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Best Famous Metaphysical Poems

Here is a collection of the all-time best famous Metaphysical poems. This is a select list of the best famous Metaphysical poetry. Reading, writing, and enjoying famous Metaphysical poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of metaphysical poems.

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Written by Delmore Schwartz | Create an image from this poem

America America!

 I am a poet of the Hudson River and the heights above it,
 the lights, the stars, and the bridges
I am also by self-appointment the laureate of the Atlantic
 -of the peoples' hearts, crossing it 
 to new America.
I am burdened with the truck and chimera, hope, acquired in the sweating sick-excited passage in steerage, strange and estranged Hence I must descry and describe the kingdom of emotion.
For I am a poet of the kindergarten (in the city) and the cemetery (in the city) And rapture and ragtime and also the secret city in the heart and mind This is the song of the natural city self in the 20th century.
It is true but only partly true that a city is a "tyranny of numbers" (This is the chant of the urban metropolitan and metaphysical self After the first two World Wars of the 20th century) --- This is the city self, looking from window to lighted window When the squares and checks of faintly yellow light Shine at night, upon a huge dim board and slab-like tombs, Hiding many lives.
It is the city consciousness Which sees and says: more: more and more: always more.


Written by Marianne Moore | Create an image from this poem

To a Steam Roller

 The illustration
is nothing to you without the application.
You lack half wit.
You crush all the particles down into close conformity, and then walk back and forth on them.
Sparkling chips of rock are crushed down to the level of the parent block.
Were not 'impersonal judment in aesthetic matters, a metaphysical impossibility,' you might fairly achieve it.
As for butterflies, I can hardly conceive of one's attending upon you, but to question the congruence of the complement is vain, if it exists.
Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless lust Ablaze to annihilate Will, to crumble my being to dust, To calcine the dust to an ash, to burn up the ash to an air, To abolish the air with a flash of the final, the fulminant flare.
All this I have done, and dissolved the primordial germ of my thought; I have rolled myself up, and revolved the wheel of my being to Naught.
Is there even the memory left? That I was, that I am? It is lost.
As I utter the Word, I am cleft by the last swift spear of the frost.
Snow! I am nothing at last; I sit, and am utterly still; They are perished, the phantoms, and past; they were born of my weariness-will When I craved, craved being and form, when the con- sciousness-cloud was a mist Precurser of stupor and storm, when I and my shadow had kissed, And brought into life all the shapes that confused the clear space with their marks, Vain spectres whose vapour escapes, a whirlwind of ruinous sparks, No substance have any of these; I have dreamed them in sickness of lust, Delirium born of disease-ah, whence was the master, the "must" Imposed on the All? is it true, then, that something in me Is subject to fate? Are there two, after all, that can be? I have brought all that is to an end; for myself am suffic- ient and sole.
Do I trick myself now? Shall I rend once again this homologous Whole? I have stripped every garment from space; I have strangled the secre of Time, All being is fled from my face, with Motion's inhibited rime.
Stiller and stiller I sit, till even Infinity fades; 'Tis an idol-'tis weakness of wit that breeds, in inanity, shades! Yet the fullness of Naught I become, the deepest and steadiest Naught, Contains in its nature the sum of the functions of being and thought.
Still as I sit, and destroy all possible trace of the past, All germ of the future, nor joy nor knowledge alive at the last, It is vain, for the Silence is dowered with a nature, the seed of a name: Necessity, fearfully flowered with the blossom of possible Aim.
I am Necessity? Scry Necessity mother of Fate! And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare to exist- I have made the Voyage of Thought, the Voyage of Vision, I swam To the heart of the Ocean of Naught from the source of the Spring of I am: I know myself wholly the brother alike of the All and the One; I know that all things are each other, that their sum and their substance is None; But the knowledge itself can excel, its fulness hath broken its bond; All's Truth, and all's falsehood as well, and-what of the region beyond? So, still though I sit, as for ever, I stab to the heart of my spine; I destroy the last seed of endeavour to seal up my soul in the shrine Of Silence, Eternity, Peace; I abandon the Here and the Now; I cease from the effort to cease; I absolve the dead I from its Vow, I am wholly content to be dust, whether that be a mote or a star, To live and to love and to lust, acknowledge what seem for what are, Not to care what I am, if I be, whence I came, whither go, how I thrive, If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough.
I am part of a glorious game.
Am I cast for madness or love? I am cast to esteem them the same.
Am I only a dream in the sleep of some butterfly? Phantom of fright Conceived, who knows how, or how deep, in the measure- less womb of the night? I imagine impossible thought, metaphysical voids that beget Ideas intagible wrought to things less conceivable yet.
It may be.
Little I reck -but, assume the existence of earth.
Am I born to be hanged by the neck, a curse from the hour of my birth? Am I born to abolish man's guilt? His horrible heritage, awe? Or a seed in his wantoness spilt by a jester? I care not a straw, For I understand Do what thou wilt; and that is the whole of the Law.
Written by Laura Riding Jackson | Create an image from this poem

