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Best Famous Mischance Poems

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Written by Alfred Lord Tennyson | Create an image from this poem

The Lady of Shalott

ON either side the river lie

Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
To many-tower'd Camelot; 5 
And up and down the people go, 
Gazing where the lilies blow 
Round an island there below, 
The island of Shalott. 

Willows whiten, aspens quiver, 10 
Little breezes dusk and shiver 
Thro' the wave that runs for ever 
By the island in the river 
Flowing down to Camelot. 
Four gray walls, and four gray towers, 15 
Overlook a space of flowers, 
And the silent isle imbowers 
The Lady of Shalott. 

By the margin, willow-veil'd, 
Slide the heavy barges trail'd 20 
By slow horses; and unhail'd 
The shallop flitteth silken-sail'd 
Skimming down to Camelot: 
But who hath seen her wave her hand? 
Or at the casement seen her stand? 25 
Or is she known in all the land, 
The Lady of Shalott? 

Only reapers, reaping early 
In among the bearded barley, 
Hear a song that echoes cheerly 30 
From the river winding clearly, 
Down to tower'd Camelot: 
And by the moon the reaper weary, 
Piling sheaves in uplands airy, 
Listening, whispers ''Tis the fairy 35 
Lady of Shalott.' 

PART II
There she weaves by night and day

A magic web with colours gay. 
She has heard a whisper say, 
A curse is on her if she stay 40 
To look down to Camelot. 
She knows not what the curse may be, 
And so she weaveth steadily, 
And little other care hath she, 
The Lady of Shalott. 45 

And moving thro' a mirror clear 
That hangs before her all the year, 
Shadows of the world appear. 
There she sees the highway near 
Winding down to Camelot: 50 
There the river eddy whirls, 
And there the surly village-churls, 
And the red cloaks of market girls, 
Pass onward from Shalott. 

Sometimes a troop of damsels glad, 55 
An abbot on an ambling pad, 
Sometimes a curly shepherd-lad, 
Or long-hair'd page in crimson clad, 
Goes by to tower'd Camelot; 
And sometimes thro' the mirror blue 60 
The knights come riding two and two: 
She hath no loyal knight and true, 
The Lady of Shalott. 

But in her web she still delights 
To weave the mirror's magic sights, 65 
For often thro' the silent nights 
A funeral, with plumes and lights, 
And music, went to Camelot: 
Or when the moon was overhead, 
Came two young lovers lately wed; 70 
'I am half sick of shadows,' said 
The Lady of Shalott. 

PART III
A bow-shot from her bower-eaves,

He rode between the barley-sheaves, 
The sun came dazzling thro' the leaves, 75 
And flamed upon the brazen greaves 
Of bold Sir Lancelot. 
A red-cross knight for ever kneel'd 
To a lady in his shield, 
That sparkled on the yellow field, 80 
Beside remote Shalott. 

The gemmy bridle glitter'd free, 
Like to some branch of stars we see 
Hung in the golden Galaxy. 
The bridle bells rang merrily 85 
As he rode down to Camelot: 
And from his blazon'd baldric slung 
A mighty silver bugle hung, 
And as he rode his armour rung, 
Beside remote Shalott. 90 

All in the blue unclouded weather 
Thick-jewell'd shone the saddle-leather, 
The helmet and the helmet-feather 
Burn'd like one burning flame together, 
As he rode down to Camelot. 95 
As often thro' the purple night, 
Below the starry clusters bright, 
Some bearded meteor, trailing light, 
Moves over still Shalott. 

His broad clear brow in sunlight glow'd; 100 
On burnish'd hooves his war-horse trode; 
From underneath his helmet flow'd 
His coal-black curls as on he rode, 
As he rode down to Camelot. 
From the bank and from the river 105 
He flash'd into the crystal mirror, 
'Tirra lirra,' by the river 
Sang Sir Lancelot. 

She left the web, she left the loom, 
She made three paces thro' the room, 110 
She saw the water-lily bloom, 
She saw the helmet and the plume, 
She look'd down to Camelot. 
Out flew the web and floated wide; 
The mirror crack'd from side to side; 115 
'The curse is come upon me!' cried 
The Lady of Shalott. 

