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Best Famous Media Poems

Here is a collection of the all-time best famous Media poems. This is a select list of the best famous Media poetry. Reading, writing, and enjoying famous Media poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of media poems.

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Written by Kathleen Raine | Create an image from this poem

Millenial Hymn to Lord Shiva

 Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?

Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s blind progress in wrong courses through wrong choices has brought us to nightmare where what seems, is, to the dreamer, the collective mind of the twentieth century — this world of wonders not divine creation but a big bang of blind chance, purposeless accident, mother earth’s children, their living and loving, their delight in being not joy but chemistry, stimulus, reflex, valueless, meaningless, while to our machines we impute intelligence, in computers and robots we store information and call it knowledge, we seek guidance by dialling numbers, pressing buttons, throwing switches, in place of family our companions are shadows, cast on a screen, bodiless voices, fleshless faces, where was the Garden a Disney-land of virtual reality, in place of angels the human imagination is peopled with foot-ballers film-stars, media-men, experts, know-all television personalities, animated puppets with cartoon faces — To whom can we pray for release from illusion, from the world-cave, but Time the destroyer, the liberator, the purifier? The curse of Midas has changed at a touch, a golden handshake earthly paradise to lifeless matter, where once was seed-time, summer and winter, food-chain, factory farming, monocrops for supermarkets, pesticides, weed-killers birdless springs, endangered species, battery-hens, hormone injections, artificial insemination, implants, transplants, sterilization, surrogate births, contraception, cloning, genetic engineering, abortion, and our days shall be short in the land we have sown with the Dragon’s teeth where our armies arise fully armed on our killing-fields with land-mines and missiles, tanks and artillery, gas-masks and body-bags, our air-craft rain down fire and destruction, our space-craft broadcast lies and corruption, our elected parliaments parrot their rhetoric of peace and democracy while the truth we deny returns in our dreams of Armageddon, the death-wish, the arms-trade, hatred and slaughter profitable employment of our thriving cities, the arms-race to the end of the world of our postmodern, post-Christian, post-human nations, progress to the nihil of our spent civilization.
But cause and effect, just and inexorable law of the universe no fix of science, nor amenable god can save from ourselves the selves we have become — At the end of history to whom can we pray but to the destroyer, the liberator, the purifier? In the beginning the stars sang together the cosmic harmony, but Time, imperceptible taker-away of all that has been, all that will be, our heart-beat your drum, our dance of life your dance of death in the crematorium, our high-rise dreams, Valhalla, Utopia, Xanadu, Shangri-la, world revolution Time has taken, and soon will be gone Cambridge, Princeton and M.
I.
T.
, Nalanda, Athens and Alexandria all for the holocaust of civilization — To whom shall we pray when our vision has faded but the world-destroyer, the liberator, the purifier? But great is the realm of the world-creator, the world-sustainer from whom we come, in whom we move and have our being, about us, within us the wonders of wisdom, the trees and the fountains, the stars and the mountains, all the children of joy, the loved and the known, the unknowable mystery to whom we return through the world-destroyer, — Holy, holy at the end of the world the purging fire of the purifier, the liberator!


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Rg Gregory | Create an image from this poem

owl power

 they say in the local sanctuary
owls are the stupidest creatures
all this wisdom business is
the mythological media at work
but the shortest nosing into books
tells you even the mythic world
is bamboozled by the creature - no
two cultures being able to agree

the bird was cherished by minerva
hebrews loathed it as unclean
buddhists treasure its seclusion
elsewhere night-hag evil omen

the baker's daughter's silly cry
ungrateful chinese children
the precious life of genghis khan
sweet fodder to the owl's blink

in the end it's the paradox
i'll be what you want romantic fool
that scares elates about the owl
sitting in the dark and seeing all

not true not true the cynics say
the bloody fraudster's almost blind
dead lazy till its stomach rattles
its skill is seeing with its ears

ruthlessness stupidity
(transmogrified to wisdom)
make the perfect pitch for power
so proofed - why give a hoot for gods
Written by Delmira Agustini | Create an image from this poem

Al Claro De Luna (In The Light Of The Moon)

