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Best Famous Masque Poems

Here is a collection of the all-time best famous Masque poems. This is a select list of the best famous Masque poetry. Reading, writing, and enjoying famous Masque poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of masque poems.

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Written by Henry Vaughan | Create an image from this poem

The True Christians

 So stick up ivy and the bays,
And then restore the heathen ways.
Green will remind you of the spring, Though this great day denies the thing.
And mortifies the earth and all But your wild revels, and loose hall.
Could you wear flowers, and roses strow Blushing upon your breasts' warm snow, That very dress your lightness will Rebuke, and wither at the ill.
The brightness of this day we owe Not unto music, masque, nor show: Nor gallant furniture, nor plate; But to the manger's mean estate.
His life while here, as well as birth, Was but a check to pomp and mirth; And all man's greatness you may see Condemned by His humility.
Then leave your open house and noise, To welcome Him with holy joys, And the poor shepherd's watchfulness: Whom light and hymns from heaven did bless.
What you abound with, cast abroad To those that want, and ease your load.
Who empties thus, will bring more in; But riot is both loss and sin.
Dress finely what comes not in sight, And then you keep your Christmas right.


Written by Percy Bysshe Shelley | Create an image from this poem

Written among the Euganean Hills North Italy

MANY a green isle needs must be 
In the deep wide sea of Misery, 
Or the mariner, worn and wan, 
Never thus could voyage on 
Day and night, and night and day, 5 
Drifting on his dreary way, 
With the solid darkness black 
Closing round his vessel's track; 
Whilst above, the sunless sky 
Big with clouds, hangs heavily, 10 
And behind the tempest fleet 
Hurries on with lightning feet, 
Riving sail, and cord, and plank, 
Till the ship has almost drank 
Death from the o'er-brimming deep, 15 
And sinks down, down, like that sleep 
When the dreamer seems to be 
Weltering through eternity; 
And the dim low line before 
Of a dark and distant shore 20 
Still recedes, as ever still 
Longing with divided will, 
But no power to seek or shun, 
He is ever drifted on 
O'er the unreposing wave, 25 
To the haven of the grave.
Ay, many flowering islands lie In the waters of wide Agony: To such a one this morn was led My bark, by soft winds piloted.
30 ¡ª'Mid the mountains Euganean I stood listening to the p?an With which the legion'd rooks did hail The Sun's uprise majestical: Gathering round with wings all hoar, 35 Through the dewy mist they soar Like gray shades, till the eastern heaven Bursts; and then¡ªas clouds of even Fleck'd with fire and azure, lie In the unfathomable sky¡ª 40 So their plumes of purple grain Starr'd with drops of golden rain Gleam above the sunlight woods, As in silent multitudes On the morning's fitful gale 45 Through the broken mist they sail; And the vapours cloven and gleaming Follow down the dark steep streaming, Till all is bright, and clear, and still Round the solitary hill.
50 Beneath is spread like a green sea The waveless plain of Lombardy, Bounded by the vaporous air, Islanded by cities fair; Underneath day's azure eyes, 55 Ocean's nursling, Venice lies,¡ª A peopled labyrinth of walls, Amphitrite's destined halls, Which her hoary sire now paves With his blue and beaming waves.
60 Lo! the sun upsprings behind, Broad, red, radiant, half-reclined On the level quivering line Of the waters crystalline; And before that chasm of light, 65 As within a furnace bright, Column, tower, and dome, and spire, Shine like obelisks of fire, Pointing with inconstant motion From the altar of dark ocean 70 To the sapphire-tinted skies; As the flames of sacrifice From the marble shrines did rise As to pierce the dome of gold Where Apollo spoke of old.
75 Sun-girt City! thou hast been Ocean's child, and then his queen; Now is come a darker day, And thou soon must be his prey, If the power that raised thee here 80 Hallow so thy watery bier.
A less drear ruin then than now, With thy conquest-branded brow Stooping to the slave of slaves From thy throne among the waves 85 Wilt thou be¡ªwhen the sea-mew Flies, as once before it flew, O'er thine isles depopulate, And all is in its ancient state, Save where many a palace-gate 90 With green sea-flowers overgrown, Like a rock of ocean's own, Topples o'er the abandon'd sea As the tides change sullenly.
The fisher on his watery way, 95 Wandering at the close of day, Will spread his sail and seize his oar Till he pass the gloomy shore, Lest thy dead should, from their sleep, Bursting o'er the starlight deep, 100 Lead a rapid masque of death O'er the waters of his path.
Noon descends around me now: 'Tis the noon of autumn's glow, When a soft and purple mist 105 Like a vaporous amethyst, Or an air-dissolv¨¨d star Mingling light and fragrance, far From the curved horizon's bound To the point of heaven's profound, 110 Fills the overflowing sky, And the plains that silent lie Underneath; the leaves unsodden Where the infant Frost has trodden With his morning-wing¨¨d feet 115 Whose bright print is gleaming yet; And the red and golden vines Piercing with their trellised lines The rough, dark-skirted wilderness; The dun and bladed grass no less, 120 Pointing from this hoary tower In the windless air; the flower Glimmering at my feet; the line Of the olive-sandall'd Apennine In the south dimly islanded; 125 And the Alps, whose snows are spread High between the clouds and sun; And of living things each one; And my spirit, which so long Darken'd this swift stream of song,¡ª 130 Interpenetrated lie By the glory of the sky; Be it love, light, harmony, Odour, or the soul of all Which from heaven like dew doth fall, 135 Or the mind which feeds this verse, Peopling the lone universe.
Noon descends, and after noon Autumn's evening meets me soon, Leading the infantine moon 140 And that one star, which to her Almost seems to minister Half the crimson light she brings From the sunset's radiant springs: And the soft dreams of the morn 145 (Which like wing¨¨d winds had borne To that silent isle, which lies 'Mid remember'd agonies, The frail bark of this lone being), Pass, to other sufferers fleeing, 150 And its ancient pilot, Pain, Sits beside the helm again.
Other flowering isles must be In the sea of Life and Agony: Other spirits float and flee 155 O'er that gulf: ev'n now, perhaps, On some rock the wild wave wraps, With folding wings they waiting sit For my bark, to pilot it To some calm and blooming cove, 160 Where for me, and those I love, May a windless bower be built, Far from passion, pain, and guilt, In a dell 'mid lawny hills Which the wild sea-murmur fills, 165 And soft sunshine, and the sound Of old forests echoing round, And the light and smell divine Of all flowers that breathe and shine.
¡ªWe may live so happy there, 170 That the Spirits of the Air Envying us, may ev'n entice To our healing paradise The polluting multitude: But their rage would be subdued 175 By that clime divine and calm, And the winds whose wings rain balm On the uplifted soul, and leaves Under which the bright sea heaves; While each breathless interval 180 In their whisperings musical The inspir¨¨d soul supplies With its own deep melodies; And the Love which heals all strife Circling, like the breath of life, 185 All things in that sweet abode With its own mild brotherhood:¡ª They, not it, would change; and soon Every sprite beneath the moon Would repent its envy vain, 190 And the Earth grow young again!
Written by Gerard Manley Hopkins | Create an image from this poem

