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Best Famous Miles Poems

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Written by Aleister Crowley | Create an image from this poem

A Birthday

 "Aug." 10, 1911.

Full moon to-night; and six and twenty years
Since my full moon first broke from angel spheres!
A year of infinite love unwearying ---
No circling seasons, but perennial spring!
A year of triumph trampling through defeat,
The first made holy and the last made sweet
By this same love; a year of wealth and woe,
Joy, poverty, health, sickness --- all one glow
In the pure light that filled our firmament
Of supreme silence and unbarred extent,
Wherein one sacrament was ours, one Lord,
One resurrection, one recurrent chord,
One incarnation, one descending dove,
All these being one, and that one being Love!

You sent your spirit into tunes; my soul
Yearned in a thousand melodies to enscroll
Its happiness: I left no flower unplucked
That might have graced your garland. I induct
Tragedy, comedy, farce, fable, song,
Each longing a little, each a little long,
But each aspiring only to express
Your excellence and my unworthiness --- 
Nay! but my worthiness, since I was sense
And spirit too of that same excellence.

So thus we solved the earth's revolving riddle:
I could write verse, and you could play the fiddle,
While, as for love, the sun went through the signs,
And not a star but told him how love twines
A wreath for every decanate, degree,
Minute and second, linked eternally
In chains of flowers that never fading are,
Each one as sempiternal as a star.

Let me go back to your last birthday. Then
I was already your one man of men
Appointed to complete you, and fulfil
From everlasting the eternal will.
We lay within the flood of crimson light
In my own balcony that August night,
And conjuring the aright and the averse
Created yet another universe.

We worked together; dance and rite and spell
Arousing heaven and constraining hell.
We lived together; every hour of rest
Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed
My life to fate! --- we parted. Was I afraid?
I was afraid, afraid to live my love,
Afraid you played the serpent, I the dove,
Afraid of what I know not. I am glad 
Of all the shame and wretchedness I had,
Since those six weeks have taught me not to doubt you,
And also that I cannot live without you.

Then I came back to you; black treasons rear
Their heads, blind hates, deaf agonies of fear,
Cruelty, cowardice, falsehood, broken pledges,
The temple soiled with senseless sacrileges,
Sickness and poverty, a thousand evils,
Concerted malice of a million devils; ---
You never swerved; your high-pooped galleon
Went marvellously, majestically on
Full-sailed, while every other braver bark
Drove on the rocks, or foundered in the dark.

Then Easter, and the days of all delight!
God's sun lit noontide and his moon midnight,
While above all, true centre of our world,
True source of light, our great love passion-pearled
Gave all its life and splendour to the sea
Above whose tides stood our stability.

Then sudden and fierce, no monitory moan,
Smote the mad mischief of the great cyclone.
How far below us all its fury rolled!
How vainly sulphur tries to tarnish gold!
We lived together: all its malice meant
Nothing but freedom of a continent!

It was the forest and the river that knew
The fact that one and one do not make two. 
We worked, we walked, we slept, we were at ease,
We cried, we quarrelled; all the rocks and trees
For twenty miles could tell how lovers played,
And we could count a kiss for every glade.
Worry, starvation, illness and distress?
Each moment was a mine of happiness.

Then we grew tired of being country mice,
Came up to Paris, lived our sacrifice
There, giving holy berries to the moon,
July's thanksgiving for the joys of June.

And you are gone away --- and how shall I
Make August sing the raptures of July?
And you are gone away --- what evil star
Makes you so competent and popular?
How have I raised this harpy-hag of Hell's
Malice --- that you are wanted somewhere else?
I wish you were like me a man forbid,
Banned, outcast, nice society well rid
Of the pair of us --- then who would interfere
With us? --- my darling, you would now be here!

But no! we must fight on, win through, succeed,
Earn the grudged praise that never comes to meed,
Lash dogs to kennel, trample snakes, put bit
In the mule-mouths that have such need of it,
Until the world there's so much to forgive in
Becomes a little possible to live in.

God alone knows if battle or surrender
Be the true courage; either has its splendour. 
But since we chose the first, God aid the right,
And damn me if I fail you in the fight!
God join again the ways that lie apart,
And bless the love of loyal heart to heart!
God keep us every hour in every thought,
And bring the vessel of our love to port!

