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Best Famous Mimicking Poems

Here is a collection of the all-time best famous Mimicking poems. This is a select list of the best famous Mimicking poetry. Reading, writing, and enjoying famous Mimicking poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mimicking poems.

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Written by John Keats | Create an image from this poem

Song of the Indian Maid

Song of the Indian Maid 

O SORROW! 
Why dost borrow 
The natural hue of health, from vermeil lips?¡ª 
To give maiden blushes 
To the white rose bushes? 5 
Or is it thy dewy hand the daisy tips? 

O Sorrow! 
Why dost borrow 
The lustrous passion from a falcon-eye?¡ª 
To give the glow-worm light? 10 
Or, on a moonless night, 
To tinge, on siren shores, the salt sea-spry? 

O Sorrow! 
Why dost borrow 
The mellow ditties from a mourning tongue?¡ª 15 
To give at evening pale 
Unto the nightingale, 
That thou mayst listen the cold dews among? 

O Sorrow! 
Why dost borrow 20 
Heart's lightness from the merriment of May?¡ª 
A lover would not tread 
A cowslip on the head, 
Though he should dance from eve till peep of day¡ª 
Nor any drooping flower 25 
Held sacred for thy bower, 
Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; 30 But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, 35 But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,¡ª And so I kept 40 Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, 45 But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue¡ª 50 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din¡ª 'Twas Bacchus and his kin! Like to a moving vintage down they came, 55 Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly 60 By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:¡ª I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, 65 With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, 70 Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, 75 Your lutes, and gentler fate?'¡ª 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:¡ª 80 Come hither, lady fair, and join¨¨d be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left 85 Your nuts in oak-tree cleft?'¡ª 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; 90 Great god of breathless cups and chirping mirth! Come hither, lady fair, and join¨¨d be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, 95 Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads¡ªwith song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, 100 Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
105 Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, 110 On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! 115 I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearl¨¨d hail; Great Brahma from his mystic heaven groans, 120 And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary¡ªso I took a whim To stray away into these forests drear, 125 Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; 130 Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! 135 Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, 140 No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
145


Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
Written by Robert Browning | Create an image from this poem