The Shepherd's Brow Fronting Forked Lightning Owns

 The shepherd's brow, fronting forked lightning, owns 
The horror and the havoc and the glory 
Of it.
Angels fall, they are towers, from heaven—a story Of just, majestical, and giant groans.
But man—we, scaffold of score brittle bones; Who breathe, from groundlong babyhood to hoary Age gasp; whose breath is our memento mori— What bass is our viol for tragic tones? He! Hand to mouth he lives, and voids with shame; And, blazoned in however bold the name, Man Jack the man is, just; his mate a hussy.
And I that die these deaths, that feed this flame, That … in smooth spoons spy life’s masque mirrored: tame My tempests there, my fire and fever fussy.
Written by John Keats | Create an image from this poem

Ode On Indolence

 One morn before me were three figures seen,
 I With bowed necks, and joined hands, side-faced;
And one behind the other stepp'd serene,
 In placid sandals, and in white robes graced;
They pass'd, like figures on a marble urn,
 When shifted round to see the other side;
 They came again; as when the urn once more
Is shifted round, the first seen shades return;
 And they were strange to me, as may betide
 With vases, to one deep in Phidian lore.
How is it, Shadows! that I knew ye not? How came ye muffled in so hush a masque? Was it a silent deep-disguised plot To steal away, and leave without a task My idle days? Ripe was the drowsy hour; The blissful cloud of summer-indolence Benumb'd my eyes; my pulse grew less and less; Pain had no sting, and pleasure's wreath no flower: O, why did ye not melt, and leave my sense Unhaunted quite of all but---nothingness? A third time came they by;---alas! wherefore? My sleep had been embroider'd with dim dreams; My soul had been a lawn besprinkled o'er With flowers, and stirring shades, and baffled beams: The morn was clouded, but no shower fell, Tho' in her lids hung the sweet tears of May; The open casement press'd a new-leav'd vine, Let in the budding warmth and throstle's lay; O Shadows! 'twas a time to bid farewell! Upon your skirts had fallen no tears of mine.
A third time pass'd they by, and, passing, turn'd Each one the face a moment whiles to me; Then faded, and to follow them I burn'd And ached for wings, because I knew the three; The first was a fair maid, and Love her name; The second was Ambition, pale of cheek, And ever watchful with fatigued eye; The last, whom I love more, the more of blame Is heap'd upon her, maiden most unmeek,--- I knew to be my demon Poesy.
They faded, and, forsooth! I wanted wings: O folly! What is Love! and where is it? And for that poor Ambition---it springs From a man's little heart's short fever-fit; For Poesy!---no,---she has not a joy,--- At least for me,---so sweet as drowsy noons, And evenings steep'd in honied indolence; O, for an age so shelter'd from annoy, That I may never know how change the moons, Or hear the voice of busy common-sense! So, ye three Ghosts, adieu! Ye cannot raise My head cool-bedded in the flowery grass; For I would not be dieted with praise, A pet-lamb in a sentimental farce! Fade sofdy from my eyes, and be once more In masque-like figures on the dreamy urn; Farewell! I yet have visions for the night, And for the day faint visions there is store; Vanish, ye Phantoms! from my idle spright, Into the clouds, and never more return!
Written by Andrew Marvell | Create an image from this poem

