Written by
Allen Ginsberg |
I
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemor-
able seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disil-
lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Moun-
tain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
sciousness to six worlds
I chant your absolute Vanity.
Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly indus-
trious!
Canker-Hex on multitudes learned or illiterate! Manu-
factured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmo-
sphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemi-
sphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
so Ah!
July 14, 1978
|
Written by
Mark Doty |
When I heard he had entered the harbor,
and circled the wharf for days,
I expected the worst: shallow water,
confusion, some accident to bring
the young humpback to grief.
Don't they depend on a compass
lodged in the salt-flooded folds
of the brain, some delicate
musical mechanism to navigate
their true course? How many ways,
in our century's late iron hours,
might we have led him to disaster?
That, in those days, was how
I'd come to see the world:
dark upon dark, any sense
of spirit an embattled flame
sparked against wind-driven rain
till pain snuffed it out.
I thought,
This is what experience gives us ,
and I moved carefully through my life
while I waited.
.
.
Enough,
it wasn't that way at all.
The whale
—exuberant, proud maybe, playful,
like the early music of Beethoven—
cruised the footings for smelts
clustered near the pylons
in mercury flocks.
He
(do I have the gender right?)
would negotiate the rusty hulls
of the Portuguese fishing boats
—Holy Infant, Little Marie—
with what could only be read
as pleasure, coming close
then diving, trailing on the surface
big spreading circles
until he'd breach, thrilling us
with the release of pressured breath,
and the bulk of his sleek young head
—a wet black leather sofa
already barnacled with ghostly lice—
and his elegant and unlikely mouth,
and the marvelous afterthought of the flukes,
and the way his broad flippers
resembled a pair of clownish gloves
or puppet hands, looming greenish white
beneath the bay's clouded sheen.
When he had consumed his pleasure
of the shimmering swarm, his pleasure, perhaps,
in his own admired performance,
he swam out the harbor mouth,
into the Atlantic.
And though grief
has seemed to me itself a dim,
salt suspension in which I've moved,
blind thing, day by day,
through the wreckage, barely aware
of what I stumbled toward, even I
couldn't help but look
at the way this immense figure
graces the dark medium,
and shines so: heaviness
which is no burden to itself.
What did you think, that joy
was some slight thing?
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass.
Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see.
I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.
)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
Wystan Hugh (W H) Auden |
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom,
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself.
Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
|
Written by
Robert William Service |
I took a contract to bury the body of blasphemous Bill MacKie,
Whenever, wherever or whatsoever the manner of death he die--
Whether he die in the light o' day or under the peak-faced moon;
In cabin or dance-hall, camp or dive, mucklucks or patent shoon;
On velvet tundra or virgin peak, by glacier, drift or draw;
In muskeg hollow or canyon gloom, by avalanche, fang or claw;
By battle, murder or sudden wealth, by pestilence, hooch or lead--
I swore on the Book I would follow and look till I found my tombless dead.
For Bill was a dainty kind of cuss, and his mind was mighty sot
On a dinky patch with flowers and grass in a civilized bone-yard lot.
And where he died or how he died, it didn't matter a damn
So long as he had a grave with frills and a tombstone "epigram".
So I promised him, and he paid the price in good cheechako coin
(Which the same I blowed in that very night down in the Tenderloin).
Then I painted a three-foot slab of pine: "Here lies poor Bill MacKie",
And I hung it up on my cabin wall and I waited for Bill to die.
Years passed away, and at last one day came a squaw with a story strange,
Of a long-deserted line of traps 'way back of the Bighorn range;
Of a little hut by the great divide, and a white man stiff and still,
Lying there by his lonesome self, and I figured it must be Bill.
So I thought of the contract I'd made with him, and I took down from the shelf
The swell black box with the silver plate he'd picked out for hisself;
And I packed it full of grub and "hooch", and I slung it on the sleigh;
Then I harnessed up my team of dogs and was off at dawn of day.
You know what it's like in the Yukon wild when it's sixty-nine below;
When the ice-worms wriggle their purple heads through the crust of the pale blue snow;
When the pine-trees crack like little guns in the silence of the wood,
And the icicles hang down like tusks under the parka hood;
When the stove-pipe smoke breaks sudden off, and the sky is weirdly lit,
And the careless feel of a bit of steel burns like a red-hot spit;
When the mercury is a frozen ball, and the frost-fiend stalks to kill--
Well, it was just like that that day when I set out to look for Bill.
