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Best Famous Marts Poems

Here is a collection of the all-time best famous Marts poems. This is a select list of the best famous Marts poetry. Reading, writing, and enjoying famous Marts poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of marts poems.

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Written by Langston Hughes | Create an image from this poem

Freedoms Plow

 When a man starts out with nothing,
 When a man starts out with his hands
 Empty, but clean,
 When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.
First in the heart is the dream- Then the mind starts seeking a way.
His eyes look out on the world, On the great wooded world, On the rich soil of the world, On the rivers of the world.
The eyes see there materials for building, See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood, To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help, A community of hands to help- Thus the dream becomes not one man's dream alone, But a community dream.
Not my dream alone, but our dream.
Not my world alone, But your world and my world, Belonging to all the hands who build.
A long time ago, but not too long ago, Ships came from across the sea Bringing the Pilgrims and prayer-makers, Adventurers and booty seekers, Free men and indentured servants, Slave men and slave masters, all new- To a new world, America! With billowing sails the galleons came Bringing men and dreams, women and dreams.
In little bands together, Heart reaching out to heart, Hand reaching out to hand, They began to build our land.
Some were free hands Seeking a greater freedom, Some were indentured hands Hoping to find their freedom, Some were slave hands Guarding in their hearts the seed of freedom, But the word was there always: Freedom.
Down into the earth went the plow In the free hands and the slave hands, In indentured hands and adventurous hands, Turning the rich soil went the plow in many hands That planted and harvested the food that fed And the cotton that clothed America.
Clang against the trees went the ax into many hands That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls That moved and transported America.
Crack went the whips that drove the horses Across the plains of America.
Free hands and slave hands, Indentured hands, adventurous hands, White hands and black hands Held the plow handles, Ax handles, hammer handles, Launched the boats and whipped the horses That fed and housed and moved America.
Thus together through labor, All these hands made America.
Labor! Out of labor came villages And the towns that grew cities.
Labor! Out of labor came the rowboats And the sailboats and the steamboats, Came the wagons, and the coaches, Covered wagons, stage coaches, Out of labor came the factories, Came the foundries, came the railroads.
Came the marts and markets, shops and stores, Came the mighty products moulded, manufactured, Sold in shops, piled in warehouses, Shipped the wide world over: Out of labor-white hands and black hands- Came the dream, the strength, the will, And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago, Seattle, New Orleans, Boston and El Paso- Now it's the U.
S.
A.
A long time ago, but not too long ago, a man said: ALL MEN ARE CREATED EQUAL-- ENDOWED BY THEIR CREATOR WITH CERTAIN UNALIENABLE RIGHTS-- AMONG THESE LIFE, LIBERTY AND THE PURSUIT OF HAPPINESS.
His name was Jefferson.
There were slaves then, But in their hearts the slaves believed him, too, And silently too for granted That what he said was also meant for them.
It was a long time ago, But not so long ago at that, Lincoln said: NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too, But in their hearts the slaves knew What he said must be meant for every human being- Else it had no meaning for anyone.
Then a man said: BETTER TO DIE FREE THAN TO LIVE SLAVES He was a colored man who had been a slave But had run away to freedom.
And the slaves knew What Frederick Douglass said was true.
With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark, And nobody knew for sure When freedom would triumph "Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery, Guarding in their hearts the seed of freedom, The slaves made up a song: Keep Your Hand On The Plow! Hold On! That song meant just what it said: Hold On! Freedom will come! Keep Your Hand On The Plow! Hold On! Out of war it came, bloody and terrible! But it came! Some there were, as always, Who doubted that the war would end right, That the slaves would be free, Or that the union would stand, But now we know how it all came out.
Out of the darkest days for people and a nation, We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land, And men united as a nation.
America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud, Nor write them down on paper.
The people often hold Great thoughts in their deepest hearts And sometimes only blunderingly express them, Haltingly and stumblingly say them, And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there, Always the trying to understand, And the trying to say, "You are a man.
Together we are building our land.
" America! Land created in common, Dream nourished in common, Keep your hand on the plow! Hold on! If the house is not yet finished, Don't be discouraged, builder! If the fight is not yet won, Don't be weary, soldier! The plan and the pattern is here, Woven from the beginning Into the warp and woof of America: ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT HIS CONSENT.
BETTER DIE FREE, THAN TO LIVE SLAVES.
Who said those things? Americans! Who owns those words? America! Who is America? You, me! We are America! To the enemy who would conquer us from without, We say, NO! To the enemy who would divide And conquer us from within, We say, NO! FREEDOM! BROTHERHOOD! DEMOCRACY! To all the enemies of these great words: We say, NO! A long time ago, An enslaved people heading toward freedom Made up a song: Keep Your Hand On The Plow! Hold On! The plow plowed a new furrow Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody, For all America, for all the world.
May its branches spread and shelter grow Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!