Tom Mays Death

 As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side, And with an Eye uncertain, gazing wide, Could not determine in what place he was, For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay, Signs by which still he found and lost his way.
At last while doubtfully he all compares, He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port, But 'twas a man much of another sort; 'Twas Ben that in the dusky Laurel shade Amongst the Chorus of old Poets laid, Sounding of ancient Heroes, such as were The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats, Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song, Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine, I sing (said he) and the Pharsalian Sign, Where the Historian of the Common-wealth In his own Bowels sheath'd the conquering health.
By this May to himself and them was come, He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend, Sworn Enemy to all that do pretend, Rose more then ever he was seen severe, Shook his gray locks, and his own Bayes did tear At this intrusion.
Then with Laurel wand, The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake, And Horace patiently its stroke does take, As he crowds in he whipt him ore the pate Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth, Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude On them some Romane cast similitude, Tell them of Liberty, the Stories fine, Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow On him the Cato, this the Cicero.
Transferring old Rome hither in your talk, As Bethlem's House did to Loretto walk.
Foul Architect that hadst not Eye to see How ill the measures of these States agree.
And who by Romes example England lay, Those but to Lucan do continue May.
But the nor Ignorance nor seeming good Misled, but malice fixt and understood.
Because some one than thee more worthy weares The sacred Laurel, hence are all these teares? Must therefore all the World be set on flame, Because a Gazet writer mist his aim? And for a Tankard-bearing Muse must we As for the Basket Guelphs and Gibellines be? When the Sword glitters ore the Judges head, And fear has Coward Churchmen silenced, Then is the Poets time, 'tis then he drawes, And single fights forsaken Vertues cause.
He, when the wheel of Empire, whirleth back, And though the World disjointed Axel crack, Sings still of ancient Rights and better Times, Seeks wretched good, arraigns successful Crimes.
But thou base man first prostituted hast Our spotless knowledge and the studies chast.
Apostatizing from our Arts and us, To turn the Chronicler to Spartacus.
Yet wast thou taken hence with equal fate, Before thou couldst great Charles his death relate.
But what will deeper wound thy little mind, Hast left surviving Davenant still behind Who laughs to see in this thy death renew'd, Right Romane poverty and gratitude.
Poor Poet thou, and grateful Senate they, Who thy last Reckoning did so largely pay.
And with the publick gravity would come, When thou hadst drunk thy last to lead thee home.
If that can be thy home where Spencer lyes And reverend Chaucer, but their dust does rise Against thee, and expels thee from their side, As th' Eagles Plumes from other birds divide.
Nor here thy shade must dwell, Return, Return, Where Sulphrey Phlegeton does ever burn.
The Cerberus with all his Jawes shall gnash, Megera thee with all her Serpents lash.
Thou rivited unto Ixion's wheel Shalt break, and the perpetual Vulture feel.
'Tis just what Torments Poets ere did feign, Thou first Historically shouldst sustain.
Thus by irrevocable Sentence cast, May only Master of these Revels past.
And streight he vanisht in a Cloud of Pitch, Such as unto the Sabboth bears the Witch.


Written by Wallace Stevens | Create an image from this poem

A High-Toned Old Christian Woman

 Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it And from the nave build haunted heaven.
Thus, The conscience is converted into palms, Like windy citherns hankering for hymns.
We agree in principle.
That's clear.
But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets.
Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones.
And palm for palm, Madame, we are where we began.
Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres.
This will make widows wince.
But fictive things Wink as they will.
Wink most when widows wince.
Written by Andrew Marvell | Create an image from this poem

