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Best Famous Minutest Poems

Here is a collection of the all-time best famous Minutest poems. This is a select list of the best famous Minutest poetry. Reading, writing, and enjoying famous Minutest poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of minutest poems.

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it


Written by Thomas Hardy | Create an image from this poem

Her Immortality

 UPON a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.
And sorrowing I lay me down Upon the heated sod: It seemed as if my body pressed The very ground she trod.
I lay, and thought; and in a trance She came and stood me by-- The same, even to the marvellous ray That used to light her eye.
"You draw me, and I come to you, My faithful one," she said, In voice that had the moving tone It bore in maidenhead.
She said: "'Tis seven years since I died: Few now remember me; My husband clasps another bride; My children mothers she.
My brethren, sisters, and my friends Care not to meet my sprite: Who prized me most I did not know Till I passed down from sight.
" I said: "My days are lonely here; I need thy smile alway: I'll use this night my ball or blade, And join thee ere the day.
" A tremor stirred her tender lips, Which parted to dissuade: "That cannot be, O friend," she cried; "Think, I am but a Shade! "A Shade but in its mindful ones Has immortality; By living, me you keep alive, By dying you slay me.
"In you resides my single power Of sweet continuance here; On your fidelity I count Through many a coming year.
" --I started through me at her plight, So suddenly confessed: Dismissing late distaste for life, I craved its bleak unrest.
"I will not die, my One of all!-- To lengthen out thy days I'll guard me from minutest harms That may invest my ways!" She smiled and went.
Since then she comes Oft when her birth-moon climbs, Or at the seasons' ingresses Or anniversary times; But grows my grief.
When I surcease, Through whom alone lives she, Ceases my Love, her words, her ways, Never again to be!
Written by Walt Whitman | Create an image from this poem

Assurances

 I NEED no assurances—I am a man who is preoccupied, of his own Soul; 
I do not doubt that from under the feet, and beside the hands and face I am cognizant of,
 are
 now looking faces I am not cognizant of—calm and actual faces; 
I do not doubt but the majesty and beauty of the world are latent in any iota of the
 world; 
I do not doubt I am limitless, and that the universes are limitless—in vain I try to
 think
 how limitless; 
I do not doubt that the orbs, and the systems of orbs, play their swift sports through the
 air
 on purpose—and that I shall one day be eligible to do as much as they, and more than
 they;
I do not doubt that temporary affairs keep on and on, millions of years; 
I do not doubt interiors have their interiors, and exteriors have their exteriors—and
 that
 the eye-sight has another eye-sight, and the hearing another hearing, and the voice
 another
 voice; 
I do not doubt that the passionately-wept deaths of young men are provided for—and
 that
 the deaths of young women, and the deaths of little children, are provided for; 
(Did you think Life was so well provided for—and Death, the purport of all Life, is
 not
 well provided for?) 
I do not doubt that wrecks at sea, no matter what the horrors of them—no matter whose
 wife, child, husband, father, lover, has gone down, are provided for, to the minutest
 points;
I do not doubt that whatever can possibly happen, any where, at any time, is provided for,
 in
 the inherences of things; 
I do not think Life provides for all, and for Time and Space—but I believe Heavenly
 Death
 provides for all.
Written by Jorie Graham | Create an image from this poem

Prayer

 Over a dock railing, I watch the minnows, thousands, swirl
themselves, each a minuscule muscle, but also, without the
way to create current, making of their unison (turning, re-
 infolding,
entering and exiting their own unison in unison) making of themselves a
visual current, one that cannot freight or sway by
minutest fractions the water's downdrafts and upswirls, the
dockside cycles of finally-arriving boat-wakes, there where
they hit deeper resistance, water that seems to burst into
itself (it has those layers) a real current though mostly
invisible sending into the visible (minnows) arrowing
 motion that forces change--
this is freedom.
This is the force of faith.
Nobody gets what they want.
Never again are you the same.
The longing is to be pure.
What you get is to be changed.
More and more by each glistening minute, through which infinity threads itself, also oblivion, of course, the aftershocks of something at sea.
Here, hands full of sand, letting it sift through in the wind, I look in and say take this, this is what I have saved, take this, hurry.
And if I listen now? Listen, I was not saying anything.
It was only something I did.
I could not choose words.
I am free to go.
I cannot of course come back.
Not to this.
Never.
It is a ghost posed on my lips.
Here: never.
Written by Percy Bysshe Shelley | Create an image from this poem

