Written by
William Butler Yeats |
I
The Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
And think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.
From mountain to mountain ride the fierce horsemen.
All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
Nor soldered pot or pan;
His roaring and his ranting
Best please a wandering man.
From mountain to mountain ride the fierce horsemen.
Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We'd drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.
From mountain to mountain ride the fierce horsemen.
II
My name is Henry Middleton,
I have a small demesne,
A small forgotten house that's set
On a storm-bitten green.
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.
From mountain to mountain ride the fierce horsemen.
Though I have locked my gate on them,
I pity all the young,
I know what devil's trade they learn
From those they live among,
Their drink, their pitch-and-toss by day,
Their robbery by night;
The wisdom of the people's gone,
How can the young go straight?
From mountain to mountain ride the fierce horsemen.
When every Sunday afternoon
On the Green Lands I walk
And wear a coat in fashion.
Memories of the talk
Of henwives and of ***** old men
Brace me and make me strong;
There's not a pilot on the perch
Knows I have lived so long.
From mountain to mountain ride the fierce horsemen.
III
Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
praise every man that came again,
Praise every man that fell.
From mountain to mountain ride the fierce horsemen.
Who was the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Catriage and voice had he;
He lacked those years that go with skill,
But later might have been
A famous, a brilliant figure
Before the painted scene.
From mountain to mountain ride the fierce horsemen.
Some had no thought of victory
But had gone out to die
That Ireland's mind be greater,
Her heart mount up on high;
And yet who knows what's yet to come?
For patrick pearse had said
That in every generation
Must Ireland's blood be shed.
From mountain to mountain ride the fierce horsemen.
|
Written by
Barry Tebb |
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her ****,
Her ****, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money, I am counting the stars in your
Hair, bound with a cheap plastic comb.
9
You have no idea of my need for you
A lifetime long, every wrong decision
I made betrayed my need; forty years on
Hear my song and take my hand and move
Us to the house of love where we belong.
10
Margaret we sat in the cinema dark
Warm with the promise of a secret kiss
The wall lights glowed amber on the
Crumbling plaster, we looked with longing
At the love seats empty in the circle,
Vowing we would share one.
11
There is shouting and echoes
Of wild splashing from York
Road baths; forty years on
It stirs my memory and
Will not be gone.
12
The ghosts of tramtracks
Light up lanes
To nowhere
In Leeds Ten.
Every road
Leads nowhere
In Leeds Nine.
Motorways have cut
The city’s heart
In two; Margaret,
Our home lies buried
Under sixteen feet
Of stone.
13
Our families moved
And we were lost
I was not there to hear
The whispered secret
Of your first period.
14
God is courage’s infinite ground
Tillich said; God, give me enough
To stand another week without her
Every day gets longer, every sleep
Less deep.
15
Why can’t I find you,
Touch you,
Bind your straw-gold hair
The colour of lank
February grass?
16
Under the stone canopy
Of the Grand Arcade
I pass Europa Nightclub;
In black designer glass
I watch the faces pass
But none is like your’s,
No voice, no eyes,
No smile at all
Like your’s.
17
From Kirkstall Lock
The rhubarb crop
To Knostrop’s forcing sheds
The roots ploughed up
Arranged in beds
Of perfect darkness
Where the buds burst
With a pip, rich pink
Stalks and yellow leaves
Hand-picked by
Candle-light to
Keep the colour right
So every night the
Rhubarb train
Could go from Leeds
To Covent Garden.
18
The smell of Saturday morning
Is the smell of freedom
How the bounds may grow
Slowly slowly as I go.
“Rag-bone rag-bone
White donkey stone”
Auntie Nellie scoured
Her door step, polished
The brass knocker
Till I saw my face
Bunched like a fist
Complete with goggles
Grinning like a monkey
In a mile of mirrors.
19
Every door step had a stop
A half-stone iron weight
To hold it back and every
Step was edged with donkey
Stone in yellow or white
From the ragman or the potman
With his covered cart jingling
Jangling as it jerked hundreds
Of cups on hooks pint and
Half pint mugs and stacks of
Willow-patterned plates
From Burmantofts.
20
We heard him a mile off
Nights in summer when
He trundled round the
Corner over the cobbles
Jamming the wood brake
Blocks whoaing the horses
With their gleaming brasses
And our mams were always
Waiting where he stopped.
