Written by
Mahmoud Darwish |
Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.
***
A country preparing for dawn.
We grow less intelligent
For we closely watch the hour of victory:
No night in our night lit up by the shelling
Our enemies are watchful and light the light for us
In the darkness of cellars.
***
Here there is no "I".
Here Adam remembers the dust of his clay.
***
On the verge of death, he says:
I have no trace left to lose:
Free I am so close to my liberty.
My future lies in my own hand.
Soon I shall penetrate my life,
I shall be born free and parentless,
And as my name I shall choose azure letters.
.
.
***
You who stand in the doorway, come in,
Drink Arabic coffee with us
And you will sense that you are men like us
You who stand in the doorways of houses
Come out of our morningtimes,
We shall feel reassured to be
Men like you!
***
When the planes disappear, the white, white doves
Fly off and wash the cheeks of heaven
With unbound wings taking radiance back again, taking possession
Of the ether and of play.
Higher, higher still, the white, white doves
Fly off.
Ah, if only the sky
Were real [a man passing between two bombs said to me].
***
Cypresses behind the soldiers, minarets protecting
The sky from collapse.
Behind the hedge of steel
Soldiers piss—under the watchful eye of a tank—
And the autumnal day ends its golden wandering in
A street as wide as a church after Sunday mass.
.
.
***
[To a killer] If you had contemplated the victim’s face
And thought it through, you would have remembered your mother in the
Gas chamber, you would have been freed from the reason for the rifle
And you would have changed your mind: this is not the way
to find one’s identity again.
***
The siege is a waiting period
Waiting on the tilted ladder in the middle of the storm.
***
Alone, we are alone as far down as the sediment
Were it not for the visits of the rainbows.
***
We have brothers behind this expanse.
Excellent brothers.
They love us.
They watch us and weep.
Then, in secret, they tell each other:
"Ah! if this siege had been declared.
.
.
" They do not finish their sentence:
"Don’t abandon us, don’t leave us.
"
***
Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees.
.
.
Added to this the structural flaw that
Will arrive at the poem, the play, and the unfinished canvas.
***
A woman told the cloud: cover my beloved
For my clothing is drenched with his blood.
***
If you are not rain, my love
Be tree
Sated with fertility, be tree
If you are not tree, my love
Be stone
Saturated with humidity, be stone
If you are not stone, my love
Be moon
In the dream of the beloved woman, be moon
[So spoke a woman
to her son at his funeral]
***
Oh watchmen! Are you not weary
Of lying in wait for the light in our salt
And of the incandescence of the rose in our wound
Are you not weary, oh watchmen?
***
A little of this absolute and blue infinity
Would be enough
To lighten the burden of these times
And to cleanse the mire of this place.
***
It is up to the soul to come down from its mount
And on its silken feet walk
By my side, hand in hand, like two longtime
Friends who share the ancient bread
And the antique glass of wine
May we walk this road together
And then our days will take different directions:
I, beyond nature, which in turn
Will choose to squat on a high-up rock.
***
On my rubble the shadow grows green,
And the wolf is dozing on the skin of my goat
He dreams as I do, as the angel does
That life is here.
.
.
not over there.
***
In the state of siege, time becomes space
Transfixed in its eternity
In the state of siege, space becomes time
That has missed its yesterday and its tomorrow.
***
The martyr encircles me every time I live a new day
And questions me: Where were you? Take every word
You have given me back to the dictionaries
And relieve the sleepers from the echo’s buzz.
***
The martyr enlightens me: beyond the expanse
I did not look
For the virgins of immortality for I love life
On earth, amid fig trees and pines,
But I cannot reach it, and then, too, I took aim at it
With my last possession: the blood in the body of azure.
***
The martyr warned me: Do not believe their ululations
Believe my father when, weeping, he looks at my photograph
How did we trade roles, my son, how did you precede me.
I first, I the first one!
***
The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed,
And a crescent of moon on my finger
To appease my sorrow.
***
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty!
***
Resisting means assuring oneself of the heart’s health,
The health of the testicles and of your tenacious disease:
The disease of hope.
***
And in what remains of the dawn, I walk toward my exterior
And in what remains of the night, I hear the sound of footsteps inside me.
***
Greetings to the one who shares with me an attention to
The drunkenness of light, the light of the butterfly, in the
Blackness of this tunnel!
***
Greetings to the one who shares my glass with me
In the denseness of a night outflanking the two spaces:
Greetings to my apparition.
***
My friends are always preparing a farewell feast for me,
A soothing grave in the shade of oak trees
A marble epitaph of time
And always I anticipate them at the funeral:
Who then has died.
.
.
who?
***
Writing is a puppy biting nothingness
Writing wounds without a trace of blood.
***
Our cups of coffee.
Birds green trees
In the blue shade, the sun gambols from one wall
To another like a gazelle
The water in the clouds has the unlimited shape of what is left to us
Of the sky.