Written by Walt Whitman | Create an image from this poem

Ashes of Soldiers

 ASHES of soldiers! 
As I muse, retrospective, murmuring a chant in thought, 
Lo! the war resumes—again to my sense your shapes, 
And again the advance of armies.
Noiseless as mists and vapors, From their graves in the trenches ascending, From the cemeteries all through Virginia and Tennessee, From every point of the compass, out of the countless unnamed graves, In wafted clouds, in myraids large, or squads of twos or threes, or single ones, they come, And silently gather round me.
Now sound no note, O trumpeters! Not at the head of my cavalry, parading on spirited horses, With sabres drawn and glist’ning, and carbines by their thighs—(ah, my brave horsemen! My handsome, tan-faced horsemen! what life, what joy and pride, With all the perils, were yours!) Nor you drummers—neither at reveille, at dawn, Nor the long roll alarming the camp—nor even the muffled beat for a burial; Nothing from you, this time, O drummers, bearing my warlike drums.
But aside from these, and the marts of wealth, and the crowded promenade, Admitting around me comrades close, unseen by the rest, and voiceless, The slain elate and alive again—the dust and debris alive, I chant this chant of my silent soul, in the name of all dead soldiers.
Faces so pale, with wondrous eyes, very dear, gather closer yet; Draw close, but speak not.
Phantoms of countless lost! Invisible to the rest, henceforth become my companions! Follow me ever! desert me not, while I live.
Sweet are the blooming cheeks of the living! sweet are the musical voices sounding! But sweet, ah sweet, are the dead, with their silent eyes.
Dearest comrades! all is over and long gone; But love is not over—and what love, O comrades! Perfume from battle-fields rising—up from foetor arising.
Perfume therefore my chant, O love! immortal Love! Give me to bathe the memories of all dead soldiers, Shroud them, embalm them, cover them all over with tender pride! Perfume all! make all wholesome! Make these ashes to nourish and blossom, O love! O chant! solve all, fructify all with the last chemistry.
Give me exhaustless—make me a fountain, That I exhale love from me wherever I go, like a moist perennial dew, For the ashes of all dead soldiers.
Written by Laurence Binyon | Create an image from this poem

To the Belgians

 O race that Cæsar knew, 
That won stern Roman praise, 
What land not envies you 
The laurel of these days? 
You build your cities rich 
Around each towered hall, —
Without, the statued niche, 
Within, the pictured wall.
Your ship-thronged wharves, your marts With gorgeious Venice vied, Peace and her famous arts Were yours: though tide on tide Of Europe's battle scourged Black fields and reddened soil, From blood and smoke emerged Peace and her fruitful toil.
Yet when the challenge rang, "The War-Lord comes; give room!" Fearless to arms you sprang Agains the odds of doom.
Like your own Damien Who sought that leper's isle To die a simple man For men with tranquil smile, So strong in faith you dared Defy the giant, scorn Ignobly to be spared, Though trampled, spoiled, and torn, And in your faith arose And smote, and smote again, Till those astonished foes Reeled from their mounds of slain, The faith that the free soul, Untaught by force to quail, Through fire and dirge and dole Prevails, and shall prevail.
Still for your frontier stands The host that knew no dread, Your little, stubborn land's Nameless, immortal dead.
Written by Rg Gregory | Create an image from this poem

haunting the quark

 (I)
if you can’t scientifically explain it
dawkins says it has no value – some hope
inside the mechanical framework of a guess
(as far as any fact can truly grope)
doubts roam – mere looking can’t attain it

twentieth-century science perceived that mess
the more you probed the inner – more the scope
for chaos (uncertainty) – no mind could drain it
tie it to a marriage it must elope
clarity of thinking must make worse the stress

the artist looks at truth and has to feign it
stirs mud makes shapes (gives up) disturbs old rope
what’s not there’s there (says who) – such wantonness