The Quids

 The little quids, the million quids,
The everywhere, everything, always quids,
The atoms of the Monoton—
Each turned three essences where it stood
And ground a gisty dust from its neighbors' edges
Until a powdery thoughtfall stormed in and out,
The cerebration of a slippery quid enterprise.
Each quid stirred.
The united quids Waved through a sinuous decision.
The quids, that had never done anything before But be, be, be, be, be, The quids resolved to predicate And dissipate in a little grammar.
Oh, the Monoton didn't care, For whatever they did— The Monoton's contributing quids— The Monoton would always remain the same.
A quid here and there gyrated in place-position, While many essential quids turned inside-out For the fun of it And a few refused to be anything but Simple, unpredicated copulatives.
Little by little, this commotion of quids, By threes, by tens, by casual millions, Squirming within the state of things— The metaphysical acrobats, The naked, immaterial quids— Turned inside on themselves And came out dressed, Each similar quid of the inward same, Each similar quid dressed in a different way— The quid's idea of a holiday.
The quids could never tell what was happening.
But the Monoton felt itself differently the same In its different parts.
The silly quids upon their rambling exercise Never knew, could never tell What their pleasure was about, What their carnival was like, Being in, being in, being always in Where they never could get out Of the everywhere, everything, always in, To derive themselves from the Monoton.
But I know, with a quid inside of me, But I know what a quid's disguise is like, Being one myself, The gymnastic device That a quid puts on for exercise.
And so should the trees, And so should the worms, And so should you, And all the other predicates, And all the other accessories Of the quid's masquerade.
Written by Edgar Lee Masters | Create an image from this poem

Plymouth Rock Joe

 Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it? Cock-a-doodle-do! Very well, Thomas Rhodes, You are cock of the walk, no doubt.
But here comes Elliott Hawkins, Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva, This gray morning? Kittie -- quah -- quah! for shame, Lucius Atherton, The raucous squawk you evoked from the throat Of Aner Clute will be taken up later By Mrs.
Benjamin Pantier as a cry Of votes for women: Ka dook -- dook! What inspiration has come to you, Margaret Fuller Slack? And why does your gooseberry eye Flit so liquidly, Tennessee Claflin Shope? Are you trying to fathom the esotericism of an egg? Your voice is very metallic this morning, Hortense Robbins -- Almost like a guinea hen's! Quah! That was a guttural sigh, Isaiah Beethoven; Did you see the shadow of the hawk, Or did you step upon the drumsticks Which the cook threw out this morning? Be chivalric, heroic, or aspiring, Metaphysical, religious, or rebellious, You shall never get out of the barnyard Except by way of over the fence Mixed with potato peelings and such into the trough!


Written by Delmore Schwartz | Create an image from this poem

He Knows All There Is To Know. Now He Is Acquainted With The Day And Night

 (Robert Frost, 1875-1963) 


Whose wood this is I think I know:
He made it sacred long ago:
He will expect me, far or near
To watch that wood immense with snow.
That famous horse must feel great fear Now that his noble rider's no longer here: He gives his harness bells to rhyme --Perhaps he will be back, in time? All woulds were promises he kept Throughout the night when others slept: Now that he knows all that he did not know, His wood is holy, and full of snow, and all the beauty he made holy long long ago In Boston, London, Washington, And once by the Pacific and once in Moscow: and now, and now upon the fabulous blue river ever or singing from a great white bough And wherever America is, now as before, and now as long, long ago He sleeps and wakes forever more! "0 what a metaphysical victory The first day and night of death must be!"

Book: Reflection on the Important Things