21
Double summer-time made
The nights go on for ever
And no-one cared any more
How long we played what
Or where and we were left
Alone and that’s all I wanted
Then or now to be left alone
Never to be called in from
The Hollows never to be
Called from Margaret.
22
City of back-to-backs
From Armley Heights
Laid out in rows
Like trees or grass
I watch you pass.
23
The Aire is slow and almost
Still
In the Bridgefield
The Joshua Tetley clock
Over the Atkinson Grimshaw
Print
Is stopped at nineteen fifty
Four
The year I left.
24
Grimshaw’s home was
Half a mile away
In Knostrop Hall
Margaret and I
Climbed the ruined
Walls her hair was
Blowing in the wind
Her eyes were stars
In the green night
Her hands were holding
My hands.
25
Half a century later
I look out over Leeds Nine
What little’s left is broken
Or changed Saturday night
Is silent and empty
The paths over the Hollows
Deserted the bell
Of St. Hilda’s still.
26
On a single bush
The yellow roses blush
Pink in the amber light
Night settles on the
Fewstons and the Copperfields
No mothers’ voices calling us.
Lilac and velvet clover
Grew all over the Hollows
It was all the luck
We knew and when we left
Our luck went too.
27
Solid black
Velvet basalt
Polished jet
Millstone grit
Leeds Town Hall
Built with it
Soaks up the fog
Is sealed with smog
Battered buttressed
Blackened plinths
White lions’ paws
Were soft their
Smiles like your’s.
28
Narrow lanes, steep inclines,
Steps, blank walls, tight
And secret openings’
The lanes are your hips
The inclines the lines
Of your thighs, the steps
Your breasts, blank walls
Your buttocks, tight and
Secret openings your
Taut vagina’s lips.
29
There is a keening and a honing
And a winnowing in the wind
I am the surge and flow
In Winwaed’s water the last breath
Of Elmete’s King.
I am Penda crossing the Aire
Camping at Killingbeck
Conquered by Aethalwald
Ruler of Deira.
30
Life is a bird hovering
In the Hall of the King
Between darkness and darkness flickering
The stone of Scone at last lifted
And borne on the wind, Dunedin, take it
Hold it hard and fast its light
Is leaping it is freedom’s
Touchstone and firestone.
31
Eir, Ayer or Aire
I’ll still be there
Your wanderings off course
Old Ea, Old Eye, Dead Eye
Make no difference to me.
Eg-an island - is Aire’s
True source, names
Not places matter
With the risings
Of a river
Ea land-by-water
I’ll make my own way
Free, going down river
To the far-off sea.
32
Poetry is my business, my affair.
My cri-de-coeur, jongleur
Of Mercia and Elmete, Margaret,
Open your door I am heaping
Imbroglios of stars on the floor
Meet me by the Office Lock
At midnight or by the Town Hall Clock.
33
Nennius nine times have I knocked
On the door of your grave, nine times
More have I made Pilgrimage to Elmete’s
Wood where long I lay by beck and bank
Waiting for your tongue to flame
With Pentecostal fire.
34
Margaret you rode in the hollow of my hand
In the harp of my heart, searching for you
I wandered in Kirkgate Market’s midnight
Down avenues of shuttered stalls, our secrets
Kept through all the years.
From the Imperial on Beeston Hill
I watch the city spill glass towers
Of light over the horizon’s rim.
35
The railyard’s straights
Are buckled plates
Red bricks for aggregate
All lost like me
Ledsham and Ledston
Both belong to Leeds
But Ledston Luck
Is where Aire leads.
36
Held of the Crown
By seven thanes
In Saxon times
‘In regione Loidis’
Baeda scripsit
Leeds, Leeds,
You answer
All my needs.
37
A horse shoe stuck for luck
Behind a basement window:
Margaret, now we’ll see
What truth there is
In dreams and poetry!
I am at one with everyone
There is poetry
Falling from the air
And you have put it there.
38
The sign for John Eaton Street
Is planted in the back garden
Of the transport caf? between
The strands of a wire mesh fence
Straddling the cobbles of a street
That is no more, a washing line
And an abandoned caravan.
39
‘This open land to let’
Is what you get on the Hollows
Thousands of half-burned tyres
The rusty barrel of a Trumix lorry
Concrete slabs, foxgloves and condoms,
The Go-Kart Arena’s signboards,
Half the wall of Ellerby Lane School.
40
There is a mermaid singing
On East Street on an IBM poster
Her hair is lack-lustre
Her breasts are facing the camera
Her tail is like a worn-out brush.
