Written by
T S (Thomas Stearns) Eliot |
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question...
Oh, do not ask, "What is it?"
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate,
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: "How his hair is growing thin!")
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: "But how his arms and legs are thin!")
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute win reverse.
For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep ... tired ... or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
upon a platter,
I am no prophet-and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"—
If one, settling a pillow by her head,
Should say: "That is not what I meant at all.
That is not it, at all."
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along
the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a
screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all."
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old ... I grow old ...
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
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Written by
Barry Tebb |
( I )
for ‘JC’ of the TLS
Nightmare of metropolitan amalgam
Grand Hotel and myself as a guest there
Lost with my room rifled, my belongings scattered,
Purse, diary and vital list of numbers gone –
Vague sad memories of mam n’dad
Leeds 1942 back-to-back with shared outside lav.
Hosannas of sweet May mornings
Whitsun glory of lilac blooming
Sixty years on I run and run
From death, from loss, from everyone.
Which are the paths I never ventured down,
Or would they, too, be vain?
O for the secret anima of Leeds girlhood
A thousand times better than snide attacks in the TLS
By ‘JC’. **** you, Jock, you should be ashamed,
Attacking Brenda Williams, who had a background
Worse than yours, an alcoholic schizophrenic father
And an Irish immigrant mother who died when Brenda was fifteen
But still she managed to read Proust on her day off
As a library girl, turned down by David Jenkins,
‘As rising star of the left’ for a place at Leeds
To read theology started her as a protest poet
Sitting out on the English lawn, mistaken for a snow sculpture
In the depths of winter.
Her sit-in protest lasted seven months,
Months, eight hours a day, her libellous verse scorching
The academic groves of Leeds in sheets by the thousand,
Mailed through the university's internal post. She called
The VC 'a mouse from the mountain'; Bishop of Durham to-be
David Jenkins a wimp and worse and all in colourful verse
And 'Guntrip's Ghost' went to every VC in England in a
Single day. When she sat on the English lawn Park Honan
Flew paper aeroplanes with messages down and
And when she was in Classics they took away her chair
So she sat on the floor reading Virgil and the Chairman of the
Department sent her an official Christmas card
'For six weeks on the university lawn, learning the
Hebrew alphabet'.
And that was just the beginning: in Oxford Magdalen College
School turned our son away for the Leeds protest so she
Started again, in Magdalen Quad, sitting through Oxford's
Worst ever winter and finally they arrested her on the
Eve of the May Ball so she wrote 'Oxford from a Prison
Cell' her most famous poem and her protest letter went in
A single day to every MP and House of Lords Member and
It was remembered years after and when nobody nominated
Her for the Oxford Chair she took her own and sat there
In the cold for almost a year, well-wishers pinning messages
To the tree she sat under - "Tityre, tu patulae recubans
Sub tegmine fagi" and twelve hundred and forty dons had
"The Pain Clinic" in a single day and she was fourteen
Times in the national press, a column in "The Guardian"
And a whole page with a picture in the 'Times Higher' -
"A Well Versed Protester"
JC, if you call Myslexia’s editor a ‘kick-**** virago’
You’ve got to expect a few kicks back.
All this is but the dust
We must shake from our feet
Purple heather still with blossom
In Haworth and I shall gather armfuls
To toss them skywards and you,
Madonna mia, I shall bed you there
In blazing summer by High Wythens,
Artist unbroken from the highest peak
I raise my hands to heaven.
( II )
Sweet Anna, I do not know you from Eve
But your zany zine in the post
Is the best I’ve ever seen, inspiring this rant
Against the cant of stuck-up cunts currying favour
I name no name but if the Dutch cap fits
Then wear it and share it.
Who thought at sixty one
I’d have owned a watch
Like this one, chased silver cased
Quartz reflex Japanese movement
And all for a fiver at the back of Leeds Market
Where I wander in search of oil pastels
Irish folk and cheap socks.