And other things of suspended memories
Reveal that this morning is powerful and splendid,
And that we are the guests of eternity.
|
Written by
John Donne |
WHOEVER comes to shroud me do not harm
Nor question much
That subtle wreath of hair about mine arm;
The mystery the sign you must not touch
For 'tis my outward soul 5
Viceroy to that which unto heav'n being gone
Will leave this to control
And keep these limbs her provinces from dissolution.
For if the sinewy thread my brain lets fall
Through every part 10
Can tie those parts and make me one of all;
Those hairs which upward grew and strength and art
Have from a better brain
Can better do 't: except she meant that I
By this should know my pain 15
As prisoners then are manacled when they're condemn'd to die.
Whate'er she meant by 't bury it with me
For since I am
Love's martyr it might breed idolatry
If into other hands these reliques came.
20
As 'twas humility
T' afford to it all that a soul can do
So 'tis some bravery
That since you would have none of me I bury some of you.
|
Written by
Robert Burns |
AFAR 1 the illustrious Exile roams,
Whom kingdoms on this day should hail;
An inmate in the casual shed,
On transient pity’s bounty fed,
Haunted by busy memory’s bitter tale!
Beasts of the forest have their savage homes,
But He, who should imperial purple wear,
Owns not the lap of earth where rests his royal head!
His wretched refuge, dark despair,
While ravening wrongs and woes pursue,
And distant far the faithful few
Who would his sorrows share.
False flatterer, Hope, away!
Nor think to lure us as in days of yore:
We solemnize this sorrowing natal day,
To prove our loyal truth-we can no more,
And owning Heaven’s mysterious sway,
Submissive, low adore.
Ye honored, mighty Dead,
Who nobly perished in the glorious cause,
Your King, your Country, and her laws,
From great DUNDEE, who smiling Victory led,
And fell a Martyr in her arms,
(What breast of northern ice but warms!)
To bold BALMERINO’S undying name,
Whose soul of fire, lighted at Heaven’s high flame,
Deserves the proudest wreath departed heroes claim:
Nor unrevenged your fate shall lie,
It only lags, the fatal hour,
Your blood shall, with incessant cry,
Awake at last, th’ unsparing Power;
As from the cliff, with thundering course,
The snowy ruin smokes along
With doubling speed and gathering force,
Till deep it, crushing, whelms the cottage in the vale;
So Vengeance’ arm, ensanguin’d, strong,
Shall with resistless might assail,
Usurping Brunswick’s pride shall lay,
And STEWART’S wrongs and yours, with tenfold weight repay.
PERDITION, baleful child of night!
Rise and revenge the injured right
Of STEWART’S royal race:
Lead on the unmuzzled hounds of hell,
Till all the frighted echoes tell
The blood-notes of the chase!
Full on the quarry point their view,
Full on the base usurping crew,
The tools of faction, and the nation’s curse!
Hark how the cry grows on the wind;
They leave the lagging gale behind,
Their savage fury, pitiless, they pour;
With murdering eyes already they devour;
See Brunswick spent, a wretched prey,
His life one poor despairing day,
Where each avenging hour still ushers in a worse!
Such havock, howling all abroad,
Their utter ruin bring,
The base apostates to their God,
Or rebels to their King.
Note 1.
The last birthday of Prince Charles Edward.
[back]
|
Written by
Robert Browning |
I.
THE FLOWER'S NAME
Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.
II.
Down this side ofthe gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!
III.
This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.
IV.
Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.
V.
Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle---
Is not the dear mark still to be seen?
VI.
Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
---Ah, you may flout and turn up your faces---
Roses, you are not so fair after all!
II.
SIBRANDUS SCHAFNABURGENSIS.
Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.
II.
Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.
III.
Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend.
IV.
Splash, went he, as under he ducked,
---At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.
V.
Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, _de profundis, accentibus ltis,
Cantate!_ quoth I, as I got a rake;
And up I fished his delectable treatise.
VI.
Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!
VII.
How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover?
---When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?
VIII.
All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.
IX.
Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_
See the snug niche I have made on my shelf!
A.
's book shall prop you up, B.
's shall cover you,
Here's C.
to be grave with, or D.
to be gay,
And with E.
on each side, and F.
right over you,
Dry-rot at ease till the Judgment-day!
|
Written by
Emily Brontë |
The moon is full this winter night;
The stars are clear, though few;
And every window glistens bright,
With leaves of frozen dew.
The sweet moon through your lattice gleams
And lights your room like day;
And there you pass, in happy dreams,
The peaceful hours away!
While I, with effort hardly quelling
The anguish in my breast,
Wander about the silent dwelling,
And cannot think of rest.
The old clock in the gloomy hall
Ticks on, from hour to hour;
And every time its measured call
Seems lingering slow and slower:
And oh, how slow that keen-eyed star
Has tracked the chilly grey!
What, watching yet! how very far
The morning lies away!