Oh, the awful hush that seemed to crush me down on every hand,
As I blundered blind with a trail to find through that blank and bitter land;
Half dazed, half crazed in the winter wild, with its grim heart-breaking woes,
And the ruthless strife for a grip on life that only the sourdough knows!
North by the compass, North I pressed; river and peak and plain
Passed like a dream I slept to lose and I waked to dream again.
River and plain and mighty peak--and who could stand unawed?
As their summits blazed, he could stand undazed at the foot of the throne of God.
North, aye, North, through a land accurst, shunned by the scouring brutes,
And all I heard was my own harsh word and the whine of the malamutes,
Till at last I came to a cabin squat, built in the side of a hill,
And I burst in the door, and there on the floor, frozen to death, lay Bill.
Ice, white ice, like a winding-sheet, sheathing each smoke-grimed wall;
Ice on the stove-pipe, ice on the bed, ice gleaming over all;
Sparkling ice on the dead man's chest, glittering ice in his hair,
Ice on his fingers, ice in his heart, ice in his glassy stare;
Hard as a log and trussed like a frog, with his arms and legs outspread.
I gazed at the coffin I'd brought for him, and I gazed at the gruesome dead,
And at last I spoke: "Bill liked his joke; but still, goldarn his eyes,
A man had ought to consider his mates in the way he goes and dies.
"
Have you ever stood in an Arctic hut in the shadow of the Pole,
With a little coffin six by three and a grief you can't control?
Have you ever sat by a frozen corpse that looks at you with a grin,
And that seems to say: "You may try all day, but you'll never jam me in"?
I'm not a man of the quitting kind, but I never felt so blue
As I sat there gazing at that stiff and studying what I'd do.
Then I rose and I kicked off the husky dogs that were nosing round about,
And I lit a roaring fire in the stove, and I started to thaw Bill out.
Well, I thawed and thawed for thirteen days, but it didn't seem no good;
His arms and legs stuck out like pegs, as if they was made of wood.
Till at last I said: "It ain't no use--he's froze too hard to thaw;
He's obstinate, and he won't lie straight, so I guess I got to--saw.
"
So I sawed off poor Bill's arms and legs, and I laid him snug and straight
In the little coffin he picked hisself, with the dinky silver plate;
And I came nigh near to shedding a tear as I nailed him safely down;
Then I stowed him away in my Yukon sleigh, and I started back to town.
So I buried him as the contract was in a narrow grave and deep,
And there he's waiting the Great Clean-up, when the Judgment sluice-heads sweep;
And I smoke my pipe and I meditate in the light of the Midnight Sun,
And sometimes I wonder if they was, the awful things I done.
And as I sit and the parson talks, expounding of the Law,
I often think of poor old Bill--and how hard he was to saw.
|
Written by
Anne Sexton |
Good for visiting hospitals or charitable work.
Take some time to attend to your health.
Surely I will be disquieted
by the hospital, that body zone--
bodies wrapped in elastic bands,
bodies cased in wood or used like telephones,
bodies crucified up onto their crutches,
bodies wearing rubber bags between their legs,
bodies vomiting up their juice like detergent, Here in this house
there are other bodies.
Whenever I see a six-year-old
swimming in our aqua pool
a voice inside me says what can't be told.
.
.
Ha, someday you'll be old and withered
and tubes will be in your nose
drinking up your dinner.
Someday you'll go backward.
You'll close
up like a shoebox and you'll be cursed
as you push into death feet first.
Here in the hospital, I say,
that is not my body, not my body.
I am not here for the doctors
to read like a recipe.
No.
I am a daisy girl
blowing in the wind like a piece of sun.
On ward 7 there are daisies, all butter and pearl
but beside a blind man who can only
eat up the petals and count to ten.
The nurses skip rope around him and shiver
as his eyes wiggle like mercury and then
they dance from patient to patient to patient
throwing up little paper medicine cups and playing
catch with vials of dope as they wait for new accidents.
Bodies made of synthetics.
Bodies swaddled like dolls
whom I visit and cajole and all they do is hum
like computers doing up our taxes, dollar by dollar.
Each body is in its bunker.
The surgeon applies his gum.
Each body is fitted quickly into its ice-cream pack
and then stitched up again for the long voyage
back.
|
Written by
William Blake |
Thou fair hair'd angel of the evening,
Now, while the sun rests on the mountains light,
Thy bright torch of love; Thy radiant crown
Put on, and smile upon our evening bed!
Smile on our loves; and when thou drawest the
Blue curtains, scatter thy silver dew
On every flower that shuts its sweet eyes
In timely sleep.
