighty poor chance to escape them! It puts a man's nerve to the test
On a half-broken colt to be hunted by the best mounted men in the West.
But the half-broken colt was a racehorse! He lay down to work with a will.
Flashed through the scrub like a clean-skin-by heavens, we flew down the hill!
Over a twenty-foot gully he swept with the spring of a deer,
And they fired as we jumped, but they missed me -- a bullet sang close to my ear --
And the jump gained us ground, for they shirked it: but I saw as we raced through the gap
That the rails at the homestead were fastened -- I was caught like a rat in a trap.
Fenced with barbed wire was the paddock -- barbed wire that would cut like a knife --
How was a youngster to clear it that never had jumped in his life?
Bang went a rifle behind me -- the colt gave a spring, he was hit;
Straight at the sliprails I rode him -- I felt him take hold of the bit;
Never a foot to the right or the left did he swerve in his stride,
Awkward and frightened, but honest, the sort it's a pleasure to ride!
Straight at the rails, where they'd fastened barbed wire on the top of the post,
Rose like a stag and went over, with hardly a scratch at the most;
Into the homestead I darted, and snatched down my gun from the wall,
And I tell you I made them step lively, Gilbert, O'Meally and Hail.
Yes! There's the mark of the bullet -- he's got it inside of him yet,
Mixed up somehow with his victuals; but, bless you, he don't seem to fret!
Gluttonous, ugly, and lazy -- eats anything he can bite;
Now, let us shut up the stable, and bid the old fellow good night.
Ah! we can't breed 'em, the son that were bred when we old uns were young....
Yes, as I said, these bushrangers, none of 'em lived to be hung.
Gilbert was shot by the troopers, Hall was betrayed by his friend,
Campbell disposed of O'Meally, bringing the lot to an end.
But you can talk about riding -- I've ridden a lot in the past --
Wait till there's rifles behind you, you'll know what it means to go fast!
I've steeplechased, raced, and "run horses", but I think the most dashing of all
Was the ride when that old fellow saved me from Gilbert, O'Meally and Hall!
|
Written by
Czeslaw Milosz |
You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.
What strengthened me, for you was lethal.
You mixed up farewell to an epoch with the beginning of a new one,
Inspiration of hatred with lyrical beauty,
Blind force with accomplished shape.
Here is the valley of shallow Polish rivers. And an immense bridge
Going into white fog. Here is a broken city,
And the wind throws the screams of gulls on your grave
When I am talking with you.
What is poetry which does not save
Nations or people?
A connivance with official lies,
A song of drunkards whose throats will be cut in a moment,
Readings for sophomore girls.
That I wanted good poetry without knowing it,
That I discovered, late, its salutary aim,
In this and only this I find salvation.
They used to pour millet on graves or poppy seeds
To feed the dead who would come disguised as birds.
I put this book here for you, who once lived
So that you should visit us no more.
|
Written by
Henry Lawson |
He'd been for years in Sydney "a-acting of the goat",
His name was Joseph Swallow, "the Great Australian Pote",
In spite of all the stories and sketches that he wrote.
And so his friends held meetings (Oh, narrow souls were theirs!)
To advertise their little selves and Joseph's own affairs.
They got up a collection for Joseph unawares.
They looked up his connections and rivals by the score –
The wife who had divorced him some twenty years before,
And several politicians he'd made feel very sore.
They sent him down to Coolan, a long train ride from here,
Because of his grey hairs and "pomes" and painted blondes – and beer.
(I mean to say the painted blondes would always give him beer.)
(They loved him for his eyes were dark, and you must not condemn
The love for opposites that mark the everlasting fem.
Besides, he "made up" little bits of poetry for them.)
They sent him "for his own sake", but not for that alone –
A poet's sins are public; his sorrows are his own.
And poets' friends have skins like hides, and mostly hearts of stone.
They said "We'll send some money and you must use your pen.
"So long," they said. "Adoo!" they said. "And don't come back again.
Well, stay at least a twelve-month – we might be dead by then."