These are my birthday wishes. Dawn's at hand,
And you're an exile in a lonely land.
But what were magic if it could not give
My thought enough vitality to live?
Do not then dream this night has been a loss!
All night I have hung, a god, upon the cross;
All night I have offered incense at the shrine;
All night you have been unutterably mine,
Miner in the memory of the first wild hour
When my rough grasp tore the unwilling flower
From your closed garden, mine in every mood,
In every tense, in every attitude,
In every possibility, still mine
While the sun's pomp and pageant, sign to sign,
Stately proceeded, mine not only so
In the glamour of memory and austral glow
Of ardour, but by image of my brow
Stronger than sense, you are even here and now
Miner, utterly mine, my sister and my wife,
Mother of my children, mistress of my life!

O wild swan winging through the morning mist!
The thousand thousand kisses that we kissed, 
The infinite device our love devised
If by some chance its truth might be surprised,
Are these all past? Are these to come? Believe me,
There is no parting; they can never leave me.
I have built you up into my heart and brain
So fast that we can never part again.
Why should I sing you these fantastic psalms
When all the time I have you in my arms?
Why? 'tis the murmur of our love that swells
Earth's dithyrambs and ocean's oracles.

But this is dawn; my soul shall make its nest
Where your sighs swing from rapture into rest
Love's thurible, your tiger-lily breast.


Written by Charlotte Bronte | Create an image from this poem

The Wood

 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.
Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
Written by Shel Silverstein | Create an image from this poem

Cloony The Clown

 I'll tell you the story of Cloony the Clown
Who worked in a circus that came through town.
His shoes were too big and his hat was too small,
But he just wasn't, just wasn't funny at all.
He had a trombone to play loud silly tunes,
He had a green dog and a thousand balloons.
He was floppy and sloppy and skinny and tall,
But he just wasn't, just wasn't funny at all.
And every time he did a trick,
Everyone felt a little sick.
And every time he told a joke,
Folks sighed as if their hearts were broke.
And every time he lost a shoe,
Everyone looked awfully blue.
And every time he stood on his head,
Everyone screamed, "Go back to bed!"
And every time he made a leap,
Everybody fell asleep.
And every time he ate his tie,
Everyone began to cry.
And Cloony could not make any money
Simply because he was not funny.
One day he said, "I'll tell this town
How it feels to be an unfunny clown."
And he told them all why he looked so sad,
And he told them all why he felt so bad.
He told of Pain and Rain and Cold,
He told of Darkness in his soul,
And after he finished his tale of woe,
Did everyone cry? Oh no, no, no,
They laughed until they shook the trees
With "Hah-Hah-Hahs" and "Hee-Hee-Hees."
They laughed with howls and yowls and shrieks,
They laughed all day, they laughed all week,
They laughed until they had a fit,
They laughed until their jackets split.
The laughter spread for miles around
To every city, every town,
Over mountains, 'cross the sea,
From Saint Tropez to Mun San Nee.
And soon the whole world rang with laughter,
Lasting till forever after,
While Cloony stood in the circus tent,
With his head drooped low and his shoulders bent.
And he said,"THAT IS NOT WHAT I MEANT -
I'M FUNNY JUST BY ACCIDENT."
And while the world laughed outside.
Cloony the Clown sat down and cried.
Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with 
 your presence, I roar your Lion Roar with mortal
 mouth.
One microgram inspired to one lung, ten pounds of 
 heavy metal dust adrift slow motion over grey
 Alps
the breadth of the planet, how long before your radiance
 speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
 Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
 sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
 birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
 of metal empires!
Destroyer of lying Scientists! Devourer of covetous
 Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful 
 nations, Molester of Presidents, Death-Scandal of
 Capital politics! Ah civilizations stupidly indus-
 trious!
Canker-Hex on multitudes learned or illiterate! Manu-
 factured Spectre of human reason! O solidified
 imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I 
 publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
 Your name enters mankind's ear! I embody your
 ultimate powers!
My oratory advances on your vaunted Mystery! This 
 breath dispels your braggart fears! I sing your 
 form at last
behind your concrete & iron walls inside your fortress
 of rubber & translucent silicon shields in filtered
 cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot 
 cans and echoes in electric vaults inert of atmo-
 sphere,
I enter with spirit out loud into your fuel rod drums
 underground on soundless thrones and beds of
 lead
O density! This weightless anthem trumpets transcendent 
 through hidden chambers and breaks through 
 iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony 
 floats audible, these jubilant tones are honey and 
 milk and wine-sweet water
Poured on the stone black floor, these syllables are
 barley groats I scatter on the Reactor's core, 
I call your name with hollow vowels, I psalm your Fate
 close by, my breath near deathless ever at your
 side
to Spell your destiny, I set this verse prophetic on your
 mausoleum walls to seal you up Eternally with
 Diamond Truth! O doomed Plutonium.