(II)
revelation comes in flits and starts
each one’s a bundle of the genes’ loose ends
there’s a sparking deep down in the dark
that (come to light) can’t find its plain amends
can’t sport a price-tag in exchange and marts

who wants mathematics in a singing lark
(oh it’s there all right – it’s not what listening spends)
the mystic truth lies somewhere in the heart – 
lies (you see) - all best truth has the bends
it’s blood not thought that asks the muse to heark

no artist helps – no doughty horse but cart
receptacle for undeciphered legends
science hunts (it’s art that haunts) the quark
Written by Vachel Lindsay | Create an image from this poem

The Amaranth

 Ah, in the night, all music haunts me here.
.
.
.
Is it for naught high Heaven cracks and yawns And the tremendous Amaranth descends Sweet with the glory of ten thousand dawns? Does it not mean my God would have me say: — "Whether you will or no, O city young, Heaven will bloom like one great flower for you, Flash and loom greatly all your marts among?" Friends, I will not cease hoping though you weep.
Such things I see, and some of them shall come Though now our streets are harsh and ashen-gray, Though our strong youths are strident now, or dumb.
Friends, that sweet town, that wonder-town, shall rise.
Naught can delay it.
Though it may not be Just as I dream, it comes at last I know With streets like channels of an incense-sea.


Written by Ella Wheeler Wilcox | Create an image from this poem

Pardoned Out

 I’m pardoned out.
Again the stars Shine on me with their myriad eyes.
So long I’ve peered ‘twixt iron bars, I’m awed by this expanse of skies.
The world is wider than I thought, And yet ‘tis not so wide, I know, But into its remotest spot My tale of shame can go.
I’m pardoned out.
Old Father Time Who seemed to halt in horror, when I strained my manhood by a crime, With steady step moves on again, And through the black appalling night, That walled me in a gloom accurst, The wonder of the morning light In sudden glory burst.
I’m pardoned out.
I shall be knows No more by number, but by name.
And yet each whispering wind has blown Abroad the story of my shame.
I dread to see men shrink away With startled looks of scorn or fear, When in life’s crowded marts some day, That name falls on their ear.
I’m pardoned out, ah God! to roam Like some whipped dog among my kind.
I have no friends, I have no home, Save these bleak walls I leave behind.
How can I face the world of men, My comrades in the days of yore? Oh! hide me in my cell again, And, warden lock the door.
Written by Ella Wheeler Wilcox | Create an image from this poem

Lines from

 I'd rather have my verses win 
A place in common people's hearts, 
Who, toiling through the strife and din 
Of life's great thoroughfares, and marts, 

May read some line my hand has penned; 
Some simple verse, not fine, or grand, 
But what their hearts can understand 
And hold me henceforth as a friend,-- 

I'd rather win such quiet fame 
Than by some fine thought, bolished so 
But those of learned minds would know, 
Just what the meaning of my song,-- 
To have the critics sound my name 
In high-flown praises, loud and long.
I sing not for the I'd rather have my verses win A place in common people's hearts, Who, toiling through the strife and din Of life's great thoroughfares, and marts, May read some line my hand has penned; Some simple verse, not fine, or grand, But what their hearts can understand And hold me henceforth as a friend,-- I'd rather win such quiet fame Than by some fine thought, bolished so But those of learned minds would know, Just what the meaning of my song,-- To have the critics sound my name In high-flown praises, loud and long.
I sing not for the critic's ear, But for the masses.
If they hear Despite the turmoil, noise, and strife Some least low note that gladdens life, I shall be wholly satisfied, Though critics to the end deride.
ear, But for the masses.
If they hear Despite the turmoil, noise, and strife Some least low note that gladdens life, I shall be wholly satisfied, Though critics to the end deride.

Book: Reflection on the Important Things