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Best Famous Meditate Poems

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Written by Edna St. Vincent Millay | Create an image from this poem

Ode To Silence

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound."

"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.


There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

 (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there."

Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine

. Lift up your lyres! Sing on!
But as for me, I seek your sister whither she is gone.


Written by Kahlil Gibran | Create an image from this poem

On Love

Love has no other desire but to fulfil itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Written by Allen Ginsberg | Create an image from this poem

Death and Fame

 When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in 
 Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother 
 96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
 in-law blonde Connie, five nephews, stepbrothers & sisters 
 their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche, 
 there Sakyong Mipham, Dalai Lama alert, chance visiting 
 America, Satchitananda Swami 
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche, 
 Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau 
 Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each 
 other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
 day retreat --"
"I played music on subway platforms, I'm straight but loved him he 
 loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly 
 arms round each other"
"I'd always get into his bed with underwear on & by morning my 
 skivvies would be on the floor"
"Japanese, always wanted take it up my bum with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then 
 sleep in his captain's bed."
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed nude with anyone before, he was so gentle my 
 stomach
shuddered when he traced his finger along my abdomen nipple to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth 
 & fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
 gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me."
"I forgot whether I was straight gay ***** or funny, was myself, tender 
 and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly. on my prick, 
 tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged 
 chariot hurrying near,' heads together, eye to eye, on a 
 pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his 
 walk-up flat,
seduced me didn't want to, made me come, went home, never saw him 
 again never wanted to... "
"He couldn't get it up but loved me," "A clean old man." "He made 
 sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock 
 star Beatles, faithful guitar accompanists, gay classical con-
 ductors, unknown high Jazz music composers, funky trum-
 peters, bowed bass & french horn black geniuses, folksinger 
 fiddlers with dobro tamborine harmonica mandolin auto-
 harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India, 
 Late fauve Tuscan painter-poets, Classic draftsman Massa-
 chusets surreal jackanapes with continental wives, poverty 
 sketchbook gesso oil watercolor masters from American 
 provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
 philes, sex liberation troops nay armies, ladies of either sex
"I met him dozens of times he never remembered my name I loved 
 him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me 
 from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my 
 studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas 
 City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized 
 others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
 graphy aficionados, rock critics, cultured laborors, cultural 
 historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
 hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive

 February 22, 1997
Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 
Written by Charles Baudelaire | Create an image from this poem

The Owls

 UNDER the overhanging yews, 
The dark owls sit in solemn state, 
Like stranger gods; by twos and twos 
Their red eyes gleam. They meditate. 

Motionless thus they sit and dream 
Until that melancholy hour 
When, with the sun's last fading gleam, 
The nightly shades assume their power. 

From their still attitude the wise 
Will learn with terror to despise 
All tumult, movement, and unrest; 

For he who follows every shade, 
Carries the memory in his breast, 
Of each unhappy journey made.


Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

THE GROVES were God's first temples. Ere man learned 
To hew the shaft and lay the architrave  
And spread the roof above them¡ªere he framed 
The lofty vault to gather and roll back 
The sound of anthems; in the darkling wood 5 
Amidst the cool and silence he knelt down  
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences 
Which from the stilly twilight of the place 10 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs and from the sound 
Of the invisible breath that swayed at once 
All their green tops stole over him and bowed 
His spirit with the thought of boundless power 15 
And inaccessible majesty. Ah why 
Should we in the world's riper years neglect 
God's ancient sanctuaries and adore 
Only among the crowd and under roofs 
That our frail hands have raised? Let me at least 20 
Here in the shadow of this aged wood  
Offer one hymn¡ªthrice happy if it find 
Acceptance in His ear. 