 II

The Bar surveys Plutonian history from midnight 
 lit with Mercury Vapor streetlamps till in dawn's 
 early light
he contemplates a tranquil politic spaced out between 
 Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
 with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
 Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in 
 United States of North America, Western Hemi-
 sphere
of planet Earth six months and fourteen days around
 our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen 
 hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
 Denver city white below
Blue sky transparent rising empty deep & spacious to a 
 morning star high over the balcony 
above some autos sat with wheels to curb downhill 
 from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
 cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
 summer green leafed trees.

 III

This ode to you O Poets and Orators to come, you
 father Whitman as I join your side, you Congress
 and American people,
you present meditators, spiritual friends & teachers,
 you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and 
 consonants to breath's end
take this inhalation of black poison to your heart, breath
 out this blessing from your breast on our creation 
forests cities oceans deserts rocky flats and mountains 
 in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
 through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
 this mountain of Plutonium with ordinary mind
 and body speech,
thus empower this Mind-guard spirit gone out, gone
 out, gone beyond, gone beyond me, Wake space,
 so Ah!

 July 14, 1978


Written by Robert Frost | Create an image from this poem

In the Home Stretch

 SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back. She always answered without turning.

“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed. “Oh, put it where
You can to-night, and go. It’s almost dark;
You must be getting started back to town.”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”

“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.”

“But I ask,
What are you seeing out the window, lady?”

“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.”

“And what is that? You only put me off.”

“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all. And it’s scarce enough to call
A view.”

“And yet you think you like it, dear?”

“That’s what you’re so concerned to know! You hope
I like it. Bang goes something big away
Off there upstairs. The very tread of men
As great as those is shattering to the frame
Of such a little house. Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.”

“I think you see
More than you like to own to out that window.”

“No; for besides the things I tell you of,
I only see the years. They come and go
In alternation with the weeds, the field,
The wood.”

“What kind of years?”
“Why, latter years—
Different from early years.”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.”

“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going. Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.”

“See how it makes his nose-side bright, a proof
How dark it’s getting. Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything. Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks. But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming. Hurry! Call them back!”

“They’re not gone yet.”

“We’ve got to have the stove,
Whatever else we want for. And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe. Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do. There’s not enough
For everybody as it is in there.”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here. He needs a farm.”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer. Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them. They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.”

“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.”

“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain. But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.”

“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed. I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.”
He fetched a dingy lantern from behind
A door. “There’s that we didn’t lose! And these!”—
Some matches he unpocketed. “For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had. I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”

“The bread we bought in passing at the store.
There’s butter somewhere, too.”

“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once. He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf. I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”

“There again, Joe!
You’re tired.”

“I’m drunk-nonsensical tired out;
Don’t mind a word I say. It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.”

“Dumped down in paradise we are and happy.”

“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.”

“Shouldn’t you like to know?”

“I’d like to know
If it is what you wanted, then how much
You wanted it for me.”

“A troubled conscience!
You don’t want me to tell if I don’t know.”

“I don’t want to find out what can’t be known.

But who first said the word to come?”

“My dear,
It’s who first thought the thought. You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.”

“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.”

“Perhaps you never were?”

“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere. I’ve heard you say as much.
No, this is no beginning.”

“Then an end?”

“End is a gloomy word.”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.”

“I know this much:
I’m going to put you in your bed, if first
I have to make you build it. Come, the light.”

When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.
Written by Allen Ginsberg | Create an image from this poem

Wild Orphan

Blandly mother 
takes him strolling 
by railroad and by river 
-he's the son of the absconded 
hot rod angel- 
and he imagines cars 
and rides them in his dreams, 

so lonely growing up among 
the imaginary automobiles 
and dead souls of Tarrytown 

to create 
out of his own imagination 
the beauty of his wild 
forebears-a mythology 
he cannot inherit. 

