Written by
Robert Frost |
Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it:
And experts said that deep down in the mountain
The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.
"I'll tell you what you show me. You remember
You said you knew the place where once, on Kinsman,
The early Mormons made a settlement
And built a stone baptismal font outdoors—
But Smith, or someone, called them off the mountain
To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there."
Someday I will."
"Today."
"Huh, that old bathtub, what is that to see?
Let's talk about it."
"Let's go see the place."
'To shut you up I'll tell you what I'll do:
I'll find that fountain if it takes all summer,
And both of our united strengths, to do it."
"You've lost it, then?"
"Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it
In eighty-five."
"As long ago as that?"
"If I remember rightly, it had sprung
A leak and emptied then. And forty years
Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself
Be dragged by you all over everywhere——"
"I thought you were a guide.”
"I am a guide,
And that's why I can't decently refuse you."
We made a day of it out of the world,
Ascending to descend to reascend.
The old man seriously took his bearings,
And spoke his doubts in every open place.
We came out on a look-off where we faced
A cliff, and on the cliff a bottle painted,
Or stained by vegetation from above,
A likeness to surprise the thrilly tourist.
"Well, if I haven't brought you to the fountain,
At least I've brought you to the famous Bottle."
"I won't accept the substitute. It's empty.”
"So's everything."
"I want my fountain."
"I guess you'd find the fountain just as empty.
And anyway this tells me where I am.”
"Hadn't you long suspected where you were?"
"You mean miles from that Mormon settlement?
Look here, you treat your guide with due respect
If you don't want to spend the night outdoors.
I vow we must be near the place from where
The two converging slides, the avalanches,
On Marshall, look like donkey's ears.
We may as well see that and save the day."
"Don't donkey's ears suggest we shake our own?"
"For God's sake, aren't you fond of viewing nature?
You don't like nature. All you like is books.
What signify a donkey's cars and bottle,
However natural? Give you your books!
Well then, right here is where I show you books.
Come straight down off this mountain just as fast
As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather."
Be ready, I thought, for almost anything.
We struck a road I didn't recognize,
But welcomed for the chance to lave my shoes
In dust once more. We followed this a mile,
Perhaps, to where it ended at a house
I didn't know was there. It was the kind
To bring me to for broad-board paneling.
I never saw so good a house deserted.
"Excuse me if I ask you in a window
That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people
Who used to live here. They were Robinsons.
You must have heard of Clara Robinson,
The poetess who wrote the book of verses
And had it published. It was all about
The posies on her inner windowsill,
And the birds on her outer windowsill,
And how she tended both, or had them tended:
She never tended anything herself.
She was 'shut in' for life. She lived her whole
Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended
To entertain the birds and hold the flowers.
Our business first's up attic with her books."
We trod uncomfortably on crunching glass
Through a house stripped of everything
Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case
That, overflowing like a horn of plenty,
Or like the poetess's heart of love,
Had spilled them near the window, toward the light
Where driven rain had wet and swollen them.
Enough to stock a village library—
Unfortunately all of one kind, though.
They bad been brought home from some publisher
And taken thus into the family.
Boys and bad hunters had known what to do
With stone and lead to unprotected glass:
Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage?
By being invisible for what it was,
Or else by some remoteness that defied them
To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book,
To send it sailing out the attic window
Till it caught wind and, opening out its covers,
Tried to improve on sailing like a tile
By flying like a bird (silent in flight,
But all the burden of its body song),
Only to tumble like a stricken bird,
And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then,
Having tried one, had dropped it at his feet
And left it lying where it fell rejected.
Here were all those the poetess's life
Had been too short to sell or give away.
"Take one," Old Davis bade me graciously.
"Why not take two or three?"
"Take all you want."
Good-looking books like that." He picked one fresh
In virgin wrapper from deep in the box,
And stroked it with a horny-handed kindness.
He read in one and I read in another,
Both either looking for or finding something.
The attic wasps went missing by like bullets.