Queen Mab: Part VI (excerpts)

 "Throughout these infinite orbs of mingling light, 
Of which yon earth is one, is wide diffus'd
A Spirit of activity and life,
That knows no term, cessation, or decay;
That fades not when the lamp of earthly life,
Extinguish'd in the dampness of the grave,
Awhile there slumbers, more than when the babe
In the dim newness of its being feels
The impulses of sublunary things,
And all is wonder to unpractis'd sense:
But, active, steadfast and eternal, still
Guides the fierce whirlwind, in the tempest roars,
Cheers in the day, breathes in the balmy groves,
Strengthens in health, and poisons in disease;
And in the storm of change, that ceaselessly
Rolls round the eternal universe and shakes
Its undecaying battlement, presides,
Apportioning with irresistible law
The place each spring of its machine shall fill;
So that when waves on waves tumultuous heap
Confusion to the clouds, and fiercely driven
Heaven's lightnings scorch the uprooted ocean-fords,
Whilst, to the eye of shipwreck'd mariner,
Lone sitting on the bare and shuddering rock,
All seems unlink'd contingency and chance,
No atom of this turbulence fulfils
A vague and unnecessitated task,
Or acts but as it must and ought to act.
Even the minutest molecule of light, That in an April sunbeam's fleeting glow Fulfils its destin'd, though invisible work, The universal Spirit guides; nor less, When merciless ambition, or mad zeal, Has led two hosts of dupes to battlefield, That, blind, they there may dig each other's graves, And call the sad work glory, does it rule All passions: not a thought, a will, an act, No working of the tyrant's moody mind, Nor one misgiving of the slaves who boast Their servitude to hide the shame they feel, Nor the events enchaining every will, That from the depths of unrecorded time Have drawn all-influencing virtue, pass Unrecogniz'd or unforeseen by thee, Soul of the Universe! eternal spring Of life and death, of happiness and woe, Of all that chequers the phantasmal scene That floats before our eyes in wavering light, Which gleams but on the darkness of our prison, Whose chains and massy walls We feel, but cannot see.
"Spirit of Nature! all-sufficing Power, Necessity! thou mother of the world! Unlike the God of human error, thou Requir'st no prayers or praises; the caprice Of man's weak will belongs no more to thee Than do the changeful passions of his breast To thy unvarying harmony: the slave, Whose horrible lusts spread misery o'er the world, And the good man, who lifts with virtuous pride His being in the sight of happiness That springs from his own works; the poison-tree, Beneath whose shade all life is wither'd up, And the fair oak, whose leafy dome affords A temple where the vows of happy love Are register'd, are equal in thy sight: No love, no hate thou cherishest; revenge And favouritism, and worst desire of fame Thou know'st not: all that the wide world contains Are but thy passive instruments, and thou Regard'st them all with an impartial eye, Whose joy or pain thy nature cannot feel, Because thou hast not human sense, Because thou art not human mind.
"Yes! when the sweeping storm of time Has sung its death-dirge o'er the ruin'd fanes And broken altars of the almighty Fiend Whose name usurps thy honours, and the blood Through centuries clotted there has floated down The tainted flood of ages, shalt thou live Unchangeable! A shrine is rais'd to thee, Which, nor the tempest-breath of time, Nor the interminable flood Over earth's slight pageant rolling, Availeth to destroy-- The sensitive extension of the world.
That wondrous and eternal fane, Where pain and pleasure, good and evil join, To do the will of strong necessity, And life, in multitudinous shapes, Still pressing forward where no term can be, Like hungry and unresting flame Curls round the eternal columns of its strength.
"


Written by Friedrich von Schiller | Create an image from this poem

Pompeii And Herculaneum

 What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along
Through the seven-vista'd theatre the throng!
Where are ye, mimes?--Come forth, the steel prepare
For crowned Atrides, or Orestes haunt,
Ye choral Furies, with your dismal chant!
The arch of triumph!--whither leads it?--still
Behold the forum!--on the curule chair
Where the majestic image? Lictors, where
Your solemn fasces?--Place upon his throne
The Praetor--here the witness lead, and there
Bid the accuser stand

--O God! how lone
The clear streets glitter in the quiet day--
The footpath by the doors winding its lifeless way!
The roofs arise in shelter, and around
The desolate Atrium--every gentle room
Wears still the dear familiar smile of home!
Open the doors--the shops--on dreary night
Let lusty day laugh down in jocund light!