The Unfortunate Lover

 Alas, how pleasant are their dayes
With whom the Infant Love yet playes!
Sorted by pairs, they still are seen
By Fountains cool, and Shadows green.
But soon these Flames do lose their light, Like Meteors of a Summers night: Nor can they to that Region climb, To make impression upon Time.
'Twas in a Shipwrack, when the Seas Rul'd, and the Winds did what they please, That my poor Lover floting lay, And, e're brought forth, was cast away: Till at the last the master-Wave.
Upon the Rock his Mother drave; And there she split against the Stone, In a Cesarian Section.
The Sea him lent these bitter Tears Which at his Eyes he alwaies bears.
And from the Winds the Sighs he bore, Which through his surging Breast do roar.
No Day he saw but that which breaks, Through frighted Clouds in forked streaks.
While round the ratling Thunder hurl'd, As at the Fun'ral of the World.
While Nature to his Birth presents This masque of quarrelling Elements; A num'rous fleet of Corm'rants black, That sail'd insulting o're the Wrack, Receiv'd into their cruel Care, Th' unfortunate and abject Heir: Guardians most fit to entertain The Orphan of the Hurricane.
They fed him up with Hopes and Air, Which soon digested to Despair.
And as one Corm'rant fed him, still Another on his Heart did bill.
Thus while they famish him, and feast, He both consumed, and increast: And languished with doubtful Breath, Th' Amphibium of Life and Death.
And now, when angry Heaven wou'd Behold a spectacle of Blood, Fortune and He are call'd to play At sharp before it all the day: And Tyrant Love his brest does ply With all his wing'd Artillery.
Whilst he, betwixt the Flames and Waves, Like Ajax, the mad Tempest braves.
See how he nak'd and fierce does stand, Cuffing the Thunder with one hand; While with the other he does lock, And grapple, with the stubborn Rock: From which he with each Wave rebounds, Torn into Flames, and ragg'd with Wounds.
And all he saies, a Lover drest In his own Blood does relish best.
This is the only Banneret That ever Love created yet: Who though, by the Malignant Starrs, Forced to live in Storms and Warrs; Yet dying leaves a Perfume here, And Musick within every Ear: And he in Story only rules, In a Field Sable a Lover Gules.
Written by Adam Lindsay Gordon | Create an image from this poem

The Last Leap

 ALL is over! fleet career, 
Dash of greyhound slipping thongs, 
Flight of falcon, bound of deer, 
Mad hoof-thunder in our rear, 
Cold air rushing up our lungs, 
Din of many tongues.
Once again, one struggle good, One vain effort;—he must dwell Near the shifted post, that stood Where the splinters of the wood, Lying in the torn tracks, tell How he struck and fell.
Crest where cold drops beaded cling, Small ear drooping, nostril full, Glazing to a scarlet ring, Flanks and haunches quivering, Sinews stiffening, void and null, Dumb eyes sorrowful.
Satin coat that seems to shine Duller now, black braided tress That a softer hand than mine Far away was wont to twine, That in meadows far from this Softer lips might kiss.
All is over! this is death, And I stand to watch thee die, Brave old horse! with bated breath Hardly drawn through tight-clenched teeth, Lip indented deep, but eye Only dull and dry.
Musing on the husk and chaff Gathered where life’s tares are sown, Thus I speak, and force a laugh, That is half a sneer and half An involuntary groan, In a stifled tone— ‘Rest, old friend! thy day, though rife With its toil, hath ended soon; We have had our share of strife, Tumblers in the masque of life, In the pantomime of noon Clown and pantaloon.
‘With a flash that ends thy pain, Respite and oblivion blest Come to greet thee.
I in vain Fall: I rise to fall again: Thou hast fallen to thy rest— And thy fall is best
Written by Wallace Stevens | Create an image from this poem

The High-Toned Old Christian Woman

Poetry is the supreme fiction, madame.
Take the moral law and make a nave of it And from the nave build haunted heaven.
Thus, The conscience is converted into palms, Like windy citherns hankering for hymns.
We agree in principle.
That's clear.
But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets.
Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones.
And palm for palm, Madame, we are where we began.
Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres.
This will make widows wince.
But fictive things Wink as they will.
Wink most when widows wince.
Written by Delmore Schwartz | Create an image from this poem

Two Lyrics From Kilroys Carnival: A Masque

 I Aria

"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
 let ring and fly like a great bronze wing!)

"--I'll kiss you wherever you think you are poor, 
Wherever you shudder, feeling striped or barred, 
Because you think you are bloodless, skinny or marred:
 Until, until
 your gaze has been stilled--
Until you are shamed again no more! 
I'll kiss you until your body and soul
 the mind in the body being fulfilled--
Suspend their dread and civil war!"

II Song

Under the yellow sea
Who comes and looks with me
For the daughters of music, the fountains of poetry?
Both have soared forth from the unending waters
Where all things still are seeds and far from flowers
And since they remain chained to the sea's powers
May wilt to nonentity or loll and arise to comedy
Or thrown into mere accident through irrelevant incident 
Dissipate all identity ceaselessly fragmented by the ocean's
 immense and intense, irresistible and insistent
 action,
Be scattered like the sand is, purposely and relentlessly,
Living in the summer resorts of the dead endlessly.

Book: Shattered Sighs