Written by
Allen Ginsberg |
America I've given you all and now I'm nothing.
America two dollars and twentyseven cents January
17, 1956.
I can't stand my own mind.
America when will we end the human war?
Go **** yourself with your atom bomb.
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I'm sick of your insane demands.
When can I go into the supermarket and buy what I
need with my good looks?
America after all it is you and I who are perfect not
the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back
it's sinister.
Are you being sinister or is this some form of practical
joke?
I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday
somebody goes on trial for murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid
I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses
in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle
Max after he came over from Russia.
I'm addressing you.
Are you going to let your emotional life be run by
Time Magazine?
I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner
candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility. Business-
men are serious. Movie producers are serious.
Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of
marijuana millions of genitals an unpublishable
private literature that goes 1400 miles an hour
and twenty-five-thousand mental institutions.
I say nothing about my prisons nor the millions of
underprivileged who live in my flowerpots
under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers
is the next to go.
My ambition is to be President despite the fact that
I'm a Catholic.
America how can I write a holy litany in your silly
mood?
I will continue like Henry Ford my strophes are as
individual as his automobiles more so they're
all different sexes.
America I will sell you strophes $2500 apiece $500
down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Com-
munist Cell meetings they sold us garbanzos a
handful per ticket a ticket costs a nickel and the
speeches were free everybody was angelic and
sentimental about the workers it was all so sin-
cere you have no idea what a good thing the
party was in 1835 Scott Nearing was a grand
old man a real mensch Mother Bloor made me
cry I once saw Israel Amter plain. Everybody
must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen.
And them Russians.
The Russia wants to eat us alive. The Russia's power
mad. She wants to take our cars from out our
garages.
Her wants to grab Chicago. Her needs a Red Readers'
Digest. Her wants our auto plants in Siberia.
Him big bureaucracy running our fillingsta-
tions.
That no good. Ugh. Him make Indians learn read.
Him need big black niggers. Hah. Her make us
all work sixteen hours a day. Help.
America this is quite serious.
America this is the impression I get from looking in
the television set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes
in precision parts factories, I'm nearsighted and
psychopathic anyway.
America I'm putting my ***** shoulder to the wheel.
Berkeley, January 17, 1956
|
Written by
Rg Gregory |
(a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there
poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light
people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)
and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside
a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers
it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction
there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench
the rites of words in orthodox
belief - difference is essential
and delightful (integrity's all)
quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay
(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)
can surface in a side-attempt
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works
the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and
impolitic to confront - ball
to be bounced from high art to low
when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down
and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since
plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all
fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time
and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace
they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres
all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests
inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment
these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich
poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause
everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog
to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all
the praisiest worms but in the nest
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads
winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams
prometheus gnawed by eagles
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references
and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend
agents breathing fire up their pants
those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens
universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me
above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up
waving their thin bright books
for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)
a poem from one of them is like
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that
but what i can't accept is (all
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of
shoved in wilderness by those
who've gone the gilded route (mapped out
by ego and a driving need to claim
best prick with a capital pee)
it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there
it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
|
Written by
Weldon Kees |
To Ernest Brace
"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.
That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud
Drifted in bars across the sun. There on the shore
The crowd's response was instantaneous. He
Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time:
The days of sawing, fitting, all those nails,
The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it,
Lay your plans carefully and keep one jump
Ahead of the crowd. To report a miracle
Is a pleasure unalloyed; but staging one requires
Tact, imagination, a special knack for the job
Not everyone possesses. A miracle, in fact, means work.
--And now there are those who have come saying
That miracles were not what we were after. But what else
Is there? What other hope does life hold out
But the miraculous, the skilled and patient
Execution, the teamwork, all the pain and worry every miracle involves?