PART IV
In the stormy east-wind straining,

The pale yellow woods were waning, 
The broad stream in his banks complaining, 120 
Heavily the low sky raining 
Over tower'd Camelot; 

Down she came and found a boat 
Beneath a willow left afloat, 
And round about the prow she wrote 125 
The Lady of Shalott. 

And down the river's dim expanse¡ª 
Like some bold seer in a trance, 
Seeing all his own mischance¡ª 
With a glassy countenance 130 
Did she look to Camelot. 
And at the closing of the day 
She loosed the chain, and down she lay; 
The broad stream bore her far away, 
The Lady of Shalott. 135 

Lying, robed in snowy white 
That loosely flew to left and right¡ª 
The leaves upon her falling light¡ª 
Thro' the noises of the night 
She floated down to Camelot: 140 
And as the boat-head wound along 
The willowy hills and fields among, 
They heard her singing her last song, 
The Lady of Shalott. 

Heard a carol, mournful, holy, 145 
Chanted loudly, chanted lowly, 
Till her blood was frozen slowly, 
And her eyes were darken'd wholly, 
Turn'd to tower'd Camelot; 
For ere she reach'd upon the tide 150 
The first house by the water-side, 
Singing in her song she died, 
The Lady of Shalott. 

Under tower and balcony, 
By garden-wall and gallery, 155 
A gleaming shape she floated by, 
Dead-pale between the houses high, 
Silent into Camelot. 
Out upon the wharfs they came, 
Knight and burgher, lord and dame, 160 
And round the prow they read her name, 
The Lady of Shalott. 

Who is this? and what is here? 
And in the lighted palace near 
Died the sound of royal cheer; 165 
And they cross'd themselves for fear, 
All the knights at Camelot: 
But Lancelot mused a little space; 
He said, 'She has a lovely face; 
God in His mercy lend her grace, 170 
The Lady of Shalott.' 


Written by Countee Cullen | Create an image from this poem

Fruit of the Flower

 My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days. 
My mother's life is puritan,
No hint of cavalier,
A pool so calm you're sure it can
Have little depth to fear.

And yet my father's eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.

And though my mother chants of God,
And of the mystic river,
I've seen a bit of checkered sod
Set all her flesh aquiver.

Why should he deem it pure mischance
A son of his is fain
To do a naked tribal dance
Each time he hears the rain?

Why should she think it devil's art
That all my songs should be
Of love and lovers, broken heart,
And wild sweet agony?

Who plants a seed begets a bud,
Extract of that same root;
Why marvel at the hectic blood
That flushes this wild fruit?
Written by Rudyard Kipling | Create an image from this poem

To the True Romance

 Thy face is far from this our war,
 Our call and counter-cry,
I shall not find Thee quick and kind,
 Nor know Thee till I die,
Enough for me in dreams to see
 And touch Thy garments' hem:
Thy feet have trod so near to God
 I may not follow them.

Through wantonness if men profess
 They weary of Thy parts,
E'en let them die at blasphemy
 And perish with their arts;
But we that love, but we that prove
 Thine excellence august,
While we adore discover more
 Thee perfect, wise, and just.

Since spoken word Man's Spirit stirred
 Beyond his belly-need,
What is is Thine of fair design
 In thought and craft and deed;
Each stroke aright of toil and fight,
 That was and that shall be,
And hope too high, wherefore we die,
 Has birth and worth in Thee.

Who holds by Thee hath Heaven in fee
 To gild his dross thereby,
And knowledge sure that he endure
 A child until he die --
For to make plain that man's disdain
 Is but new Beauty's birth --
For to possess in loneliness
 The joy of all the earth.

As Thou didst teach all lovers speech
 And Life all mystery,
So shalt Thou rule by every school
 Till love and longing die,
Who wast or yet the Lights were set,
 A whisper in the Void,
Who shalt be sung through planets young
 When this is clean destroyed.

