Written by
Wystan Hugh (W H) Auden |
Among pelagian travelers, Lost on their lewd conceited way To Massachusetts, Michigan, Miami or L. A. , An airborne instrument I sit, Predestined nightly to fulfill Columbia-Giesen-Management's Unfathomable will, By whose election justified, I bring my gospel of the Muse To fundamentalists, to nuns, to Gentiles and to Jews, And daily, seven days a week, Before a local sense has jelled, From talking-site to talking-site Am jet-or-prop-propelled. Though warm my welcome everywhere, I shift so frequently, so fast, I cannot now say where I was The evening before last, Unless some singular event Should intervene to save the place, A truly asinine remark, A soul-bewitching face, Or blessed encounter, full of joy, Unscheduled on the Giesen Plan, With, here, an addict of Tolkien, There, a Charles Williams fan. Since Merit but a dunghill is, I mount the rostrum unafraid: Indeed, 'twere damnable to ask If I am overpaid. Spirit is willing to repeat Without a qualm the same old talk, But Flesh is homesick for our snug Apartment in New York. A sulky fifty-six, he finds A change of mealtime utter hell, Grown far too crotchety to like A luxury hotel. The Bible is a goodly book I always can peruse with zest, But really cannot say the same For Hilton's Be My Guest. Nor bear with equanimity The radio in students' cars, Muzak at breakfast, or--dear God!-- Girl-organists in bars. Then, worst of all, the anxious thought, Each time my plane begins to sink And the No Smoking sign comes on: What will there be to drink? Is this a milieu where I must How grahamgreeneish! How infra dig! Snatch from the bottle in my bag An analeptic swig? Another morning comes: I see, Dwindling below me on the plane, The roofs of one more audience I shall not see again. God bless the lot of them, although I don't remember which was which: God bless the U. S. A. , so large, So friendly, and so rich.
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Written by
Galway Kinnell |
Goodbye, lady in Bangor, who sent me
snapshots of yourself, after definitely hinting
you were beautiful; goodbye,
Miami Beach urologist, who enclosed plain
brown envelopes for the return of your very
Clinical Sonnet; goodbye, manufacturer
of brassieres on the Coast, whose eclogues
give the fullest treatment in literature yet
to the sagging-breast motif; goodbye, you in San Quentin,
who wrote, "Being German my hero is Hitler,"
instead of "Sincerely yours," at the end of long,
neat-scripted letter demolishing
the pre-Raphaelites:
I swear to you, it was just my way
of cheering myself up, as I licked
the stamped, self-addressed envelopes,
the game I had
of trying to guess which one of you, this time,
had poisoned his glue. I did care.
I did read each poem entire.
I did say what I thought was the truth
in the mildest words I know. And now,
in this poem, or chopped prose, not any better,
I realize, than those troubled lines
I kept sending back to you,
I have to say I am relieved it is over:
at the end I could feel only pity
for that urge toward more life
your poems kept smothering in words, the smell
of which, days later, would tingle
in your nostrils as new, God-given impulses
to write.
Goodbye,
you who are, for me, the postmarks again
of shattered towns-Xenia, Burnt Cabins, Hornell-
their loneliness
given away in poems, only their solitude kept.
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Written by
Ellis Parker Butler |
The great millennium is at hand.
Redder apples grow on the tree.
A saxophone is in ev’ry band.
Brandy no longer taints our tea.
Dimples smile in the red-rouged knee.
The dowagers are no longer fat.
Radio now makes safe the sea—
And the Turk has bought him a derby hat.
Even our sauerkraut now is canned.
Verse is a dangsight more than free.
A “highboy” now is the old dish stand.
Ev’ry flapper has her night key.
Chopin is jazzed into melody.
A child is a “kiddie” and not a “brat. ”
Bosses and miners at last agree—
And the Turk has bought him a derby hat.
All firewaters are bravely banned.
There is a ballot for every she.
The hairpin now is a contraband.
A New York mayor gets some sympathy.
My dealer brings some coal to me.
The plumber is an aristocrat.
In Miami all millionaires may be—
And the Turk has bought him a derby hat.
Son, the millennium is at hand!
What though Armenians be mashed flat?
The world is getting just perfectly grand,
For the Turk has bought him a derby hat.
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Written by
Paul Laurence Dunbar |
Kiss me, Miami, thou most constant one!
I love thee more for that thou changest not.
When Winter comes with frigid blast,
Or when the blithesome Spring is past
And Summer's here with sunshine hot,
Or in sere Autumn, thou has still the pow'r
To charm alike, whate'er the hour.
Kiss me, Miami, with thy dewy lips;
Throbs fast my heart e'en as thine own breast beats.
My soul doth rise as rise thy waves,
As each on each the dark shore laves
And breaks in ripples and retreats.
There is a poem in thine every phase;
Thou still has sung through all thy days.
Tell me, Miami, how it was with thee
When years ago Tecumseh in his prime
His birch boat o'er thy waters sent,
And pitched upon thy banks his tent.
In that long-gone, poetic time,
Did some bronze bard thy flowing stream sit by
And sing thy praises, e'en as I?[Pg 278]
Did some bronze lover 'neath this dark old tree
Whisper of love unto his Indian maid?
And didst thou list his murmurs deep,
And in thy bosom safely keep
The many raging vows they said?
Or didst thou tell to fish and frog and bird
The raptured scenes that there occurred?
But, O dear stream, what volumes thou couldst tell
To all who know thy language as I do,
Of life and love and jealous hate!
But now to tattle were too late,—
Thou who hast ever been so true.
Tell not to every passing idler here
All those sweet tales that reached thine ear.
But, silent stream, speak out and tell me this:
I say that men and things are still the same;
Were men as bold to do and dare?
Were women then as true and fair?
Did poets seek celestial flame,
The hero die to gain a laureled brow,
And women suffer, then as now?
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