Written by
Edwin Arlington Robinson |
Gawaine, aware again of Lancelot
In the King’s garden, coughed and followed him;
Whereat he turned and stood with folded arms
And weary-waiting eyes, cold and half-closed—
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend?
Few live that have too many,” Gawaine said,
And wished unsaid, so thinly came the light
Between the narrowing lids at which he gazed.
“And who of us are they that name their friends?”
Lancelot said. “They live that have not any.
Why do they live, Gawaine? Ask why, and answer.”
Two men of an elected eminence,
They stood for a time silent. Then Gawaine,
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask?
If I be not the friend of Lancelot,
May I be nailed alive along the ground
And emmets eat me dead. If I be not
The friend of Lancelot, may I be fried
With other liars in the pans of hell.
What item otherwise of immolation
Your Darkness may invent, be it mine to endure
And yours to gloat on. For the time between,
Consider this thing you see that is my hand.
If once, it has been yours a thousand times;
Why not again? Gawaine has never lied
To Lancelot; and this, of all wrong days—
This day before the day when you go south
To God knows what accomplishment of exile—
Were surely an ill day for lies to find
An issue or a cause or an occasion.
King Ban your father and King Lot my father,
Were they alive, would shake their heads in sorrow
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no?
Strong as I am, I do not hold it out
For ever and on air. You see—my hand.”
Lancelot gave his hand there to Gawaine,
Who took it, held it, and then let it go,
Chagrined with its indifference.
“Yes, Gawaine,
I go tomorrow, and I wish you well;
You and your brothers, Gareth, Gaheris,—
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain
More lies than yet have hatched of Modred’s envy.
You say that you have never lied to me,
And I believe it so. Let it be so.
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went,
But not for Merlin’s end. I go, Gawaine,
And leave you to your ways. There are ways left.”
“There are three ways I know, three famous ways,
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two,
And then we have a man’s way with a maid—
Or with a woman who is not a maid.
Your late way is to send all women scudding,
To the last flash of the last cramoisy,
While you go south to find the fires of God.
Since we came back again to Camelot
From our immortal Quest—I came back first—
No man has known you for the man you were
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends
Thereafter. Modred? Agravaine? My brothers?
And what if they be brothers? What are brothers,
If they be not our friends, your friends and mine?
You turn away, and my words are no mark
On you affection or your memory?
So be it then, if so it is to be.
God save you, Lancelot; for by Saint Stephen,
You are no more than man to save yourself.”
“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness;
You say that all you know is what you saw,
And on your own averment you saw nothing.
Your spoken word, Gawaine, I have not weighed
In those unhappy scales of inference
That have no beam but one made out of hates
And fears, and venomous conjecturings;
Your tongue is not the sword that urges me
Now out of Camelot. Two other swords
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot.
Yet I go not away for fear of them,
But for a sharper care. You say the truth,
But not when you contend the fires of God
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.”
“Well-wishing in a way is well enough;
So, in a way, is caution; so, in a way,
Are leeches, neatherds, and astrologers.
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment.
Two swords, you say; Modred and Agravaine,
You mean. Had you meant Gaheris and Gareth,
Or willed an evil on them, I should welcome
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s.
The King is Modred’s father, and the Queen
A prepossession of Modred’s lunacy.
So much for my two brothers whom you fear,
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise
And amiable again as heretofore;
Let Modred have his humor, and Agravaine
His tongue. The two of them have done their worst,
And having done their worst, what have they done?
A whisper now and then, a chirrup or so
In corners,—and what else? Ask what, and answer.”
Still with a frown that had no faith in it,
Lancelot, pitying Gawaine’s lost endeavour
To make an evil jest of evidence,
Sat fronting him with a remote forbearance—
Whether for Gawaine blind or Gawaine false,
Or both, or neither, he could not say yet,
If ever; and to himself he said no more
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say;
Destruction, dissolution, desolation,
I say,—should I compound with jeopardy now.
