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Best Famous Mistaking Poems

Here is a collection of the all-time best famous Mistaking poems. This is a select list of the best famous Mistaking poetry. Reading, writing, and enjoying famous Mistaking poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mistaking poems.

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Written by Lawrence Ferlinghetti | Create an image from this poem

Constantly Risking Absurdity

 Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence


Written by Andrew Barton Paterson | Create an image from this poem

The Story of Mongrel Grey

 This is the story the stockman told 
On the cattle-camp, when the stars were bright; 
The moon rose up like a globe of gold 
And flooded the plain with her mellow light. 
We watched the cattle till dawn of day 
And he told me the story of Mongrel Grey. 
He was a knock-about station hack, 
Spurred and walloped, and banged and beat; 
Ridden all day with a sore on his back, 
Left all night with nothing to eat. 
That was a matter of everyday 
Normal occurrence with Mongrel Grey. 

We might have sold him, but someone heard 
He was bred out back on a flooded run, 
Where he learnt to swim like a waterbird; 
Midnight or midday were all as one -- 
In the flooded ground he would find his way; 
Nothing could puzzle old Mongrel Grey. 

'Tis a trick, no doubt, that some horses learn; 
When the floods are out they will splash along 
In girth-deep water, and twist and turn 
From hidden channel and billabong, 
Never mistaking the road to go; 
for a man may guess -- but the horses know. 

I was camping out with my youngest son -- 
Bit of a nipper, just learnt to speak -- 
In an empty hut on the lower run, 
Shooting and fishing in Conroy's Creek. 
The youngster toddled about all day 
And there with our horses was Mongrel Grey. 

All of a sudden a flood came down, 
At first a freshet of mountain rain, 
Roaring and eddying, rank and brown, 
Over the flats and across the plain. 
Rising and rising -- at fall of night 
Nothing but water appeared in sight! 

'Tis a nasty place when the floods are out, 
Even in daylight; for all around 
Channels and billabongs twist about, 
Stretching for miles in the flooded ground. 
And to move seemed a hopeless thing to try 
In the dark with the storm-water racing by. 

I had to risk it. I heard a roar 
As the wind swept down and the driving rain; 
And the water rose till it reached the floor 
Of our highest room; and 'twas very plain -- 
The way the torrent was sweeping down -- 
We must make for the highlands at once, or drown. 

Off to the stable I splashed, and found 
The horses shaking with cold and fright; 
I led them down to the lower ground, 
But never a yard would they swim that night! 
They reared and snorted and turned away, 
And none would face it but Mongrel Grey. 

I bound the child on the horse's back, 
And we started off, with a prayer to heaven, 
Through the rain and the wind and the pitchy black 
For I knew that the instinct God has given 
To prompt His creatures by night and day 
Would guide the footsteps of Mongrel Grey. 

He struck deep water at once and swam -- 
I swam beside him and held his mane -- 
Till we touched the bank of the broken dam 
In shallow water; then off again, 
Swimming in darkness across the flood, 
Rank with the smell of the drifting mud. 

He turned and twisted across and back, 
Choosing the places to wade or swim, 
Picking the safest and shortest track -- 
The blackest darkness was clear to him. 
Did he strike the crossing by sight or smell? 
The Lord that held him alone could tell! 

He dodged the timber whene'er he could, 
But timber brought us to grief at last; 
I was partly stunned by a log of wood 
That struck my head as it drifted past; 
Then lost my grip of the brave old grey, 
And in half a second he swept away. 

I reached a tree, where I had to stay, 
And did a perish for two days' hard; 
And lived on water -- but Mongrel Grey, 
He walked right into the homestead yard 
At dawn next morning, and grazed around, 
With the child strapped on to him safe and sound. 

We keep him now for the wife to ride, 
Nothing too good for him now, of course; 
Never a whip on his fat old hide, 
For she owes the child to that brave grey horse. 
And not Old Tyson himself could pay 
The purchase money of Mongrel Grey.
Written by John Dryden | Create an image from this poem

Song For Saint Cecilias Day 1687

 From Harmony, from heavenly Harmony
 This universal frame began:
 When nature underneath a heap
 Of jarring atoms lay
 And could not heave her head,
The tuneful voice was heard from high,
 Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
 And Music's power obey.
From Harmony, from heavenly harmony
 This universal frame began:
 From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
 When Jubal struck the chorded shell
 His listening brethren stood around,
 And, wondering, on their faces fell
 To worship that celestial sound.
Less than a god they thought there could not dwell
 Within the hollow of that shell
 That spoke so sweetly and so well.
What passion cannot Music raise and quell?

 The trumpet's loud clangour
 Excites us to arms,
 With shrill notes of anger
 And mortal alarms.
 The double double double beat
 Of the thundering drum
 Cries 'Hark! the foes come;
Charge, charge, 'tis too late to retreat!'

 The soft complaining flute
 In dying notes discovers
 The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

 Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depths of pains, and height of passion
 For the fair disdainful dame.

But oh! what art can teach,
What human voice can reach
 The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
 To mend the choirs above.

Orpheus could lead the savage race,
And trees unrooted left their place
 Sequacious of the lyre:
But bright Cecilia raised the wonder higher:
When to her Organ vocal breath was given
An angel heard, and straight appear'd—
 Mistaking Earth for Heaven.