Beyond the bounds our staring rounds,
 Across the pressing dark,
The children wise of outer skies
 Look hitherward and mark
A light that shifts, a glare that drifts,
 Rekindling thus and thus,
Not all forlorn, for Thou hast borne
 Strange tales to them of us.

Time hath no tide but must abide
 The servant of Thy will;
Tide hath no time, for to Thy rhyme
 The ranging stars stand still --
Regent of spheres that lock our fears,
 Our hopes invisible,
Oh 'twas certes at Thy decrees
 We fashioned Heaven and Hell!

Pure Wisdom hath no certain path
 That lacks thy morning-eyne,
And captains bold by Thee controlled
 Most like to Gods design;
Thou art the Voice to kingly boys
 To lift them through the fight,
And Comfortress of Unsuccess,
 To give the dead good-night --

A veil to draw 'twixt God His Law
 And Man's infirmity,
A shadow kind to dumb and blind
 The shambles where we die;
A rule to trick th' arithmetic
 Too base of leaguing odds --
The spur of trust, the curb of lust,
 Thou handmaid of the Gods!

O Charity, all patiently
 Abiding wrack and scaith!
O Faith, that meets ten thousand cheats
 Yet drops no jot of faith!
Devil and brute Thou dost transmute
 To higher, lordlier show,
Who art in sooth that lovely Truth
 The careless angels know!

Thy face is far from this our war,
 Our call and counter-cry,
I may not find Thee quick and kind,
 Nor know Thee till I die.

Yet may I look with heart unshook
 On blow brought home or missed --
Yet may I hear with equal ear
 The clarions down the List;
Yet set my lance above mischance
 And ride the barriere --
Oh, hit or miss, how little 'tis,
 My Lady is not there!
Written by Robert Burns | Create an image from this poem

25. My Father was a Farmer: A Ballad

 MY father was a farmer upon the Carrick border, O,
And carefully he bred me in decency and order, O;
He bade me act a manly part, though I had ne’er a farthing, O;
For without an honest manly heart, no man was worth regarding, O.


Then out into the world my course I did determine, O;
Tho’ to be rich was not my wish, yet to be great was charming, O;
My talents they were not the worst, nor yet my education, O:
Resolv’d was I at least to try to mend my situation, O.


In many a way, and vain essay, I courted Fortune’s favour, O;
Some cause unseen still stept between, to frustrate each endeavour, O;
Sometimes by foes I was o’erpower’d, sometimes by friends forsaken, O;
And when my hope was at the top, I still was worst mistaken, O.


Then sore harass’d and tir’d at last, with Fortune’s vain delusion, O,
I dropt my schemes, like idle dreams, and came to this conclusion, O;
The past was bad, and the future hid, its good or ill untried, O;
But the present hour was in my pow’r, and so I would enjoy it, O.


No help, nor hope, nor view had I, nor person to befriend me, O;
So I must toil, and sweat, and moil, and labour to sustain me, O;
To plough and sow, to reap and mow, my father bred me early, O;
For one, he said, to labour bred, was a match for Fortune fairly, O.


Thus all obscure, unknown, and poor, thro’ life I’m doom’d to wander, O,
Till down my weary bones I lay in everlasting slumber, O:
No view nor care, but shun whate’er might breed me pain or sorrow, O;
I live to-day as well’s I may, regardless of to-morrow, O.


But cheerful still, I am as well as a monarch in his palace, O,
Tho’ Fortune’s frown still hunts me down, with all her wonted malice, O:
I make indeed my daily bread, but ne’er can make it farther, O:
But as daily bread is all I need, I do not much regard her, O.


When sometimes by my labour, I earn a little money, O,
Some unforeseen misfortune comes gen’rally upon me, O;
Mischance, mistake, or by neglect, or my goodnatur’d folly, O:
But come what will, I’ve sworn it still, I’ll ne’er be melancholy, O.


All you who follow wealth and power with unremitting ardour, O,
The more in this you look for bliss, you leave your view the farther, O:
Had you the wealth Potosi boasts, or nations to adore you, O,
A cheerful honest-hearted clown I will prefer before you, O.
Written by Geoffrey Chaucer | Create an image from this poem

The Cooks Tale

 THE PROLOGUE.


THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk. *trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."

Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit."<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.


Notes to the Prologue to the Cook's Tale


1. Jack of Dover: an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)

2. Sooth play quad play: true jest is no jest.

3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.

4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.



THE TALE.


A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy. *although
For theft and riot they be convertible,
All can they play on *gitern or ribible.* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see. *at variance

This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place. *corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*. *refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance. *prostituted herself
 . . . . . . . <4>


Notes to the Cook's Tale


1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.

2. His paper: his certificate of completion of his apprenticeship.

3. Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".

4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."      


Written by Sidney Lanier | Create an image from this poem

A Florida Sunday

 From cold Norse caves or buccaneer Southern seas
Oft come repenting tempests here to die;
Bewailing old-time wrecks and robberies,
They shrive to priestly pines with many a sigh,
Breathe salutary balms through lank-lock'd hair
Of sick men's heads, and soon -- this world outworn --
Sink into saintly heavens of stirless air,
Clean from confessional. One died, this morn,
And willed the world to wise Queen Tranquil: she,
Sweet sovereign Lady of all souls that bide
In contemplation, tames the too bright skies
Like that faint agate film, far down descried,
Restraining suns in sudden thoughtful eyes
Which flashed but now. Blest distillation rare
Of o'er-rank brightness filtered waterwise
Through all the earths in heaven -- thou always fair,
Still virgin bride of e'er-creating thought --
Dream-worker, in whose dream the Future's wrought --
Healer of hurts, free balm for bitter wrongs --
Most silent mother of all sounding songs --
Thou that dissolvest hells to make thy heaven --
Thou tempest's heir, that keep'st no tempest leaven --
But after winds' and thunders' wide mischance
Dost brood, and better thine inheritance --
Thou privacy of space, where each grave Star
As in his own still chamber sits afar
To meditate, yet, by thy walls unpent,
Shines to his fellows o'er the firmament --
Oh! as thou liv'st in all this sky and sea
That likewise lovingly do live in thee,
So melt my soul in thee, and thine in me,
Divine Tranquillity!

Gray Pelican, poised where yon broad shallows shine,
Know'st thou, that finny foison all is mine
In the bag below thy beak -- yet thine, not less?
For God, of His most gracious friendliness,
Hath wrought that every soul, this loving morn,
Into all things may be new-corporate born,
And each live whole in all: I sail with thee,
Thy Pelican's self is mine; yea, silver Sea,
In this large moment all thy fishes, ripples, bights,
Pale in-shore greens and distant blue delights,
White visionary sails, long reaches fair
By moon-horn'd strands that film the far-off air,
Bright sparkle-revelations, secret majesties,
Shells, wrecks and wealths, are mine; yea, Orange-trees,
That lift your small world-systems in the light,
Rich sets of round green heavens studded bright
With globes of fruit that like still planets shine,
Mine is your green-gold universe; yea, mine,
White slender Lighthouse fainting to the eye
That wait'st on yon keen cape-point wistfully,
Like to some maiden spirit pausing pale,
New-wing'd, yet fain to sail
Above the serene Gulf to where a bridegroom soul
Calls o'er the soft horizon -- mine thy dole
Of shut undaring wings and wan desire --
Mine, too, thy later hope and heavenly fire
Of kindling expectation; yea, all sights,
All sounds, that make this morn -- quick flights
Of pea-green paroquets 'twixt neighbor trees,
Like missives and sweet morning inquiries
From green to green, in green -- live oaks' round heads,
Busy with jays for thoughts -- grays, whites and reds
Of pranked woodpeckers that ne'er gossip out,
But alway tap at doors and gad about --
Robins and mocking-birds that all day long
Athwart straight sunshine weave cross-threads of song,
Shuttles of music -- clouds of mosses gray
That rain me rains of pleasant thoughts alway
From a low sky of leaves -- faint yearning psalms
Of endless metre breathing through the palms
That crowd and lean and gaze from off the shore
Ever for one that cometh nevermore --
Palmettos ranked, with childish spear-points set
Against no enemy -- rich cones that fret
High roofs of temples shafted tall with pines --
Green, grateful mangroves where the sand-beach shines --
Long lissome coast that in and outward swerves,
The grace of God made manifest in curves --
All riches, goods and braveries never told
Of earth, sun, air and heaven -- now I hold
Your being in my being; I am ye,
And ye myself; yea, lastly, Thee,
God, whom my roads all reach, howe'er they run,
My Father, Friend, Beloved, dear All-One,
Thee in my soul, my soul in Thee, I feel,
Self of my self. Lo, through my sense doth steal
Clear cognizance of all selves and qualities,
Of all existence that hath been or is,
Of all strange haps that men miscall of chance,
And all the works of tireless circumstance:
Each borders each, like mutual sea and shore,
Nor aught misfits his neighbor that's before,
Nor him that's after -- nay, through this still air,
Out of the North come quarrels, and keen blare
Of challenge by the hot-breath'd parties blown;
Yet break they not this peace with alien tone,
Fray not my heart, nor fright me for my land,
-- I hear from all-wards, allwise understand,
The great bird Purpose bears me twixt her wings,
And I am one with all the kinsmen things
That e'er my Father fathered. Oh, to me
All questions solve in this tranquillity:
E'en this dark matter, once so dim, so drear,
Now shines upon my spirit heavenly-clear:
Thou, Father, without logic, tellest me
How this divine denial true may be,
-- How `All's in each, yet every one of all
Maintains his Self complete and several.'
Written by John Milton | Create an image from this poem