Father thy hand 
Hath reared these venerable columns thou 25 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth and forthwith rose 
All these fair ranks of trees. They in thy sun  
Budded and shook their green leaves in thy breeze  
And shot towards heaven. The century-living crow 30 
Whose birth was in their tops grew old and died 
Among their branches till at last they stood  
As now they stand massy and tall and dark  
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults 35 
These winding aisles of human pomp or pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here¡ªthou fill'st 
The solitude. Thou art in the soft winds 40 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes scarcely felt; the barky trunks the ground  
The fresh moist ground are all instinct with thee. 45 
Here is continual worship;¡ªNature here  
In the tranquillity that thou dost love  
Enjoys thy presence. Noiselessly around  
From perch to perch the solitary bird 
Passes; and yon clear spring that midst its herbs 50 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness in these shades  
Of thy perfections. Grandeur strength and grace 55 
Are here to speak of thee. This mighty oak ¡ª 
By whose immovable stem I stand and seem 
Almost annihilated¡ªnot a prince  
In all that proud old world beyond the deep  
E'er wore his crown as loftily as he 60 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty such as blooms not in the glare 
Of the broad sun. That delicate forest flower  
With scented breath and look so like a smile 65 
Seems as it issues from the shapeless mould  
An emanation of the indwelling Life  
A visible token of the upholding Love  
That are the soul of this great universe. 

My heart is awed within me when I think 70 
Of the great miracle that still goes on  
In silence round me¡ªthe perpetual work 
Of thy creation finished yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 75 
Lo! all grow old and die¡ªbut see again  
How on the faltering footsteps of decay 
Youth presses ¡ªever-gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 80 
Moulder beneath them. O there is not lost 
One of earth's charms: upon her bosom yet  
After the flight of untold centuries  
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 85 
Of his arch-enemy Death¡ªyea seats himself 
Upon the tyrant's throne¡ªthe sepulchre  
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom and shall have no end. 90 

There have been holy men who hid themselves 
Deep in the woody wilderness and gave 
Their lives to thought and prayer till they outlived 
The generation born with them nor seemed 
Less aged than the hoary trees and rocks 95 
Around them;¡ªand there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire and in thy presence reassure 
My feeble virtue. Here its enemies 100 
The passions at thy plainer footsteps shrink 
And tremble and are still. O God! when thou 
Dost scare the world with tempests set on fire 
The heavens with falling thunderbolts or fill  
With all the waters of the firmament 105 
The swift dark whirlwind that uproots the woods 
And drowns the villages; when at thy call  
Uprises the great deep and throws himself 
Upon the continent and overwhelms 
Its cities¡ªwho forgets not at the sight 110 
Of these tremendous tokens of thy power  
His pride and lays his strifes and follies by? 
O from these sterner aspects of thy face 
Spare me and mine nor let us need the wrath 
Of the mad unchain¨¨d elements to teach 115 
Who rules them. Be it ours to meditate  
In these calm shades thy milder majesty  
And to the beautiful order of thy works 
Learn to conform the order of our lives. 
Written by William Butler Yeats | Create an image from this poem

Vacillation

 I

Between extremities
Man runs his course;
A brand, or flaming breath.
Comes to destroy
All those antinomies
Of day and night;
The body calls it death,
The heart remorse.
But if these be right
What is joy?

 II

A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew,
And he that Attis' image hangs between
That staring fury and the blind lush leaf
May know not what he knows, but knows not grief

 III

Get all the gold and silver that you can,
Satisfy ambition, animate
The trivial days and ram them with the sun,
And yet upon these maxims meditate:
All women dote upon an idle man
Although their children need a rich estate;
No man has ever lived that had enough
Of children's gratitude or woman's love.

No longer in Lethean foliage caught
Begin the preparation for your death
And from the fortieth winter by that thought
Test every work of intellect or faith,
And everything that your own hands have wrought
And call those works extravagance of breath
That are not suited for such men as come
proud, open-eyed and laughing to the tomb.

 IV

My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.

 V

Although the summer Sunlight gild
Cloudy leafage of the sky,
Or wintry moonlight sink the field
In storm-scattered intricacy,
I cannot look thereon,
Responsibility so weighs me down.

Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.