Will he later hallucinate 
his gods? Waking 
among mysteries with 
an insane gleam 
of recollection? 

The recognition- 
something so rare 
in his soul, 
met only in dreams 
-nostalgias 
of another life. 

A question of the soul. 
And the injured 
losing their injury 
in their innocence 
-a cock, a cross, 
an excellence of love. 

And the father grieves 
in flophouse 
complexities of memory 
a thousand miles 
away, unknowing 
of the unexpected 
youthful stranger 
bumming toward his door. 

- New York, April 13, 1952
Written by Edna St. Vincent Millay | Create an image from this poem

Travel

 I should like to rise and go 
Where the golden apples grow;-- 
Where below another sky 
Parrot islands anchored lie, 
And, watched by cockatoos and goats, 
Lonely Crusoes building boats;-- 
Where in sunshine reaching out 
Eastern cities, miles about, 
Are with mosque and minaret 
Among sandy gardens set, 
And the rich goods from near and far 
Hang for sale in the bazaar;-- 
Where the Great Wall round China goes, 
And on one side the desert blows, 
And with the voice and bell and drum, 
Cities on the other hum;-- 
Where are forests hot as fire, 
Wide as England, tall as a spire, 
Full of apes and cocoa-nuts 
And the ***** hunters' huts;-- 
Where the knotty crocodile 
Lies and blinks in the Nile, 
And the red flamingo flies 
Hunting fish before his eyes;-- 
Where in jungles near and far, 
Man-devouring tigers are, 
Lying close and giving ear 
Lest the hunt be drawing near, 
Or a comer-by be seen 
Swinging in the palanquin;-- 
Where among the desert sands 
Some deserted city stands, 
All its children, sweep and prince, 
Grown to manhood ages since, 
Not a foot in street or house, 
Not a stir of child or mouse, 
And when kindly falls the night, 
In all the town no spark of light. 
There I'll come when I'm a man 
With a camel caravan; 
Light a fire in the gloom 
Of some dusty dining-room; 
See the pictures on the walls, 
Heroes fights and festivals; 
And in a corner find the toys 
Of the old Egyptian boys.
Written by Andrew Barton Paterson | Create an image from this poem

A Ballad of Ducks

 The railway rattled and roared and swung 
With jolting and bumping trucks. 
The sun, like a billiard red ball, hung 
In the Western sky: and the tireless tongue 
Of the wild-eyed man in the corner told 
This terrible tale of the days of old, 
And the party that ought to have kept the ducks. 
"Well, it ain't all joy bein' on the land 
With an overdraft that'd knock you flat; 
And the rabbits have pretty well took command; 
But the hardest thing for a man to stand 
Is the feller who says 'Well I told you so! 
You should ha' done this way, don't you know!' -- 
I could lay a bait for a man like that. 

"The grasshoppers struck us in ninety-one 
And what they leave -- well, it ain't de luxe. 
But a growlin' fault-findin' son of a gun 
Who'd lent some money to stock our run -- 
I said they'd eaten what grass we had -- 
Says he, 'Your management's very bad; 
You had a right to have kept some ducks!' 

"To have kept some ducks! And the place was white! 
Wherever you went you had to tread 
On grasshoppers guzzlin' day and night; 
And then with a swoosh they rose in flight, 
If you didn't look out for yourself they'd fly 
Like bullets into your open eye 
And knock it out of the back of your head. 

"There isn't a turkey or goose or swan, 
Or a duck that quacks, or a hen that clucks, 
Can make a difference on a run 
When a grasshopper plague has once begun; 
'If you'd finance us,' I says, 'I'd buy 
Ten thousand emus and have a try; 
The job,' I says, 'is too big for ducks! 

"'You must fetch a duck when you come to stay; 
A great big duck -- a Muscovy toff -- 
Ready and fit,' I says, 'for the fray; 
And if the grasshoppers come our way 
You turn your duck into the lucerne patch, 
And I'd be ready to make a match 
That the grasshoppers eat his feathers off!" 

"He came to visit us by and by, 
And it just so happened one day in spring 
A kind of cloud came over the sky -- 
A wall of grasshoppers nine miles high, 
And nine miles thick, and nine hundred wide, 
Flyin' in regiments, side by side, 
And eatin' up every living thing. 