Chimney stacks
Blind black walls
Of factories
Grimy glass
Flickering firelight
In black-leaded grates.
41
Hunslet de Ledes
Hop-scotch, hide and seek,
Bogies-on-wheels
Not one tree in Hunslet
Except in the cemetery
The lake filled in
For fifty years,
The bluebell has rung
Its last perfumed peal.
42
I couldn’t play out on Sunday
Mam and dad thought us a cut
Above the rest, it was another
Test I failed, keeping me and
Margaret apart was like the Aztecs
Tearing the heart from the living flesh.
43
Father, your office job
Didn’t save you
From the drugs
They never gave you.
44
Isaiah, my son,
You made it back
From Balliol to Beeston
At a run via the
Playing fields of Eton.
There is a keening and a honing
And a winnowing in the wind
Winwaed’s water with red bluid blent.
|
Written by
William Butler Yeats |
Do not because this day I have grown saturnine
Imagine that lost love, inseparable from my thought
Because I have no other youth, can make me pine;
For how should I forget the wisdom that you brought,
The comfort that you made? Although my wits have gone
On a fantastic ride, my horse's flanks are spurred
By childish memories of an old cross Pollexfen,
And of a Middleton, whose name you never heard,
And of a red-haired Yeats whose looks, although he died
Before my time, seem like a vivid memory.
You heard that labouring man who had served my people. He said
Upon the open road, near to the Sligo quay -
No, no, not said, but cried it out - 'You have come again,
And surely after twenty years it was time to come.'
I am thinking of a child's vow sworn in vain
Never to leave that valley his fathers called their home.
|
Written by
William Butler Yeats |
I call on those that call me son,
Grandson, or great-grandson,
On uncles, aunts, great-uncles or great-aunts,
To judge what I have done.
Have I, that put it into words,
Spoilt what old loins have sent?
Eyes spiritualised by death can judge,
I cannot, but I am not content.
He that in Sligo at Drumcliff
Set up the old stone Cross,
That red-headed rector in County Down,
A good man on a horse,
Sandymount Corbets, that notable man
Old William pollexfen,
The smuggler Middleton, Butlers far back,
Half legendary men.
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.
|
Written by
Mary Darby Robinson |
THE knell of death, that on the twilight gale,
Swells its deep murmur to the pensive ear;
In awful sounds repeats a mournful tale,
And claims the tribute of a tender tear.
The dreadful hour is past ! the mandate giv'n!
The gentle MIDDLETON shall breathe no more,
Yet who shall blame the wise decrees of Heaven,
Or the dark mysteries of Fate explore?
No more her converse shall delight the heart;
No more her smile benign spread pleasure round;
No more her liberal bosom shall impart
The balm of pity to Affliction's wound.
Her soul above the pride of noble birth,
Above the praises of an empty name,
By graceful MEEKNESS mark'd superior worth,
By peerless VIRTUES claim'd the fairest fame,
Nor did those Virtues flaunt their innate rays,
To court applause, or charm the vulgar throng,
No ostentatious glare illum'd her days,
No idle boast escap'd her tuneful tongue.
When FAME, ambitious to record her praise,
On glitt'ring pinions spread her name afar,
Her gentle nature shunn'd the dazzling blaze,
Mild as the lustre of the morning star!
DIVINE BENEVOLENCE around her shone!
The chastest manners spoke her spotless mind;
That Pow'r who gave now claims her for his own,
Pure as the cherub she has left behind.
As round her couch the winged darts of death
Reluctant flew from Fate's unerring bow,
Immortal angels claim'd her quivering breath,
And snatch'd her spirit from a world of woe.
Calm resignation smil'd upon her cheek,
And HOPE'S refulgent beam illum'd her eye;
While FAITH, celestial VIRTUE'S handmaid meek,
On wings of seraphs bore her to the sky.
Ye poor, who from her gen'rous bounty fed;
Oh! to HER mem'ry give the fame that's due;
For oft, from pleasure's blithe meanders led,
Her pensive bosom felt a pang for YOU.
Yet, cease to mourn a sainted Spirit gone
To seek its resting place, beyond the skies;
Where 'midst the glories of TH' ETERNAL's throne,
She tastes celestial bliss THAT NEVER DIES!
|
Written by
William Topaz McGonagall |
'Twas near the Begum Kothie the battle began,
Where innocent blood as plentiful as water ran;
The Begum Kothie was a place of honour given to the 93rd,
Which heroically to a man they soon did begird.