The TLS mocks our magazine
With its sixties Cadillac pink
Psychedelic cover and every page crimson
Orange or mauve, revolutionary sonnets
By Brenda Williams from her epic ‘Pain Clinic’
And my lacerating attacks on boring Bloodaxe
Neil Ghastly and Anvil’s preciosity and all the
Stuck-up ****-holes in their cubby-holes sending out
Rejection slip by rote – LPW
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Written by
Oscar Wilde |
A lily-girl, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe,
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
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Written by
Oscar Wilde |
My limbs are wasted with a flame,
My feet are sore with travelling,
For, calling on my Lady's name,
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love's sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart's delight,
Fairer than Queen or courtesan
Or moonlit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet's throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
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Written by
Francesco Petrarch |
SESTINA I. Mia benigna fortuna e 'l viver lieto. IN HIS MISERY HE DESIRES DEATH THE MORE HE REMEMBERS HIS PAST CONTENTMENT AND COMFORT. My favouring fortune and my life of joy,My days so cloudless, and my tranquil nights,The tender sigh, the pleasing power of song,Which gently wont to sound in verse and rhyme,[Pg 289]Suddenly darken'd into grief and tears,Make me hate life and inly pray for death! O cruel, grim, inexorable Death!How hast thou dried my every source of joy,And left me to drag on a life of tears,Through darkling days and melancholy nights.My heavy sighs no longer meet in rhyme,And my hard martyrdom exceeds all song! Where now is vanish'd my once amorous song?To talk of anger and to treat with death;Where the fond verses, where the happy rhymeWelcomed by gentle hearts with pensive joy?Where now Love's communings that cheer'd my nights?My sole theme, my one thought, is now but tears! Erewhile to my desire so sweet were tearsTheir tenderness refined my else rude song,And made me wake and watch the livelong nights;But sorrow now to me is worse than death,Since lost for aye that look of modest joy,The lofty subject of my lowly rhyme! Love in those bright eyes to my ready rhymeGave a fair theme, now changed, alas! to tears;With grief remembering that time of joy,My changed thoughts issue find in other song,Evermore thee beseeching, pallid Death,To snatch and save me from these painful nights! Sleep has departed from my anguish'd nights,Music is absent from my rugged rhyme,Which knows not now to sound of aught but death;Its notes, so thrilling once, all turn'd to tears,Love knows not in his reign such varied song,As full of sadness now as then of joy! Man lived not then so crown'd as I with joy,Man lives not now such wretched days and nights;And my full festering grief but swells the songWhich from my bosom draws the mournful rhyme;I lived in hope, who now live but in tears,Nor against death have other hope save death! [Pg 290]Me Death in her has kill'd; and only DeathCan to my sight restore that face of joy,Which pleasant made to me e'en sighs and tears,Balmy the air, and dewy soft the nights,Wherein my choicest thoughts I gave to rhymeWhile Love inspirited my feeble song! Would that such power as erst graced Orpheus' songWere mine to win my Laura back from death,As he Eurydice without a rhyme;Then would I live in best excess of joy;Or, that denied me, soon may some sad nightClose for me ever these twin founts of tears! Love! I have told with late and early tears,My grievous injuries in doleful song;Not that I hope from thee less cruel nights;And therefore am I urged to pray for death,Which hence would take me but to crown with joy,Where lives she whom I sing in this sad rhyme! If so high may aspire my weary rhyme,To her now shelter'd safe from rage and tears,Whose beauties fill e'en heaven with livelier joy,Well would she recognise my alter'd song,Which haply pleased her once, ere yet by deathHer days were cloudless made and dark my nights! O ye, who fondly sigh for better nights,Who listen to love's will, or sing in rhyme,Pray that for me be no delay in death,The port of misery, the goal of tears,But let him change for me his ancient song,Since what makes others sad fills me with joy! Ay! for such joy, in one or in few nights,I pray in rude song and in anguish'd rhyme,That soon my tears may ended be in death!