An Epitaph On The Marchioness Of Winchester

 This rich Marble doth enterr
The honour'd Wife of Winchester,
A Vicounts daughter, an Earls heir,
Besides what her vertues fair
Added to her noble birth,
More then she could own from Earth.
Summers three times eight save one
She had told, alas too soon,
After so short time of breath,
To house with darknes, and with death. 
Yet had the number of her days
Bin as compleat as was her praise,
Nature and fate had had no strife
In giving limit to her life.
Her high birth, and her graces sweet,
Quickly found a lover meet;
The Virgin quire for her request
The God that sits at marriage feast;
He at their invoking came
But with a scarce-wel-lighted flame; 
And in his Garland as he stood,
Ye might discern a Cipress bud.
Once had the early Matrons run
To greet her of a lovely son,
And now with second hope she goes,
And calls Lucina to her throws;
But whether by mischance or blame
Atropos for Lucina came;
And with remorsles cruelty,
Spoil'd at once both fruit and tree: 
The haples Babe before his birth
Had burial, yet not laid in earth,
And the languisht Mothers Womb
Was not long a living Tomb.
So have I seen som tender slip
Sav'd with care from Winters nip,
The pride of her carnation train,
Pluck't up by som unheedy swain,
Who onely thought to crop the flowr
New shot up from vernall showr; 
But the fair blossom hangs the head
Side-ways as on a dying bed,
And those Pearls of dew she wears,
Prove to be presaging tears
Which the sad morn had let fall
On her hast'ning funerall.
Gentle Lady may thy grave
Peace and quiet ever have;
After this thy travail sore
Sweet rest sease thee evermore, 
That to give the world encrease,
Shortned hast thy own lives lease;
Here besides the sorrowing
That thy noble House doth bring,
Here be tears of perfect moan
Weept for thee in Helicon,
And som Flowers, and som Bays,
For thy Hears to strew the ways,
Sent thee from the banks of Came,
Devoted to thy vertuous name; 
Whilst thou bright Saint high sit'st in glory,
Next her much like to thee in story,
That fair Syrian Shepherdess,
Who after yeers of barrennes,
The highly favour'd Joseph bore
To him that serv'd for her before,
And at her next birth much like thee,
Through pangs fled to felicity,
Far within the boosom bright
of blazing Majesty and Light, 
There with thee, new welcom Saint,
Like fortunes may her soul acquaint,
With thee there clad in radiant sheen,
No Marchioness, but now a Queen.
Written by Thomas Gray | Create an image from this poem

Ode On The Spring

 Lo! where the rosy-bosomed Hours,
Fair Venus' train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
The untaught harmony of spring:
While, whisp'ring pleasure as they fly,
Cool Zephyrs thro' the clear blue sky
Their gathered fragrance fling.