Visionaries tossing in their beds, haunted and racked
By questions of Messiahship and eschatology,
Are like the mist rising at nightfall, and come,
Perhaps to even less. Grave supernaturalists, devoted worshippers
Experience the ecstasy (such as it is), but not
Our ecstasy. It was our making. Yet sometimes
When the torrent of that time
Comes pouring back, I wonder at our courage
And our enterprise. It was as though the world
Had been one darkening, abandoned hall
Where rows of unlit candles stood; and we
Not out of love, so much, or hope, or even worship, but
Out of the fear of death, came with our lights
And watched the candles, one by one, take fire, flames
Against the long night of our fear. We thought
That we could never die. Now I am less convinced.
--The traveller on the plain makes out the mountains
At a distance; then he loses sight. His way
Winds through the valleys; then, at a sudden turning of a path,
The peaks stand nakedly before him: they are something else
Than what he saw below. I think now of the raft
(For me, somehow, the summit of the whole experience)
And all the expectations of that day, but also of the cave
We stocked with bread, the secret meetings
In the hills, the fake assassins hired for the last pursuit,
The careful staging of the cures, the bribed officials,
The angels' garments, tailored faultlessly,
The medicines administered behind the stone,
That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.
The days get longer. It was a long time ago.
And I have come to that point in the turning of the path
Where peaks are infinite--horn-shaped and scaly, choked with
thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was,
I tell myself.--It's dark here on the peak, and keeps on getting
darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.
|
Written by
Johann Wolfgang von Goethe |
THESE are the most singular of all the Poems
of Goethe, and to many will appear so wild and fantastic, as to
leave anything but a pleasing impression. Those at the beginning,
addressed to his friend Behrisch, were written at the age of eighteen,
and most of the remainder were composed while he was still quite
young. Despite, however, the extravagance of some of them, such
as the Winter Journey over the Hartz Mountains, and the Wanderer's
Storm-Song, nothing can be finer than the noble one entitled Mahomet's
Song, and others, such as the Spirit Song' over the Waters, The
God-like, and, above all, the magnificent sketch of Prometheus,
which forms part of an unfinished piece bearing the same name, and
called by Goethe a 'Dramatic Fragment.'
TO MY FRIEND.
[These three Odes are addressed to a certain
Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives
an odd account at the end of the Seventh Book of his Autobiography.]
FIRST ODE.
TRANSPLANT the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.
Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.
See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.
The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,
Its twigs the maiden
Fain would twine in
Her bridal-garland;
Youths its fruit are seeking.
See, the autumn cometh!
The caterpillar
Sighs to the crafty spider,--
Sighs that the tree will not fade.
Hov'ring thither
From out her yew-tree dwelling,
The gaudy foe advances
Against the kindly tree,
And cannot hurt it,
But the more artful one
Defiles with nauseous venom
Its silver leaves;
And sees with triumph
How the maiden shudders,
The youth, how mourns he,
On passing by.
Transplant the beauteous tree!
Gardener, it gives me pain;
Tree, thank the gardener
Who moves thee hence!
1767.
SECOND ODE.
THOU go'st! I murmur--
Go! let me murmur.
Oh, worthy man,
Fly from this land!
Deadly marshes,
Steaming mists of October
Here interweave their currents,
Blending for ever.
Noisome insects
Here are engender'd;
Fatal darkness
Veils their malice.
The fiery-tongued serpent,
Hard by the sedgy bank,
Stretches his pamper'd body,
Caress'd by the sun's bright beams.
Tempt no gentle night-rambles
Under the moon's cold twilight!
Loathsome toads hold their meetings
Yonder at every crossway.
Injuring not,
Fear will they cause thee.
Oh, worthy man,
Fly from this land!
1767.
THIRD ODE.
BE void of feeling!
A heart that soon is stirr'd,
Is a possession sad
Upon this changing earth.
Behrisch, let spring's sweet smile
Never gladden thy brow!
Then winter's gloomy tempests
Never will shadow it o'er.
Lean thyself ne'er on a maiden's
Sorrow-engendering breast.
Ne'er on the arm,
Misery-fraught, of a friend.