Without your chamber door I stand;
Love, are you slumbering still?
My cold heart, underneath my hand,
Has almost ceased to thrill.
Bleak, bleak the east wind sobs and sighs,
And drowns the turret bell,
Whose sad note, undistinguished, dies
Unheard, like my farewell!
To-morrow, Scorn will blight my name,
And Hate will trample me,
Will load me with a coward's shame?
A traitor's perjury.
False friends will launch their covert sneers;
True friends will wish me dead;
And I shall cause the bitterest tears
That you have ever shed.
The dark deeds of my outlawed race
Will then like virtues shine;
And men will pardon their disgrace,
Beside the guilt of mine.
For, who forgives the accursed crime
Of dastard treachery?
Rebellion, in its chosen time,
May Freedom's champion be;
Revenge may stain a righteous sword,
It may be just to slay;
But, traitor, traitor, from that word
All true breasts shrink away!
Oh, I would give my heart to death,
To keep my honour fair;
Yet, I'll not give my inward faith
My honour's name to spare!
Not even to keep your priceless love,
Dare I, Beloved, deceive;
This treason should the future prove,
Then, only then, believe!
I know the path I ought to go;
I follow fearlessly,
Inquiring not what deeper woe
Stern duty stores for me.
So foes pursue, and cold allies
Mistrust me, every one:
Let me be false in others' eyes,
If faithful in my own.
|
Written by
Ogden Nash |
Some people, and it doesn't matter whether they are paupers or millionaires, Think that anything they have is the best in the world just because it is theirs.
If they happen to own a 1921 jalopy, They look at their neighbor's new de luxe convertible like the wearer of a 57th Street gown at a 14th Street copy.
If their seventeen-year-old child is still in the third grade they sneer at the graduation of the seventeen-year-old children of their friends, Claiming that prodigies always come to bad ends, And if their roof leaks, It's because the shingles are antiques.
Other people, and if doesn't matter if they are Scandinavians or Celts, Think that anything is better than theirs just because it belongs to somebody else.
If you congratulate them when their blue-blooded Doberman pinscher wins the obedience championship, they look at you like a martyr, And say that the garbage man's little Rover is really infinitely smarter; And if they smoke fifteen-cent cigars they are sure somebody else gets better cigars for a dime.
And if they take a trip to Paris they are sure their friends who went to Old Orchard had a better time.
Yes, they look on their neighbor's ox and ass with covetousness and their own ox and ass with abhorrence, And if they are wives they want their husband to be like Florence's Freddie, and if they are husbands they want their wives to be like Freddie's Florence.
I think that comparisons are truly odious, I do not approve of this constant proud or envious to-do; And furthermore, dear friends, I think that you and yours are delightful and I also think that me and mine are delightful too.
|
Written by
T S (Thomas Stearns) Eliot |
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank.
The wind
Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in
the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr.
Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.
i.
f.
London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.
)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
"Well now that's done: and I'm glad it's over.
"
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me.
Richmond and Kew
Undid me.
By Richmond I raised my knees
Supine on the floor of a narrow canoe.
"
"My feet are at Moorgate, and my heart
Under my feet.
After the event
He wept.
He promised 'a new start'.
I made no comment.
What should I resent?"
"On Margate Sands.
300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing.
"
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
|
Written by
Charlotte Turner Smith |
Poor melancholy bird---that all night long
Tell'st to the Moon, thy tale of tender woe;
From what sad cause can such sweet sorrow flow,
And whence this mournful melody of song?
Thy poet's musing fancy would translate
What mean the sounds that swell thy little breast,
When still at dewy eve thou leav'st thy nest,
Thus to the listening night to sing thy fate!
Pale Sorrow's victims wert thou once among,
Tho' now releas'd in woodlands wild to rove?
Say---hast thou felt from friends some cruel wrong,
Or diedst thou---martyr of disastrous love?
Ah! songstress sad! that such my lot might be,
To sigh and sing at liberty---like thee!
|
Written by
Gerard Manley Hopkins |
Laybrother of the Society of Jesus
Honour is flashed off exploit, so we say;
And those strokes once that gashed flesh or galled shield
Should tongue that time now, trumpet now that field,
And, on the fighter, forge his glorious day.
On Christ they do and on the martyr may;
But be the war within, the brand we wield
Unseen, the heroic breast not outward-steeled,
Earth hears no hurtle then from fiercest fray.
Yet God (that hews mountain and continent,
Earth, all, out; who, with trickling increment,
Veins violets and tall trees makes more and more)
Could crowd career with conquest while there went
Those years and years by of world without event
That in Majorca Alfonso watched the door.
|
Written by
Wilfred Owen |
It is not death
Without hereafter
To one in dearth
Of life and its laughter,
Nor the sweet murder
Dealt slow and even
Unto the martyr
Smiling at heaven:
It is the smile
Faint as a (waning) myth,
Faint, and exceeding small
On a boy's murdered mouth.
|