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Written by
Francesco Petrarch |
[Pg 124] CANZONE XVI. Italia mia, benchè 'l parlar sia indarno. TO THE PRINCES OF ITALY, EXHORTING THEM TO SET HER FREE. O my own Italy! though words are vainThe mortal wounds to close,Unnumber'd, that thy beauteous bosom stain,Yet may it soothe my painTo sigh forth Tyber's woes,And Arno's wrongs, as on Po's sadden'd shoreSorrowing I wander, and my numbers pour.Ruler of heaven! By the all-pitying loveThat could thy Godhead moveTo dwell a lowly sojourner on earth,Turn, Lord! on this thy chosen land thine eye:See, God of Charity!From what light cause this cruel war has birth;And the hard hearts by savage discord steel'd,Thou, Father! from on high,Touch by my humble voice, that stubborn wrath may yield! Ye, to whose sovereign hands the fates confideOf this fair land the reins,—(This land for which no pity wrings your breast)—Why does the stranger's sword her plains invest?That her green fields be dyed,Hope ye, with blood from the Barbarians' veins?Beguiled by error weak,Ye see not, though to pierce so deep ye boast,Who love, or faith, in venal bosoms seek:When throng'd your standards most,Ye are encompass'd most by hostile bands.O hideous deluge gather'd in strange lands,That rushing down amainO'erwhelms our every native lovely plain!Alas! if our own handsHave thus our weal betray'd, who shall our cause sustain? Well did kind Nature, guardian of our state,Rear her rude Alpine heights,A lofty rampart against German hate;But blind ambition, seeking his own ill,[Pg 125]With ever restless will,To the pure gales contagion foul invites:Within the same strait foldThe gentle flocks and wolves relentless throng,Where still meek innocence must suffer wrong:And these,—oh, shame avow'd!—Are of the lawless hordes no tie can hold:Fame tells how Marius' swordErewhile their bosoms gored,—Nor has Time's hand aught blurr'd the record proud!When they who, thirsting, stoop'd to quaff the flood,With the cool waters mix'd, drank of a comrade's blood! Great Cæsar's name I pass, who o'er our plainsPour'd forth the ensanguin'd tide,Drawn by our own good swords from out their veins;But now—nor know I what ill stars preside—Heaven holds this land in hate!To you the thanks!—whose hands control her helm!—You, whose rash feuds despoilOf all the beauteous earth the fairest realm!Are ye impell'd by judgment, crime, or fate,To oppress the desolate?From broken fortunes, and from humble toil,The hard-earn'd dole to wring,While from afar ye bringDealers in blood, bartering their souls for hire?In truth's great cause I sing.Nor hatred nor disdain my earnest lay inspire. Nor mark ye yet, confirm'd by proof on proof,Bavaria's perfidy,Who strikes in mockery, keeping death aloof?(Shame, worse than aught of loss, in honour's eye!)While ye, with honest rage, devoted pourYour inmost bosom's gore!—Yet give one hour to thought,And ye shall own, how little he can holdAnother's glory dear, who sets his own at noughtO Latin blood of old!Arise, and wrest from obloquy thy fame,Nor bow before a name[Pg 126]Of hollow sound, whose power no laws enforce!For if barbarians rudeHave higher minds subdued,Ours! ours the crime!—not such wise Nature's course. Ah! is not this the soil my foot first press'd?And here, in cradled rest,Was I not softly hush'd?—here fondly rear'd?Ah! is not this my country?—so endear'dBy every filial tie!In whose lap shrouded both my parents lie!Oh! by this tender thought,Your torpid bosoms to compassion wrought,Look on the people's grief!Who, after God, of you expect relief;And if ye but relent,Virtue shall rouse her in embattled might,Against blind fury bent,Nor long shall doubtful hang the unequal fight;For no,—the ancient flameIs not extinguish'd yet, that raised the Italian name! Mark, sovereign Lords! how Time, with pinion strong,Swift hurries life along!E'en now, behold! Death presses on the rear.We sojourn here a day—the next, are gone!The soul disrobed—alone,Must shuddering seek the doubtful pass we fear.Oh! at the dreaded bourne,Abase the lofty brow of wrath and scorn,(Storms adverse to the eternal calm on high!)And ye, whose crueltyHas sought another's harm, by fairer deedOf heart, or hand, or intellect, aspireTo win the honest meedOf just renown—the noble mind's desire!Thus sweet on earth the stay!Thus to the spirit pure, unbarr'd is Heaven's way! My song! with courtesy, and numbers sooth,Thy daring reasons grace,For thou the mighty, in their pride of place,Must woo to gentle ruth,[Pg 127]Whose haughty will long evil customs nurse,Ever to truth averse!Thee better fortunes wait,Among the virtuous few—the truly great!Tell them—but who shall bid my terrors cease?Peace! Peace! on thee I call! return, O heaven-born Peace! Dacre.