Already envy
From out his rocky ambush
Upon thee turns
The force of his lynx-like eyes,
Stretches his talons,
On thee falls,
In thy shoulders
Cunningly plants them.
Strong are his skinny arms,
As panther-claws;
He shaketh thee,
And rends thy frame.
Death 'tis to part,
'Tis threefold death
To part, not hoping
Ever to meet again.
Thou wouldst rejoice to leave
This hated land behind,
Wert thou not chain'd to me
With friendships flowery chains.
Burst them! I'll not repine.
No noble friend
Would stay his fellow-captive,
If means of flight appear.
The remembrance
Of his dear friend's freedom
Gives him freedom
In his dungeon.
Thou go'st,--I'm left.
But e'en already
The last year's winged spokes
Whirl round the smoking axle.
I number the turns
Of the thundering wheel;
The last one I bless.--
Each bar then is broken, I'm free then as thou!
1767.
|
Written by
Staceyann Chin |
If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear
In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes
Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a ***** died
she had to move into this place
because it was government subsidized
Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten
Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms
Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day
Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards
I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution
I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms
I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before
I want to be the girl your parents will use
as a bad example of a lady
I want to be the dyke who likes to **** men
I want to be the politician who never lies
I want to be the girl who never cries
I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
|
Written by
Barry Tebb |
Quarter to three: I wake again at the hour of his birth
Thirty years ago and now he paces corridors of dark
In nightmares of self-condemnation where random thoughts
Besiege his fevered imagination – England’s
Imminent destruction, his own, the world’s…
Sixty to eighty cigarettes a day, unavailing depot injections,
Failed abscondings, failed everything: Eton and Balliol
Hold no sway on ward one, nor even being
‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which
Made him ready to walk out at fifteen, the alcohol
Defences at Oxford which shut us out then petered out
During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven,
To hide away in the seediest bedsit Beeston could boast
Where night turned to day and vaguely he applied
For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ –
I was ready and unready, making the necessary calls
To get a bed, to keep him on the ward, to visit and reassure
Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure
Schizophrenia with sticking plaster: "We don’t want
Carers’ input, we call patients ‘residents’ and insist on chores
Not medication", then the letters of terrible abuse, the finding of a flat,
‘The discharge into the community.’
His ‘keyworker’ was the keyworker from hell: the more
Isaiah’s care fell apart the more she encouraged
Him to blame us and ‘Make his life his own’, vital signs
Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled
Over painful months, the self-neglect, the inappropriate remarks
In pubs, the neglected perforated eardrum, keeping
Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through,
My abrupt dismissal as carer at the keyworker’s instigation,
The admission we knew nothing of, the abscondings we were told of
And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you
Any comment?" Then the final absconding to London
From a fifteen minute break on PICU, to face his brother’s
Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him
The Newsam Centre’s like a hotel – Informality and first class treatment
Behind the locked doors he freezes before and whispers
"Daddy, I was damned in hell but now I am God’s friend."
Note: PICU- Psychiatric Intensive Care Unit
Beeston- An inner city area of Leeds
ASW- Approved Social Worker
|
Written by
Henry Lawson |
In these days of peace and money, free to all the Commonweal,
There are ancient dames in Buckland wearing wedding rings of steel;
Wedding rings of steel and iron, worn on wrinkled hands and old,
And the wearers would not give them, not for youth nor wealth untold.
In the days of black oppression, when the best abandoned hope,
And all Buckland crouched in terror of the prison and the rope,
Many fair young wives in Buckland prayed beside their lonely beds
For the absent ones who knew not where to lay their outlawed heads.
But a whisper went through Buckland, to the rebels only known,
That the man across the border had a chance to hold his own.
There were men that came in darkness, quiet, grim and travel-worn,
And, by twos, and threes, the young men stole away to join Kinghorn.
Slipping powder-horns and muskets from beneath the floors and thatch,
There were boys who kissed their mothers ere they softly dropped the latch;
There were hunters' wives in backwoods who sat strangely still and white
Till the dawn, because their men-folk went a-hunting in the night.