SpanishLa luna es pálida y triste, la luna es exangüe y yerta.
La media luna figúraseme un suave perfil de muerta…Yo que prefiero a la insigne palidez encarecidaDe todas las perlas árabes, la rosa recién abierta,En un rincón del terruño con el color de la vida,Adoro esa luna pálida, adoro esa faz de muerta!Y en el altar de las noches, como una flor encendidaY ebria de extraños perfumes, mi alma la inciensa rendida.
Yo sé de labios marchitos en la blasfemia y el vino,Que besan tras de la orgia sus huellas en el camino;Locos que mueren besando su imagen en lagos yertos…Porque ella es luz de inocencia, porque a esa luz misteriosaAlumbran las cosas blancas, se ponen blancas las cosas,Y hasta las almas más negras toman clarores inciertos!              EnglishThe moon is pallid and sad, the moon is bloodless and cold.
I imagine the half-moon as a profile of the dead…And beyond the reknowned and praised pallorOf Arab pearls, I prefer the rose in recent bud.
In a corner of this land with the colors of earth,I adore this pale moon, I adore this death mask!And at the altar of the night, like a flower inflamed,Inebriated by strange perfumes, my soul resigns.
I know of lips withered with blasphemy and wine;After an orgy they kiss her trace in the lane.
Insane ones who die kissing her image in lakes…Because she is light of innocence, because white thingsIlluminate her mysterious light, things taking on white,And even the blackest souls become uncertainly bright.

Written by Constantine P Cavafy | Create an image from this poem

Alexandrian Kings

 The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.
Alexander -- they named him king of Armenia, Media, and the Parthians.
Ptolemy -- they named him king of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front, dressed in rose-colored silk, on his breast a bouquet of hyacinths, his belt a double row of sapphires and amethysts, his shoes fastened with white ribbons embroidered with rose pearls.
Him they named more than the younger ones, him they named King of Kings.
The Alexandrians of course understood that those were theatrical words.
But the day was warm and poetic, the sky was a light azure, the Alexandrian Gymnasium was a triumphant achievement of art, the opulence of the courtiers was extraordinary, Caesarion was full of grace and beauty (son of Cleopatra, blood of the Lagidae); and the Alexandrians rushed to the ceremony, and got enthusiastic, and cheered in greek, and egyptian, and some in hebrew, enchanted by the beautiful spectacle -- although they full well knew what all these were worth, what hollow words these kingships were.


Written by Rg Gregory | Create an image from this poem

that precise moment

 however foul the times or difficult the ways are
through those personal morasses this change of age
won’t let a single being (rich or poor) be free from
come spring the trees get on with their blossoming
you’d think they didn’t read the newspapers

you’d think the media hadn’t yet found a way
of getting to them conveying the miserable truths
this creaking into a new century has been unleashing
come this spring (like any other) the ignorant trees
still feel compelled to get on with their blossoming

see all the journalists commentators politicians
shaking their fists from within closed windows
and choking on the fug of their smoke-filled rooms
with all this bitterness about – what are trees doing
getting on with their blossoming – bringing beauty out

that’s a dead word – beauty – no time or place for it
(except on page threes where people go to leer
to forget the miserable world sitting on their doorstep)
come spring how shocking to find trees don’t agree
a bad habit that – to get on with their blossoming

of course it won’t last – three weeks or so it’ll be gone
then we can all go back indoors and forget trees
and how they get on with their blossoming spring in
and bad spring out – there’s no such thing nowadays
as the natural law – blossom on trees – a thing of the past

luckily for each one there’s a small corner in the dark
where a light is stored and a gasp of delight survives
and a song is on the point of again bursting into hearing
at the mere thought of a one-time blossoming tree
come spring – at that precise moment when the tree

decides the winter’s been enough and its light side
should now be burgeoned to the world – then in the quick
of each denying being (wilfully or reluctantly or what)
a blossoming takes place also – is noted and then
put aside – its hope is not forsaken – spring survives
Written by Constantine P Cavafy | Create an image from this poem

In 200 B.C

 "Alexander son of Philip, and the Greeks except the Lacedaemonians--"

We can very well imagine
that they were utterly indifferent in Sparta
to this inscription.
"Except the Lacedaemonians", but naturally.
The Spartans were not to be led and ordered about as precious servants.
Besides a panhellenic campaign without a Spartan king as a leader would not have appeared very important.
O, of course "except the Lacedaemonians.
" This too is a stand.
Understandable.
Thus, except the Lacedaemonians at Granicus; and then at Issus; and in the final battle, where the formidable army was swept away that the Persians had massed at Arbela: which had set out from Arbela for victory, and was swept away.
And out of the remarkable panhellenic campaign, victorious, brilliant, celebrated, glorious as no other had ever been glorified, the incomparable: we emerged; a great new Greek world.
We; the Alexandrians, the Antiocheans, the Seleucians, and the numerous rest of the Greeks of Egypt and Syria, and of Media, and Persia, and the many others.
With our extensive territories, with the varied action of thoughtful adaptations.
And the Common Greek Language we carried to the heart of Bactria, to the Indians.
As if we were to talk of Lacedaemonians now!

Book: Reflection on the Important Things