"All day long, like a shower of rain, 
You'd hear 'em smackin' against the wall, 
Tap, tap, tap, on the window pane, 
And they'd rise and jump at the house again 
Till their crippled carcasses piled outside. 
But what did it matter if thousands died -- 
A million wouldn't be missed at all. 

"We were drinkin' grasshoppers -- so to speak -- 
Till we skimmed their carcasses off the spring; 
And they fell so thick in the station creek 
They choked the waterholes all the week. 
There was scarcely room for a trout to rise, 
And they'd only take artificial flies -- 
They got so sick of the real thing. 

"An Arctic snowstorm was beat to rags 
When the hoppers rose for their morning flight 
With the flapping noise like a million flags: 
And the kitchen chimney was stuffed with bags 
For they'd fall right into the fire, and fry 
Till the cook sat down and began to cry -- 
And never a duck or fowl in sight. 

"We strolled across to the railroad track -- 
Under a cover beneath some trucks, 
I sees a feather and hears a quack; 
I stoops and I pulls the tarpaulin back -- 
Every duck in the place was there, 
No good to them was the open air. 
'Mister,' I says, 'There's your blanky ducks!'"
Written by Walt Whitman | Create an image from this poem

Thoughts

 1
OF these years I sing, 
How they pass and have pass’d, through convuls’d pains as through parturitions; 
How America illustrates birth, muscular youth, the promise, the sure fulfillment, the
 Absolute
 Success, despite of people—Illustrates evil as well as good; 
How many hold despairingly yet to the models departed, caste, myths, obedience,
 compulsion, and
 to infidelity; 
How few see the arrived models, the Athletes, the Western States—or see freedom or
 spirituality—or hold any faith in results,
(But I see the Athletes—and I see the results of the war glorious and
 inevitable—and
 they again leading to other results;) 
How the great cities appear—How the Democratic masses, turbulent, wilful, as I love
 them; 
How the whirl, the contest, the wrestle of evil with good, the sounding and resounding,
 keep on
 and on; 
How society waits unform’d, and is for awhile between things ended and things begun; 
How America is the continent of glories, and of the triumph of freedom, and of the
 Democracies,
 and of the fruits of society, and of all that is begun;
And how The States are complete in themselves—And how all triumphs and glories are
 complete in themselves, to lead onward, 
And how these of mine, and of The States, will in their turn be convuls’d, and serve
 other
 parturitions and transitions, 
And how all people, sights, combinations, the Democratic masses, too, serve—and how
 every
 fact, and war itself, with all its horrors, serves, 
And how now, or at any time, each serves the exquisite transition of death. 

2
OF seeds dropping into the ground—of birth,
Of the steady concentration of America, inland, upward, to impregnable and swarming
 places, 
Of what Indiana, Kentucky, Ohio and the rest, are to be, 
Of what a few years will show there in Nebraska, Colorado, Nevada, and the rest; 
(Or afar, mounting the Northern Pacific to Sitka or Aliaska;) 
Of what the feuillage of America is the preparation for—and of what all sights,
 North,
 South, East and West, are;
Of This Union, soak’d, welded in blood—of the solemn price paid—of the
 unnamed
 lost, ever present in my mind; 
—Of the temporary use of materials, for identity’s sake, 
Of the present, passing, departing—of the growth of completer men than any yet, 
Of myself, soon, perhaps, closing up my songs by these shores, 
Of California, of Oregon—and of me journeying to live and sing there;
Of the Western Sea—of the spread inland between it and the spinal river, 
Of the great pastoral area, athletic and feminine, 
of all sloping down there where the fresh free giver, the mother, the Mississippi flows, 
Of future women there—of happiness in those high plateaus, ranging three thousand
 miles,
 warm and cold; 
Of mighty inland cities yet unsurvey’d and unsuspected, (as I am also, and as it must
 be;)
Of the new and good names—of the modern developments—of inalienable homesteads; 
Of a free and original life there—of simple diet and clean and sweet blood; 
Of litheness, majestic faces, clear eyes, and perfect physique there; 
Of immense spiritual results, future years, far west, each side of the Anahuacs; 
Of these leaves, well understood there, (being made for that area;)
Of the native scorn of grossness and gain there; 
(O it lurks in me night and day—What is gain, after all, to savageness and freedom?)

Book: Radiant Verses: A Journey Through Inspiring Poetry