But the rebels needed money, and so, through the Buckland hills,
Came again, by night, the gloomy men of monosyllables;
And the ladies gave their jewels to be smuggled out and sold,
And the homely wives of Buckland gave their wedding rings of gold.
And a Buckland smith in secret, and in danger, in his shed
Made them rings of baser metals (from the best he had, to lead),
To be gilt and worn to market, or to meetings where they.prayed,
Lest the spies should get an inkling, and the husbands be betrayed.
Then a silence fell on Buckland; there was peace throughout the land,
And a loyalty that puzzled all the captains in command;
There was too much Law and Order for the men who weren't blind,
And the greatest of the king's men wasn't easy in his mind.
They were hunting rebels, certes, and the troops were understood
To be searching for a stronghold like a needle in a wood;
But whene'er the king was prayed for in the meeting-houses, then
It was strange with how much unction ancient sinners cried "Ah-men!"
Till at last, when all was quiet, through the gloomy Buckland hills
Once again there came those furtive men of monosyllables;
And their message was – "Take warning what the morrow may reveal,
Death and Freedom may be married with a wedding ring of steel."
In the morning, from the marshes, rose the night-mist, cold and damp,
From the shipping in the harbour and the sleeping royal camp;
From the lanes and from the by-streets and the high streets of the town,
And above the hills of Buckland, where the rebel guns looked down.
And the first one sent a message to the camp to fight or yield,
And the wintry sun looked redly on a bloody battlefield;
Till the man from 'cross the border marched through Buckland once again,
With a charter for the people and ten thousand fighting men.
There are ancient dames in Buckland with old secrets to reveal,
Wearing wedding rings of iron, wearing wedding rings of steel;
And their tears drop on the metal when their thoughts are far away
In the past where their young husbands died on Buckland field that day.
|
Written by
Lewis Carroll |
The Beaver's Lesson
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
Then the Butcher contrived an ingenious plan
For making a separate sally;
And fixed on a spot unfrequented by man,
A dismal and desolate valley.
But the very same plan to the Beaver occurred:
It had chosen the very same place:
Yet neither betrayed, by a sign or a word,
The disgust that appeared in his face.
Each thought he was thinking of nothing but "Snark"
And the glorious work of the day;
And each tried to pretend that he did not remark
That the other was going that way.
But the valley grew narrow and narrower still,
And the evening got darker and colder,
Till (merely from nervousness, not from goodwill)
They marched along shoulder to shoulder.
Then a scream, shrill and high, rent the shuddering sky,
And they knew that some danger was near:
The Beaver turned pale to the tip of its tail,
And even the Butcher felt *****.
He thought of his childhood, left far far behind--
That blissful and innocent state--
The sound so exactly recalled to his mind
A pencil that squeaks on a slate!
"'Tis the voice of the Jubjub!" he suddenly cried.
(This man, that they used to call "Dunce.")
"As the Bellman would tell you," he added with pride,
"I have uttered that sentiment once.
"'Tis the note of the Jubjub! Keep count, I entreat;
You will find I have told it you twice.
'Tis the song of the Jubjub! The proof is complete,
If only I've stated it thrice."
The Beaver had counted with scrupulous care,
Attending to every word:
But it fairly lost heart, and outgrabe in despair,
When the third repetition occurred.
It felt that, in spite of all possible pains,
It had somehow contrived to lose count,
And the only thing now was to rack its poor brains
By reckoning up the amount.
"Two added to one--if that could but be done,"
It said, "with one's fingers and thumbs!"
Recollecting with tears how, in earlier years,
It had taken no pains with its sums.
"The thing can be done," said the Butcher, "I think.
The thing must be done, I am sure.
The thing shall be done! Bring me paper and ink,
The best there is time to procure."
The Beaver brought paper,portfolio, pens,
And ink in unfailing supplies:
While strange creepy creatures came out of their dens,
And watched them with wondering eyes.