For there are more than whispers here, Gawaine:
The way that we have gone so long together
Has underneath our feet, without our will,
Become a twofold faring. Yours, I trust,
May lead you always on, as it has led you,
To praise and to much joy. Mine, I believe,
Leads off to battles that are not yet fought,
And to the Light that once had blinded me.
When I came back from seeing what I saw,
I saw no place for me in Camelot.
There is no place for me in Camelot.
There is no place for me save where the Light
May lead me; and to that place I shall go.
Meanwhile I lay upon your soul no load
Of counsel or of empty admonition;
Only I ask of you, should strife arise
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason,
Also a glamour that outshines your guile;
And you are a strange hater. I know that;
And I’m in fortune that you hate not me.
Yet while we have our sins to dream about,
Time has done worse for time than in our making;
Albeit there may be sundry falterings
And falls against us in the Book of Man.”
“Praise Adam, you are mellowing at last!
I’ve always liked this world, and would so still;
And if it is your new Light leads you on
To such an admirable gait, for God’s sake,
Follow it, follow it, follow it, Lancelot;
Follow it as you never followed glory.
Once I believed that I was on the way
That you call yours, but I came home again
To Camelot—and Camelot was right,
For the world knows its own that knows not you;
You are a thing too vaporous to be sharing
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing
For one more sight of you; but they do wrong.
You are a man of mist, and have no shadow.
God save you, Lancelot. If I laugh at you,
I laugh in envy and in admiration.”
The joyless evanescence of a smile,
Discovered on the face of Lancelot
By Gawaine’s unrelenting vigilance,
Wavered, and with a sullen change went out;
And then there was the music of a woman
Laughing behind them, and a woman spoke:
“Gawaine, you said ‘God save you, Lancelot.’
Why should He save him any more to-day
Than on another day? What has he done,
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes
And one gay jewel in her golden hair,
Had come upon the two of them unseen,
Till now she was a russet apparition
At which the two arose—one with a dash
Of easy leisure in his courtliness,
One with a stately calm that might have pleased
The Queen of a strange land indifferently.
The firm incisive languor of her speech,
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you?
What has he done, Gawaine, that God should save him?
I grieve that you two pinks of chivalry
Should be so near me in my desolation,
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?”
With all her poise,
To Gawaine’s undeceived urbanity
She was less queen than woman for the nonce,
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly
With any mask of mannered nonchalance.
“What has he done? Madam, attend your nephew;
And learn from him, in your incertitude,
That this inordinate man Lancelot,
This engine of renown, this hewer down daily
Of potent men by scores in our late warfare,
Has now inside his head a foreign fever
That urges him away to the last edge
Of everything, there to efface himself
In ecstasy, and so be done with us.
Hereafter, peradventure certain birds
Will perch in meditation on his bones,
Quite as if they were some poor sailor’s bones,
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones.
In fine, this flower of men that was our comrade
Shall be for us no more, from this day on,
Than a much remembered Frenchman far away.
Magnanimously I leave you now to prize
Your final sight of him; and leaving you,
I leave the sun to shine for him alone,
Whiles I grope on to gloom. Madam, farewell;
And you, contrarious Lancelot, farewell.”
|
Written by
Ralph Waldo Emerson |
I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise."
Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.
II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting balls and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.
Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.
Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
|
Written by
Barry Tebb |
It was like chucking-out time
In a rough Victorian pub
Cherubic Dylan was first to go
Lachrymose but with a show
Of strength, yelling "Buggerall,
Buggerall, this is my boat-house
In Laugherne, these are my books,
My prizes, I ride every wave-crest,
My loves are legion. What’s this
You’re saying about fashion?
Others follow where I lead,
Schoolchildren copy my verse,
No anthology omits me
Put me down! Put me down!
George Barker was too far gone
To take them on
And moaned about a list
In a crystal cave of making beneath
The basement of the Regent Street
Polytechnic.