 VI

A rivery field spread out below,
An odour of the new-mown hay
In his nostrils, the great lord of Chou
Cried, casting off the mountain snow,
`Let all things pass away.'

Wheels by milk-white asses drawn
Where Babylon or Nineveh
Rose; some conquer drew rein
And cried to battle-weary men,
`Let all things pass away.'

From man's blood-sodden heart are sprung
Those branches of the night and day
Where the gaudy moon is hung.
What's the meaning of all song?
`Let all things pass away.'

 VII

The Soul. Seek out reality, leave things that seem.
The Heart. What, be a singer born and lack a theme?
The Soul. Isaiah's coal, what more can man desire?
The Heart. Struck dumb in the simplicity of fire!
The Soul. Look on that fire, salvation walks within.
The Heart. What theme had Homer but original sin?

 VIII

Must we part, Von Hugel, though much alike, for we
Accept the miracles of the saints and honour sanctity?
The body of Saint Teresa lies undecayed in tomb,
Bathed in miraculous oil, sweet odours from it come,
Healing from its lettered slab. Those self-same hands perchance
Eternalised the body of a modern saint that once
Had scooped out pharaoh's mummy. I - though heart might find relief
Did I become a Christian man and choose for my belief
What seems most welcome in the tomb - play a pre-destined part.
Homer is my example and his unchristened heart.
The lion and the honeycomb, what has Scripture said?
So get you gone, Von Hugel, though with blessings on your head.
Written by The Bible | Create an image from this poem

Romans 12:2

May you never be conformed
To the world and all its ways
To be fashioned by its customs
And to do what others say
May you be so transformed
By the renewing of your mind
As you meditate on God's word,
In His presence you will find
That you will be renewed
And changed so you may prove
What is the perfect will of God
And that which is good for you
For God so longs for us
To become as Jesus Christ
To always walk in conformity
To His purpose and will for our lives.Scripture Poem © Copyright Of M.S.Lowndes
Written by Sylvia Plath | Create an image from this poem

Child

 Your clear eye is the one absolutely beautiful thing.
I want to fill it with color and ducks,
The zoo of the new

Whose name you meditate --
April snowdrop, Indian pipe,
Little

Stalk without wrinkle,
Pool in which images
Should be grand and classical

Not this troublous
Wringing of hands, this dark
Ceiling without a star.
Written by Marge Piercy | Create an image from this poem

Belly Good

 A heap of wheat, says the Song of Songs 
but I've never seen wheat in a pile. 
Apples, potatoes, cabbages, carrots 
make lumpy stacks, but you are sleek 
as a seal hauled out in the winter sun. 
I can see you as a great goose egg 
or a single juicy and fully ripe peach. 
You swell like a natural grassy hill. 
You are symmetrical as a Hopewell mound, 
with the eye of the navel wide open, 
the eye of my apple, the pear's port 
window. You're not supposed to exist 
at all this decade. You're to be flat 
as a kitchen table, so children with 
roller skates can speed over you 
like those sidewalks of my childhood 
that each gave a different roar under 
my wheels. You're required to show 
muscle striations like the ocean 
sand at ebb tide, but brick hard. 
Clothing is not designed for women 
of whose warm and flagrant bodies 
you are a swelling part. Yet I confess 
I meditate with my hands folded on you, 
a maternal cushion radiating comfort. 
Even when I have been at my thinnest, 
you have never abandoned me but curled 
round as a sleeping cat under my skirt. 
When I spread out, so do you. You like 
to eat, drink and bang on another belly. 
In anxiety I clutch you with nervous fingers 
as if you were a purse full of calm. 
In my grandmother standing in the fierce sun 
I see your cauldron that held eleven children 
shaped under the tent of her summer dress. 
I see you in my mother at thirty 
in her flapper gear, skinny legs 
and then you knocking on the tight dress. 
We hand you down like a prize feather quilt. 
You are our female shame and sunburst strength.

Book: Reflection on the Important Things