Where'er the oak's thick branches stretch
A broader browner shade,
Where'er the rude and moss-grown beech
O'er-canopies the glade,
Beside some water's rushy brink
With me the Muse shall sit, and think
(At ease reclined in rustic state)
How vain the ardour of the Crowd,
How low, how little are the Proud,
How indigent the Great!

Still is the toiling hand of Care;
The panting herds repose:
Yet hark, how through the peopled air
The busy murmur glows!
The insect-youth are on the wing,
Eager to taste the honied spring
And float amid the liquid noon:
Some lightly o'er the current skim,
Some show their gayly-gilded trim
Quick-glancing to the sun.

To Contemplation's sober eye
Such is the race of Man:
And they that creep, and they that fly,
Shall end where they began.
Alike the Busy and the Gay
But flutter thro' life's little day,
In Fortune's varying colours drest:
Brushed by the hand of rough Mischance,
Or chilled by Age, their airy dance
They leave, in dust to rest.

Methinks I hear, in accents low,
The sportive kind reply:
Poor moralist! and what art thou?
A solitary fly!
Thy joys no glittering female meets,
No hive hast thou of hoarded sweets,
No painted plumage to display:
On hasty wings thy youth is flown;
Thy sun is set, thy spring is gone— 
We frolic while 'tis May.
Written by Anne Kingsmill Finch | Create an image from this poem

A Pastoral Dialogue Between Two Shepherdesses

 [Silvia] Pretty Nymph! within this Shade, 
Whilst the Flocks to rest are laid,
Whilst the World dissolves in Heat,
Take this cool, and flow'ry Seat: 
And with pleasing Talk awhile
Let us two the Time beguile; 
Tho' thou here no Shepherd see, 
To encline his humble Knee, 
Or with melancholy Lays 
Sing thy dangerous Beauty's Praise. 


[Dorinda] Nymph! with thee I here wou'd stay, 
But have heard, that on this Day, 
Near those Beeches, scarce in view, 
All the Swains some Mirth pursue: 
To whose meeting now I haste. 
Solitude do's Life but waste. 

[Silvia] Prithee, but a Moment stay. 


[Dorinda] No! my Chaplet wou'd decay; 
Ev'ry drooping Flow'r wou'd mourn, 
And wrong the Face, they shou'd adorn. 


[Silvia] I can tell thee, tho' so Fair, 
And dress'd with all that rural Care, 
Most of the admiring Swains 
Will be absent from the Plains. 
Gay Sylvander in the Dance 
Meeting with a shrew'd Mischance, 
To his Cabin's now confin'd 
By Mopsus, who the Strain did bind: 
Damon through the Woods do's stray, 
Where his Kids have lost their way: 
Young Narcissus iv'ry Brow 
Rac'd by a malicious Bough, 
Keeps the girlish Boy from sight, 
Till Time shall do his Beauty right. 

[Dorinda] Where's Alexis? 


[Silvia] –He, alas! 
Lies extended on the Grass; 
Tears his Garland, raves, despairs, 
Mirth and Harmony forswears; 
Since he was this Morning shown, 
That Delia must not be his Own. 


[Dorinda] Foolish Swain! such Love to place. 


[Silvia] On any but Dorinda's Face. 


[Dorinda] Hasty Nymph! I said not so. 


[Silvia] No–but I thy Meaning know. 
Ev'ry Shepherd thou wou'd'st have 
Not thy Lover, but thy Slave; 
To encrease thy captive Train, 
Never to be lov'd again. 
But, since all are now away, 
Prithee, but a Moment stay. 


[Dorinda] No; the Strangers, from the Vale, 
Sure will not this Meeting fail; 
Graceful one, the other Fair. 
He too, with the pensive Air, 
Told me, ere he came this way 
He was wont to look more Gay. 