Edith Sitwell was rigid in a carved
High-backed chair, regally aloof,
Her ringed fingers gripping the arms,
Her eyes flashing diamonds of contempt.
"A la lampe! A la lampe!"
A serious fight broke out in the saloon bar
When they tried to turf Redgrove out:
His image of the poet as violent man
Broke loose and in his turtle-necked
Seaman’s jersey he shouted,
"Man the barricades!"
A tirade of nature-paths and voters
For a poetry of love mixed it with
The chuckers-out; Kennedy, Morley
And Hulse suffered a sharp repulse.
Heath-Stubbs was making death stabs
With his blindman’s stick at the ankles
Of detractors from his position under
The high table of chivalry, intoning
A prayer to raise the spirit
Of Sidney Keyes.
Geoffrey Hill had Merlin and Arthur
Beside him and was whirling an axe
To great effect, headless New Gen poets
Running amok.
Andrew Crozier was leading a counter-attack
With Caddy and Hinton neck and neck
And Silkin was quietly garrotting
While he kept on smiling.
Price Turner was so happy at the slaughter
He hanged himself in a corner
And Hughes brought the Great White Boar
To wallow in all the gore
While I rode centaur
Charles Tomlinson had sent for.
|
Written by
Edwin Arlington Robinson |
“Gawaine, Gawaine, what look ye for to see,
So far beyond the faint edge of the world?
D’ye look to see the lady Vivian,
Pursued by divers ominous vile demons
That have another king more fierce than ours?
Or think ye that if ye look far enough
And hard enough into the feathery west
Ye’ll have a glimmer of the Grail itself?
And if ye look for neither Grail nor lady,
What look ye for to see, Gawaine, Gawaine?”
So Dagonet, whom Arthur made a knight
Because he loved him as he laughed at him,
Intoned his idle presence on a day
To Gawaine, who had thought himself alone,
Had there been in him thought of anything
Save what was murmured now in Camelot
Of Merlin’s hushed and all but unconfirmed
Appearance out of Brittany. It was heard
At first there was a ghost in Arthur’s palace,
But soon among the scullions and anon
Among the knights a firmer credit held
All tongues from uttering what all glances told—
Though not for long. Gawaine, this afternoon,
Fearing he might say more to Lancelot
Of Merlin’s rumor-laden resurrection
Than Lancelot would have an ear to cherish,
Had sauntered off with his imagination
To Merlin’s Rock, where now there was no Merlin
To meditate upon a whispering town
Below him in the silence.—Once he said
To Gawaine: “You are young; and that being so,
Behold the shining city of our dreams
And of our King.”—“Long live the King,” said Gawaine.—
“Long live the King,” said Merlin after him;
“Better for me that I shall not be King;
Wherefore I say again, Long live the King,
And add, God save him, also, and all kings—
All kings and queens. I speak in general.
Kings have I known that were but weary men
With no stout appetite for more than peace
That was not made for them.”—“Nor were they made
For kings,” Gawaine said, laughing.—“You are young,
Gawaine, and you may one day hold the world
Between your fingers, knowing not what it is
That you are holding. Better for you and me,
I think, that we shall not be kings.”
Gawaine,
Remembering Merlin’s words of long ago,
Frowned as he thought, and having frowned again,
He smiled and threw an acorn at a lizard:
“There’s more afoot and in the air to-day
Than what is good for Camelot. Merlin
May or may not know all, but he said well
To say to me that he would not be King.
Nor more would I be King.” Far down he gazed
On Camelot, until he made of it
A phantom town of many stillnesses,
Not reared for men to dwell in, or for kings
To reign in, without omens and obscure
Familiars to bring terror to their days;
For though a knight, and one as hard at arms
As any, save the fate-begotten few
That all acknowledged or in envy loathed,
He felt a foreign sort of creeping up
And down him, as of moist things in the dark,—
When Dagonet, coming on him unawares,
Presuming on his title of Sir Fool,
Addressed him and crooned on till he was done:
“What look ye for to see, Gawaine, Gawaine?”