Two greybeards down at Coolan – familiar grins they had –
They took delivery of the goods, and also of the bad.
(Some bread and meat had come by train – Joe Swallow was the bad.)
They'd met him shearing west o' Bourke in some forgotten year.
They introduced him to the town and pints of Wagga beer.
(And Wagga pints are very good –- I wish I had some here.)
It was the Busy Bee Hotel where no one worked at all,
Except perhaps to cook the grub and clean the rooms and "hall".
The usual half-wit yardman worked at each one's beck and call.
'Twas "Drink it down!" and "Fillemup!" and "If the pub goes dry,
There's one just two-mile down the road, and more in Gundagai" –
Where married folk by accident get poison in the pie.
The train comes in at eight o'clock – or half-past, I forget,
And when the dinner table at the Busy Bee was set,
Upon the long verandah stool the beards were wagging yet.
They talked of where they hadn't been and what they hadn't won;
They talked of mostly everything that's known beneath the sun.
The things they didn't talk about were big things they had done.
They talked of what they called to mind, and couldn't call to mind;
They talked of men who saw too far and people who were "blind".
Tradition says that Joe's grey beard wagged not so far behind.
They got a horse and sulky and a riding horse as well,
And after three o'clock they left the Busy Bee Hotel –
In case two missuses should send from homes where they did dwell.
No barber bides in Coolan, no baker bakes the bread;
And every local industry, save rabbitin', is dead –
And choppin' wood. The women do all that, be it said.
(I'll add a line and mention that two-up goes ahead.)
The shadows from the sinking sun were long by hill and scrub;
The two-up school had just begun, in spite of beer and grub;
But three greybeards were wagging yet down at the Two-mile pub.
A full, round, placid summer moon was floating in the sky;
They took a demijohn of beer, in case they should go dry;
And three greybeards went wagging down the road to Gundagai.
At Gundagai next morning (which poets call "th' morn")
The greybeards sought a doctor – a friend of the forlorn –
Whose name is as an angel's who sometimes blows a horn.
And Doctor Gabriel fixed 'em up, but 'twas not in the bar.
It wasn't rum or whisky, nor yet was it Three Star.
'Twas mixed up in a chemist's shop, and swifter stuff by far.
They went out to the backyard (to make my meaning plain);
The doctor's stuff wrought mightily, but by no means in vain.
Then they could eat their breakfasts and drink their beer again.
They made a bond between the three, as rock against the wave,
That they'd go to the barber's shop and each have a clean shave,
To show the people how they looked when they were young and brave.
They had the shave and bought three suits (and startling suits in sooth),
And three white shirts and three red ties (to tell the awful truth),
To show the people how they looked in their hilarious youth.
They burnt their old clothes in the yard, and their old hats as well;
The publican kicked up a row because they made a smell.
They put on bran'-new "larstin'-sides" – and, oh, they looked a yell!
Next morning, or the next (or next), from demon-haunted beds,
And very far from feeling like what sporting men call "peds",
The three rode back without their beards, with "boxers" on their heads!
They tried to get Joe lodgings at the Busy Bee in vain;
They did not take him to their homes, they took him to the train;
They sent him back to Sydney till grey beards grew again.
They sent him back to Sydney to keep away a year;
Because of shaven beards and wives they thought him safer here.
And so he cut his friends and stuck to powdered blondes and beer.
Until the finish came at last, as 'twill to any "bloke";
But in Joe's case it chanced to be a paralytic stroke;
The soft heart of a powdered blonde was, as she put it, "broke".
She sought Joe in the hospital and took the choicest food;
She went there very modestly and in a chastened mood,
And timid and respectful-like – because she was no good.
She sat the death-watch out alone on the verandah dim;
And after all was past and gone she dried her eyes abrim,
And sought the head-nurse timidly, and asked "May I see him?"
And then she went back to her bar, where she'd not been for weeks,
To practise there her barmaid's smile and mend and patch the streaks
The only real tears for Joe had left upon her cheeks
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