So engrossed was the Butcher, he heeded them not,
As he wrote with a pen in each hand,
And explained all the while in a popular style
Which the Beaver could well understand.
"Taking Three as the subject to reason about--
A convenient number to state--
We add Seven, and Ten, and then multiply out
By One Thousand diminished by Eight.
"The result we proceed to divide, as you see,
By Nine Hundred and Ninety Two:
Then subtract Seventeen, and the answer must be
Exactly and perfectly true.
"The method employed I would gladly explain,
While I have it so clear in my head,
If I had but the time and you had but the brain--
But much yet remains to be said.
"In one moment I've seen what has hitherto been
Enveloped in absolute mystery,
And without extra charge I will give you at large
A Lesson in Natural History."
In his genial way he proceeded to say
(Forgetting all laws of propriety,
And that giving instruction, without introduction,
Would have caused quite a thrill in Society),
"As to temper the Jubjub's a desperate bird,
Since it lives in perpetual passion:
Its taste in costume is entirely absurd--
It is ages ahead of the fashion:
"But it knows any friend it has met once before:
It never will look at a bride:
And in charity-meetings it stands at the door,
And collects--though it does not subscribe.
" Its flavor when cooked is more exquisite far
Than mutton, or oysters, or eggs:
(Some think it keeps best in an ivory jar,
And some, in mahogany kegs)
"You boil it in sawdust: you salt it in glue:
You condense it with locusts and tape:
Still keeping one principal object in view--
To preserve its symmetrical shape."
The Butcher would gladly have talked till next day,
But he felt that the lesson must end,
And he wept with delight in attempting to say
He considered the Beaver his friend.
While the Beaver confessed, with affectionate looks
More eloquent even than tears,
It had learned in ten minutes far more than all books
Would have taught it in seventy years.
They returned hand-in-hand, and the Bellman, unmanned
(For a moment) with noble emotion,
Said "This amply repays all the wearisome days
We have spent on the billowy ocean!"
Such friends, as the Beaver and Butcher became,
Have seldom if ever been known;
In winter or summer, 'twas always the same--
You could never meet either alone.
And when quarrels arose--as one frequently finds
Quarrels will, spite of every endeavor--
The song of the Jubjub recurred to their minds,
And cemented their friendship for ever!
|
Written by
Barry Tebb |
Here is a silence I had not hoped for
This side of paradise, I am an old believer
In nature’s bounty as God’s grace
To us poor mortals, fretting and fuming
At frustrated lust or the scent of fame
Coming too late to make a difference
Blue with white vertebrae of cloud forms
Riming the spectrum of green dark of poplars
Lined like soldiers, paler the hue of hawthorn
With the heather beginning to bud blue
Before September purple, yellow ragwort
Sways in the wind as distantly a plane hums
And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie,
My favourite of her seven cats, they soothe better
Than Diazepan for panic
Seroxat for grief
Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea
Aware of the ticking clock: I have to be back
To talk to my son’s key nurse when she comes on
For the night shift. Always there are things to sort,
Misapprehensions to untangle, delusions to decipher,
Lies to expose, statistics to disclose, Trust Boards
And team meetings to attend, ‘Mental Health Monthly’
To peruse, funds for my press to raise – the only one
I ever got will leave me out of pocket.
A couple sat on the next bench
Are earnestly discussing child custody, broken marriages,
Failed affairs, social service interventions –
Even here I cannot escape complexity
"I should never have slept with her once we split"
"The kids are what matters when it comes to the bottom line"
"Is he poisoning their minds against me?"
Part of me nags to offer help but I’ve too much
On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear"
But better not to interfere. Damn my bloody superego
Nattering like an old woman or Daisy nagging
About my pipe and my loud voice on buses –
No doubt she’s right – smoking’s not good
And hearing about psychosis, medication and end-on-sections
Isn’t what people are on buses for.
I long for a girl in summer, pubescent
With a twinkle in her eye to come and say
"Come on, let’s do it!"