“Sir Dagonet, you best and wariest
Of all dishonest men, I look through Time,
For sight of what it is that is to be.
I look to see it, though I see it not.
I see a town down there that holds a king,
And over it I see a few small clouds—
Like feathers in the west, as you observe;
And I shall see no more this afternoon
Than what there is around us every day,
Unless you have a skill that I have not
To ferret the invisible for rats.”
“If you see what’s around us every day,
You need no other showing to go mad.
Remember that and take it home with you;
And say tonight, ‘I had it of a fool—
With no immediate obliquity
For this one or for that one, or for me.’”
Gawaine, having risen, eyed the fool curiously:
“I’ll not forget I had it of a knight,
Whose only folly is to fool himself;
And as for making other men to laugh,
And so forget their sins and selves a little,
There’s no great folly there. So keep it up,
As long as you’ve a legend or a song,
And have whatever sport of us you like
Till havoc is the word and we fall howling.
For I’ve a guess there may not be so loud
A sound of laughing here in Camelot
When Merlin goes again to his gay grave
In Brittany. To mention lesser terrors,
Men say his beard is gone.”
“Do men say that?”
A twitch of an impatient weariness
Played for a moment over the lean face
Of Dagonet, who reasoned inwardly:
“The friendly zeal of this inquiring knight
Will overtake his tact and leave it squealing,
One of these days.”—Gawaine looked hard at him:
“If I be too familiar with a fool,
I’m on the way to be another fool,”
He mused, and owned a rueful qualm within him:
“Yes, Dagonet,” he ventured, with a laugh,
“Men tell me that his beard has vanished wholly,
And that he shines now as the Lord’s anointed,
And wears the valiance of an ageless youth
Crowned with a glory of eternal peace.”
Dagonet, smiling strangely, shook his head:
“I grant your valiance of a kind of youth
To Merlin, but your crown of peace I question;
For, though I know no more than any churl
Who pinches any chambermaid soever
In the King’s palace, I look not to Merlin
For peace, when out of his peculiar tomb
He comes again to Camelot. Time swings
A mighty scythe, and some day all your peace
Goes down before its edge like so much clover.
No, it is not for peace that Merlin comes,
Without a trumpet—and without a beard,
If what you say men say of him be true—
Nor yet for sudden war.”
Gawaine, for a moment,
Met then the ambiguous gaze of Dagonet,
And, making nothing of it, looked abroad
As if at something cheerful on all sides,
And back again to the fool’s unasking eyes:
“Well, Dagonet, if Merlin would have peace,
Let Merlin stay away from Brittany,”
Said he, with admiration for the man
Whom Folly called a fool: “And we have known him;
We knew him once when he knew everything.”
“He knew as much as God would let him know
Until he met the lady Vivian.
I tell you that, for the world knows all that;
Also it knows he told the King one day
That he was to be buried, and alive,
In Brittany; and that the King should see
The face of him no more. Then Merlin sailed
Away to Vivian in Broceliande,
Where now she crowns him and herself with flowers
And feeds him fruits and wines and many foods
Of many savors, and sweet ortolans.
Wise books of every lore of every land
Are there to fill his days, if he require them,
And there are players of all instruments—
Flutes, hautboys, drums, and viols; and she sings
To Merlin, till he trembles in her arms
And there forgets that any town alive
Had ever such a name as Camelot.
So Vivian holds him with her love, they say,
And he, who has no age, has not grown old.
I swear to nothing, but that’s what they say.
That’s being buried in Broceliande
For too much wisdom and clairvoyancy.
But you and all who live, Gawaine, have heard
This tale, or many like it, more than once;
And you must know that Love, when Love invites
Philosophy to play, plays high and wins,
Or low and loses. And you say to me,
‘If Merlin would have peace, let Merlin stay
Away from Brittany.’ Gawaine, you are young,
And Merlin’s in his grave.”
“Merlin said once
That I was young, and it’s a joy for me
That I am here to listen while you say it.