See Time, that flies, and spreads his hasty wing!See Life, how swift it runs the race of years,And on its weary shoulders death appears!Now all is life and all is spring:Think on the winter and the darker dayWhen the soul, naked and alone,Must prove the dubious step, the still unknown,Yet ever beaten way.And through this fatal valeWould you be wafted with some gentle gale?Put off that eager strife and fierce disdain,Clouds that involve our life's serene,And storms that ruffle all the scene;Your precious hours, misspent in others' pain,On nobler deeds, worthy yourselves, bestow;Whether with hand or wit you raiseSome monument of peaceful praise,Some happy labour of fair love:'Tis all of heaven that you can find below,And opens into all above. Basil Kennet.
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Written by
Robert Lowell |
(Quevedo, Mire los muros de la partia mia and
Buscas en Roma a Roma, (!)O peregrino!)
I
I saw the musty shingles of my house,
raw wood and fixed once, now a wash of moss
eroded by the ruin of age
furning all fair and green things into waste.
I climbed the pasture. I saw the dim sun drink
the ice just thawing from the boldered fallow,
woods crowd the foothills, sieze last summer's field,
and higher up, the sickly cattle bellow.
I went into my house. I saw how dust
and ravel had devoured its furnishing;
even my cane was withered and more bent,
even my sword was coffined up in rust—
there was no hilt left for the hand to try.
Everything ached, and told me I must die.
II
You search in Rome for Rome? O Traveller!
in Rome itself, there is no room for Rome,
the Aventine is its own mound and tomb,
only a corpse recieves the worshipper.
And where the Capitol once crowned the forum,
are medals ruined by the hands of time;
they show how more was lost by chance and time
the Hannibal or Ceasar could consume.
The Tiber flows still, but its waste laments
a city that has fallen in its grave—
each wave's a woman beating at her breast.
O Rome! Form all you palms, dominion, bronze
and beauty, what was firm has fled. What once
was fugitive maintains its permenance.
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Written by
Francesco Petrarch |
[Pg 74] CANZONE IX. Gentil mia donna, i' veggio. IN PRAISE OF LAURA'S EYES: THEY LEAD HIM TO CONTEMPLATE THE PATH OF LIFE. Lady, in your bright eyesSoft glancing round, I mark a holy light,Pointing the arduous way that heavenward lies;And to my practised sight,From thence, where Love enthroned, asserts his might,Visibly, palpably, the soul beams forth.This is the beacon guides to deeds of worth,And urges me to seek the glorious goal;This bids me leave behind the vulgar throng,Nor can the human tongueTell how those orbs divine o'er all my soulExert their sweet control,Both when hoar winter's frosts around are flung,And when the year puts on his youth again,Jocund, as when this bosom first knew pain. Oh! if in that high sphere,From whence the Eternal Ruler of the starsIn this excelling work declared his might,All be as fair and bright,Loose me from forth my darksome prison here,That to so glorious life the passage bars;Then, in the wonted tumult of my breast,I hail boon Nature, and the genial dayThat gave me being, and a fate so blest,And her who bade hope beamUpon my soul; for till then burthensomeWas life itself become:But now, elate with touch of self-esteem,High thoughts and sweet within that heart arise,Of which the warders are those beauteous eyes. No joy so exquisiteDid Love or fickle Fortune ere devise,In partial mood, for favour'd votaries,But I would barter itFor one dear glance of those angelic eyes,Whence springs my peace as from its living root.O vivid lustre! of power absolute[Pg 75]O'er all my being—source of that delight,By which consumed I sink, a willing prey.As fades each lesser rayBefore your splendour more intense and bright,So to my raptured heart,When your surpassing sweetness you impart,No other thought of feeling may remainWhere you, with Love himself, despotic reign. All sweet emotions e'erBy happy lovers felt in every clime,Together all, may not with mine compare,When, as from time to time,I catch from that dark radiance rich and deepA ray in which, disporting, Love is seen;And I believe that from my cradled sleep,By Heaven provided this resource hath been,'Gainst adverse fortune, and my nature frail.Wrong'd am I by that veil,And the fair hand which oft the light eclipse,That all my bliss hath wrought;And whence the passion struggling on my lips,Both day and night, to vent the breast o'erfraught,Still varying as I read her varying thought. For that (with pain I find)Not Nature's poor endowments may aloneRender me worthy of a look so kind,I strive to raise my mindTo match with the exalted hopes I own,And fires, though all engrossing, pure as mine.If prone to good, averse to all things base,Contemner of what worldlings covet most,I may become by long self-discipline.Haply this humble boastMay win me in her fair esteem a place;For sure the end and aimOf all my tears, my sorrowing heart's sole claim,Were the soft trembling of relenting eyes,The generous lover's last, best, dearest prize. My lay, thy sister-song is gone before.And now another in my teeming brainPrepares itself: whence I resume the strain. Dacre.