Grand Chorus:

As from the power of sacred lays
 The spheres began to move,
And sung the great Creator's praise
 To all the blest above;
So when the last and dreadful hour
 This crumbling pageant shall devour,
The trumpet shall be heard on high,
 The dead shall live, the living die,
 And music shall untune the sky.
Written by Andrew Barton Paterson | Create an image from this poem

Driver Smith

 'Twas Driver Smith of Battery A was anxious to see a fight; 
He thought of the Transvaal all the day, he thought of it all the night -- 
"Well, if the battery's left behind, I'll go to the war," says he, 
"I'll go a-driving and ambulance in the ranks of the A.M.C. 
"I'm fairly sick of these here parades -- it's want of a change that kills -- 
A-charging the Randwick Rifle Range and aiming at Surry Hills. 
And I think if I go with the ambulance I'm certain to find a show, 
For they have to send the Medical men wherever the troops can go. 

"Wherever the rifle bullets flash and the Maxims raise a din, 
It's here you'll find the Medical men a-raking the wounded in -- 
A-raking 'em in like human flies -- and a driver smart like me 
Will find some scope for his extra skill in the ranks of the A.M.C." 

So Driver Smith he went to war a-cracking his driver's whip, 
From ambulance to collecting base they showed him his regular trip. 
And he said to the boys that were marching past, as he gave his whip a crack, 
"You'll walk yourselves to the fight," says he -- "Lord spare me, I'll drive you back." 

Now the fight went on in the Transvaal hills for the half of a day or more, 
And Driver Smith he worked his trip -- all aboard for the seat of war! 
He took his load from the stretcher men and hurried 'em homeward fast 
Till he heard a sound that he knew full well -- a battery rolling past. 

He heard the clink of the leading chains and the roll of the guns behind -- 
He heard the crack of the drivers' whips, and he says to 'em, "Strike me blind, 
I'll miss me trip with this ambulance, although I don't care to shirk, 
But I'll take the car off the line today and follow the guns at work." 

Then up the Battery Colonel came a-cursing 'em black in the face. 
"Sit down and shift 'e,, you drivers there, and gallop 'em into place." 
So off the Battery rolled and swung, a-going a merry dance, 
And holding his own with the leading gun goes Smith with his ambulance. 

They opened fire on the mountain side, a-peppering by and large, 
When over the hill above their flank the Boers came down at the charge; 
They rushed the guns with a daring rush, a-volleying left and right, 
And Driver Smith and his ambulance moved up to the edge of the fight. 

The gunners stuck to their guns like men, and fought as the wild cats fight, 
For a Battery man don't leave his gun with ever a hope in sight; 
But the bullets sang and the Mausers cracked and the Battery men gave away, 
Till Driver Smith with his ambulance drove into the thick of the fray. 

He saw the head of the Transvaal troop a-thundering to and fro, 
A hard old face with a monkey beard -- a face that he seemed to know; 
"Now who's that leader?" said Driver Smith. "I've seen him before today. 
Why, bless my heart, but it's Kruger's self," and he jumped for him straight away. 

He collared old Kruger round the waist and hustled him into the van. 
It wasn't according to stretcher drill for raising a wounded man; 
But he forced him in and said, "All aboard, we're off for a little ride, 
And you'll have the car to yourself," says he, "I reckon we're full inside." 

He wheeled his team on the mountain side and set 'em a merry pace, 
A-galloping over the rocks and stones, and a lot of the Boers gave chase; 
Bur Driver Smith had a fairish start, and he said to the Boers, "Good-day, 
You have Buckley's chance for to catch a man that was trained in Battery A." 

He drove his team to the hospital bed and said to the P.M.O., 
"Beg pardon, sir, but I missed the trip, mistaking the way to go; 
And Kruger came to the ambulance and asked could we spare a bed, 
So I fetched him here, and we'll take him home to show for a bob a head." 

So the word went round to the English troops to say they need fight no more, 
For Driver Smith with his ambulance had ended the blooming war. 
And in London now at the music halls he's starring it every night, 
And drawing a hundred pounds a week to tell how he won the fight.
Written by William Shakespeare | Create an image from this poem

Sonnet 87: Farewell! Thou art too dear for my possessing

 Farewell! Thou art too dear for my possessing,
And like enough thou know'st thy estimate,
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting,
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav'st, thy own worth then not knowing,
Or me, to whom thou gav'st it, else mistaking;
So thy great gift upon misprision growing,
Comes home again, on better judgement making.
Thus have I had thee as a dream doth flatter,
In sleep a king, but waking no such matter.


Written by William Shakespeare | Create an image from this poem

Sonnet LXXXVII

 Farewell! thou art too dear for my possessing,
And like enough thou know'st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gavest, thy own worth then not knowing,
Or me, to whom thou gavest it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
Thus have I had thee, as a dream doth flatter,
In sleep a king, but waking no such matter.
Written by William Shakespeare | Create an image from this poem

Sonnets ix

 FAREWELL! thou art too dear for my possessing, 
And like enough thou know'st thy estimate: 
The charter of thy worth gives thee releasing; 
My bonds in thee are all determinate. 
For how do I hold thee but by thy granting? 
And for that riches where is my deserving? 
The cause of this fair gift in me is wanting, 
And so my patent back again is swerving. 
Thyself thou gav'st, thy own worth then not knowing, 
Or me, to whom thou gav'st it, else mistaking; 
So thy great gift, upon misprision growing, 
Comes home again, on better judgment making. 
 Thus have I had thee, as a dream doth flatter 
 In sleep a King; but waking, no such matter.
Written by Emily Dickinson | Create an image from this poem

Shells from the Coast mistaking --

 Shells from the Coast mistaking --
I cherished them for All --
Happening in After Ages
To entertain a Pearl --

Wherefore so late -- I murmured --
My need of Thee -- be done --
Therefore -- the Pearl responded --
My Period begin

Book: Reflection on the Important Things