Young or not young, if that be burial,
May I be buried long before I die.
I might be worse than young; I might be old.”—
Dagonet answered, and without a smile:
“Somehow I fancy Merlin saying that;
A fancy—a mere fancy.” Then he smiled:
“And such a doom as his may be for you,
Gawaine, should your untiring divination
Delve in the veiled eternal mysteries
Too far to be a pleasure for the Lord.
And when you stake your wisdom for a woman,
Compute the woman to be worth a grave,
As Merlin did, and say no more about it.
But Vivian, she played high. Oh, very high!
Flutes, hautboys, drums, and viols,—and her love.
Gawaine, farewell.”
“Farewell, Sir Dagonet,
And may the devil take you presently.”
He followed with a vexed and envious eye,
And with an arid laugh, Sir Dagonet’s
Departure, till his gaunt obscurity
Was cloaked and lost amid the glimmering trees.
“Poor fool!” he murmured. “Or am I the fool?
With all my fast ascendency in arms,
That ominous clown is nearer to the King
Than I am—yet; and God knows what he knows,
And what his wits infer from what he sees
And feels and hears. I wonder what he knows
Of Lancelot, or what I might know now,
Could I have sunk myself to sound a fool
To springe a friend.… No, I like not this day.
There’s a cloud coming over Camelot
Larger than any that is in the sky,—
Or Merlin would be still in Brittany,
With Vivian and the viols. It’s all too strange.”
And later, when descending to the city,
Through unavailing casements he could hear
The roaring of a mighty voice within,
Confirming fervidly his own conviction:
“It’s all too strange, and half the world’s half crazy!”—
He scowled: “Well, I agree with Lamorak.”
He frowned, and passed: “And I like not this day.”
|
Written by
Ralph Waldo Emerson |
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.
Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.
He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!
Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
|
Written by
Katherine Philips |
If honor to an ancient name be due,
Or riches challenge it for one that's new,
The British language claims in either sense
Both for its age, and for its opulence.
But all great things must be from us removed,
To be with higher reverence beloved.
So landskips which in prospects distant lie,
With greater wonder draw the pleasèd eye.
Is not great Troy to one dark ruin hurled?
Once the fam'd scene of all the fighting world.
Where's Athens now, to whom Rome learning owes,
And the safe laurels that adorned her brows?
A strange reverse of fate she did endure,
Never once greater, than she's now obscure.
Even Rome her self can but some footsteps show
Of Scipio's times, or those of Cicero.
And as the Roman and the Grecian state,
The British fell, the spoil of time and fate.
But though the language hath the beauty lost,
Yet she has still some great remains to boast,
For 'twas in that, the sacred bards of old,
In deathless numbers did their thoughts unfold.
In groves, by rivers, and on fertile plains,
They civilized and taught the listening swains;
Whilst with high raptures, and as great success,
Virtue they clothed in music's charming dress.
This Merlin spoke, who in his gloomy cave,
Even Destiny her self seemed to enslave.
For to his sight the future time was known,
Much better than to others is their own;
And with such state, predictions from him fell,
As if he did decree, and not foretell.
This spoke King Arthur, who, if fame be true,
Could have compelled mankind to speak it too.
In this one Boadicca valor taught,
And spoke more nobly than her soldiers fought:
Tell me what hero could be more than she,
Who fell at once for fame and liberty?
Nor could a greater sacrifice belong,
Or to her children's, or her country's wrong.
This spoke Caractacus, who was so brave,
That to the Roman fortune check he gave:
And when their yoke he could decline no more,
He it so decently and nobly wore,
That Rome her self with blushes did believe,
A Britain would the law of honor give;
And hastily his chains away she threw,
Lest her own captive else should her subdue.
|
Written by
G K Chesterton |
Some say that Guy of Warwick
The man that killed the Cow,
And brake the mighty Boar alive
Beyond the bridge at Slough;
Went up against a Loathly Worm
That wasted all the Downs,
And so the roads they twist and squirm
(If a may be allowed the term)
From the writhing of the stricken Worm
That died in seven towns.