Any Wife To Any Husband

 I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say— 
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone? When cry for the old comfort and find none? Never, I know! Thy soul is in thy face.
III Oh, I should fade—'tis willed so! might I save, Galdly I would, whatever beauty gave Joy to thy sense, for that was precious too.
It is not to be granted.
But the soul Whence the love comes, all ravage leaves that whole; Vainly the flesh fades—soul makes all things new.
IV And 'twould not be because my eye grew dim Thou couldst not find the love there, thanks to Him Who never is dishonoured in the spark He gave us from his fire of fires, and bade Remember whence it sprang nor be afraid While that burns on, though all the rest grow dark.
V So, how thou wouldst be perfect, white and clean Outside as inside, soul and soul's demesne Alike, this body given to show it by! Oh, three-parts through the worst of life's abyss, What plaudits from the next world after this, Couldst thou repeat a stroke and gain the sky! VI And is it not the bitterer to think That, disengage our hands and thou wilt sink Although thy love was love in very deed? I know that nature! Pass a festive day Thou dost not throw its relic-flower away Nor bid its music's loitering echo speed.
VII Thou let'st the stranger's glove lie where it fell; If old things remain old things all is well, For thou art grateful as becomes man best: And hadst thou only heard me play one tune, Or viewed me from a window, not so soon With thee would such things fade as with the rest.
VIII I seem to see! we meet and part: 'tis brief: The book I opened keeps a folded leaf, The very chair I sat on, breaks the rank; That is a portrait of me on the wall— Three lines, my face comes at so slight a call; And for all this, one little hour's to thank.
IX But now, because the hour through years was fixed, Because our inmost beings met amd mixed, Because thou once hast loved me—wilt thou dare Say to thy soul and Who may list beside, "Therefore she is immortally my bride, Chance cannot change that love, nor time impair.
X "So, what if in the dusk of life that's left, I, a tired traveller, of my sun bereft, Look from my path when, mimicking the same, The fire-fly glimpses past me, come and gone? - Where was it till the sunset? where anon It will be at the sunrise! what's to blame?" XI Is it so helpful to thee? canst thou take The mimic up, nor, for the true thing's sake, Put gently by such efforts at at beam? Is the remainder of the way so long Thou need'st the little solace, thou the strong? Watch out thy watch, let weak ones doze and dream! XII "—Ah, but the fresher faces! Is it true," Thou'lt ask, "some eyes are beautiful and new? Some hair,—how can one choose but grasp such wealth? And if a man would press his lips to lips Fresh as the wilding hedge-rose-cup there slips The dew-drop out of, must it be by stealth? XIII "It cannot change the love kept still for Her, Much more than, such a picture to prefer Passing a day with, to a room's bare side.
The painted form takes nothing she possessed, Yet while the Titian's Venus lies at rest A man looks.
Once more, what is there to chide?" XIV So must I see, from where I sit and watch, My own self sell myself, my hand attach Its warrant to the very thefts from me— Thy singleness of soul that made me proud, Thy purity of heart I loved aloud, Thy man's truth I was bold to bid God see! XV Love so, then, if thou wilt! Give all thou canst Away to the new faces—disentranced— (Say it and think it) obdurate no more, Re-issue looks and words from the old mint— Pass them afresh, no matter whose the print Image and superscription once they bore! XVI Re-coin thyself and give it them to spend,— It all comes to the same thing at the end, Since mine thou wast, mine art, and mine shalt be, Faithful or faithless, sealing up the sum Or lavish of my treasure, thou must come Back to the heart's place here I keep for thee! XVII Only, why should it be with stain at all? Why must I, 'twixt the leaves of coronal, Put any kiss of pardon on thy brow? Why need the other women know so much And talk together, "Such the look and such The smile he used to love with, then as now!" XVIII Might I die last and shew thee! Should I find Such hardship in the few years left behind, If free to take and light my lamp, and go Into thy tomb, and shut the door and sit Seeing thy face on those four sides of it The better that they are so blank, I know! XIX Why, time was what I wanted, to turn o'er Within my mind each look, get more and more By heart each word, too much to learn at first, And join thee all the fitter for the pause 'Neath the low door-way's lintel.
That were cause For lingering, though thou called'st, If I durst! XX And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do, Outstripping my ten small steps with one stride? I'll say then, here's a trial and a task— Is it to bear?—if easy, I'll not ask— Though love fail, I can trust on in thy pride.
XXI Pride?—when those eyes forestall the life behind The death I have to go through!—when I find, Now that I want thy help most, all of thee! What did I fear? Thy love shall hold me fast Until the little minute's sleep is past And I wake saved.
—And yet, it will not be!
Written by William Butler Yeats | Create an image from this poem

The Seven Sages

 The First.
My great-grandfather spoke to Edmund Burke In Grattan's house.
The Second.
My great-grandfather shared A pot-house bench with Oliver Goldsmith once.
The Third.
My great-grandfather's father talked of music, Drank tar-water with the Bishop of Cloyne.
The Fourth.
But mine saw Stella once.
The Fifth.
Whence came our thought? The Sixth.
From four great minds that hated Whiggery.
The Fifth.
Burke was a Whig.
The Sixth.
Whether they knew or not, Goldsmith and Burke, Swift and the Bishop of Cloyne All hated Whiggery; but what is Whiggery? A levelling, rancorous, rational sort of mind That never looked out of the eye of a saint Or out of drunkard's eye.
The Seventh.
All's Whiggery now, But we old men are massed against the world.
The First.
American colonies, Ireland, France and India Harried, and Burke's great melody against it.
The Second.
Oliver Goldsmith sang what he had seen, Roads full of beggars, cattle in the fields, But never saw the trefoil stained with blood, The avenging leaf those fields raised up against it.
The Fourth.
The tomb of Swift wears it away.
The Third.
A voice Soft as the rustle of a reed from Cloyne That gathers volume; now a thunder-clap.
The Sixtb.
What schooling had these four? The Seventh.
They walked the roads Mimicking what they heard, as children mimic; They understood that wisdom comes of beggary.



Book: Shattered Sighs