I was soon satisfied for the time being.
All the way home I kept remembering
The small book in my pocket. It was there.
The poetess had sighed, I knew, in heaven
At having eased her heart of one more copy—
Legitimately. My demand upon her,
Though slight, was a demand. She felt the tug.
In time she would be rid of all her books.
|
Written by
Robert William Service |
The English and the French were met
Upon the field of future battle;
The foes were formidably set
And waiting for the guns to rattle;
When from the serried ranks of France
The English saw with woeful presage
Under a flaming flag advance
A trumpeter who bore a message.
'Twas from their Marshal, quite polite,
Yet made the English leader shiver.
"We're perched," said he, "upon the height,
While you're exposed beside the river.
We have the vantage, you'll agree,
And your look-out is melancholy;
But being famed for courtesy
We'll let you fire the starting volley."
The English General was moved,
In fact his eyes were almost tearful;
Then he too his politeness proved
By writing back: "We are not fearful.
Our England is too proud to take
The privilege you thrust upon her;
So let your guns in thunder break:
To you, M'sieu, shall be the houour."
Again a note the Marshall sent
By envoy for his battle station:
"Your spirit wins my compliment,
Your courage my appreciation.
Yet you are weak and we are strong,
And though your faith is most inspiring,
Don't let us linger all day long -
Mon General, begin the firing."
"How chivalrous the soul of France."
The English General reflected.
"I hate to take this happy chance,
But I suppose it's what's expected.
Politeness is a platitude
In this fair land of gallant foemen."
So with a heart of gratitude
He primed his guns and cried: "Let's go men!"
The General was puzzled when
No answer came, said he: "What is it?
Why don't they give us hell?" And then
The herald paid another visit.
The Marshall wrote: "to your salute
Please pardon us for not replying;
To shatter you we cannot shoot . . .
My men are dead and I am dying."
|
Written by
William Topaz McGonagall |
Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.
The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.
One day Matthew asked Annie if she would be his wife,
And Annie replied, I never thought of it in all my life;
Yes, my wife, Annie, replied Matthew, hold hard a bit,
Remember, Annie, I've watched you grow up, and consider you most fit.
Poor Annie did not speak, she remained quite mute,
And with agitation she trembled from head to foot,
The poor girl was in a dilemma, she knew not what to say,
And owing to Matthew training her, she couldn't say him nay.
Oh! Matthew, I'm afraid I would not make you a good wife,
And in that respect there would be too much strife,
And the thought thereof, believe me, makes me feel ill,
Because I'm unfit to be thy wife, Matthew, faltered the poor girl.
Time will prove that, dear Annie, but why are you so calm?
Then Annie put her hand shyly into Matthew's brown palm
Just then the flashing lightning played upon Annie's face,
And the loud thunder drowned Matthew's words as Annie left the place.
But Matthew looked after her as she went home straightway,
And his old heart felt light and gay,
As he looked forward for his coming marriage day,
Because he knew that Annie Marshall couldn't say him nay.
Then the sky drew dark, and the sea lashed itself into foam,
But he heeded it not as he sat there alone,
Till the sound of a gun came booming o'er the sea,
Then Matthew had to attend to his duty immediately.
A ship, he muttered, Lord, help them! and coming right in by the sound,
And in a few minutes she will run aground.
And the vessel was dashed against the rocks with her helpless crew,
Then in hot haste for assistance Matthew instantly flew.
Then Matthew returned with a few men all willing to lend their aid,
But amongst them all Matthew seemed the least afraid;
Then an old man cried, Save my boy, for his mother's sake,
Oh! Matthew, try and save him, or my heart will break!
I will, Heaven helping me, Matthew said solemnly,
Come, bear a hand, mates, and lower me over the cliff quietly;
Then Matthew was lowered with ropes into what seemed a watery grave,
At the risk of his own life, old Jonathan Bately's son to save.