I see no scientific proof
That this idea is sound,
And I should say they wound about
To find the town of Roundabout,
The merry town of Roundabout,
That makes the world go round.
Some say that Robin Goodfellow,
Whose lantern lights the meads
(To steal a phrase Sir Walter Scott
In heaven no longer needs),
Such dance around the trysting-place
The moonstruck lover leads;
Which superstition I should scout
There is more faith in honest doubt
(As Tennyson has pointed out)
Than in those nasty creeds.
But peace and righteousness (St John)
In Roundabout can kiss,
And since that's all that's found about
The pleasant town of Roundabout,
The roads they simply bound about
To find out where it is.
Some say that when Sir Lancelot
Went forth to find the Grail,
Grey Merlin wrinkled up the roads
For hope that he would fail;
All roads lead back to Lyonesse
And Camelot in the Vale,
I cannot yield assent to this
Extravagant hypothesis,
The plain, shrewd Briton will dismiss
Such rumours (Daily Mail).
But in the streets of Roundabout
Are no such factions found,
Or theories to expound about,
Or roll upon the ground about,
In the happy town of Roundabout,
That makes the world go round.
|
Written by
Vachel Lindsay |
AN ARGUMENT FOR THE MAINTENANCE OF PEACE AND GOODWILL WITH THE JAPANESE PEOPLE
Glossary for the uninstructed and the hasty: Jimmu Tenno, ancestor of all the Japanese Emperors; Nikko, Japan's loveliest shrine; Iyeyasu, her greatest statesman; Bushido, her code of knighthood; The Forty-seven Ronins, her classic heroes; Nogi, her latest hero; Fuji, her most beautiful mountain.
"Now do you know of Avalon
That sailors call Japan?
She holds as rare a chivalry
As ever bled for man.
King Arthur sleeps at Nikko hill
Where Iyeyasu lies,
And there the broad Pendragon flag
In deathless splendor flies."
"Nay, minstrel, but the great ships come
From out the sunset sea.
We cannot greet the souls they bring
With welcome high and free.
How can the Nippon nondescripts
That weird and dreadful band
Be aught but what we find them here:—
The blasters of the land?"
"First race, first men from anywhere
To face you, eye to eye.
For that do you curse Avalon
And raise a hue and cry?
These toilers cannot kiss your hand,
Or fawn with hearts bowed down:
Be glad for them, and Avalon,
And Arthur's ghostly crown.
"No doubt your guests, with sage debate
In grave things gentlemen
Will let your trade and farms alone
And turn them back again.
But why should brawling braggarts rise
With hasty words of shame
To drive them back like dogs and swine
Who in due honor came?"
"We cannot give them honor, sir.
We give them scorn for scorn.
And Rumor steals around the world
All white-skinned men to warn
Against this sleek silk-merchant here
And viler coolie-man
And wrath within the courts of war
Brews on against Japan!"
"Must Avalon, with hope forlorn,
Her back against the wall,
Have lived her brilliant life in vain
While ruder tribes take all?
Must Arthur stand with Asian Celts,
A ghost with spear and crown,
Behind the great Pendragon flag
And be again cut down?
"Tho Europe's self shall move against
High Jimmu Tenno's throne
The Forty-seven Ronin Men
Will not be found alone.
For Percival and Bedivere
And Nogi side by side
Will stand,—with mourning Merlin there,
Tho all go down in pride.
"But has the world the envious dream—
Ah, such things cannot be,—
To tear their fairy-land like silk
And toss it in the sea?
Must venom rob the future day
The ultimate world-man
Of rare Bushido, code of codes,
The fair heart of Japan?
"Go, be the guest of Avalon.
Believe me, it lies there
Behind the mighty gray sea-wall
Where heathen bend in prayer:
Where peasants lift adoring eyes
To Fuji's crown of snow.