[Silvia] See! how Pride thy Heart inclines 
To think, for Thee that Shepherd pines; 
When those Words, that reach'd thy Ear, 
Chloe was design'd to hear; 
Chloe, who did near thee stand, 
And his more speaking Looks command. 


[Dorinda] Now thy Envy makes me smile. 
That indeed were worth his while: 
Chloe next thyself decay'd, 
And no more a courted Maid. 

[Silvia] Next myself! Young Nymph, forbear. 
Still the Swains allow me Fair, 
Tho' not what I was that Day, 
When Colon bore the Prize away; 
When– 

[Dorinda] –Oh, hold! that Tale will last, 
Till all the Evening Sports are past; 
Till no Streak of Light is seen, 
Nor Footstep prints the flow'ry Green. 
What thou wert, I need not know, 
What I am, must haste to show. 
Only this I now discern 
From the things, thou'd'st have me learn, 
That Woman-kind's peculiar Joys 
From past, or present Beauties rise.
Written by Edwin Arlington Robinson | Create an image from this poem

Flammonde

 The man Flammonde, from God knows where, 
With firm address and foreign air 
With news of nations in his talk 
And something royal in his walk, 
With glint of iron in his eyes, 
But never doubt, nor yet surprise, 
Appeared, adn stayed, and held his head 
As one by kings accredited.

Erect, with his alert repose 
About him, and about his clothes, 
He pictured all tradition hears 
Of what we owe to fifty years. 
His cleansing heritage of taste 
Paraded neither want nor waste; 
And what he needed for his fee 
To live, he borrowed graciously.

He never told us what he was, 
Or what mischance, or other cause, 
Had banished him from better days 
To play the Prince of Castaways. 
Meanwhile he played surpassing well 
A part, for most, unplayable; 
In fine, one pauses, half afraid 
To say for certain that he played.

For that, one may as well forego 
Conviction as to yes or no; 
Nor can I say just how intense 
Would then have been the difference 
To several, who, having striven 
In vain to get what he was given, 
Would see the stranger taken on 
By friends not easy to be won.

Moreover many a malcontent 
He soothed, and found munificent; 
His courtesy beguiled and foiled 
Suspicion that his years were soiled; 
His mien distinguished any crowd, 
His credit strengthened when he bowed; 
And women, young and old, were fond 
Of looking at the man Flammond.

There was a woman in our town 
On whom the fashion was to frown; 
But while our talk renewed the tinge 
Of a long-faded scarlet fringe, 
The man Flammonde saw none of that, 
And what he saw we wondered at-- 
That none of us, in her distress, 
Could hide or find our littleness.

There was a boy that all agreed 
had shut within him the rare seed 
Of learning. We could understand, 
But none of us could lift a hand. 
The man Flammonde appraised the youth, 
And told a few of us the truth; 
And thereby, for a little gold, 
A flowered future was unrolled.

There were two citizens who fought 
For years and years, and over nought; 
They made life awkward for their friends, 
And shortened their own dividends. 
The man Flammonde said what was wrong 
Should be made right; nor was it long 
Before they were again in line 
And had each other in to dine.

And these I mention are but four 
Of many out of many more. 
So much for them. But what of him-- 
So firm in every look and limb? 
What small satanic sort of kink 
Was in his brain? What broken link 
Withheld hom from the destinies 
That came so near to being his?

What was he, when we came to sift 
His meaning, and to note the drift 
Of incommunicable ways 
That make us ponder while we praise? 
Why was it that his charm revealed 
Somehow the surface of a shield? 
What was it that we never caught? 
What was he, and what was he not?

How much it was of him we met 
We cannot ever know; nor yet 
Shall all he gave us quite attone 
For what was his, and his alone; 
Nor need we now, since he knew best, 
Nourish an ethical unrest: 
Rarely at once will nature give 
The power to be Flammonde and live.

We cannot know how much we learn 
From those who never will return, 
Until a flash of unforseen 
Remembrance falls on what has been. 
We've each a darkening hill to climb; 
And this is why, from time to time 
In Tilbury Town, we look beyond 
Horizons for the man Flammonde.

Book: Radiant Verses: A Journey Through Inspiring Poetry