So Matthew Pengelly saved Jonathan Bately's son,
And the old man thanked God and Matthew for what he had done,
And the mother's heart was full of gratitude and joy,
For the restoration of her darling boy.
So Matthew resolved to marry Annie Marshall,
But first he'd go to sea whatever did befall,
To earn a few pounds to make the marriage more grand,
So he joined a whaling vessel and went to Greenland
And while Matthew was away at Greenland,
David Bately wanted to marry Annie Marshall right off hand,
But Annie refused to marry David Bately,
So in anger David Bately went another voyage to sea.
A few nights after David Bately had gone to sea,
Annie's thoughts reverted to Matthew Pengelly,
And as she sat in the Downderry station watching the boiling waves below,
The wind blew a terrific gale, which filled her heart with woe.
And as she sat there the big waves did loudly roar,
When a man cried, Help! help! there's a corpse washed ashore;
Then Annie rushed madly to the little beach,
And when she saw the corpse she gave a loud screech
So there is but little more to tell of this sad history,
Only that Annie Marshall mourned long for Matthew Pengelly,
Who had floated home to be buried amongst his own kin,
But, alas! the rest of the crew were buried in the sea, save him.
|
Written by
Phillis Wheatley |
THROUGH thickest glooms look back, immortal
shade,
On that confusion which thy death has made:
Or from Olympus' height look down, and see
A Town involv'd in grief bereft of thee.
Thy Lucy sees thee mingle with the dead,
And rends the graceful tresses from her head,
Wild in her woe, with grief unknown opprest
Sigh follows sigh deep heaving from her breast.
Too quickly fled, ah! whither art thou gone?
Ah! lost for ever to thy wife and son!
The hapless child, thine only hope and heir,
Clings round his mother's neck, and weeps his sorrows
there.
The loss of thee on Tyler's soul returns,
And Boston for her dear physician mourns.
When sickness call'd for Marshall's healing hand,
With what compassion did his soul expand?
In him we found the father and the friend:
In life how lov'd! how honour'd in his end!
And must not then our AEsculapius stay
To bring his ling'ring infant into day?
The babe unborn in the dark womb is tost,
And seems in anguish for its father lost.
Gone is Apollo from his house of earth,
But leaves the sweet memorials of his worth:
The common parent, whom we all deplore,
From yonder world unseen must come no more,
Yet 'midst our woes immortal hopes attend
The spouse, the sire, the universal friend.
|
Written by
Carl Sandburg |
THE LAWYERS, Bob, know too much.
They are chums of the books of old John Marshall.
They know it all, what a dead hand wrote,
A stiff dead hand and its knuckles crumbling,
The bones of the fingers a thin white ash.
The lawyers know
a dead man’s thoughts too well.
In the heels of the higgling lawyers, Bob,
Too many slippery ifs and buts and howevers,
Too much hereinbefore provided whereas,
Too many doors to go in and out of.
When the lawyers are through
What is there left, Bob?
Can a mouse nibble at it
And find enough to fasten a tooth in?
Why is there always a secret singing
When a lawyer cashes in?
Why does a hearse horse snicker
Hauling a lawyer away?
The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
Singers of songs and dreamers of plays
Build a house no wind blows over.
The lawyers—tell me why a hearse horse snickers hauling a lawyer’s bones.
|
Written by
Henry Lawson |
You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.
The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken ***** --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.
`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'
We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.
He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.
The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'
. . . . .
He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.
They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!
And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.
|
Written by
Edgar Lee Masters |
All your sorrow, Louise, and hatred of me
Sprang from your delusion that it was wantonness
Of spirit and contempt of your soul's rights
Which made me turn to Annabelle and forsake you.
You really grew to hate me for love of me,
Because I was your soul's happiness,
Formed and tempered
To solve your life for you, and would not.
But you were my misery. If you had been
My happiness would I not have clung to you?
This is life's sorrow:
That one can be happy only where two are;
And that our hearts are drawn to stars
Which want us not.
|