Let thy west wind sleep on
The lake; speak silence with thy glimmering eyes
And wash the dusk with silver.
Soon, full, soon,
Dost thou withdraw; Then, the wolf rages wide,
And the lion glares thro' the dun forest.
The fleece of our flocks are covered with
Thy sacred dew; Protect them with thine influence.
Golden Apollo, that thro' heaven wide
Scatter'st the rays of light, and truth's beams,
In lucent words my darkling verses dight,
And wash my earthy mind in thy clear streams,
That wisdom may descend in fairy dreams,
All while the jocund hours in thy train
Scatter their fancies at thy poet's feet;
And when thou yields to night thy wide domain,
Let rays of truth enlight his sleeping brain.
For brutish Pan in vain might thee assay
With tinkling sounds to dash thy nervous verse,
Sound without sense; yet in his rude affray,
(For ignorance is Folly's leasing nurse
And love of Folly needs none other's curse)
Midas the praise hath gain'd of lengthen'd ears,
For which himself might deem him ne'er the worse
To sit in council with his modern peers,
And judge of tinkling rimes and elegances terse.
And thou, Mercurius, that with wing?d brow
Dost mount aloft into the yielding sky,
And thro' Heav'n's halls thy airy flight dost throw,
Entering with holy feet to where on high
Jove weighs the counsel of futurity;
Then, laden with eternal fate, dost go
Down, like a falling star, from autumn sky,
And o'er the surface of the silent deep dost fly:
If thou arrivest at the sandy shore
Where nought but envious hissing adders dwell,
Thy golden rod, thrown on t 1000 he dusty floor,
Can charm to harmony with potent spell.
Such is sweet Eloquence, that does dispel
Envy and Hate that thirst for human gore;
And cause in sweet society to dwell
Vile savage minds that lurk in lonely cell
O Mercury, assist my lab'ring sense
That round the circle of the world would fly,
As the wing'd eagle scorns the tow'ry fence
Of Alpine hills round his high a?ry,
And searches thro' the corners of the sky,
Sports in the clouds to hear the thunder's sound,
And see the wing?d lightnings as they fly;
Then, bosom'd in an amber cloud, around
Plumes his wide wings, and seeks Sol's palace high.
And thou, O warrior maid invincible,
Arm'd with the terrors of Almighty Jove,
Pallas, Minerva, maiden terrible,
Lov'st thou to walk the peaceful solemn grove,
In solemn gloom of branches interwove?
Or bear'st thy AEgis o'er the burning field,
Where, like the sea, the waves of battle move?
Or have thy soft piteous eyes beheld
The weary wanderer thro' the desert rove?
Or does th' afflicted man thy heav'nly bosom move?
|
Written by
Walter de la Mare |
Wide are the meadows of night,
And daisies are shinng there,
Tossing their lovely dews,
Lustrous and fair;
And through these sweet fields go,
Wanderers amid the stars --
Venus, Mercury, Uranus, Neptune,
Saturn, Jupiter, Mars.
'Tired in their silver, they move,
And circling, whisper and say,
Fair are the blossoming meads of delight
Through which we stray.
|
Written by
Elizabeth Bishop |
Caught -- the bubble
in the spirit level,
a creature divided;
and the compass needle
wobbling and wavering,
undecided.
Freed -- the broken
thermometer's mercury
running away;
and the rainbow-bird
from the narrow bevel
of the empty mirror,
flying wherever
it feels like, gay!
|
Written by
Adrienne Rich |
1.
Sex, as they harshly call it,
I fell into this morning
at ten o'clock, a drizzling hour
of traffic and wet newspapers.
I thought of him who yesterday
clearly didn't
turn me to a hot field
ready for plowing,
and longing for that young man
pierced me to the roots
bathing every vein, etc.
All day he appears to me
touchingly desirable,
a prize one could wreck one's peace for.
I'd call it love if love
didn't take so many years
but lust too is a jewel
a sweet flower and what
pure happiness to know
all our high-toned questions
breed in a lively animal.
2.
That "old last act"!
And yet sometimes
all seems post coitum triste
and I a mere bystander.
Somebody else is going off,
getting shot to the moon.
Or a moon-race!
Split seconds after
my opposite number lands
I make it--
we lie fainting together
at a crater-edge
heavy as mercury in our moonsuits
till he speaks--
in a different language
yet one I've picked up
through cultural exchanges.
.
.
we murmur the first moonwords:
Spasibo.
Thanks.
O.
K.
|