And the 4th Punjaub Rifles were their companions in glory,
And are worthy of their names enrolled in story,
Because they performed prodigious wonders in the fight,
By killing and scattering the Sepoys left and right.
The 93rd Highlanders bivouacked in a garden surrounded by mud walls,
Determined to capture the Begum Kothie no matter what befalls--,
A place strongly fortified and of enormous strength,
And protected by strong earthworks of very great length.
And added to these obstacles was the most formidable of all--
A broad deep ditch that ran along the wall,
Which the storming party not even guessed at before;
But this barrier the British soon did climb o'er.
But early the next morning two batteries of Artillery were pounding away,
And the fight went on for the whole day;
And the defenders of the building kept up rattling musketry fire,
And when night fell the British had to retire.
Next day the contest was renewed with better success,
And the 93rd in all their beauty forward did press,
And moved on toward the position without firing a shot,
And under cover of some ruined buildings they instantly got.
And here for a few minutes they kept themselves under cover,
While each man felt more anxious than another
To attack the merciless rebels while it was day,
Because their blood was up and eager for the fray.
Still the enemy kept up a blazing fire at them pell-mell,
But they fired too high and not a man of them fell;
And the bullets whistled around them again and again,
Still on went the unwavering Highlanders with might and main.
But when they reached the ditch they were taken by surprise,
By the unexpected obstacle right before their eyes;
But Captain Middleton leapt into the ditch and showed them the way,
And immediately the whole of the men were after him without delay.
Leith Hay himself was among the first across,
And gained a footing on the other side without any personal loss;
And he assisted in helping the rest out of the ditch,
While the din of war was at the highest pitch.
'Twas then the struggle commenced in terrible earnest:
While every man was resolved to do his best;
And the enemy barricaded every entrance so as a single man could only pass,
Determined to make a strong resistance, and the British to harass.
But barrier after barrier soon was passed;
And the brave men no doubt felt a little harassed,
But they fought desperately and overturned their foes at every point,
And put the rebels to flight by shot and bayonet conjoint.
The Sheiks and the Horse Guards behaved right well--
Because beneath their swords, by the score, the Sepoys fell;
And their beautiful war steeds did loudly neigh and roar,
While beneath their hoofs they trampled them all o'er.
And as for John McLeod-- the pipe-major of the 93rd,
He kept sounding his bagpipes and couldn't be stirred--
Because he remembered his duty in the turmoil,
And in the battlefield he was never known to recoil.
And as for Major General McBain-- he was the hero in the fight;
He fought heroically-- like a lion-- with all his might;
And again and again he was met by desperate odds,
But he scattered them around him and made them kiss the sods.
And he killed eleven of the enemy with sword in hand,
Which secured for him the proudest of all honours in the land,
Namely, that coveted honour called the Victoria Cross,
Of which many a deserving hero has known the loss.
And as for brave Hodson-- he was a warrior born,
And military uniform did his body adorn;
And his voice could be heard in the battle afar,
Crying-- "Come on my boys there is nothing like war!"
But, in a moment, a volley was discharged at him,
And he fell mortally wounded, while the Sepoys did grin;
Then the Highlanders closed with their foes and made them retreat,
And left them not till every rebel lay dead at their feet.
Then Sir Colin Campbell to his men did say,--
"Men, I feel proud that we have captured Lucknow this day;
Therefore strike up the bagpipes and give one hearty cheer,
And enjoy yourselves, my heroes, while ye are here."
|
Written by
Henry Lawson |
Tall and freckled and sandy,
Face of a country lout;
This was the picture of Andy,
Middleton's Rouseabout.
Type of a coming nation,
In the land of cattle and sheep,
Worked on Middleton's station,
'Pound a week and his keep.'
On Middleton's wide dominions
Plied the stockwhip and shears;
Hadn't any opinions,
Hadn't any 'idears'.
Swiftly the years went over,
Liquor and drought prevailed;
Middleton went as a drover,
After his station had failed.
Type of a careless nation,
Men who are soon played out,
Middleton was:—and his station
Was bought by the Rouseabout.
Flourishing beard and sandy,
Tall and robust and stout;
This is the picture of Andy,
Middleton's Rouseabout.
Now on his own dominions
Works with his overseers;
Hasn't any opinions,
Hasn't any 'idears'.
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