King Arthur's knights will be your hosts,
So cleanse your heart, and go.
"And you will find but gardens sweet
Prepared beyond the seas,
And you will find but gentlefolk
Beneath the cherry-trees.
So walk you worthy of your Christ
Tho church bells do not sound,
And weave the bands of brotherhood
On Jimmu Tenno's ground."
|
Written by
Edwin Muir |
O Merlin in your crystal cave
Deep in the diamond of the day,
Will there ever be a singer
Whose music will smooth away
The furrow drawn by Adam's finger
Across the memory and the wave?
Or a runner who'll outrun
Man's long shadow driving on,
Break through the gate of memory
And hang the apple on the tree?
Will your magic ever show
The sleeping bride shut in her bower,
The day wreathed in its mound of snow
and Time locked in his tower?
|
Written by
Robert Southey |
Poussin! most pleasantly thy pictur'd scenes
Beguile the lonely hour; I sit and gaze
With lingering eye, till charmed FANCY makes
The lovely landscape live, and the rapt soul
From the foul haunts of herded humankind
Flies far away with spirit speed, and tastes
The untainted air, that with the lively hue
Of health and happiness illumes the cheek
Of mountain LIBERTY. My willing soul
All eager follows on thy faery flights
FANCY! best friend; whose blessed witcheries
With loveliest prospects cheat the traveller
O'er the long wearying desart of the world.
Nor dost thou FANCY with such magic mock
My heart, as, demon-born, old Merlin knew,
Or Alquif, or Zarzafiel's sister sage,
Whose vengeful anguish for so many a year
Held in the jacinth sepulchre entranced
Lisvart and Perion, pride of chivalry.
Friend of my lonely hours! thou leadest me
To such calm joys as Nature wise and good
Proffers in vain to all her wretched sons;
Her wretched sons who pine with want amid
The abundant earth, and blindly bow them down
Before the Moloch shrines of WEALTH and POWER,
AUTHORS of EVIL. Oh it is most sweet
To medicine with thy wiles the wearied heart,
Sick of reality. The little pile
That tops the summit of that craggy hill
Shall be my dwelling; craggy is the hill
And steep, yet thro' yon hazels upward leads
The easy path, along whose winding way
Now close embowered I hear the unseen stream
Dash down, anon behold its sparkling foam
Gleam thro' the thicket; and ascending on
Now pause me to survey the goodly vale
That opens on my vision. Half way up
Pleasant it were upon some broad smooth rock
To sit and sun me, and look down below
And watch the goatherd down that high-bank'd path
Urging his flock grotesque; and bidding now
His lean rough dog from some near cliff to drive
The straggler; while his barkings loud and quick
Amid their trembling bleat arising oft,
Fainter and fainter from the hollow road
Send their far echoes, till the waterfall,
Hoarse bursting from the cavern'd cliff beneath,
Their dying murmurs drown. A little yet
Onward, and I have gain'd the upmost height.
Fair spreads the vale below: I see the stream
Stream radiant on beneath the noontide sky.
Where the town-spires behind the castle towers
Rise graceful; brown the mountain in its shade,
Whose circling grandeur, part by mists conceal'd,
Part with white rocks resplendant in the sun,
Should bound mine eyes; aye and my wishes too,
For I would have no hope or fear beyond.
The empty turmoil of the worthless world,
Its vanities and vices would not vex
My quiet heart. The traveller, who beheld
The low tower of the little pile, might deem
It were the house of GOD: nor would he err
So deeming, for that home would be the home
Of PEACE and LOVE, and they would hallow it
To HIM. Oh life of blessedness! to reap
The fruit of honorable toil, and bound
Our wishes with our wants! delightful Thoughts
That sooth the solitude of maniac HOPE,
Ye leave her to reality awak'd,
Like the poor captive, from some fleeting dream
Of friends and liberty and home restor'd,
Startled, and listening as the midnight storm
Beats hard and heavy thro' his dungeon bars.
|