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Written by
Francesco Petrarch |
[Pg 287] CANZONE V. Solea dalla fontana di mia vita. MEMORY IS HIS ONLY SOLACE AND SUPPORT. I who was wont from life's best fountain farSo long to wander, searching land and sea,Pursuing not my pleasure, but my star,And alway, as Love knows who strengthen'd me,Ready in bitter exile to depart,For hope and memory both then fed my heart;Alas! now wring my hands, and to unkindAnd angry Fortune, which away has reftThat so sweet hope, my armour have resign'd;And, memory only left,I feed my great desire on that alone,Whence frail and famish'd is my spirit grown. As haply by the way, if want of foodCompel the traveller to relax his speed,Losing that strength which first his steps endued,So feeling, for my weary life, the needOf that dear nourishment Death rudely stole,Leaving the world all bare, and sad my soul,From time to time fair pleasures pall, my sweetTo bitter turns, fear rises, and hopes fail,My course, though brief, that I shall e'er complete:Cloudlike before the gale,To win some resting-place from rest I flee,—If such indeed my doom, so let it be. Never to mortal life could I incline,—Be witness, Love, with whom I parley oft—Except for her who was its light and mine.And since, below extinguish'd, shines aloftThe life in which I lived, if lawful 'twere,My chief desire would be to follow her:But mine is ample cause of grief, for ITo see my future fate was ill supplied;This Love reveal'd within her beauteous eyeElsewhere my hopes to guide:Too late he dies, disconsolate and sad,Whom death a little earlier had made glad. [Pg 288]In those bright eyes, where wont my heart to dwell,Until by envy my hard fortune stirr'dRose from so rich a temple to expel,Love with his proper hand had character'dIn lines of pity what, ere long, I weenThe issue of my old desire had been.Dying alone, and not my life with me,Comely and sweet it then had been to die,Leaving my life's best part unscathed and free;But now my fond hopes lieDead in her silent dust: a secret chillShoots through me when I think that I live still. If my poor intellect had but the forceTo help my need, and if no other lureHad led it from the plain and proper course,Upon my lady's brow 'twere easy sureTo have read this truth, "Here all thy pleasure dies,And hence thy lifelong trial dates its rise."My spirit then had gently pass'd awayIn her dear presence from all mortal care;Freed from this troublesome and heavy clay,Mounting, before her, whereAngels and saints prepared on high her place,Whom I but follow now with slow sad pace. My song! if one there beWho in his love finds happiness and rest,Tell him this truth from me,"Die, while thou still art bless'd,For death betimes is comfort, not dismay,And who can rightly die needs no delay." Macgregor.
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Written by
Francesco Petrarch |
SONNET CXCV. I' mi vivea di mia sorte contento. HE FEARS THAT AN ILLNESS WHICH HAS ATTACKED THE EYES OF LAURA MAY DEPRIVE HIM OF THEIR SIGHT. I lived so tranquil, with my lot content,No sorrow visited, nor envy pined,To other loves if fortune were more kindOne pang of mine their thousand joys outwent;But those bright eyes, whence never I repentThe pains I feel, nor wish them less to find,So dark a cloud and heavy now does blind,Seems as my sun of life in them were spent.O Nature! mother pitiful yet stern,Whence is the power which prompts thy wayward deeds,Such lovely things to make and mar in turn?[Pg 205]True, from one living fount all power proceeds:But how couldst Thou consent, great God of Heaven,That aught should rob the world of what thy love had given? Macgregor.
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