I was always shy in adolescence, too busy reading Baudelaire
To find a decent whore and learn to score
And now I’m probably impotent with depression
So I’d better forget sex and read more of Andr? Green
On metaphor from Hegel to Lacan and how the colloquium
At Bonneval changed analytic history, a mystery
I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss
From jumped-up SHO’s and locums who’d miss vital side effects
And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors
To cut and suture neatly and renew my stocks
Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks
On the moor? Suburban excesses spread like the sores
Of syphilis and more regulations in a decade of Blair
Than in the century before.
"Shop your neighbours. Prove it. Bring birth certificates to A&E
If you want NHS treatment free. Be careful not to bleed to death
While finding the certificate. Blunkett wants us all to have ID
Photo cards, genetic codes, DNA database, eye scans, the lot –
And kiss good-bye to the last bits of freedom we’ve got"
"At the end of the day she shopped me and all I’d done
Was take a few pound from the till ’cos Jenny was ill
And I didn’t have thirteen quid to get the bloody prescription done"
To-morrow I’ll be back in the Great Wen,
Two days of manic catching up and then
Thistledown, wild wheat, a dozen kinds of grass,
The mass of beckoning hills I’d love to make
A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines
Entice me still but slimy Fenton had to have his will
And slate it in the NYB, arguing that panetone
Isn’t tin foil as Lowell thought. James you are a dreadful bore,
A pedantic creep like hundreds more, five A4 pages
Of sniping and nit-picking for how many greenbacks?
A thousand or two I’d guess, they couldn’t pay you less
For churning out such a king-size mess
But not even you can spoil this afternoon
Of watching Haworth heather bloom.
|
Written by
Vachel Lindsay |
I
I hate this yoke; for the world's sake here put it on:
Knowing 'twill weigh as much on you till life is gone.
Knowing you love your freedom dear, as I love mine—
Knowing that love unchained has been our life's great wine:
Our one great wine (yet spent too soon, and serving none;
Of the two cups free love at last the deadly one).
II
We grant our meetings will be tame, not honey-sweet
No longer turning to the tryst with flying feet.
We know the toil that now must come will spoil the bloom
And tenderness of passion's touch, and in its room
Will come tame habit, deadly calm, sorrow and gloom.
Oh, how the battle sears the best who enter life!
Each soidier comes out blind or lame from the black strife.
Mad or diseased or damned of soul the best may come—
It matters not how merrily now rolls the drum,
The fife shrills high, the horn sings loud, till no steps lag—
And all adore that silken flame, Desire's great flag.
III
We will build strong our tiny fort, strong as we can—
Holding one inner room beyond the sword of man.
Love is too wide, it seems to-day, to hide it there.
It seems to flood the fields of corn, and gild the air—
It seems to breathe from every brook, from flowers to sigh—
It seems a cataract poured down from the great sky;
It seems a tenderness so vast no bush but shows
Its haunting and transfiguring light where wonder glows.
It wraps us in a silken snare by shadowy streams,
And wildering sweet and stung with joy your white soul seems
A flame, a flame, conquering day, conquering night,
Brought from our God, a holy thing, a mad delight.
But love, when all things beat it down, leaves the wide air,
The heavens are gray, and men turn wolves, lean with despair.
Ah, when we need love most, and weep, when all is dark,
Love is a pinch of ashes gray, with one live spark—
Yet on the hope to keep alive that treasure strange
Hangs all earth's struggle, strife and scorn, and desperate change.
IV
Love? . . . we will scarcely love our babes full many a time—
Knowing their souls and ours too well, and all our grime—
And there beside our holy hearth we'll hide our eyes—
Lest we should flash what seems disdain without disguise.
Yet there shall be no wavering there in that deep trial—
And no false fire or stranger hand or traitor vile—
We'll fight the gloom and fight the world with strong sword-play,
Entrenched within our block-house small, ever at bay—
As fellow-warriors, underpaid, wounded and wild,
True to their battered flag, their faith still undefiled!
|