See the trim benches ranged in order!--See
The marble-tesselated floor--and there
The very walls are glittering livingly
With their clear colors.
But the artist, where! Sure but this instant he hath laid aside Pencil and colors!--Glittering on the eye Swell the rich fruits, and bloom the flowers!--See all Art's gentle wreaths still fresh upon the wall! Here the arch Cupid slyly seems to glide By with bloom-laden basket.
There the shapes Of genii press with purpling feet the grapes, Here springs the wild Bacchante to the dance, And there she sleeps [while that voluptuous trance Eyes the sly faun with never-sated glance] Now on one knee upon the centaur-steeds Hovering--the Thyrsus plies.
--Hurrah!--away she speeds! Come--come, why loiter ye?--Here, here, how fair The goodly vessels still! Girls, hither turn, Fill from the fountain the Etruscan urn! On the winged sphinxes see the tripod.
-- Ho! Quick--quick, ye slaves, come--fire!--the hearth prepare! Ha! wilt thou sell?--this coin shall pay thee--this, Fresh from the mint of mighty Titus!--Lo! Here lie the scales, and not a weight we miss So--bring the light! The delicate lamp!--what toil Shaped thy minutest grace!--quick pour the oil! Yonder the fairy chest!--come, maid, behold The bridegroom's gifts--the armlets--they are gold, And paste out-feigning jewels!--lead the bride Into the odorous bath--lo! unguents still-- And still the crystal vase the arts for beauty fill! But where the men of old--perchance a prize More precious yet in yon papyrus lies, And see ev'n still the tokens of their toil-- The waxen tablets--the recording style.
The earth, with faithful watch, has hoarded all! Still stand the mute penates in the hall; Back to his haunts returns each ancient god.
Why absent only from their ancient stand The priests?--waves Hermes his Caducean rod, And the winged victory struggles from the hand.
Kindle the flame--behold the altar there! Long hath the god been worshipless--to prayer.
Written by Emily Dickinson | Create an image from this poem

Nature -- the Gentlest Mother is

 Nature -- the Gentlest Mother is,
Impatient of no Child --
The feeblest -- or the waywardest --
Her Admonition mild --

In Forest -- and the Hill --
By Traveller -- be heard --
Restraining Rampant Squirrel --
Or too impetuous Bird --

How fair Her Conversation --
A Summer Afternoon --
Her Household -- Her Assembly --
And when the Sun go down --

Her Voice among the Aisles
Incite the timid prayer
Of the minutest Cricket --
The most unworthy Flower --

When all the Children sleep --
She turns as long away
As will suffice to light Her lamps --
Then bending from the Sky --

With infinite Affection --
And infiniter Care --
Her Golden finger on Her lip --
Wills Silence -- Everywhere --
Written by Emily Dickinson | Create an image from this poem

To interrupt His Yellow Plan

 To interrupt His Yellow Plan
The Sun does not allow
Caprices of the Atmosphere --
And even when the Snow

Heaves Balls of Specks, like Vicious Boy
Directly in His Eye --
Does not so much as turn His Head
Busy with Majesty --

'Tis His to stimulate the Earth --
And magnetize the Sea --
And bind Astronomy, in place,
Yet Any passing by

Would deem Ourselves -- the busier
As the Minutest Bee
That rides -- emits a Thunder --
A Bomb -- to justify --
Written by Emily Dickinson | Create an image from this poem

More Life -- went out -- when He went

 More Life -- went out -- when He went
Than Ordinary Breath --
Lit with a finer Phosphor --
Requiring in the Quench --

A Power of Renowned Cold,
The Climate of the Grave
A Temperature just adequate
So Anthracite, to live --

For some -- an Ampler Zero --
A Frost more needle keen
Is necessary, to reduce
The Ethiop within.
Others -- extinguish easier -- A Gnat's minutest Fan Sufficient to obliterate A Tract of Citizen -- Whose Peat lift -- amply vivid -- Ignores the solemn News That Popocatapel exists -- Or Etna's Scarlets, Choose --
Written by Emily Dickinson | Create an image from this poem

Oh honey of an hour

 Oh, honey of an hour,
I never knew thy power,
Prohibit me
Till my minutest dower,
My unfrequented flower,
Deserving be.

Book: Reflection on the Important Things